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shellac

 
Dictionary: shel·lac  shel·lack (shə-lăk') pronunciation
 
also n.
  1. A purified lac in the form of thin yellow or orange flakes, often bleached white and widely used in varnishes, paints, inks, sealants, and formerly in phonograph records.
  2. A thin varnish made by dissolving this substance in denatured alcohol, used to finish wood.
  3. An old phonograph record containing this substance, typically played at 78 rpm.
tr.v.
  1. -lacked also -lacked, -lack·ing -lack·ing, -lacs -lacks. To coat or finish with shellac.
  2. Slang.
    1. To strike repeatedly and severely; batter.
    2. To defeat decisively.

[SHEL(L) + LAC (translation of French laque en écailles, lac in thin plates).]


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How Products are Made: How is shellac made?
 

Background

Lac is the name given to the resinous secretion of the tiny lac insect (Laccifer lacca) which is parasitic on certain trees in Asia, particularly India and Thailand. This insect secretion is cultivated and refined because of the commercial value of the finished product known as shellac. The term shellac is derived from shell-lac (the word for the refined lac in flake form), but has come to refer to all refined lac whether in dry or suspended in an alcohol-based solvent.

Shellac is primarily used as a wood sealer and finisher today. It has the great advantage of being soluble in ethyl or denatured alcohol, an environmentally-safe solvent. Alcohol solvents also render shellac a quick dry—shellac coatings on wood generally dry in about 45 minutes, as opposed to oil finishes which take many hours to dry. In addition, shellac does not fade in sunlight or oxidize over time. However, shellac has a limited shelf life and may not dry properly if it has exceeded the shelf life recommended by the manufacturer. This shelf life may be as short as six months or as long as three years depending on the manufacturer's additives.

Industrial uses for shellac include floor polishes, inks, grinding wheels, electrical insulations, and leather dressings. This natural, resinous sealer is non-toxic and is Federal Drug Administration (FDA) approved for use to coat candies, pharmaceuticals, fruit, and baby and children's furniture.

Shellac is available at most hardware or paint stores in clear or white shellac or orange shellac, which imparts an orange-red tint to natural wood. Other tints derive their color not from dyes or bleaches, but because of the tree to which the lac bug has attached itself—the sap affects the color of the bug secretions thus altering the color of the refined shellac. Shellac may be applied to wood, over varnish, paint, glass, ceramics, even plastic with remarkable adherence, but it cannot be used under synthetic sealers such as polyurethane.

History

Lac has been cultivated for three centuries. For most of that time, the lac bug secretions were valued for the purple-red dye derived from being soaked in water. This dye was used to color silk, leather, and cosmetics and was cultivated primarily for this purpose until the 1870s. Then aniline or chemical dyes began to supplant these and other natural dyes.

As early as the sixteenth century, references were made to the usefulness of the lac bug secretions as a decorative lacquer for furniture and fine musical instruments. Natives of the Far East had laboriously cultivated and processed the shellac by hand, scraping the branches encrusted with the lac bug secretions, forcing the secretions into muslin, and holding long muslin bags of the secretions over the fire to liquefy and purify it. They pulled it by hand into huge sheets and then broke the sheets into flakes for re-moisturizing later.

Hand processes were partially replaced by the mid-nineteenth century. Just as the lacderived dye was about to fade in popularity, industrial plants began processing the lac secretions for use as a wood sealer and finish. In 1849, William Zinsser founded Wm. Zinsser & Company in New York. Zinsser's shellacs were soluble in ethyl alcohol and were the first quick-drying, tough, colorless finishes available in the United States. Shellac was particularly popular late in the nineteenth century and in the early twentieth century when houses were being quickly built in early subdivisions at break-neck speed—shellac was an ideal wood finisher because it was so fast to dry and several coats could be applied in a single day. A shellac known as buttonlac, a very dark shellac, imparted a very deep walnut color to inexpensive woodwork that people then found very desirable.

Raw Materials

Shellac is generally made from two ingredients, raw seed lac and ethyl alcohol. In fact, most companies want to purify shellac as completely as possible—impurities from the bug, the cocoon etc. are removed, as are natural waxes. Shellac is generally shipped in dry or flaked form and is re-moisturized with an alcohol solvent, generally denatured alcohol. Some companies add ingredients to lengthen the shelf life of their product but will not reveal these proprietary additives. Shellac that is bleached (or made into clear shellac) are dissolved in sodium carbonate and centrifuge to remove insolubles and then bleached with sodium hypochlorite.

