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Schwanengesang

 
Music Encyclopedia: Schwanengesang

Collection of songs by Schubert, d 957 (1828), issued in two books after his death as a ‘cycle’, settings for voice and piano of 14 poems by Heine, Rellstab and Seidl.



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German Literature Companion: Schwanengesang
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Schwanengesang, a collection of fourteen songs composed by Franz Schubert and published in 1828. The first seven songs are by Ludwig Rellstab and the last is by J. G. Seidl. In between are six songs by H. Heine: ‘Der Atlas’, ‘Ihr Bild’, ‘Das Fischermädchen’, ‘Die Stadt’, ‘Am Meer’, and ‘Der Doppelgänger’.

Wikipedia: Schwanengesang
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Schwanengesang ("Swan song") is the title of a posthumous collection of songs by Franz Schubert.

Unlike the earlier Die schöne Müllerin and Winterreise, it uses poems by two poets, Ludwig Rellstab (1799–1860) and Heinrich Heine (1797–1856). Schwanengesang has the number D 957 in the Deutsch catalogue.

The collection was named by its first publisher, presumably wishing to present it as Schubert's final musical testament to the world.

In the original manuscript in Schubert's hand, the first 13 songs were copied in a single sitting, on consecutive manuscript pages, and in the standard performance order. Some[who?] claim that the last song, Taubenpost, text by Johann Gabriel Seidl (1804–1875), catalogue number D 965 A, is not part of the cycle as Schubert conceived it. However, it's not clear that Schubert intended it to be a cycle at all, or if he did, that he completed it before he died. It may have been Tobias Haslinger, Schubert's publisher, who conceived of it as a cycle, or attempted to finish an incomplete work by adding Taubenpost onto the end. So most people consider Haslinger's published version 'the' version, and that's how it's performed today. Taubenpost is considered to be Schubert's last lied.

Franz Liszt later transcribed these songs for solo piano.

Schubert also set to music a poem named Schwanengesang by Johann Senn, unrelated to this collection (number D744 in the Deutsch catalogue).

Content

The songs of Schwanengesang, in the composer's original order, are:

  • By Ludwig Rellstab:
    • Liebesbotschaft ("Message of love"; the singer invites a stream to convey a message to his beloved)
    • Kriegers Ahnung ("Warrior's foreboding"; a soldier encamped with his comrades sings of how he misses his beloved)
    • Frühlingssehnsucht ("Longing in spring": the singer is surrounded by natural beauty but feels melancholy and unsatisfied until his beloved can "free the spring in my breast")
    • Ständchen (Serenade)
    • Aufenthalt ("Dwelling place": the singer is consumed by anguish for reasons we aren't told, and likens his feelings to the river, forest and mountain around him)
    • In der Ferne ("In the distance": the singer has fled his home, broken-hearted, and complains of having no friends and no home; he asks the breezes and sunbeams to convey his greetings to the one who broke his heart)
    • Abschied ("Farewell": the singer bids a cheery but determined farewell to a town where he has been happy but which he must now leave)
  • By Heinrich Heine:
    • Der Atlas ("Atlas": the singer, having wished for eternal happiness or eternal wretchedness, has the latter, and blames himself for the weight of sorrow, as heavy as the world, that he now bears)
    • Ihr Bild ("Her image": the singer tells his beloved of how he dreamed (daydreamed?) that a portrait of her favoured him with a smile and a tear; but alas, he has lost her)
    • Das Fischermädchen ("The fisher-maiden": the singer tries to sweet-talk a fishing girl into a romantic encounter, drawing parallels between his heart and the sea)
    • Die Stadt ("The city": the singer is in a boat rowing towards the city where he lost the one he loved; it comes foggily into view)
    • Am Meer ("By the sea": the singer tells of how he and his beloved met in silence beside the sea, and she wept; since then he has been consumed with longing — she has poisoned him with her tears)
    • Der Doppelgänger ("The double": the singer looks at the house where his beloved once lived, and is horrified to see someone standing outside it in torment — it is, or appears to be, none other than himself, aping his misery of long ago)
  • The last song based on a poem written by Johann Gabriel Seidl (1804 - 1875).
    • Taubenpost ("Pigeon post"; the song that is often considered as a last lied that Schubert ever wrote. The song is included into a cycle by the first editor and is almost always included in modern performances)

See also

External links


 
 
Learn More
'Das Meer erglänzte weit hinaus'
Schwanengesang ("Endlich stehn die Pforten offen"), song for voice & piano, D. 318 (Classical Work)
'Leise flehen meine Lieder/Durch die Nacht zu dir'

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Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Schwanengesang" Read more