
n. (used with a sing. verb)
The theory and study of signs and symbols, especially as elements of language or other systems of communication, and comprising semantics, syntactics, and pragmatics.
semiotician se'mi·o·ti'cian (-ə-tĭsh'ən) n.
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American Heritage Dictionary:
se·mi·ot·ics |

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Britannica Concise Encyclopedia:
semiotics |
For more information on semiotics, visit Britannica.com.
Oxford Dictionary of Geography:
semiotics |
The ways in which signs and meanings are created, decoded, and transformed. For geographers, these signs may be in the landscape; landscapes may be ‘read’ in different ways, and may become part of the political process. See iconography.
Oxford Dictionary of Literary Terms:
semiotics |
semiotics or semiology, the systematic study of signs, or, more precisely, of the production of meanings from sign‐systems, linguistic or non‐linguistic. As a distinct tradition of inquiry into human communications, semiotics was founded by the American philosopher C. S. Peirce (1839–1914) and separately by the Swiss linguist Ferdinand de Saussure (1857–1913), who proposed that linguistics would form one part of a more general science of signs: ‘semiology’. Peirce's term ‘semiotics’ is usually preferred in English, although Saussure's principles and concepts—especially the distinctions between signifier and signified and between langue and parole—have been more influential as the basis of structuralism and its approach to literature. Semiotics is concerned not with the relations between signs and things but with the interrelationships between signs themselves, within their structured systems or codes of signification (see paradigm, syntagm). The semiotic approach to literary works stresses the production of literary meanings from shared conventions and codes; but the scope of semiotics goes beyond spoken or written language to other kinds of communicative systems such as cinema, advertising, clothing, gesture, and cuisine. A practitioner of semiotics is a semiotician. The term semiosis is sometimes used to refer to the process of signifying. For a fuller account, consult Terence Hawkes, Structuralism and Semiotics (1977).
Oxford Dictionary of Modern Design:
Semiotics |
Concerned with the study of systems of ‘signs’ in language, literature, and the material world, in terms of design semiotics is closely associated with the writings of Roland Barthes, particularly his collected writings on popular culture and consumerism, Mythologies of 1957. Known also as semiology in France, it is the linguistic aspect of the philosophy of structuralism first developed by Ferdinand de Saussure 1857-1913 and the cultural anthropological writings of Claude Lévi-Strauss and provides a means of understanding the signs and symbols of modern, commercial life. In Barthes's Mythologies his exploration of the meanings of a variety of objects in everyday life ranged from wrestling and striptease to advertisements, photography, and automobiles.
Oxford Dictionary of Philosophy:
semiotics |
The general study of symbolic systems, including language. The subject is traditionally divided into three areas: syntax, or the abstract study of the signs and their interrelations; semantics, or the study of the relation between the signs and those objects to which they apply; and pragmatics, or the relationship between users and the system (C. W. Morris, Foundations of the Theory of Signs, 1938). The tradition of semiotics that follows Saussure is sometimes referred to as semiology. Confusingly, in the work of Kristeva, the term is appropriated for the non-rational effluxes of the infantile part of the self.
Oxford Dictionary of Archaeology:
semiotics |
The study of the ways in which non-linguistic phenomena can generate meaning. In archaeology this is especially important because of its focus on material culture which is well known as a means of simultaneously carrying a wide range of meanings.
Oxford Dictionary of Sports Science & Medicine:
semiology |
1. The study of signs and symbols, especially the relationship between written and spoken signs. Semiology draws attention to the layers of meaning which maybe embodied in a simple set of representations, such as the five interlocking rings of the Olympic flag. It is concerned with the meaning invested in the sign and the signifier (the physical representation of the sign).
2. The scientific study of the signs and symptoms of disease.
Columbia Encyclopedia:
semiotics |
Bibliography
See R. Barthes, Elements of Semiology (1967); A. A. Berger, Signs in Contemporary Culture: An Introduction to Semiotics (1988).
Obscure Words:
semiotics |
Oxford Dictionary of Biochemistry:
semiotics |
| semiochemical, seminolipid, seminalplasmin | |
| semipermeable membrane, semipolar double bond, semiquinone |
Random House Word Menu:
categories related to 'semiotician' |

Bradford's Crossword Solver's Dictionary:
semiotics |
Wikipedia on Answers.com:
Semiotics |
| Semiotics |
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| General concepts |
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| Semioticians |
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Mikhail Bakhtin · Roland Barthes |
| Related topics |
Semiotics, also called semiotic studies or (in the Saussurean tradition) semiology, is the study of signs and sign processes (semiosis), indication, designation, likeness, analogy, metaphor, symbolism, signification, and communication. Semiotics is closely related to the field of linguistics, which, for its part, studies the structure and meaning of language more specifically. Semiotics is often divided into three branches:
Semiotics is frequently seen as having important anthropological dimensions; for example, Umberto Eco proposes that every cultural phenomenon can be studied as communication.[1] However, some semioticians focus on the logical dimensions of the science. They examine areas belonging also to the natural sciences – such as how organisms make predictions about, and adapt to, their semiotic niche in the world (see semiosis). In general, semiotic theories take signs or sign systems as their object of study: the communication of information in living organisms is covered in biosemiotics or zoosemiosis.