The Manufacturing
Process

The role of the lac bug

  • Shellac is produced by a tiny red insect. Swarms of the insects feed on certain trees, primarily in India and Thailand, known informally as lac trees. The lac bugs' life cycle is only six months, in which time they eat, propagate, and secrete the resin they've taken in from the tree to produce shellac.

    In certain seasons of the year, these insects swarm in huge numbers on the trees, settle on branches, and project protrusions into the tree to penetrate the bark. They suck up the sap and absorb it until they feed themselves to death (called the feast of death amongst the indigenous peoples). At this same time, propagation continues, with each female lac bug laying about 1,000 eggs before dying.

    The sap is chemically altered in the lac bug's body and is then exuded onto the tree branch. On contact with the air, the excretion forms a hard shell-like covering over the entire swarm. This covering forms a crust over the twig and insects. As the female lac bug is exuding the ingested sap she is preparing to die and is providing a fluid in which her eggs will mature under protection. The males' role is to fertilize the female, and it is after fertilization that the females' lac output is vastly increased. The adult males and females become inactive, and the young start to break through the crust and swarm out.

Refining the crusty resin

  • Workers cut millions of encrusted branches, called sticklac, for transportation to refineries of some sort (either handrefined or mechanically refined). Some workers use mallets and break off the crusty coating much as ice is broken from branches in the winter (it is referred to as grainlac).
  • At refining centers, sticklac is scraped to remove the secretions from the twigs. Sticklac and grainlac is ground with rotating millstones. The resulting ground material is quite impure, containing resin, insect remains, twigs, leaves, etc. The mixture is forced through a screen, removing the largest of the impurities.
  • The sifted resin mixture is put into large jars and stomped by a worker to crush granules and force the red dye from the lac seeds and the insect remains will be freed from the resin. Dye water, scum, and other impurities are then washed away in several rinsings. The mixture is spread out on a concrete floor to dry and called seedlac because it resembles seed. Seedlac is the raw material from which both orange shellac and bleached or clear shellac are produced.

    Shellac may be made from seedlac by hand or by modern mechanical equipment. Nearly all American-used shellac is refined with the help of machinery, using a heat-or solvent-based process.

Heat process

  • Seedlac is melted onto steam-heated grids. The molten lac is forced by hydraulic pressure through a sieve or screen, either of cloth or fine mesh. The filtered shellac is collected and transferred to a steam-heated kettle, which then drops the molten liquid onto rollers. The liquid is squeezed through the rollers and forced into large, thin sheets of shellac. When dry, this shellac sheet is broken into flakes and transported to another area in which the flakes are combined with denatured alcohol to produce the consumer's shellac.

Solvent process

  • In this process, the seedlac and solvent, usually ethyl alcohol, are mixed in a dissolving tank, refluxed for about an hour and then filtered to remove impurities. The filtered resin is sent through evaporators that remove the alcohol solvent, rendering it a viscous liquid. This liquid is then dropped onto rollers, which force it into sheets. The sheets are then are dried and flaked apart.

Bleached shellac

Despite the removal of much of the red dye from the lac seeds in the refining process, shellac remains an orangish solution after processing is complete. Some consumers prefer a clear shellac finish, so manufacturers have developed a way to bleach the color from the shellac.

  • Bleaching begins with dissolving seedlac, which is alkali-soluble, in an aqueous solution of sodium carbonate. The solution is then passed through a fine screen to remove insoluble lac, dirt, twigs, etc. The resin is then bleached with a dilute solution of sodium hypochlorite to the desired color. The shellac is then precipitated from the solution by the addition of dilute sulfuric acid, filtered, and washed with water. It is dried in vacuum driers and ground into a white powder ready for shipment to a plant that will add liquid to the flakes.

