(1475–1554)
Italian architect, theorist, and painter. He is remembered primarily as the compiler of L'Architettura (published in instalments (1537–75) and collected in one volume in 1584). The first part to appear was actually Book IV, called Regole generale (1537), which outlined the later books, but, most significantly, codified and illustrated the five Roman
In c.1514 he had been in Rome, where he worked under Peruzzi, his principal tutor, from whom he acquired many drawings used subsequently in L'Architettura. Following the Sack of Rome (1527) he settled in Venice, then a major publishing centre, and an obvious place to live for someone engaged on writing a treatise on architecture. While in Venice he may have designed a few buildings. It is known he participated in the competition to renovate the ‘basilica’, Vicenza (1539), won by Palladio, whose design was not unlike that submitted by Serlio, and featured motifs similar to the serliana, which is named after him.
He was called to Fontainebleau, France, in 1541, where he advised on the design of the considerable building works at the château and designed the Salle du Bal there (1541–8—completed by de L'Orme) in which the influence of Raphael is clear. His Grand Ferrare, the house for the Papal Legate to France at Fontainebleau (1541–8—mostly destroyed), was an important prototype of the hôtel (town-house) in France for the next century, while his château of Ancy-le-Franc in Burgundy (1541–50), with its corner towers and central
Bibliography
Art Bulletin ,xxiv (1942), 55–91, 115–55- S.Frommel (2004)
- E.Harris (1990)
- Heydenreich (1996)
- Lewis & Darley (1986)
- Onians (1988)
- Placzek (ed.) (1982)
- Rosenfeld (1978)
- Serlio (1584, 1611, 1663, 1964, 1996)
- Thoenes (ed.) (1989)
- Jane Turner (1996)
The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)




