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Shirley Bassey

 
Black Biography: Shirley Bassey

singer

Personal Information

Born on January 8, 1937, in Cardiff, Wales, United Kingdom; daughter of Henry (a seaman) and Eliza Bassey; married Kenneth Hume (a television producer), 1961 (marriage ended); married Sergio Novak; children: Sharon, Samantha (deceased, 1985), Mark.

Career

Worked in an enamelware factory as a packer, Cardiff, Wales, early 1950s; began singing career at clubs in Cardiff; appeared on the London stage in musical revues that included Hot From Harlem, mid-1950s; recorded first single, "Burn My Candle," 1955; recorded first LP, The Bewitching Miss Bassey, 1959.

Life's Work

British singer Shirley Bassey won an entirely new generation of fans when she guested on a 1997 song from British techno act, the Propellerheads. "History Repeating" charted in both Europe and North America, and appeared on the soundtrack to the popular 1998 film There's Something About Mary. Yet Bassey had enjoyed a long, four-decade career as a performer before this point, recording a string of hit singles in the 1960s and garnering a devoted cult following for her torchy, often slightly risqué songs, glamorous looks, and compelling stage presence. Sometimes called "Bassey the Belter" for her strong alto voice, Bassey had previously enjoyed a huge international hit when she performed the title song to the 1964 James Bond film Goldfinger. She remains one of the top-performing female singers in the history of the British charts. Don Heckman, writing for the Los Angeles Times, called Bassey "an extraordinarily powerful live entertainer with one of the most instantly recognizable voices in popular music."

Born Shirley Veronica Bassey in Tiger Bay, a dockside neighborhood of Cardiff, Wales, on January 8, 1937, the future songstress was the last of seven children born to Henry and Eliza Bassey, an interracial couple. Her father was a seaman from Nigeria who left the family when his youngest child was just two, and was never heard from again. Interviewed by Deborah Ross of the British London newspaper The Independent in 1997, Bassey said that "I never even asked my mother about him. I didn't want to carry that baggage through my life. I just let it go."

Worked in Factory

When her mother remarried, the children moved to an all-white neighborhood in Cardiff, where Bassey began singing, though she was, by nature, a shy child. After dropping out of school at the age of 14, Bassey found work as a packer in a Cardiff enamelware factory for wages of nine dollars a week. On the weekends, she sang for extra income in local clubs. Her first real performance came in 1953 at the Grand Theatre in Luton, Bedfordshire, England, and from there she went on to appear in a number of black-themed musicals and revues, including a production called Memories of Jolson and Hot From Harlem, which toured the United Kingdom. Homesick, she returned to Cardiff and found a job waiting tables, but the stage soon lured her back.

In 1955, a popular British comedian invited Bassey to appear in his Christmas show, Such Is Life, in one of London's West End theaters. She recorded her first single, "Burn My Candle," around this time, and her voice soon attracted major industry interest; critics and fans were also enchanted, and Bassey was quickly likened to Eartha Kitt, Lena Horne, and even Judy Garland. Her first chart success, the "Banana Boat Song," debuted in early 1957 and quickly reached No. 8 on the British charts. Bassey went on to record a string of hit singles over the next few years. She also packed concert halls, earned and spent lavish amounts on show-stopping stage gowns that highlighted her svelte, but well-endowed figure, and became a household name in Britain. Yet Bassey was also forced to endure her share of attention from the tabloid press, especially after a dejected former boyfriend held her at gunpoint in a hotel in London.

Success and Tragedy

Bassey's debut album, The Bewitching Miss Bassey, was released on EMI/Columbia. She moved to New York and enjoyed great success with her cabaret act, and then expanded her audience with shows in Las Vegas. Her name was even romantically linked with that of Frank Sinatra, one of the biggest stars of the era. Bassey once again suffered some salacious publicity during this era as well, when the British press revealed that she had become a mother at the age of 18. One of Bassey's sisters had been raising the daughter, named Sharon, but the singer then took custody of her.

Bassey's personal life would be marked by a series of tragedies. In 1961, she wed television producer Kenneth Hume, but he committed suicide after their divorce. A second husband, Sergio Novak, an Italian producer, served a stint as her manager, as Hume had done as well. Bassey told Ross in the Independent interview that both decisions revealed poor judgment on her part. "I've always been the breadwinner and men don't like that. They turn on you," Bassey declared. "They bite the hand that feeds them. Eventually, too, they become very jealous of the love one has with an audience."