Mixing shellac for the consumer

  • Large shellac manufacturers are shipped the dry shellac flakes. They then remoisturize the flakes by adding denatured ethyl alcohol. Shellac is offered to the consumer in flake form or suspended in denatured alcohol. It is the latter than is most popular with the consumer. Manufacturers of shellac refer to the concentration of shellac flakes to denatured alcohol in terms of pounds of cuts—the number of pounds of shellac flakes dissolved into a single gallon of denatured alcohol. Thus, a one pound cut of shellac contains one pound of shellac flakes dissolved in a gallon of alcohol—very dilute shellac. The manufacturers' standard cut offered to the consumer pre-mixed is termed a three pound cut. Some consumers then dilute it further with denatured alcohol if they so desire.

    The most popular shade of shellac sold premixed is the orange shellac although clear or white shellac is also offered pre-mixed to the consumer. Manufacturers always stamp the date of mixing of the shellac into the can. Each manufacturer has a recommended shelf life for the product and the consumer should heed that the product is not used after the period suggested by the manufacturer. If used after the time span recommended, the shellac may never dry completely.

    For woodworkers who prefer the deep rich colors of garnet shellac or buttonlac, the dried flakes of these shellacs may be purchased from the manufacturer and mixed with denatured alcohol by the consumer.

Byproducts/Waste

The denatured ethyl alcohol used in the process of manufacturing shellac is a strictly regulated byproduct and is known as a volatile organic substance (VOC). The most dangerous or hazardous part, perhaps the most polluting, are the insolubles that are refined out of the sticklac and grainlac such as twigs, cocoons, leaves, bug bodies, etc. saturated with alcohol. The shellac industry is working on building huge evaporators, which will suck all the alcohol out of these insolubles so the volatility will not be an issue. Shellac flakes are all natural and non-toxic. It is the alcohol solvents that are regulated.

Quality Control

Chemical analysis does not assist in determining the quality of shellac. More important are empirical tests such as flow and shelf life that most customers have articulated as of great concern. In addition, carefully examining the purity of the shellac by removing as many of the natural impurities found within the sticklac is of utmost importance (insolubles are defined by the undissolved matter remaining when the resinous compound is mixed with hot alcohol). All refining processes are monitored for their effectiveness in removing these undesirables.

Where to Learn More

Books

Russel, M. Shellac. London: Ann Eccles and Son Ltd for Angelo Shellac, 1965.

The Story of Shellac. Somerset, NJ: Wm. Zinsser & Co., 1989.

[Article by: Nancy EV Bryk]


 

The lac resin (secreted by the lac insect) when used in flake (or shell) form. Shellac varnish is a solution of shellac in denatured alcohol.

Shellac varnish is used in wood finishing where a fast-drying, light-colored, hard finish is desired. Drying is by simple evaporation of the alcohol. Shellac varnish is not water-resistant and is not suitable for exterior coatings. When used as a finish, it has the distinct advantage that it remains soluble. When touch-up is required, it therefore merges completely with the original finish, and no scratches or worn spots show. See also Surface coating; Varnish.


 
Thesaurus: shellac
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verb

    To render totally ineffective by decisive defeat: annihilate, crush, drub, overpower, overwhelm, smash, steamroller, thrash, trounce, vanquish. Informal massacre, wallop. Slang clobber, cream, smear. See win/lose/recovery.

 
Architecture: shellac
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A resin extracted and purified from matter secreted by insects; dissolved in alcohol or a similar solvent in the manufacture of shellac varnish.


 
shellac, solution of lac in alcohol or acetone. In commerce the name is applied to the resinous substance (lac) itself rather than to the solution. It ranges in color from orange to light yellow depending upon the extent to which it has been purified; the darker shellacs are the less pure. When bleached it is known as white shellac. Applied to surfaces such as wood and plaster, the solution forms a hard coating upon evaporation of the solvent. Shellac is widely used as a spirit varnish, as a protective covering for drawings and plaster casts, for stiffening in the manufacture of felt hats, in making sealing wax, and in electrical insulation.


 
Wikipedia: Shellac
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Some of the many different colors of shellac.
Skittles candy.