Syntactics is the branch of semiotics that deals with the formal properties of signs and symbols.[2] More precisely, syntactics deals with the "rules that govern how words are combined to form phrases and sentences."[3] Charles Morris adds that semantics deals with the relation of signs to their designata and the objects which they may or do denote; and, pragmatics deals with the biotic aspects of semiosis, that is, with all the psychological, biological, and sociological phenomena which occur in the functioning of signs.
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The term, which was spelled semeiotics, derives from the Greek σημειωτικός, (sēmeiōtikos), "observant of signs"[4] (from σημεῖον - sēmeion, "a sign, a mark"[5]) and it was first used in English by Henry Stubbes (1670, p. 75) in a very precise sense to denote the branch of medical science relating to the interpretation of signs. John Locke used the terms semeiotike and semeiotics in Book 4, Chapter 21 of An Essay Concerning Human Understanding (1690). Here he explains how science can be divided into three parts:
All that can fall within the compass of human understanding, being either, first, the nature of things, as they are in themselves, their relations, and their manner of operation: or, secondly, that which man himself ought to do, as a rational and voluntary agent, for the attainment of any end, especially happiness: or, thirdly, the ways and means whereby the knowledge of both the one and the other of these is attained and communicated; I think science may be divided properly into these three sorts.—Locke, 1823/1963, p. 174
Locke then elaborates on the nature of this third category, naming it Σημειωτικη (Semeiotike) and explaining it as "the doctrine of signs" in the following terms:
Nor is there any thing to be relied upon in Physick,[6] but an exact knowledge of medicinal physiology (founded on observation, not principles), semiotics, method of curing, and tried (not excogitated,[7] not commanding) medicines.—Locke, 1823/1963, 4.21.4, p. 175
In the nineteenth century, Charles Sanders Peirce defined what he termed "semiotic" (which he sometimes spelled as "semeiotic") as the "quasi-necessary, or formal doctrine of signs", which abstracts "what must be the characters of all signs used by...an intelligence capable of learning by experience",[8] and which is philosophical logic pursued in terms of signs and sign processes.[9] Charles Morris followed Peirce in using the term "semiotic" and in extending the discipline beyond human communication to animal learning and use of signals.
Ferdinand de Saussure, however, founded his semiotics, which he called semiology, in the social sciences:
It is... possible to conceive of a science which studies the role of signs as part of social life. It would form part of social psychology, and hence of general psychology. We shall call it semiology (from the Greek semeîon, 'sign'). It would investigate the nature of signs and the laws governing them. Since it does not yet exist, one cannot say for certain that it will exist. But it has a right to exist, a place ready for it in advance. Linguistics is only one branch of this general science. The laws which semiology will discover will be laws applicable in linguistics, and linguistics will thus be assigned to a clearly defined place in the field of human knowledge.—Cited in Chandler's "Semiotics For Beginners", Introduction.
Semioticians classify signs or sign systems in relation to the way they are transmitted (see modality). This process of carrying meaning depends on the use of codes that may be the individual sounds or letters that humans use to form words, the body movements they make to show attitude or emotion, or even something as general as the clothes they wear. To coin a word to refer to a thing (see lexical words), the community must agree on a simple meaning (a denotative meaning) within their language. But that word can transmit that meaning only within the language's grammatical structures and codes (see syntax and semantics). Codes also represent the values of the culture, and are able to add new shades of connotation to every aspect of life.
To explain the relationship between semiotics and communication studies, communication is defined as the process of transferring data from a source to a receiver. Hence, communication theorists construct models based on codes, media, and contexts to explain the biology, psychology, and mechanics involved. Both disciplines also recognize that the technical process cannot be separated from the fact that the receiver must decode the data, i.e., be able to distinguish the data as salient and make meaning out of it. This implies that there is a necessary overlap between semiotics and communication. Indeed, many of the concepts are shared, although in each field the emphasis is different. In Messages and Meanings: An Introduction to Semiotics, Marcel Danesi (1994) suggested that semioticians' priorities were to study signification first and communication second. A more extreme view is offered by Jean-Jacques Nattiez (1987; trans. 1990: 16), who, as a musicologist, considered the theoretical study of communication irrelevant to his application of semiotics.
Semiotics differs from linguistics in that it generalizes the definition of a sign to encompass signs in any medium or sensory modality. Thus it broadens the range of sign systems and sign relations, and extends the definition of language in what amounts to its widest analogical or metaphorical sense. Peirce's definition of the term "semiotic" as the study of necessary features of signs also has the effect of distinguishing the discipline from linguistics as the study of contingent features that the world's languages happen to have acquired in the course of human evolution.