The Most Enduring Bond Girl

That audience even included President John F. Kennedy at a White House performance, but it was Bassey's surprising rendition of the theme song to the popular James Bond film Goldfinger that made her a huge international star in 1964. She would go on to record two other theme songs for Bond films, Diamonds Are Forever in 1971 and Moonraker, released eight years later. She continued to enjoy several other hit songs, even during the rock era when such torchy pop songs seemed rather out of step with the times. Both "Big Spender" from 1967 and a 1969 tune, "This Is My Life," were impressive hits for the singer.

In 1969, Bassey and her family--which would include two other children, Samantha and Mark--moved to Switzerland. Still in great demand as a performer, Bassey continued to perform around the globe, and was a frequent presence on British television for many years. She later admitted on more than one occasion that her performing career did not make her the best mother, and that her children would often begin crying when they saw suitcases appear in the hallway as she prepared to tour again.

History Repeated

After a 1978 album, The Magic Is You, Bassey retreated to Switzerland and semiretirement. Again, family tragedy struck when her daughter Samantha was found dead, a probable suicide, at the foot of a bridge in Bristol, England, in 1985. Despite her semiretired status, Bassey found it difficult to resist the lure of offers to record and perform, and enjoyed surprising success when she appeared on a 1987 track from the Swiss electronic band, Yello. But it was the efforts a decade later of another alternative act, two British sound engineers who recorded under the name Propellerheads, that revived Bassey's unique appeal. "The two Propellerhead boys sent the song to me, and though I loved the music I thought it was more something for Tina Turner than for me," she told San Francisco Chronicle writer Neva Chonin. They persevered, however, and convinced Bassey to record with them. "History Repeating" became the standout track on the album, and a hit on both sides of the Atlantic. New Musical Express's Sylvia Patterson reviewed Decksanddrumsandrockandroll and called the single with Bassey "unsurpassingly mighty."

The singer, who has received two honorifics from the Queen Elizabeth and is formally known as Dame Shirley Bassey, eventually relocated to the French Riviera enclave of Monte Carlo. Well into her sixties, she continued to perform, and her shows are packed with devoted fans. Her voice remained the same strong, enigmatic alto, which she has credited to her serious commitment to vocal exercise. As to her physical stamina, she confessed to Heckman in the Los Angeles Times article, "my two secrets are drinking lots of water and working out every day before the show. I go to the gym, I do the treadmill and I lift tiny weights. I exercise my voice, and I watch what I eat. And it's not a chore for me because I like the results."

Bassey, who turned 63 in 2000, seemed uninterested in permanent retirement. "Maybe when I'm 70 I'll think, I've done it all. Now what?," she told Chonin in the San Francisco Chronicle. "That's when I'll go explore the pyramids and all the places I've wanted to visit but haven't had the time to. I'm a gypsy, you see. I love a good adventure."

Awards

Named Commander of the British Empire, 1994, and Dame of the British Empire, c. 1999.

Works

Selected discography

  • Solo albums
  • The Bewitching Miss Bassey, EMI/Columbia, 1959.
  • Fabulous Shirley Bassey, EMI/Columbia, 1960.
  • Shirley, EMI/Columbia, 1961.
  • Let's Face the Music, EMI/Columbia, 1962.
  • Shirley Bassey at the Pigalle, EMI/Columbia, 1965.
  • Shirley Bassey Belts the Best!, EMI/Columbia, 1965.
  • I've Got a Song for You, EMI/Columbia, 1966.
  • Live at the Talk of the Town, EMI/Columbia, 1970.
  • Something, United Artists, 1970.
  • Something Else, United Artists, 1971.
  • Big Spender, United Artists, 1971.
  • I Capricorn, United Artists, 1972.
  • Never, Never, Never, United Artists, 1973.
  • Live at Carnegie Hall, United Artists, 1973.
  • Nobody Does It Like Me, United Artists, 1974.
  • Love, Life and Feelings, United Artists, 1976.
  • You Take My Heart Away, United Artists, 1977.
  • The Magic Is You, United Artists, 1978.
  • This Is My Life, United Artists, 1979.
  • Love Songs, 1982.
  • All By Myself, 1984.
  • I Am What I Am, 1984.
  • I've Got You Under My Skin, 1985.
  • Born to Sing the Blues, 1987.
  • Let Me Sing and I'm Happy, 1988.
  • La Mujer, 1989.
  • Keep The Music Playing, 1991.
  • Shirley Bassey Sings The Songs Of Andrew Lloyd Webber, 1993.
  • The Show Must Go On, Polygram, 1996.
  • Other
  • (With Yello) The Rhythm Divine, Mercury, 1987.
  • (With Propellerheads), Decksanddrumsandrockandroll, Wall of Sound, 1997.

