Rupert Brooke, posthumous portrait drawing by J.H. Thomas; in the National Portrait Gallery, London (credit: Courtesy of the National Portrait Gallery, London)
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Britannica Concise Encyclopedia:
Rupert Brooke |
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Oxford Companion to Military History:
Rupert Brooke |
Brooke, Rupert (1887-1915), WW I poet, sub-lieutenant, Royal Naval Division. After Rugby and King's College Cambridge, he travelled widely, publishing his first collection of poems in 1911. A member of the Socialist Fabian Society, and considered an intellectual star of his generation, Brooke was a friend of the famous (including the Asquiths). He volunteered early, and his lines are full of patriotism and the vigour of youth. As one of the first of them to die—of septicaemia on his way to Gallipoli—his work lacks the brooding fatalism and despair of the later war poets. The ‘corner of a foreign field that is forever England’ was on the island of Scyros.
— Peter Caddick-Adams
Gale Encyclopedia of Biography:
Rupert Brooke |
The English poet Rupert Brooke (1887-1915) was the poet-patriot hero of World War I. He is the most famous representative of Georgian poetry, a short-lived literary movement of the early 20th century.
Rupert Brooke was born on Aug. 3, 1887, at Rugby, where his father was a master at the school. At Cambridge University, Rupert achieved distinction as a scholar. Remarkably handsome and a superb athlete, he had a romantic disposition, evident in his undergraduate poetry, which ranged from the exuberantly amorous to the fashionably cynical. Like other youthful poets of this period, he vowed a rebellion against Victorianism. Mistrustful of Victorian sentimentalism and the devotion to beauty of the fin de siècle, the new poets dedicated themselves to achieve "realism" or "truth to life." The intent of this rebellion was to produce vigorous and simple poetry which shunned affectedly literary phrasing and relied on a diction appropriate to the incidents of life which it portrayed.
This "realism" in Brooke's first volume, Poems (1911), was to excite some opposition from critics who found it too "coarse," but otherwise it received little attention. Brooke and his friend and mentor Edward Marsh conceived the idea of an anthology of the works of contemporary new poets in order to develop a new audience for poetry. Walter de la Mare, John Masefield, D. H. Lawrence, and others contributed poems, and the resulting volume, Georgian Poetry, appeared at the end of 1912. The volume was instantly and continuously successful, and Georgian poetry became a recognized movement, with Brooke as its dominant figure.
But before the second volume of Georgian Poetry was published in 1915, Brooke had died. Disenchanted, after some years of travel, with "a world grown old and cold and weary," he had, like many of his young and idealistic contemporaries, responded to the declaration of war in 1914 with enthusiastic idealism. While not on active service, Brooke died of blood poisoning at Skyros in the Aegean Sea on April 23, 1915. His death in the midst of popular success as a poet and within a year of the publication of his war sonnet "The Soldier" excited a deep response not only from contemporary poets, who published moving tributes, but also from politicians and from the general public.
Despite the banner of poetic revolution under which it was published, Brooke's verse is seen in retrospect to consist only in the simple, direct expression of sentiments traditional to the young romantic of English poetry, or sometimes, as in "The Great Lover," merely in the rhetorical exaggeration of the commonplace. Like most of the poems in Georgian Poetry, his work is often meditative, imbued with a love of the English countryside, spiced by an easy sense of disillusionment at the transience of deeply cherished earthly experiences, and moved by an expressed desire for order and certainty and peace in a world seemingly less ordered than the playing fields and gardens and villages of Brooke's childhood.
Further Reading
Brooke inspired many biographical, personal, and critical tributes from his friends and contemporaries. The most distinguished work is Edward Marsh, Rupert Brooke: A Memoir (1918). Norman Douglas offers some interesting comments on Brooke in Looking Back: An Autobiographical Excursion (1933). Henry James's introduction to Brooke's Letters from America (1916) indicates the esteem in which contemporary men of letters held Brooke. An early study of Brooke is Walter de la Mare, Rupert Brooke and the Intellectual Imagination: A Lecture (1919). A more recent book is Christopher Hassall, Rupert Brooke: A Biography (1964). The most scholarly study of Brooke in relation to his literary milieu is in Robert H. Ross, The Georgian Revolt: 1910-1922 (1965). Geoffrey Keynes compiled A Bibliography of Rupert Brooke (1954).