Shellac is a resin secreted by the female lac bug to form a cocoon, on trees in the forests of India and Thailand.[1] It is processed and sold as dry flakes (pictured at right), which are dissolved in denatured alcohol to make liquid shellac, which is used as a brush-on colourant, food glaze[2] and wood finish much like a combination of stain and polyurethane. Shellac functions as a tough all-natural primer, sanding sealer, tannin-blocker, odor-blocker, stain (pigment), and high-gloss varnish. Shellac was also once used in electrical applications as it possesses good insulation qualities and it seals out moisture. It is also often the only historically-appropriate finish for early 20th-century hardwood floors, and wooden wall and ceiling paneling.

From the time it replaced oil and wax finishes in the 1800s, shellac was the dominant wood finish in the western world until it was replaced by nitrocellulose lacquer in the 1920s and 1930s. It remained popular in the Southern United States through the 1950s and 1960s. It continues to be a popular candy glaze for pill shaped sweets such as Skittles.

Contents

Production

Knotty pine pickwick paneling and a door and some trim finished with orange shellac, common in the United States in the mid-20th century. Shellac has a very warm glow; this wood was the light cream colour of freshly-sawn unfinished pine prior to being shellacked. This wood was not stained before being shellacked; the shellac has an orange colour and acts as a combination stain and varnish-like protectant.

Shellac is scraped from the bark of the trees where the female lac bug, Laccifer (Tachardia) lacca Kerr, Order Homoptera, Family Coccidae[3] deposits it to provide a sticky hold on the trunk. This bug or insect is in the same family as the insect from which cochineal is obtained. The insects suck the sap of the tree and excrete "stick-lac" in an almost non stop manner. The least coloured shellac is produced when the insects are parasitic upon the kursum tree, (Schleichera trijuga). The raw shellac, which contains bark shavings and lac bug parts, is placed in canvas tubes (much like long socks) and heated over a fire. This causes the shellac to liquefy, and it seeps out of the canvas leaving the bark and bug parts behind. The thick sticky shellac is then dried into a flat sheet and broken up into flakes when dried, or dried into "buttons" (pucks/cakes), and then bagged and sold. The end-user then mixes it with denatured alcohol on-site a few days prior to use in order to dissolve the flakes and make liquid shellac—liquid shellac has a very limited shelf life (about 1 year), hence it is sold is dry form and then mixed prior to use. This is also why cans of liquid shellac sold in hardware stores are very clearly marked with the production (mixing) date on the top or bottom, so that the consumer can know whether the shellac inside is still good.

The thickness (strength) of shellac is measured by the unit "pound cut", referring to the amount (in pounds) of shellac flakes dissolved in a gallon of denatured alcohol. For example: a 1-lb. cut (said as "one pound cut") of shellac is the strength obtained by dissolving one pound of shellac flakes in a gallon of alcohol. A 5-lb. cut is the strength of five pounds of shellac flakes dissolved in a gallon of alcohol. Most pre-mixed commercial preparations come at a 3-lb. cut. Multiple thin layers of shellac produce a significantly better end result than a few thick layers—thick layers of shellac do not adhere to the substrate or to each other well, and thus can be peeled off with relative ease; in addition, thick shellac will fill in (and thus ruin) carved designs in wood and other substrates.

Shellac naturally dries to a high-gloss sheen. For applications where a flatter (less shiny) sheen is desired, there is an additive called "Shellac Flat" which can be added after the shellac flakes are dissolved in denatured alcohol, prior to use (see photo at right).

Shellac naturally contains a small amount of wax (3%-5% by volume), which comes from the lac bug. In some preparations, this wax is removed (the resulting product being called "dewaxed shellac"). This is done for applications where the shellac will be coated with something else (such as paint or varnish), so that the topcoat will be able to stick. Waxy (non-dewaxed) shellac appears milky in liquid form, but dries clear.

Colours and availability

A bottle of Shellac Flat, used to reduce the glossiness of shellac.

Shellac comes in many warm colours, ranging from a very light blond ("platina") to a very dark brown ("garnet"), with all shades of brown and yellow and orange and red in between. The colour is influenced by the sap of the tree the lac bug is living on, as well as the time of harvest. Historically, the most commonly-sold shellac is called "orange shellac", and was used extensively as a combination stain and protectant on wood paneling and cabinetry in the 20th-century (see photo at right).

