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Rufino Tamayo

 
Britannica Concise Encyclopedia: Rufino Tamayo
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Sandias (
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Sandias ("Watermelons"), oil on canvas by Rufino Tamayo, … (credit: Reforma/AP)
(born Aug. 26, 1899/1900, Oaxaca, Mex. — died June 24, 1991, Mexico City) Mexican painter and graphic artist. He studied at Mexico City's School of Fine Arts and then taught at the National Museum of Archaeology (1921 – 26). He preferred easel painting to the monumental proportions and political rhetoric of José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros. His distinctive style blended Cubism and Surrealism with Mexican folk-art subjects involving semiabstract figures, still lifes, and animals in vibrant colours. From 1936 he lived principally in New York City. In 1950 an exhibition at the Venice Biennale brought him international recognition. He designed murals for Mexico City's Palace of Fine Arts (1952 – 53) and UNESCO's Paris headquarters (1958). In 1974 he donated his collection of pre-Hispanic art to his native Oaxaca.

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Art Encyclopedia: Rufino Tamayo
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(b Oaxaca, 29 Aug 1899; d 24 June 1991). Mexican painter, printmaker, sculptor and collector. He is one of a select group of Mexican painters who attained international reputations in the 20th century, in his case sustained over a long and varied career. Opposed to the ideological current represented by Diego Rivera, David Alfaro Siqueiros and Jos? Clemente Orozco, he eschewed ephemeral political messages in favour of purely pictorial and aesthetic questions. He came from a region in Mexico noted for its traditions and indigenous groups, its Pre-Columbian art and highly-coloured popular art, all of which influenced his work as early as Woman in Grey (1931; Mexico City, Mus. A. Mod.), a primitivistic image of a female nude. Throughout his life he collected more than 1000 Pre-Columbian ceramics and sculptures, donating them in 1974 to the people of Oaxaca as the Museo de Arte Prehisp?nico.

See the Abbreviations for further details.


 
Columbia Encyclopedia: Rufino Tamayo
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Tamayo, Rufino (rūfē'nō tämä'yō), 1899-1991, Mexican painter, b. Oaxaca. Considered one of the leading Mexican artists of the 20th cent., Tamayo first gained his reputation in the United States and in Europe before he was acclaimed in his native land. Less interested than Rivera or Siqueiros in an art of social message, Tamayo concentrated more on the formal and decorative elements of painting. Strong influences from cubism and fauvism are apparent in Tamayo's work, as well as elements from Mexican folklore. Characteristic examples are Women of Tehuantepec (1939; Albright-Knox Art Gallery, Buffalo), and his murals at Smith College, Northampton, Mass. (1943), which are brilliantly colored and whimsically drawn. His work of the 1950s produced a powerful strain of abstract expressionism.

Bibliography

See O. Paz, Rufino Tamayo (tr. 1979); J. Corredor-Metheos, Tamayo (1987).

Dictionary: Ta·ma·yo   (tä-mä'yō) pronunciation, Rufino
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1899-1991.

Mexican artist whose bold, textured works were influenced by pre-Columbian symbols as well as cubism and expressionism.


Wikipedia: Rufino Tamayo
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Rufino Tamayo

Rufino Tamayo holding a guitar 1945, Photo by: Carl Van Vechten
Birth name Rufino Arellanes Tamayo
Born August 26, 1899(1899-08-26)
Oaxaca de Juárez, Mexico
Died June 24, 1991 (aged 91)
Mexico City, Mexico
Nationality Mexican

Rufino Tamayo (August 25, 1899 – June 24, 1991) was a Zapotecan Indian painter born in Oaxaca de Juárez, Mexico, of Mestizo parents.[1][2]

Contents

Early life

Tamayo moved to Mexico City, following the death of his mother in 1911, and began studying art at Escuela Nacional de Artes Plasticas, in 1917.[1] While studying, Tamayo experimented with and was influenced by Cubism, Impressionism, and Fauvism, among other popular art movements of the time, but with a distinctly Mexican feel.[1]

Career

After the Mexican Revolution, Tamayo devoted himself to creating an identity in his work, and with his paintings, Tamayo expressed what he believed was the traditional Mexico, refusing to follow the more political trend that many of his contemporaries did, such as José Clemente Orozco, Diego Rivera, Oswaldo Guayasamin, and David Alfaro Siqueiros. Due to this choice, he was seen by some as a "traitor" to the political cause, and he felt he could not freely express his art, so in 1926, he decided to leave Mexico and move to New York.[1] Prior to leaving, he organized a one-man show of his work in Mexico City, where he was noticed for his individuality.[1] Tamayo returned to Mexico in 1929 to have another solo show, this time being met with high praise and media coverage.

Tamayo and Luis Remba were the first artists who created a new type of printed artwork called "mixografía". Mixografía consisted of artwork printed on paper, but with depth and texture.[3] One of their most famous mixografía was titled Dos Personajes Atacados por Perros ("Two Characters Attacked by Dogs").[4]

Tamayo also painted murals, some of which are displayed inside Palacio Nacional de Bellas Artes opera house in Mexico City, such as Nacimiento de la nacionalidad ("Birth of the Nationality"), (1952).