Further Reading

Books

  • Gammond, Peter, Oxford Companion to Popular Music, Oxford University Press. 1991.
Periodicals
  • Ebony, March 1963.
  • Independent (London), September 15, 1997.
  • Los Angeles Times, October 16, 1998.
  • New Musical Express, January 24, 1998.
  • Observer, September 11, 1994.
  • San Francisco Chronicle, October 21, 1998.

— Carol Brennan

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Artist: Shirley Bassey
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See Shirley Bassey Lyrics
  • Born: January 08, 1937, Tiger Bay, Cardiff, Wales
  • Active: '50s, '60s, '70s, '80s, '90s, 2000s
  • Genres: Vocal Music
  • Instrument: Vocals
  • Representative Albums: "Goldsinger: The Best of Shirley Bassey," "Let's Face the Music," "The Fabulous"
  • Representative Songs: "Goldfinger," "Something," "Big Spender"

Biography

Known to Americans most for her belting rendition of the theme to Goldfinger, the 1964 edition in the James Bond series (as well as 1971's Diamonds Are Forever and 1979's Moonraker), Shirley Bassey was one of the most popular female vocalists in Britain during the last half of the 20th century. Known as Bassey the Belter and also the Tigress of Tiger Bay, her early career in touring shows and cabaret brought her a recording contract with Philips by the late '50s. After reaching the top of the British charts in 1959 with "As I Love You" and later "Reach for the Stars/Climb Every Mountain," Bassey was tapped to swing the theme song to the third James Bond vehicle. Her voice, brassy and sexy, conveyed the James Bond myth perfectly and became a big hit in America. Though later chart placings in the U.S. were few, she continued to do well in Great Britain, France and the Netherlands into the mid-'70s.

Born in January 1937 in Tiger Bay, Cardiff, Wales, Shirley Bassey was the youngest of seven children. Her parents, a Nigerian sailor and an English woman, divorced before she was three years old, but they kept the family together for the most part, and Shirley was able to sing duets with her brother at family get-togethers. After finishing school, she found a job at a local factory, and earned extra money singing at men's clubs after-hours. Bassey traveled around the country in revues during the early '50s, and made her big breakout in 1955 at a London Christmas show given by comedian Al Read (though it was promoted by bandleader Jack Hylton, who had caught Bassey's act at the nearby Albany Club). Soon after, Shirley Bassey began appearing in Read's revue, Such Is Life. The show ran for over a year, and gained her a recording contract for Philips Records. "Banana Boat Song" hit the British Top Ten in early 1957, followed by her number one hits, 1959's "As I Love You" and 1961's "Reach for the Stars/Climb Every Mountain." A 1962 pairing with arranger Nelson Riddle increased her prestige in America, and a vaunted live show gained her headlining spots in both New York and Las Vegas during the early '60s. Popular recognition in the United States came in early 1965, when "Goldfinger" hit number eight in the American charts, instantly becoming her signature song across the Atlantic. (Strangely though, it missed even the Top 20 in Great Britain.)

Bassey's hits in the U.K. continued into the mid-'70s, led by Top Ten entries such as "Something," "For All We Know" and "Never Never Never." After the crowning achievement of her career, a 1977 Britannia Award for Best Female Solo Singer in the Last 50 Years, Shirley Bassey gained her own highly rated BBC-TV show in the late '70s, but gradually slowed down her busy schedule during the next decade. Semi-retired to Switzerland by 1981, she nevertheless emerged quite frequently, spurred by the recording of several television specials and LPs, including a 1987 date with the synth-pop group Yello. Bassey became much more visible during the '90s, opening a nightclub in Cardiff, and touring the world several times. ~ John Bush, All Music Guide
Discography: Shirley Bassey
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Greatest Hits [ZYX]

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Shirley/Let's Face the Music

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Remix Album: Diamonds Are Forever [Nettwerk]

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Platinum Collection

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That's What Friends Are For [Eureka Music]

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Contemporary Classics

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Live in Japan

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That's What Friends Are For [Single]

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Nobody Does It Like Me/Love, Life and Feelings

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Twenty of the Best

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Legendary Performer

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Divas Are Forever [Video/DVD]

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Remix Album: Diamonds Are Forever [France]

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I've Got a Song for You: And We Were Lovers