Perhaps more difficult is the distinction between semiotics and the philosophy of language. In a sense, the difference lies between separate traditions rather than subjects. Different authors have called themselves "philosopher of language" or "semiotician". This difference does not match the separation between analytic and continental philosophy. On a closer look, there may be found some differences regarding subjects. Philosophy of language pays more attention to natural languages or to languages in general, while semiotics is deeply concerned about non-linguistic signification. Philosophy of language also bears a stronger connection to linguistics, while semiotics is closer to some of the humanities (including literary theory) and to cultural anthropology.
Semiosis or semeiosis is the process that forms meaning from any organism's apprehension of the world through signs. Scholars who have talked about semiosis in their sub-theories of semiotics include C. S. Peirce, John Deely, and Umberto Eco.
The importance of signs and signification has been recognized throughout much of the history of philosophy, and in psychology as well. Plato and Aristotle both explored the relationship between signs and the world, and Augustine considered the nature of the sign within a conventional system. These theories have had a lasting effect in Western philosophy, especially through Scholastic philosophy. More recently, Umberto Eco, in his Semiotics and the Philosophy of Language, has argued that semiotic theories are implicit in the work of most, perhaps all, major thinkers.
Early theorists in this area include Charles W. Morris.[10] Max Black attributes the work of Bertrand Russell as being seminal.[11]
Applications of semiotics include:
In some countries, its role is limited to literary criticism and an appreciation of audio and visual media, but this narrow focus can inhibit a more general study of the social and political forces shaping how different media are used and their dynamic status within modern culture. Issues of technological determinism in the choice of media and the design of communication strategies assume new importance in this age of mass media. The use of semiotic methods to reveal different levels of meaning and, sometimes, hidden motivations has led some[who?] like Yale's Harold Bloom to demonise elements of the subject as Marxist, nihilist, etc. (e.g. critical discourse analysis in Postmodernism and deconstruction in Post-structuralism).
Publication of research is both in dedicated journals such as Sign Systems Studies, established by Juri Lotman and published by Tartu University Press; Semiotica, founded by Thomas A. Sebeok and published by Mouton de Gruyter; Zeitschrift für Semiotik; European Journal of Semiotics; Versus (founded and directed by Umberto Eco), et al.; The American Journal of Semiotics; and as articles accepted in periodicals of other disciplines, especially journals oriented toward philosophy and cultural criticism. The major semiotic book series "Semiotics, Communication, Cognition", published by De Gruyter Mouton (series editors Paul Cobley and Kalevi Kull) replaces the former "Approaches to Semiotics" (over 120 volumes) and "Approaches to Applied Semiotics" (series editor Thomas A. Sebeok).
Semiotics has sprouted a number of subfields, including but not limited to the following:
Pictorial Semiotics is intimately connected to art history and theory. It has gone beyond them both in at least one fundamental way, however. While art history has limited its visual analysis to a small number of pictures which qualify as "works of art," pictorial semiotics has focused on the properties of pictures more generally. This break from traditional art history and theory—as well as from other major streams of semiotic analysis—leaves open a wide variety of possibilities for pictorial semiotics. Some influences have been drawn from phenomenological analysis, cognitive psychology, and structuralist and cognitivist linguistics, and visual anthropology/sociology.
Food has been one traditional topic of choice in relating semiotic theory because it is extremely accessible and easily relatable to the average individual’s life.[19]
Semiotics is the study of sign processes when conducted individually or in groups and how these sign processes give insight as to how meaning is enabled and also understood.[19]
Food is said to be semiotic because it transforms meaning with preparation. Food that is eaten by a wild animal raw from a carcass is obviously different in meaning when compared to a food that is prepared by humans in a kitchen to represent a cultural dish.[19]
Food can also be said to be symbolic of certain social codes. “If food is treated as a code, the messages it encodes will be found in the pattern of social relations being expressed. The message is about different degrees of hierarchy, inclusion and exclusion, boundaries and transactions across boundaries”.[20]
Food is a semiotic regardless of how it is prepared. Whether food is prepared with precision in a fine dining restaurant, picked from a dumpster, plucked, devoured, or even consumed by a wild animal, meaning can always be extracted from the way a certain food has been prepared and the context in which it is served.
Present research found that, as airline industry brandings grow and become more international, their logos become more symbolic and less iconic. The iconicity and symbolism of a sign depends on the cultural convention and are on that ground in relation with each other. If the cultural convention has greater influence on the sign, the signs get more symbolic value.[21]
World organisation of semioticians – the International Association for Semiotic Studies, with its journal Semiotica – was established in 1969. The larger research centers together with extensive teaching program include the Semiotics Departments of Tartu University, Aarhus University, and Bologna University.
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| syntactics | |
| semantics (communications) | |
| Peirce, Charles Sanders (American philosopher) |
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| What is semiotic analiysis and the strengths and weaknesses of semiotic analysis? | |
| What is a semiotic analysis? |
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