Additional Sources
Brooke, Rupert, Letters from America, New York: Beaufort Books, 1988.
Brooke, Rupert, Rupert Brooke in Canada, Toronto: PMA Books, 1978.
Clark, Keith., The muse colony: Rupert Brooke, Edward Thomas, Robert Frost, and friends: Dymock, 1914, Bristol England: Redcliffe, 1992.
Delany, Paul, The Neo-pagans: Rupert Brooke and the ordeal of youth, New York: Free Press, 1987.
Laskowski, William E., Rupert Brooke, New York: Twayne; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1994.
Lehmann, John, Rupert Brooke: his life and his legend, London: Weidenfeld & Nicolson, 1980.
Lehmann, John, The strange destiny of Rupert Brooke, New York: Holt, Rinehart, and Winston, 1980.
Pearsall, Robert Brainard, Rupert Brooke; the man and poe, Amsterdam, Rodopi, 1974.
Columbia Encyclopedia:
Rupert Brooke |
Bibliography
See his letters, ed. by G. Keynes (1968); biographies by A. Stringer (1948, repr. 1972) and C. Hassall (1964, repr. 1972); studies by J. Lehmann (1981) and P. Delany (1987); bibliography by G. Keynes (1954).
Quotes By:
Rupert Brooke |
Quotes:
"But somewhere, beyond Space and Time, is wetter water, slimier slime! And there (they trust) there swimmeth one who swam ere rivers were begun, immense of fishy form and mind, squamous omnipotent, and kind."
"Stands the Church clock at ten to three? And is there honey still for tea?"
"If I should die, think only this of me: that there's some corner of a foreign field that is for ever England."
"Infinite hungers leap no more I in the chance swaying of your dress; and love has changed to kindliness."
"All the little emptiness of love!"
"The cool kindliness of sheets, that soon smooth away trouble; and the rough male kiss of blankets."
See more famous quotes by
Rupert Brooke
Wikipedia on Answers.com:
Rupert Brooke |
| Rupert Brooke | |
|---|---|
| Born | 3 August 1887 Rugby, Warwickshire, England |
| Died | 23 April 1915 (aged 27) Aegean Sea, off the island of Skyros |
| Cause of death | Sepsis |
| Resting place | Skyros, Greece |
| Nationality | British |
| Education | Rugby School, King's College, University of Cambridge (fellow) |
| Occupation | Poet |
| Employer | Sidgwick and Jackson (Publisher) |
| Known for | Poetry |
Rupert Chawner Brooke (middle name sometimes given as Chaucer[1]) (3 August 1887 – 23 April 1915[2]) was an English poet known for his idealistic war sonnets written during the First World War, especially The Soldier. He was also known for his boyish good looks, which it is alleged prompted the Irish poet William Butler Yeats to describe him as "the handsomest young man in England".[3][4]
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Brooke was born at 5 Hillmorton Road in Rugby, Warwickshire,[5][6] the second of the three sons of William Parker Brooke, a Rugby schoolmaster, and Ruth Mary Brooke, née Cotterill. He was educated at two independent schools in the market town of Rugby, Warwickshire; Hillbrow School and Rugby School.
While travelling in Europe he prepared a thesis entitled John Webster and the Elizabethan Drama, which won him a scholarship to King's College, Cambridge, where he became a member of the Cambridge Apostles, helped found the Marlowe Society drama club and acted in plays including the Cambridge Greek Play.
Brooke made friends among the Bloomsbury group of writers, some of whom admired his talent while others were more impressed by his good looks. Virginia Woolf boasted to Vita Sackville-West of once going skinny-dipping with Brooke in a moonlit pool when they were at Cambridge together.[7]
Brooke belonged to another literary group known as the Georgian Poets and was one of the most important of the Dymock poets, associated with the Gloucestershire village of Dymock where he spent some time before the war. He also lived in the Old Vicarage, Grantchester.