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Superstar Series

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Classics

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That's What Friends Are For [DRG]

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Sings the Standards: Best of Shirley Bassey

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Ultimate Shirley Bassey

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All by Myself [Pegasus]

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Get the Party Started

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Get the Party Started

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This Is My Life/Does Anybody Miss Me

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Complete EMI Columbia Singles Collection

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And I Love You So [UK Bonus Tracks]

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Back to Back Hits

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Show Must Go On

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Living Tree

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Thank You for the Years

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Thank You for the Years

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40 Great Songs

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Let Me Sing and I'm Happy

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Sings the Movies

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Sings the Movies

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Goldfinger: 20 Greatest Songs

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Magic Is You: The Very Best of Shirley Bassey

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Legend Begins Plus

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Introduction to Shirley Bassey

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What Now My Love

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Finest Collection

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Essential

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This Is My Life [Compilation]

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Get the Party Started [5 Track Single]

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Power of Love

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Power of Love

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Standing Room Only

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Old Friends and Lovers

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Live at Carnegie Hall [DRG Reissue]

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Very Best of Shirley Bassey [Double Classics]

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Birthday Concert

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Great Shirley Bassey [Riviere]

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Love Album

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Greatest Hits [Capitol]

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This Is My Life: Greatest Hits

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You Take My Heart Away/Yesterday

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Four Decades of Song

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Greatest Hits: This Is My Life

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Best of Shirley Bassey [Intercontinental]

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Never Never Never/Good, Bad But Beautiful

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Remix Album: Diamonds Are Forever [EMI]

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Bassey Sings Bond

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Where Do I Begin

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Touch of Class

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Best of Shirley Bassey [EMI-Capitol Special Markets]

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Magic of Shirley Bassey

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At the Pigalle Live

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Beste Van

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Original Gold

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Diamond Collection

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How Do You Keep the Music Playing

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EMI/UA Years 1959-1979

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20 Great Love Songs

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That's What Friends Are For [Zyx]

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Best of Shirley Bassey [Collectables]

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Sings the Movies [Disky 2003]

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Diamonds Are Forever [2000 Single]

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Something [Bonus Track]

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Diamonds Are Forever [Disky Box]

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Diamonds Are Forever, Vol. 1 [Disky]

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Diamonds Are Forever, Vol. 3 [Disky]

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Diamonds Are Forever, Vol. 2 [Disky]

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Great Shirley Bassey [Goldies]

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Goldsinger: The Best of Shirley Bassey

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Sings the Songs of Andrew Lloyd Webber

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Her Greatest Hits

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Her Golden Voice

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Goldfinger: 20 Great Songs

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Diamonds Are Forever: 20 More Great Songs

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I Am What I Am

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Keep the Music Playing

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Mujer

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I'm in the Mood for Love

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Diamonds: The Best of Shirley Bassey

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Sassy Bassey

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Magic Is You

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Singles

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Live at Carnegie Hall

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Never, Never, Never

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And I Love You So

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I Capricorn

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Something Else

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Something [EMI]

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Shirley Stops The Shows

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Let's Face the Music

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Shirley

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Shirley Bassey

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Fabulous

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Still

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Best of Shirley Bassey [Dino]

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Wikipedia: Shirley Bassey
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Shirley Bassey

Shirley Bassey at Wembley Arena, 2006
Background information
Birth name Shirley Veronica Bassey
Born 8 January 1937 (1937-01-08) (age 72)
Tiger Bay, Cardiff, Wales, United Kingdom
Genres Popular music
Occupations Singer
Instruments Vocals
Years active 1953 - present
Labels Philips, Columbia, United Artists, Decca, Geffen
Website http://www.dameshirleybassey.com

Dame Shirley Veronica Bassey DBE (born Cardiff, Wales, 8 January 1937) is a singer who found fame in the late 1950s and has continued a successful career since then worldwide. She is also well-known for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979).[1] She has sold an estimated 135 million records to date.[2] With 35 hits in the UK Singles Chart plus 37 hit LPs in the UK Albums Chart, she maintains her position as Britain's most successful female artist of all time, and the artist with the longest span (50 years) of Top 40 hits.[3]

