Bibliography
See his selected letters and papers (ed. by his son, W. McC. Griswold, 1898).
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Results for Rufus Wilmot Griswold
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Bibliography
See his selected letters and papers (ed. by his son, W. McC. Griswold, 1898).
| 1842 | The Poets and Poetry of America. The critic Griswold's most significant anthology solidifies his literary reputation. Although criticized for its inclusion of poets who lacked lasting worth and exclusion of southern and western writers, this book proves popular, and many critics believe it to be, as the Knickerbocker said, "the best collection of American poetry that has ever been made." |
| 1847 | The Prose Writers of America. An anthology of contemporary writers. Griswold, the most important anthologist of his time, praises Hawthorne, Poe, and Emerson, though he gives undue glorification to his literary friends. The work is also important for the author's opening essay, which exalts American literature. |
| 1855 | The Republican Court; or, American Society in the Days of Washington. A social history of the period of George Washington's presidency. The book is commercially successful and include discussions on varying social conventions throughout the country as well as illustrations of some of the prominent women of the day. It is considered Griswold's best work. |
1855 engraving by Miner Kilbourne Kellogg |
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| Born: | February 15 1815 Benson, Vermont, United States |
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| Died: | August 12 1857 New York City, New York |
| Occupation: | Editor, Critic, Writer |
Rufus Wilmot Griswold (February 15, 1815 - August 12, 1857) was an American anthologist, editor and critic, famous for his enmity with Edgar Allan Poe.
Born in Vermont, Griswold left his family at age 15. By 22, he had moved to New York, had become ordained as a clergyman and had married his wife Caroline. During his wife's second pregnancy, Griswold left her and moved to Philadelphia. He worked as a journalist and minor writer, in his day best known for his 1842 collection The Poets and Poetry of America, an anthology of what he deemed the best examples in American poetry. He would produced revised versions and similar anthologies for the remainder of his life.
It was in Philadelphia that Griswold first met Edgar Allan Poe. Poe had been included in Griswold's anthology but Poe published a critical response which questioned the inclusion of some of the collected poets. Griswold soon after replaced Poe as editor of Graham's Magazine, commanding a larger salary than Poe had. The two also competed for the attention of poet Frances Sargent Osgood. They never reconciled their differences and, after Poe's mysterious death in 1849, Griswold began a heavy campaign to destroy Poe's reputation which lasted until his own death eight years later.
Born in Benson, Vermont as the twelfth of fourteen children, Griswold left his family when he was 15, calling himself a "solitary soul, wandering through the world, a homeless, joyless outcast."[1] He traveled extensively, worked in newspaper offices, was a Baptist clergyman for a time, and finally became a journalist in New York City.
Griswold had married his wife Caroline after becoming a clergyman at the age of 22. When she was pregnant with their second daughter, he would leave her behind in New York to move to Philadelphia.[2] Upon her death and the death of their third child, a son, he was heavily grieved. He admitted that forty days after her entombment in 1842, he entered her vault, cut off a lock of her hair, kissed her on the forehead and on the lips, and wept for several hours. A friend found him later the next evening, 30 hours later.[3][4]
There he was successively a member of the staffs of The Brother Jonathan, The New World (1839-1840) and The New Yorker (1840). He edited the first American edition of Milton's prose works (1845). From 1841 to 1843 he edited Graham's Magazine (Philadelphia), and added to its list of contributors many leading American writers. From 1850 to 1852 he edited the International Magazine (New York), which in 1852 was merged into Harper's Magazine.
Publicly, Griswold was a supporter of the establishment of international copyright, though he himself often pirated whole works of literature during his time as an editor, particularly with The Brother Jonathan. A contemporary editor said of Griswold, "He takes advantage of a state of things which he declares to be 'immoral, unjust and wicked,' and even while haranguing the loudest, is purloining the fastest."[5]
He was a compiler and editor of various anthologies (with brief biographies and critiques), such as Poets and Poetry of America (1842), his most popular and valuable book; Prose Writers of America (1846); Female Poets of America (1848); and Sacred Poets of England and America (1849). Many went through several revised editions. He was also a writer himself, including his work Republican Court: or American Society in the Days of Washington in 1854.
In Poe's January 28, 1843 review of Griswold's The Poets and Poetry of America which appeared in the Philadelphia Saturday Museum, Poe asked: "...what will be [Griswold's] fate? Forgotten, save only by those whom he has injured and insulted, he will sink into oblivion, without leaving a landmark to tell that he once existed; or if he is spoken of hereafter, he will be quoted as the unfaithful servant who abused his trust."[6]
Griswold died of tuberculosis in New York City on August 12, 1857.
Griswold first met Edgar Allan Poe in Philadelphia in May of 1841 while working for the Philadelphia Daily Standard. Poe submitted three poems for Griswold's upcoming The Poets and Poetry of America anthology: "Coliseum," "The Haunted Palace," and "The Sleeper." All three were ultimately included in the 476-page volume. Poe actually wrote a critical review of the work, which Griswold purchased and used his influence to have it published in a Boston periodical. The review was generally favorable, though Poe questioned the inclusion or lack of inclusion of certain authors. Griswold apparently had expected more praise and Poe, in private, told others he was not particularly impressed by the book. Making the relationship even more strained, only months later, Griswold was hired by George Graham in Poe's former role as editor. Griswold, however, was paid more and given more editorial control of Graham's Magazine than Poe.[7]
In the mid 1840's, Griswold and Poe also competed for the attention of a female poet named Frances Sargent Osgood.[8] Griswold was known for being vengeful and quick to anger. A friend once called him "one of the most irritiable and vindictive men I ever met." Novelist Ann Sophia Stephens called him two-faced and "constitutionally incapable of speaking the truth."[9]
After Poe's death, Griswold prepared an obituary which he signed with the pseudonym "Ludwig." First printed in the October 9, 1849 issue of the New York Daily Tribune, it was quickly republished many times. In the obituary, Ludwig asserted that "few will be grieved" by Poe's death as he had few friends. He claimed that Poe often wandered the streets, either in "madness or melancholy," mumbling and cursing to himself, was easily irritated, was envious of others, and that he "regarded society as composed of villains." Poe's drive to succeed, Griswold wrote, was because he sought "the right to despise a world which galled his self-conceit." Much of this characterization of Poe was lifted almost verbatim from that of the fictitious Francis Vivian in The Caxtons by Edward Bulwer-Lytton.[10]
Griswold had left his name off the article because his dislike of Poe was well known. His true identity, however, was soon revealed. In a letter to Sarah Helen Whitman dated December 17, 1849, he admitted, "I wrote, as you suppose, the notice of Poe in The Tribune, but very hastily. I was not his friend, nor was he mine."[11]
Later, claiming to be his literary executor, Griswold edited, with
In modern days Griswold's name is usually associated with Poe's as a character assassin.[16] Some of the information that Griswold asserted or implied include that Poe was expelled from the University of Virginia and that Poe had tried to seduce the second wife of his guardian John Allan.[17] Even so, Griswold's attempts only attracted attention towards Poe's work; readers were thrilled at the idea of reading the works of an "evil" man.[18]
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