Share on Facebook Share on Twitter Email
Answers.com

Sebastiano Serlio

 
Architecture and Landscaping: Sebastiano Serlio

(1475–1554)

Italian architect, theorist, and painter. He is remembered primarily as the compiler of L'Architettura (published in instalments (1537–75) and collected in one volume in 1584). The first part to appear was actually Book IV, called Regole generale (1537), which outlined the later books, but, most significantly, codified and illustrated the five Roman Orders of architecture. L'Architettura was an enormously important treatise, not only in terms of Renaissance theory, but because it was a useful tome for architects, essentially because of its excellent illustrations and the fact that it was in a modern language. It was also a model for Palladio's Quattro Libri. Book III (1540) described and illustrated the ancient buildings of Roman antiquity as well as the architecture of Bramante and Raphael, but in the work as a whole Serlio covered a huge range of Classical details (including grotesques and rustication), discussed the meaning and emotive power of Classical architecture, and, in Livre extraordinaire (published in French in 1551), provided illustrations of doorways, many of which were richly inventive fantasies, and influenced Mannerism in Northern Europe.

In c.1514 he had been in Rome, where he worked under Peruzzi, his principal tutor, from whom he acquired many drawings used subsequently in L'Architettura. Following the Sack of Rome (1527) he settled in Venice, then a major publishing centre, and an obvious place to live for someone engaged on writing a treatise on architecture. While in Venice he may have designed a few buildings. It is known he participated in the competition to renovate the ‘basilica’, Vicenza (1539), won by Palladio, whose design was not unlike that submitted by Serlio, and featured motifs similar to the serliana, which is named after him.

He was called to Fontainebleau, France, in 1541, where he advised on the design of the considerable building works at the château and designed the Salle du Bal there (1541–8—completed by de L'Orme) in which the influence of Raphael is clear. His Grand Ferrare, the house for the Papal Legate to France at Fontainebleau (1541–8—mostly destroyed), was an important prototype of the hôtel (town-house) in France for the next century, while his château of Ancy-le-Franc in Burgundy (1541–50), with its corner towers and central court, shows the influence of Maiano. Serlio's work undoubtedly informed Palladio, while his books had a considerable effect on many generations of designers, initially through the editions of Pieter Coeck (1502–50) in Northern Europe, and through the 1611 English edition of Robert Peake (c.1551–1619) (The Five Books of Architecture), which was a major source from the time of Inigo Jones to the flowering of the second Palladian Revival of Burlington and Campbell.

Bibliography

  • Art Bulletin, xxiv (1942), 55–91, 115–55
  • S.Frommel (2004)
  • E.Harris (1990)
  • Heydenreich (1996)
  • Lewis & Darley (1986)
  • Onians (1988)
  • Placzek (ed.) (1982)
  • Rosenfeld (1978)
  • Serlio (1584, 1611, 1663, 1964, 1996)
  • Thoenes (ed.) (1989)
  • Jane Turner (1996)

The full bibliography for this book is available to download as a pdf file.
Download the bibliography for A Dictionary of Architecture and Landscape Architecture (PDF: 1.2MB)

Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
 
Columbia Encyclopedia: Sebastiano Serlio
Top
Serlio, Sebastiano (sā'bästyä'nō sĕr'lyō), 1475-1554, Italian Renaissance architect and theoretician, b. Bologna. He was in Rome from 1514 until the sack in 1527 and worked under Baldassare Peruzzi. Few traces exist of his buildings in Venice, where he lived from 1527 to 1540. Invited to France by Francis I, he appears to have served in an advisory capacity for the construction of the palace at Fontainebleau. He designed several châteaus in France; the only one that has survived, despite alterations, is that of Ancy-le-Franc (c.1546), near Tonnerre in Burgundy. Serlio's major contribution was his treatise on architecture (eight books, 1537-75). Intended as an illustrated handbook for architects, the volumes, separately published, were highly influential in France, the Netherlands, and England as a conveyor of the Italian Renaissance style; the treatise was also an influence in theatrical scene design and stage lighting. An early manuscript of it is preserved in the Avery Architectural Library, Columbia.
Wikipedia: Sebastiano Serlio
Top
Serlio's model of church façade of 1537 crystallized a format that lasted into the 18th century.