Contents

Birth to 1959

Shirley Bassey was born to Henry Bassey and his wife Eliza Jane (née Metcalfe), their seventh and last child, in Tiger Bay, Cardiff, Wales.[4] Of Nigerian (her father) and English (her Yorkshire mother) heritage,[5][6] Bassey has always refered to her nationality as being Welsh. She grew up in the working-class dockside district of Splott. After leaving Moorland School at the age of fifteen, Bassey first found employment packing at a local factory while singing in local public houses and clubs in the evenings and weekends. In 1953, she signed her first professional contract, to sing in a touring variety show Memories of Jolson, a musical based on the life of Al Jolson.[7] She next took up a professional engagement in Hot from Harlem, which ran until 1954. By this time Bassey had become disenchanted with show business, and had become pregnant at 16 with her daughter Sharon, so she went back to waitressing in Cardiff. However, in 1955, a chance recommendation of her to Michael Sullivan, a Streatham-born booking agent, put her firmly on course for her destined career. He saw talent in Bassey, and decided he would make her a star. She toured various theatres until she got an offer of the show that put her firmly on the road to stardom, Al Read's Such Is Life at the Adelphi Theatre in London's West End. While she starred in this show, Philips A&R and record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, entitled "Burn My Candle (At Both Ends)", and Philips released it in February 1956, when Bassey was just nineteen. Owing to the suggestive lyrics, the BBC banned it, but it sold well nonetheless, backed with her powerful rendition of "Stormy Weather". Further singles followed, and in February 1957, Bassey had her first hit with "Banana Boat Song", which reached #8 in the UK Singles Chart.[8] During that year, she also recorded under the direction of American producer Mitch Miller in the US for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after a chance appearance at the London Palladium things began to pick up. In January 1959, it reached number one and stayed there for four weeks. It thus became the first number one single by a Welsh artist.[9] Bassey also recorded "Kiss Me, Honey Honey, Kiss Me" at this point, and while "As I Love You" raced up the charts, so too did this record, with both songs being in the top three at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun.

1960 to 1979

In the early and mid 1960s, Bassey had numerous hits on the UK charts, and five albums in the top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached #2, and had a chart run of 30 weeks.[3] In 1962, Bassey's collaboration with Nelson Riddle and his orchestra produced the album Let's Face the Music (#12) and the single "What Now My Love" (#5). Other top ten hits of the period included her second #1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963.[8] During this period, John F. Kennedy invited Bassey to sing at his Inauguration Ball. In 1965, Bassey enjoyed her first U.S. Top 10 chart hit with the title song of the James Bond film, Goldfinger – from the #1 original soundtrack in the U.S. that same year. Owing to the success of Goldfinger, she appeared frequently on many American television talk shows such as those hosted by Johnny Carson and by Mike Douglas. Also in 1965, she sang the title track for the spoof James Bond film The Liquidator, and had a Top 20 live album recorded during a sell-out run at London's Pigalle.

From 1964 onwards the "Goldfinger" single had a lasting impact on her career: writing for the sleeve notes of Bassey's 25th Anniversary Album, Clayton (1978) notes that: "Acceptance in America was considerably helped by the enormous popularity of (Goldfinger)...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since Goldfinger...But, concertwise, I always sell out.'..."[10] This was reflected in the fact that Bassey had only one solo LP to reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a "one-hit wonder," making only one appearance in the Top 40 of the Billboard Hot 100, "Goldfinger". But in the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the top 40 until 1970. She had signed to United Artists, and her first album on that label, 1966's I've Got a Song for You, spent one week on the chart; from there until 1970, only two albums would enter the top 40, one of those a compilation. In 1967 came the release of one of her best-known singles "Big Spender", although it charted just outside the UK Top 20.[8]

Bassey started living as a tax exile in 1968, and was not permitted to work in Britain for almost two years.[6][11] Also in 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her performance. Her version of the song with chorus sung in Italian became a Top 40 hit on the Italian chart, and Bassey recorded several songs in Italian, some appearing on a 1968 Italian album titled La vita.[12] (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) But her UK sales continued to suffer.

Bassey's UK comeback came in 1970, leading to one of the most successful periods of her career. In this year, she returned to the UK with a record breaking run of performances at the Talk of the Town nightclub. Also in that year, she released the album Something, which showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the single of the same name was more successful in the UK charts than the original Beatles recording - the only artist to have achieved this), though Bassey would never completely abandon what had been her forte, standards, show tunes, and torch songs. "Something" was also a Top 10 U.S. hit on the Adult Contemporary chart. Other singles of this period included top ten hits "For All We Know" (1971) and "Never Never Never" (1973) – the latter also reaching the Top 10 in the U.S. Adult Contemporary Chart. The success of "Something" (single #4, album #5) spawned a series of successful albums on the UA label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Life, Love and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Bernard Ighner wrote and duetted with Bassey for the track "Davy" on the Nobody Does It Like Me album (1974). Additionally, two of Bassey's earlier LPs entered the charts, 1967's And We Were Lovers (re-issued as Big Spender), and 1962's Let's Face the Music (re-issued as What Now My Love). Two compilations, The Shirley Bassey Singles Album (1975) and 25th Anniversary Album (1978) both made the UK top three: The Shirley Bassey Singles Album her highest charting album at No. 2 and earning a gold disc, and 25th Anniversary Album going platinum.[8][13]

