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Santa Sabina

 
Artist: Santa Sabina

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  • Genres: Latin
  • Representative Albums: "Simbolos," "XV Aniversario," "Santa Sabina"

Biography

Mexican alternative band Santa Sabina was formed in the late '90s after former actress Rita Guerrero met a band called Los Sicotrópicos and they decided to combine their ideas in a new project called Vox Tanatos. The name was changed soon after to Santa Sabina as a tribute to saint Maria Sabina. The band's first lineup included guitarist Pablo Valero and keyboardist Jacobo Lieberman, who were later replaced by Otoala and Lach. In December of 1992, Santa Sabina released a self-titled album, followed by 1994's Símbolos, produced by Adrian Belew. By that time, the group was recognized for performing at benefit concerts to help indigenous people. In 1995, Concierto Acústico was recorded during shows at a local venue called El Hábito. Santa Sabina's mystical style was incorporated one more time on its 1996 album, Babel, presented live at Mexico City's Metropolitan Theatre. The following year, the band recorded Unplugged at MTV Latino. ~ Drago Bonacich, All Music Guide
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Wikipedia: Santa Sabina
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Basilica of Saint Sabina at the Aventine
Basilica di Santa Sabina all'Aventino (Italian)
Basilica Sanctae Sabinae (Latin)
Basic information
Location Italy Rome, Italy
Geographic coordinates 41°53′04″N 12°28′47″E / 41.88444°N 12.47972°E / 41.88444; 12.47972Coordinates: 41°53′04″N 12°28′47″E / 41.88444°N 12.47972°E / 41.88444; 12.47972
Affiliation Roman Catholic
Ecclesiastical status Minor basilica
Leadership Jozef Cardinal Tomko
Website General Curia of the Order of the Preachers
Architectural description
Architectural type Church
Direction of facade SW
Groundbreaking 422
Year completed 432
Specifications
Length 60 metres (200 ft)
Width 30 metres (98 ft)
Width (nave) 17 metres (56 ft)

The Basilica of Saint Sabina at the Aventine (Latin: Basilica Sanctae Sabinae, Italian: Basilica di Santa Sabina all'Aventino) is a titular minor basilica and mother church of the Roman Catholic Dominican order in Rome, Italy. Santa Sabina lies high on the Aventine Hill, riverside, close to the headquarters of the Knights of Malta.

Santa Sabina is an early basilica (5th century), with a classical rectangular plan and columns. The decorations have been restored to their original modesty, mostly white. Together with the light pouring in from the windows, this makes the Santa Sabina an airy and roomy place. Other basilicas, such as Santa Maria Maggiore, are often heavily and gaudily decorated. Because of its simplicity, the Santa Sabina represents the crossover from a roofed Roman forum to the churches of Christendom. Its Cardinal Priest is Jozef Cardinal Tomko. It is the station church for Ash Wednesday.

Contents

History

Santa Sabina was built by Priest Petrus of Illyria, a Dalmatian priest, between 422 and 432 on the site of the house of the Roman matron Sabina, who was later declared a canonized Christian saint. It was originally near to a temple of Juno.

Pope Honorius III, a member of the Savelli family, approved in 1216 the Order of Preachers, now commonly known as the Dominicans. At that time the church and associated buildings formed part of the holdings of the Savelli family. In 1219, Pope Honorius III gave his family church to Saint Dominic, the founder of the Order of Preachers. Since then, it has been their headquarters. The church and convent of Santa Sabina on the Aventine hill in Rome have been home to the Order of Preachers (Dominicans) since the church was given to the Order in perpetuity on June 5, 1222 [1].

Depiction of the crucifixion on the wooden door of Santa Sabina. This is one of the earliest surviving depiction of the crucifixion of Christ.

Exterior

The exterior of the church, with its large windows made of selenite, not glass, looks much as it did when it was built in the 5th century.

The wooden door of the basilica is generally agreed to be the original door from 430-32, although it was apparently not constructed for this doorway. Eighteen of its wooden panels survive — all but one depicting scenes from the Bible. Most famous among these is one of the earliest certain depictions of Christ's crucifixion, although other panels have also been the subjects of extensive analysis because of their importance for the study of Christian iconography.

Above the doorway, the interior preserves an original dedication in Latin hexameters.

The campanile (bell tower) dates from the 10th century.

Santa Sabina interior.
Santa Sabina apsis and triumphal arch.

Interior

The original 5th century apse mosaic was replaced by a very similar fresco by Taddeo Zuccari in 1559. The composition probably remained unchanged: Christ flanked by male and female saints, seated on a hill while lambs drinking from a stream at its feet. The iconography of the mosaic was very similar to another 5th century mosaic, destroyed in the 17th century, in Sant'Andrea in Catabarbara.

The convent of Santa Sabina

Saint Dominic, Pope Saint Pius V, Saint Celsus, Saint Hyacinth and St Thomas Aquinas are among those who have lived in the monastery adjacent to the church. The interior cells for the Dominican friars are little changed since the earliest days of the Order of Preachers. The cell of St. Dominic is still identified, though it has since been enlarged and converted to a chapel. Also, the original dining room still remains, in which St. Thomas Aquinas would dine when he came to Rome.

Notes

  1. ^ The Order of the Preachers. "General Curia". http://curia.op.org/en/general-curia. Retrieved 2009-01-29. 

References

  • Krautheimer, Richard (1984). Early Christian and Byzantine Architecture. New Haven: Yale University Press. pp. 171-174. ISBN 0300052944. 
  • Richard Delbrueck. "Notes on the Wooden Doors of Santa Sabina", The Art Bulletin, Vol. 34, No. 2. (Jun., 1952), pp. 139–145.
  • Ernst H. Kantorowicz, "The 'King's Advent': And The Enigmatic Panels in the Doors of Santa Sabina", The Art Bulletin, Vol. 26, No. 4. (Dec., 1944), pp. 207–231.
  • Alexander Coburn Soper. "The Italo-Gallic School of Early Christian Art", The Art Bulletin, Vol. 20, No. 2 (Jun., 1938), pp. 145–192.
  • Richard Delbrueck. "The Acclamation Scene on the Doors of Santa Sabina" (in Notes), The Art Bulletin, Vol. 31, No. 3 (Sep., 1949), pp. 215–217.

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