Sebastiano Serlio (6 September 1475 – c. 1554) was an Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau. Serlio helped canonize the classical orders of architecture in his influential treatise, "I sette libri dell'architettura" (aka "Tutte l'opere d'architettura et prospettiva").

Biography

Born in Bologna, Serlio went to Rome in 1514, and worked in the atelier of Baldassare Peruzzi, where he stayed until the Sack of Rome in 1527 put all architectural projects on hold for a time. Like Peruzzi, he began as a painter. He lived in Venice from about 1527 to the early 1540s but left little mark on the city.

The first volume of his treatise appeared in Venice in 1537, titled Regole generali d'architettura("General Rules of Architecture"). It is also known as Serlio's "Fourth Book" (albeit published first) because it was the fourth in Serlio's original plan of a treatise in seven books. Serlio never brought this plan to completion. Serlio' model of church façade was a regularized version, cleaned up and made more classical, of the innovative method of providing a facade to a church with a high vaulted nave flanked by low side aisles, a classical face to a Gothic form, first seen in Alberti's Santa Maria Novella in Florence (c. 1458). The idea was in the air in the 1530s: several contemporary churches compete for primacy: but Serlio's woodcut put the concept in every architect's hands. Serlio's "Third Book", on the antiquities of Rome, followed in 1540, also in Venice.

Serlio's publications, rather than any spectacular executed work, attracted the attention of Francois I. Serlio's career took off when he was invited to France by Francis I, to advise on the construction and decoration of the Château of Fontainebleau, where a team of Italian designers and craftsmen were assembled. Serlio took several private commissions, but the only one that has survived in any recognizable way is the Chateau of Ancy-le-Franc (see below), built about 1546 near Tonnerre in Burgundy.

Serlio died around 1554, after spending his last years in Lyon (France).

Serlio’s major contribution remained his practical treatise on architecture. Serlio pioneered the use of high quality illustrations to supplement the text. Five books of his treatise were published at intervals from 1537; Serlio added one book, not part to the original plan, which was printed in Lyon in 1551. Another book was published posthumously.[1] Some of Serlio's unpublished manuscripts are also extant.[2] Intended as an illustrated handbook for architects, Serlio's volumes were highly influential in France, the Netherlands, and England, as a conveyor of the Italian Renaissance style. A version of his treatise was translated from a Dutch translation as The Five Books of Architecture and printed in London, 1611. Its example countered the influence of the engravings of Antwerp Mannerism that were the main inspiration for Jacobean architecture. Later Serlio's book was in the libraries of Sir Christopher Wren and John Wood, the entrepreneur who laid out Bath.

Serlio's treatise was translated into Dutch in 1539 by Pieter Coecke van Aelst. His pupil the Dutch architect and engineer Hans Vredeman de Vries propagated his style and ornaments north of the Alps. The book was published in 1552 in Toledo by Juan de Ayala with the same illustrations as the original Italian editions. Serlio's plans and elevations of many Roman buildings provided useful repertory of classical images, often reprinted.

Serlio published several books of woodcuts of designs for stage setting (Scenographies) in Paris 1545, in a part of his treatise devoted to perspective. As a civil engineer he designed fortifications.

References

  1. ^ Center for Palladian Studies in America, Inc., Palladio's Literary Predecessors
  2. ^ A manuscript of Serlio's unpublished Book VI is in the Avery Architectural Library, Columbia University.
  • Sebastiano Serlio, Sebastiano Serlio on Architecture, edited by Vaughan Hart and Peter Hicks, Yale University 1996-2001. (ISBN 0300085036)


External links

Treatises on line: http://architectura.cesr.univ-tours.fr/Traite/Auteur/Serlio.asp?param=en


 
 
Learn More
Robert Smythson (English architect)
school of Fontainebleau (organization, France – in art, history)
Fontainebleau (city, France)

How long did it take Sebastiano Ricci to make Hercules Killing the Centaur Nessus? Read answer...

Help us answer these
What does the name Sebastiano mean?
What is the history of the Sebastiano family?
Does Sebastiano Del piombo represent his original culture?

Post a question - any question - to the WikiAnswers community:

 

Copyrights:

Architecture and Landscaping. A Dictionary of Architecture and Landscape Architecture. Copyright © 1999, 2006 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Sebastiano Serlio" Read more