Between 1970 and 1979, Bassey had 18 hit albums in the UK Albums Chart.[3] Her 1978 album The Magic Is You featured a portrait by the photographer, Francesco Scavullo. In 1973, her sold-out concerts at New York's Carnegie Hall were recorded and released as a two-LP set, Shirley Bassey: Live at Carnegie Hall. This album and the majority of her recordings from this period have been re-mastered and released on CD by EMI and BGO Records. In 1971, she recorded the theme song for Diamonds Are Forever. The recording featured as part of Sydney, Australia's 2007 New Year's celebration.

Bassey appeared on the Morecambe and Wise Christmas Show, broadcast on Christmas Day in 1971.[14] In 1976 Bassey starred in the six-episode The Shirley Bassey Show, the first of her television programs for the BBC, followed by a second series of six episodes in 1979. The final show of the first series was nominated for the Golden Rose of Montreux in 1977. The series featured guests including Neil Diamond, Michel Legrand, The Three Degrees and Dusty Springfield; filmed in various locations throughout the world as well as in the studio.

In 1978 Bassey pleaded guilty to being drunk and disorderly "after shouting abuse in the street and pushing a policeman".[2]

Bassey closed out the decade with her third title theme for the Bond films, Moonraker (1979).

1980 to 1999

Throughout most of the 1980s, Bassey focused on charitable work and performing occasional concert tours throughout Europe and the United States, having ended her contract with EMI-United Artists and taking what she referred to as 'semi-retirement'. In 1982 Bassey recorded an album entitled All by Myself and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. In 1983 she recorded a duet with Alain Delon, "Thought I'd Ring You", which became a hit single in Europe. Bassey was now recording far less often but released an album in 1984 of her most famous songs, I Am What I Am, performed with the London Symphony Orchestra conducted by Carl Davis. In 1986, she released a single and video to support the London Tourist Board, There's No Place Like London. In 1987 she recorded an album of James Bond themes, The Bond Collection, but was apparently unhappy with the results, as she declined to release it. (Five years later it was released anyway, Bassey sued in court, and all unsold copies were withdrawn.)[15] Also in 1987, Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine", a song co-written by Scottish singer Billy Mackenzie.[4] In 1989 she released an album sung entirely in Spanish, La Mujer. In the latter mid-1980s Bassey had started working with a vocal coach, a former opera singer, and her 1991 album Keep the Music Playing displayed a grand, operatic pop style on several songs (perhaps also influenced by her album with the LSO seven years earlier).

In 1994 EMI released the five-CD box set Bassey - The EMI/UA Years 1959 - 1979. In 1996, Bassey collaborated with Chris Rea in the film La Passione, appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single proved a major club hit throughout Europe, though charting just outside the UK top 40. Bassey released a new recording the following year, "History Repeating", written for her by the Propellerheads and scoring a #1 on the UK dance music chart. The single reached the top five in Spain, Italy and Germany, and the top ten of the US dance chart. The liner notes of the Propellerheads' album Decksandrumsandrockandroll included the lines 'We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock ...' Bassey celebrated her 60th birthday the same year with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for 'Best Traditional Pop Vocal Performance'.[16] On 7 October 1998 in Egypt, Bassey performed for a benefit at an open air concert close to the Sphinx and the Great Pyramid.

In the 1998 film Little Voice, Bassey was one of three central figures along with Marilyn Monroe and Judy Garland, and Bassey's track "Goldfinger" featured in the movie. Jane Horrocks, the lead actress in the film, went on to impersonate Bassey both on record and television, as well as during a UK tour.

In 1998 Bassey was sued by her former personal assistant in a breach of contract case, who also accused Bassey of hitting her and making an ethnic slur. Bassey won the case.[2] The episode was lampooned by Alexander Baron in his one-act play, The Trial of Shirley Bassey.

In 1999, she recorded the official song for the Rugby World Cup, "World in Union", with Bryn Terfel and performed at the opening ceremony at The Millennium Stadium, Cardiff. Bassey contributed three songs to the official album Land of My Fathers.