Outside Mexico

Rufino Tamayo started in his early days as a professional wrestler, at age 30 he stopped, and dedicated his life to painting portraits. From 1937 to 1949, Tamayo and his wife Olga lived in New York, becoming widely recognized, and he painted some of his most valuable works during that time. He had his first show in New York City at Valentine Gallery. He gained credibility and went on to show at Knoedler Gallery and Marlborough Gallery.[5] In 1948 his first major retrospective was done at the Palacio de Bellas Artes in Mexico City, and while he was still controversial, his popularity was high. Still uncomfortable with the political differences and controversy, Tamayo and Olga moved to Paris in 1949, where he was welcomed by the artists of Europe. He remained in Paris for 10 years.[1]

The Return Home

In 1959, Tamayo and his wife returned to Mexico permanently, where Tamayo built an art museum in his home town of Oaxaca, the Museo Rufino Tamayo. In 1972 Tamayo was the subject of the documentary film, Rufino Tamayo: The Sources of his Art by Gary Conklin.

The Tamayo Contemporary Art Museum (Museo Tamayo de Arte Contemporáneo), located on Mexico City's Paseo de la Reforma boulevard, where it crosses Chapultepec Park, was opened in 1981 as a repository for the collections that Rufino Tamayo and his wife acquired during their lifetimes, and ultimately donated to the nation.

In 1988, Tamayo received the Belisario Domínguez Medal of Honor.

Tamayo painted his last painting in 1989, at the age of 90, Hombre con flor (Man with flower), a self-portrait.[3]

Tamayo's work has been displayed in museums throughout the world, including the Solomon R. Guggenheim Museum in New York City, The Phillips Collection in Washington, and The Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.

“ "If I could express with a single word what it is that distinguishes Tamayo from other painters, I would say without a moment's hesitation: Sun. For the sun is in all his pictures, whether we see it or not." - Nobel Prize-winning poet Octavio Paz ”

His Death

On June 12th 1991, Tamayo was admitted to Mexico City's National Institute of Medical Sciences and Nutrition for respiratory and heart failure. He suffered an acute stroke and died on June 24, 1991.

Theft and Recovery

Tamayo's 1970 painting Tres Personajes was bought by a Houston man as a gift for his wife in 1977, then stolen from their storage locker in 1987 during a move. In 2003, Elizabeth Gibson found the painting in the trash on a New York City curb. Although she knew little about modern art, Gibson felt the painting "had power" and took it without knowing its origin or market value. She spent four years trying to learn about the work, eventually learning from the PBS website that it had been featured on an episode of Antiques Roadshow. After seeing the Missing Masterpieces segment about Tres Personajes, Gibson and the former owner arranged to sell the painting at a Sotheby's auction. In November, 2007 Gibson received a $15,000 reward plus a portion of the $1,049,000 auction sales price.[6][7][8][9]

References

  1. ^ a b c d e f Carlos Suarez De Jesus (2007). "Mexican Master". The Miami New Times. http://www.miaminewtimes.com/2007-07-05/culture/mexican-master/full. Retrieved October 1 2007. 
  2. ^ The Adani Gallery (2007). "Rufino Tamayo". The Adani Gallery. http://www.adanigallery.com/Tamayo/main.html. Retrieved October 1 2007. 
  3. ^ a b Frank Houston (2007). "Gone Tamayo". The Miami New Times. http://blogs.miaminewtimes.com/riptide/2007/09/gone_tamayo.php. Retrieved October 1 2007. 
  4. ^ Artscene (2007). "Rufino Tamayo". Artscene. http://artscenecal.com/ArticlesFile/Archive/Articles1999/Articles0399/RTamayo6.html. Retrieved October 1 2007. 
  5. ^ Katherine Jentleson (November 21, 2007), Artist Dossier: Rufino Tamayo, ARTINFO, http://www.artinfo.com/news/story/25950/artist-dossier-rufino-tamayo/, retrieved 2008-04-28 
  6. ^ ULA ILNYTZKY (24 October 2007). "Painting found in trash could fetch $1M". Associated Press. http://seattlepi.nwsource.com/artandlife/1404AP_Trash_Treasure.html. 
  7. ^ Charlotte Higgins (24 October 2007). "Stolen masterpiece found on New York street". The Guardian. http://www.guardian.co.uk/usa/story/0,,2197779,00.html. 
  8. ^ Associated Press (November 21, 2007). "Painting Found in Trash Sells for $1M". http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2007/11/21/national/a065007S04.DTL&tsp=1. Retrieved 2007-11-21. 
  9. ^ Lisa Gray (November 6, 2007). "Finding Tamayo painting was result of fate". Houston Chronicle. http://www.chron.com/disp/story.mpl/headline/entertainment/5266414.html. Retrieved 2007-11-21. 

Further reading

  • Museum, Miami (2006). Tamayo, a Modern Icon Reinterpreted. City: Turner Ediciones S.A. ISBN 847506745X. 
  • Conde, Teresa del; Tamayo, Rufino (2000). Tamayo. Boston: Little, Brown. ISBN 0-8212-2651-7. 

External links

Preceded by
Eduardo García Maynez		 Belisario Domínguez Medal of Honor
1988		 Succeeded by
Raúl Castellano Jiménez

This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)

 
 

 

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