Shellac was once very common, being available any place paints or varnishes were sold (such as hardware stores). Cheaper, clear, more abrasion- and chemical-resistant items (such as polyurethane) have almost completely replaced it in the world of decorative residential wood finishing (such as for hardwood floors, wooden wainscoting and plank paneling, and kitchen cabinets). Such things, however, must be applied over a stain if the user wants the wood coloured; shellac wasn't applied over a stain, as it was orange/amber in colour by itself, and so functioned as a combination stain and protective topcoat. These modern chemicals, while some come closer than others, can never completely replicate the warm, inviting glow that shellac lends to wood. "Wax over shellac" (an application of buffed-on paste wax over several coats of shellac) is often regarded as the most beautiful finish for hardwood floors.[4]

Shellac flakes are hard to find now. Some specialty woodworking shops offer it as a special-order item. There are a few specialty companies dedicated exclusively to it, such as [1]. Zinsser offers a pre-mixed liquid preparation of waxy (non-dewaxed) shellac, in both "amber" (roughly Waxy Orange) and "clear" (roughly Waxy Platina), which is sold at Lowes and Home Depot.

Properties

A decorative medal made in France in early 20th century moulded from shellac compound, the same used for phonograph records of the period.

Shellac is a natural polymer and is chemically similar to synthetic polymers, and thus can be considered a natural form of plastic. It can be turned into a moulding compound when mixed with wood flour and moulded under heat and pressure methods, so it can also be classified as thermoplastic.

Shellac is soluble in alkaline solutions such as ammonia, sodium borate, sodium carbonate, and sodium hydroxide, and also in various organic solvents. When dissolved in alcohol blends containing ethanol and methanol, shellac yields a coating of superior durability and hardness.

Upon mild hydrolysis Shellac gives a complex mix of aliphatic and alicyclic hydroxy-acids and their polymers which varies in exact composition depending upon the source of the shellac and the season of collection. The major component of the aliphatic component is aleuritic acid, whereas the main alicyclic component is shellolic acid.[5]

Making new shellac look old (for matching historic woodwork)

There is only one historically accurate shellac: waxy orange shellac. While guitar- or furniture-makers who are into shellac have a blast with the other colours, only waxy orange shellac is appropriate for historically accurate restorations. This is what was sold at hardware and paint stores for decades before varnish and lacquer displaced it. Historically, if woodwork was wanted a dark color (i.e. mahogany or ebony, the two most common), one "mahagoanised" or "ebonised" it by using waxy orange shellac tinted with dye. Unlike today, where ones puts on a coat of stain, then a coat of polyurethane - back then, it was a few coats of tinted shellac over the bare wood, that's all. Using an alcohol-soluble dye, such as TransTint dye, added to some waxy orange shellac, perfectly matches the original woodwork in historic buildings when applied in a few coats of the correct thickness.

There is a technique for making shellac look old. Old shellac does something called alligatoring. Basically: when shellac is new, the surface is smooth and flat and shiny. But over time, it alligators, leading to it being dull and bumpy and sort of pitted. To match it in an old building for the sake of aesthetics or historical accuracy, the only effective way to do it is the way it happened naturally: heat. Shellac alligators in response to heat. Buildings finished with shellac were built before the days of air-conditioning, and the summer heat year after year caused the shellac to alligator over time. New shellac, if it will alligator on its own at all, will take several decades. The solution is to use a heat gun. Using a 1000-watt heat gun over the dried new shellac will cause it to bubble up and alligator, much like caramelizing the top of a crème brulée. This will cause it to match old shellac perfectly.

History

The earliest record of shellac goes back 3000 years, but shellac is known to have been used earlier.[6] At one point, an entire palace was built out of dried shellac.[7]

Shellac was in rare use as a dyestuff for as long as there was a trade with the East Indies. Merrifield[8] cites 1220 for the introduction of shellac as an artist's pigment in Spain. This isn't unreasonable, given that lapis lazuli as ultramarine pigment from Afghanistan was already being imported long before this.

The use of overall paint or varnish decoration on large pieces of furniture was first popularised in Venice (then later throughout Italy). There are a number of 13th century references to painted or varnished cassone, often dowry cassone which were deliberately impressive as part of dynastic marriages. The definition of varnish is not always clear, but it seems to have been a spirit varnish based on gum benjamin or mastic, both traded around the Mediterranean. At some time, shellac began to be used as well. An article from the Journal of the American Institute of Conservation describes the use of infrared spectroscopy to identify a shellac coating on a 16th century cassone.[9] This is also the period in history where "varnisher" was identified as a distinct trade, separate from both carpenter and artist.