2000 to date

In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th Birthday celebration. Then, in 2003, Bassey celebrated 50 years in show business, releasing the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, 'Dame Shirley Bassey: 50 Years of Glittering Gowns', raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal.[17] Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree".

Two popular Audiences with Shirley Bassey have aired on British TV, one in 1995 that attracted more than 10 million viewers in the UK, with the most recent in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales.

Marks & Spencer signed her for their Christmas 2006 'James Bond style' TV advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown.

"The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart – and the record for the longest span of Top 40 hits in UK chart history.[3] Bassey made an appearance at the 2007 Glastonbury Festival. Wearing a pink Julien MacDonald dress, she performed a 45-minute set. A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at #6. The single reached #3 on the U.S. Dance Chart. The same year, Bassey performed "Big Spender" with Elton John at his annual White Tie and Tiara Ball to raise money for The Elton John AIDS Foundation.[18] In 2007, Bassey performed in Fashion Rocks in aid of The Prince's Trust at the Royal Albert Hall.

She was rushed to hospital in Monaco on 23 May 2008 to have an emergency operation on her stomach after complaining of abdominal pains. She was forced to pull out of the Nelson Mandela 90th Birthday Tribute concert because of her illness.[19] A biography, Diamond Diva, was published in 2008.

It was announced in July 2009 that Bassey was recording a new album, with David Arnold as producer. By September 2009 artists who had written songs for the album included Manic Street Preachers, Gary Barlow, KT Tunstall, Pet Shop Boys, Kaiser Chiefs, John Barry and Don Black. The 11-track album, entitled The Performance, was released on 9 November 2009.[20]

Bassey headlined at the BBC Electric Proms on 23 October, 2009, in her only full live set of 2009.[21][22]

Personal life

Bassey's first marriage was to Kenneth Hume (1961–65) and ended in divorce. In September 1965 Bassey announced her intention to re-marry Hume, but less than a year later revealed that this would not take place.[23] Her second husband was Sergio Novak. Bassey and Novak were married from 1968 until they divorced in 1977; Novak served as Bassey's manager throughout this time. Bassey had two daughters and, with Novak, adopted her grandnephew.[5][6] Bassey has never revealed the identity of the father of her daughters. In 1985 Bassey's second daughter, Samantha, was found dead in the River Avon in Bristol, England. Bassey has always insisted that there is no evidence that the death of her daughter was suicide.[2]

She currently resides in Monte Carlo.

Awards and achievements

In recognition of her career longevity, and admiration from the British Royal Family, Bassey was created a Dame Commander of the Order of the British Empire (DBE) on 31 December 1999 by HM Queen Elizabeth II. She was invited to perform in 2002 at the Party at the Palace, a public celebration of the Queen's Golden Jubilee. She was awarded France's top honour, the Legion d'Honneur, to signify her popularity and importance in the culture of France.

  • 1972 – Best Female Singer – TV Times
  • 1973 – Best Female Singer – TV Times
  • 1974 – Best Female Entertainer – American Guild of Variety Artists
  • 1976 – Best Female Singer – Music Week
  • 1976 – 22-day British tour to mark twenty years as a recording artist
  • 1976 – EMI Award for twenty years as a recording artist – UK
  • 1977 – Best British Female Solo Artist in the previous 25 years – BRIT Award
  • 1977 – Golden Rose of Montreux nomination for The Shirley Bassey Show
  • 1991 – Walk of Fame, Star Boulevard – plaque unveiled in Rotterdam[24]
  • 1993 – CBE – Commander of the Order of the British Empire
  • 1995 – Showbusiness Personality of the Year – Variety Club of Great Britain
  • 1997 – Grammy nomination – The Birthday Concert (recorded live at Althorp Park)
  • 1998 – Longest run by a solo artist (ten shows) – Royal Festival Hall, London
  • 1999 – Légion d'Honneur – France
  • 1999 – Madam Tussaud's waxwork unveiled in London (second model in Las Vegas)
  • 2000 – DBE – Dame Commander of the Order of the British Empire
  • 2000 – Most Successful British Female Singer – Guinness Book of Records
  • 2003 – Outstanding Contribution to Music – National Music Awards, UK[25]
  • 2003 – Lifetime Achievement Award (inaugural award) – Western Mail Welsh Woman of the Year Awards[26]
  • 2004 – 100 Great Black Britons, Bassey voted into the top ten
  • 2004 – Artist for Peace Award – UNESCO
  • 2005 – Avenue of Stars – plaque unveiled in London
  • 2008 – "Goldfinger" – United Artists single (1964) inducted into the Grammy Hall of Fame[27]