Brooke suffered a severe emotional crisis in 1912, caused by sexual confusion and jealousy, resulting in the breakdown of his long relationship with Ka Cox (Katherine Laird Cox).[8] Brooke's paranoia that Lytton Strachey had schemed to destroy his relationship with Cox by encouraging her to see Henry Lamb precipitated his break with his Bloomsbury Group friends and played a part in his nervous collapse and subsequent rehabilitation trips to Germany.[9]
As part of his recuperation, Brooke toured the United States and Canada to write travel diaries for the Westminster Gazette. He took the long way home, sailing across the Pacific and staying some months in the South Seas. Much later it was revealed that he may have fathered a daughter with a Tahitian woman named Taatamata with whom he seems to have enjoyed his most complete emotional relationship.[10] Brooke fell heavily in love several times with both men and women, although his bisexuality was edited out of his life by his first literary executor.[citation needed] Many more people were in love with him.[11] Brooke was romantically involved with the actress Cathleen Nesbitt and was once engaged to Noel Olivier, whom he met, when she was aged 15, at the progressive Bedales School.
Brooke was an inspiration to poet John Gillespie Magee, Jr., author of the poem "High Flight". Magee idolised Brooke and wrote a poem about him ("Sonnet to Rupert Brooke"). Magee also won the same poetry prize at Rugby School which Brooke had won 34 years earlier.
As a war poet Brooke came to public attention in 1915 when The Times Literary Supplement quoted two of his five sonnets (IV: The Dead and V: The Soldier) in full on 11 March and his sonnet V: The Soldier was read from the pulpit of St Paul's Cathedral on Easter Sunday (4 April). Brooke's most famous collection of poetry, containing all five sonnets, 1914 & Other Poems, was first published in May 1915 and, in testament to his popularity, ran to 11 further impressions that year and by June 1918 had reached its 24th impression;[12] a process undoubtedly fuelled through posthumous interest.
Brooke's accomplished poetry gained many enthusiasts and followers and he was taken up by Edward Marsh who brought him to the attention of Winston Churchill, then First Lord of the Admiralty. He was commissioned into the Royal Naval Volunteer Reserve as a temporary Sub-Lieutenant[13] shortly after his 27th birthday and took part in the Royal Naval Division's Antwerp expedition in October 1914. He sailed with the British Mediterranean Expeditionary Force on 28 February 1915 but developed sepsis from an infected mosquito bite. He died at 4:46 pm on 23 April 1915 in a French hospital ship moored in a bay off the island of Skyros in the Aegean on his way to the landing at Gallipoli. As the expeditionary force had orders to depart immediately, he was buried at 11 pm in an olive grove on Skyros, Greece.[1][2][14] The site was chosen by his close friend, William Denis Browne, who wrote of Brooke's death:[15]
...I sat with Rupert. At 4 o’clock he became weaker, and at 4.46 he died, with the sun shining all round his cabin, and the cool sea-breeze blowing through the door and the shaded windows. No one could have wished for a quieter or a calmer end than in that lovely bay, shielded by the mountains and fragrant with sage and thyme.
His grave remains there today.[16] Another friend—and war poet—Patrick Shaw-Stewart, also played a prominent role in Brooke's funeral.[17] On 11 November 1985, Brooke was among 16 First World War poets commemorated on a slate monument unveiled in Poets' Corner in Westminster Abbey.[18] The inscription on the stone was written by a fellow war poet, Wilfred Owen. It reads: "My subject is War, and the pity of War. The Poetry is in the pity."[19]
Brooke's brother, 2nd Lt. William Alfred Cotterill Brooke, was a member of the 8th Battalion London Regiment (Post Office Rifles) and was killed in action near Le Rutoire Farm on 14 June 1915 aged 24. He is buried in Fosse 7 Military Cemetery (Quality Street), Mazingarbe, Pas de Calais, France. He had only joined the battalion on 25 May.[20]
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