Another consumer of shellac is sealing wax. Woods' ‘The Nature and Treatment of Wax and Shellac Seals’[10] discusses the various formulations, and the period when shellac started to be added to the previous beeswax recipes.

The "period of widespread introduction" would seem to be around 1550 to 1650, when it moves from being a rarity on highly decorated pieces to being a substance that's described in the standard texts of the day.

Uses

For a long time in the early- and mid-20th century, orange shellac was used as a one-product finish (combination stain and varnish-like topcoat) on decorative wood paneling used on walls and ceilings in homes (particularly in America). In this application, it lends an extremely warm, inviting, homely glow. In the American South, use of knotty pine plank panelling covered with orange shellac was once as common in new construction as drywall is today. It was also often used on kitchen cabinets and hardwood floors, prior to the advent of polyurethane.

It is the central element of the traditional "French polish" method of finishing furniture, and fine viols and guitars.

Shellac was used from mid-19th century to produce small moulded goods like picture frames, boxes, toilet articles, jewelry, inkwells and even dental plates. Although advancement in plastics have rendered shellac obsolete as a moulding compound, it remains popular for a number of other uses. In dental technology, it is still occasionally used in the production of custom impression trays and (partial) denture production.

It is used by many cyclists as a protective and decorative coating for their handlebar tape.[11] Shellac is used as a hard-drying adhesive for tubular cycle tires, particularly for track racing[12][13]

Orange shellac is also the preferred adhesive for reattaching ink sacs when restoring vintage fountain pens.[14]

Until the advent of vinyl around the 1940s, phonograph records were pressed from shellac compounds. This use was common until the 1950s, and continued into the 1970s in some non-Western countries.

Sheets of Braille were coated with shellac to help protect them from wear due to being read by hand.

Shellac is used as a binder in Indian ink.

Shellac was historically used as a protective coating on paintings.

Shellac is edible and it is used as a glazing agent on pills (see excipients) and candies in the form of pharmaceutical glaze (alternatively, confectioner's glaze). Because of its alkaline properties, shellac-coated pills may be used for a timed enteric or colonic release.[15] It is also used to replace the natural wax of the apple, which is removed during the cleaning process.[16] When used for this purpose, it has the food additive E number E904. This coating may not be considered as vegetarian as it may, and probably does, contain crushed insects. In the tablet manufacture trade, it is sometimes referred to as "beetlejuice" for this reason.

Because it is compatible with most other finishes, shellac is also used as a barrier or primer coat on wood to prevent the bleeding of resin or pigments into the final finish, or to prevent wood stain from blotching.

Shellac is an odour and stain blocker and so is often used as the base of "solves all problems" primers. Although its durability against abrasives and many common solvents is not very good, shellac provides an excellent barrier against water vapour penetration. Shellac based primers are an effective sealant to control odours associated with fire damage.

Shellac was once used for fixing inductor, motor, generator and transformer windings, where it was applied directly to single layer windings as an alcoholic solution in much the same manner as it is applied to timber. For multilayer windings, the whole coil was submerged in the shellac solution and then removed, drained and placed in a warm place to allow the alcohol to evaporate, the shellac then holds the turns in place, provides extra insulation and prevents movement and vibration, reducing buzz and hum. In motors and generators it also provides a medium for transfer of forces generated by magnetic attraction and repulsion from the windings to the rotor or armature. In more recent times synthetic resins, such as Glyptol, (Glyptal), have been substituted for the shellac. Some applications use shellac mixed with other natural or synthetic resins, such as pine resin or Phenol-Formaldehyde Resin, of which Bakelite is the best known, for electrical use. Mixed with other resins, Barium Sulfate, Calcium Carbonate, Zinc Sulfide, Aluminum Oxide and/or Cuprous Carbonate, (Malachite), shellac forms a component of Heat Cured Capping Cement used to fasten the caps or bases to the bulbs of electric lamps.

As a natural resin, shellac has similarities to other natural resins such as Myrrh and Frankincense.