Discography

Bibliography

  • Shirley Bassey: Diamond Diva – Peter Hogan (2008)
  • Cardiff: Rebirth of a Capital (Foreword by Shirley Bassey) – Ungersma, Hurn (2005)
  • Shirley Bassey: Welsh History Stories – Evans, Stokes, ap Emlyn, ap Emlyn (2003)
  • Shirley Bassey: An appreciation – Muriel Burgess (1998, reprinted 1999)
  • My Life on Record and in Concert – Shirley Bassey (Bloomsbury, 1998)
  • The Trial of Shirley Bassey – A Play in One Act – Alexander Baron (1998)
  • Shirley Bassey: This Is My Life (Piano/vocal/guitar) – Sheet music book
  • Shirley Bassey: You're the Voice (Piano/vocal/guitar) – Sheet music book
  • Guinness Book of British Hit Singles – 14th Edition – ISBN 0-85156-156-X
  • Guinness Book of British Hit Singles – 16th Edition – ISBN 0-85112-190-X
  • Guinness Book of British Hit Albums – 7th Edition – ISBN 0-85112-619-7
  • The Book of Golden Discs – 2nd Edition – ISBN 0-214-20512-6
  • The Guinness Book Of 500 Number One HitsISBN 0-85112-250-7

See also

References

  1. ^ AOL Music entry
  2. ^ a b c d http://www.guardian.co.uk/music/2009/oct/24/shirley-bassey-interview
  3. ^ a b c d Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 44-45. ISBN 1-904994-10-5. 
  4. ^ a b Allmusic
  5. ^ a b Norma McLain Stoop, After Dark Magazine
  6. ^ a b c http://www.telegraph.co.uk/culture/music/3594141/The-minute-she-walked-in-the-joint.html
  7. ^ CD liner notes by Shirley Bassey, Thank You for the Years (2003)
  8. ^ a b c d Shirley Bassey on chartstats.com
  9. ^ http://www.bbc.co.uk/wales/music/sites/history/pages/welsh-number-ones.shtml
  10. ^ http://home.arcor.de/bassey/ See sleeve notes by Peter Clayton, "25th Anniversary Album"
  11. ^ http://home.arcor.de/bassey/ See CD sleeve notes by Chris White, "Something" album
  12. ^ Hit Parade Italia
  13. ^ BPI Database
  14. ^ IMDb.com - accessed October 2009
  15. ^ Bassey v. Icon Entertainment plc (1995) EMLR 596
  16. ^ http://www.metrolyrics.com/1999-grammy-awards.html
  17. ^ http://www.looktothestars.org/celebrity/629-shirley-bassey
  18. ^ White tie and tiara ball. Retrieved on 2007-06-30
  19. ^ Bassey 'recovering' after surgery BBC News 27 May 2008
  20. ^ http://www.dameshirleybassey.com/?page_id=6
  21. ^ http://www.bbc.co.uk/electricproms/2009/artists/shirleybassey/
  22. ^ "Shirley bassey Interview". The Guardian. 2009-10-24. http://www.guardian.co.uk/music/2009/oct/24/shirley-bassey-interview. Retrieved 2009-11-20. 
  23. ^ Burgess, Muriel (1998). Shirley: An Appreciation of the Life of Shirley Bassey (1st ed.). UK: Century. p. 204. ISBN 0-7126-7918-9. 
  24. ^ http://www.walkoffame.nl/engels/
  25. ^ http://news.bbc.co.uk/2/hi/entertainment/3216767.stm
  26. ^ http://news.bbc.co.uk/2/hi/uk_news/wales/3229216.stm
  27. ^ http://www.grammy.com/Recording_Academy/Awards/Hall_Of_Fame/#g

External links

Preceded by
Matt Monro
From Russia with Love, 1963
James Bond title artist
Goldfinger, 1964
Succeeded by
Tom Jones
Thunderball, 1965
Preceded by
John Barry
On Her Majesty's Secret Service, 1969
James Bond title artist
Diamonds Are Forever, 1971
Succeeded by
Paul McCartney and Wings
Live and Let Die (song), 1973
Preceded by
Carly Simon
The Spy Who Loved Me (Nobody Does It Better), 1977
James Bond title artist
Moonraker, 1979
Succeeded by
Sheena Easton
For Your Eyes Only, 1981

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