Shellac finds a use in pyrotechnic compositions as a low temperature fuel where it allows the creation of pure 'greens' and 'blues', colours difficult to achieve with other fuel systems in fireworks formulae.

Trivia

  • It takes about 100,000 lac bugs to make 500 g of shellac flakes.[17]
  • Shellac is UV-resistant, and does not darken as it ages (though the wood under it may do so on its own, as in the case of pine).[18]
  • Shellac scratches less easily than lacquer, and damaged areas can easily be touched-up with another coat of shellac (unlike with polyurethane) because the new coat melds itself into the existing coat(s).

Gallery

See also

References

  1. ^ Banglapedia: Lac Insect
  2. ^ Ingredients of Mars Confectionary product, Skittles
  3. ^ Merk Index, 9th Ed. page 8224.
  4. ^ http://www.naturalhandyman.com/iip/author/zinsser/shellac2.html
  5. ^ Merk Index, 9th Ed. page 8224.
  6. ^ http://www.naturalhandyman.com/iip/author/zinsser/shellac.html
  7. ^ http://www.naturalhandyman.com/iip/author/zinsser/shellac.html
  8. ^ Merrifield, Mary (1849). Original Treatises on the Art of Painting. Mineola, N.Y.: Dover Publ.. ISBN 0486404404. 
  9. ^ "Furniture finish layer identification by infrared linear mapping microspectroscopy". JAIC (Journal of the American Institute of Conservation) 31 (2, Article 6): 225 to 236. 1992. http://aic.stanford.edu/jaic/articles/jaic31-02-006.html. 
  10. ^ Woods, C. (1994). "The Nature and Treatment of Wax and Shellac Seals". Journal of the Society of Archivists (15). 
  11. ^ Out Your Backdoor: Shellac & Twine makes Handlebar fine
  12. ^ mounting-tubulars Mounting Tubular Tires by Jobst Brandt
  13. ^ British Cycling - Track Tips
  14. ^ RichardsPens.com Fountain Pens by Richard Binder - Glossary - S
  15. ^ Shellac film coatings providing release at selected pH and method - US Patent 6620431
  16. ^ US Apple: Consumers - FAQs: Apples and Wax
  17. ^ http://www.naturalhandyman.com/iip/author/zinsser/shellac.html
  18. ^ http://www.naturalhandyman.com/iip/author/zinsser/shellac.html

External links


 
Translations: Shellac
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Dansk (Danish)
n. - schellak
v. tr. - gennembanke, tæve

Nederlands (Dutch)
schellak, vernissen met schellak, in de pan hakken

Français (French)
n. - gomme-laque
v. tr. - piler, laquer, (US) piler (fam), battre (qn) à plates coutures

Deutsch (German)
n. - Schellack
v. - mit Schellack überziehen, (Slang) vermöbeln

Ελληνική (Greek)
n. - γομαλάκα
v. - επιχρίω με γομαλάκα, (ΗΠΑ, αργκό) ξυλοφορτώνω, κατατροπώνω

Italiano (Italian)
gommalacca, verniciare, bastonare

Português (Portuguese)
n. - goma laca (f)
v. - lacar, envernizar com laca

Русский (Russian)
шеллак, покрывать шеллаком, разгромить, избить

Español (Spanish)
n. - laca, goma laca
v. tr. - laquear, dar una paliza

Svenska (Swedish)
n. - schellack
v. - behandla med schellack

中文(简体)(Chinese (Simplified))
虫漆, 涂上虫漆, 殴打, 以虫胶结合

中文(繁體)(Chinese (Traditional))
n. - 蟲漆
v. tr. - 塗上蟲漆, 毆打, 以蟲膠結合

한국어 (Korean)
n. - 셸락 (도료), 셸락 니스
v. tr. - 셸락 니스를 바르다, (몽둥이 따위로) 때리다, 완전하게 쳐부수다

日本語 (Japanese)
n. - セラック, セラックニス
v. - セラックを塗る, 打ち破る

العربيه (Arabic)
‏(الاسم) أللك ألمصفى, ألشيلاك (فعل) يهزمه هزيمه حاسمه, يكسو أويعالج بأللك‏

עברית (Hebrew)
n. - ‮לכה‬
v. tr. - ‮ציפה בלכה, הביס‬


 
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