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Dictionary:

short story


n.

A short piece of prose fiction, having few characters and aiming at unity of effect.


 
 
Literary Dictionary: short story

short story, a fictional prose tale of no specified length, but too short to be published as a volume on its own, as novellas sometimes and novels usually are. A short story will normally concentrate on a single event with only one or two characters, more economically than a novel's sustained exploration of social background. There are similar fictional forms of greater antiquity— fables, lais, folktales, and parables—but the short story as we know it flourished in the magazines of the 19th and early 20th centuries, especially in the USA, which has a particularly strong tradition. For a fuller account, consult Ian Reid, The Short Story (1977).

 

Brief fictional prose narrative. It usually presents a single significant episode or scene involving a limited number of characters. The form encourages economy of setting and concise narration; character is disclosed in action and dramatic encounter but seldom fully developed. A short story may concentrate on the creation of mood rather than the telling of a story. Despite numerous precedents, it emerged only in the 19th century as a distinct literary genre in the works of writers such as E.T.A. Hoffmann, Heinrich Kleist, Edgar Allan Poe, Prosper Mérimée, Guy de Maupassant, and Anton Chekhov.

For more information on short story, visit Britannica.com.

 
Columbia Encyclopedia: short story,
brief prose fiction. The term covers a wide variety of narratives—from stories in which the main focus is on the course of events to studies of character, from the “short short” story to extended and complex narratives such as Thomas Mann's Death in Venice. Most often the short story is restricted in character and situation and is concerned with creating a single, dynamic effect. Its length usually falls between 2,000 and 10,000 words. Short stories date back to earliest times; they can be found in the Bible, Gesta Romanorum of the Middle Ages, Boccaccio's Decameron, and Chaucer's Canterbury Tales. The modern short story is said to have begun in the 19th cent. with the works of Edgar Allan Poe and Guy de Maupassant. Notable among the exponents of the form are Henry James, O. Henry, E. T. A. Hoffmann, Chekhov, Kafka, D. H. Lawrence, Katherine Mansfield, Sherwood Anderson, Ernest Hemingway, Katherine Anne Porter, John O'Hara, Flannery O'Connor, J. D. Salinger, John Cheever, John Updike, Donald Barthelme, and Raymond Carver.

Bibliography

See W. Allen, The Short Story in English (1981); G. Weaver, The American Short Story (1983); C. A. Moser, ed., The Russian Short Story (1986); J. Updike and K. Kenison, ed., The Best American Short Stories of the Century (1999).


 
Wikipedia: short story

The short story is a literary genre. It is usually fictional narrative prose and tends to be more concise and to the point than longer works of fiction, such as novellas (in the modern sense of this term) and novels.

Short stories have their origins in oral story-telling traditions and the prose anecdote, a swiftly-sketched situation that comes rapidly to its point. With the rise of the comparatively realistic novel, the short story evolved as a miniature, with some of its first perfectly independent examples in the tales of E.T.A. Hoffmann and Anton Chekhov.

Many authors today release compilations of their short stories in short story collections.

History

Origins

Short stories date back to the oral story-telling traditions which originally produced epics such as the Iliad and Odyssey by Homer. Oral narratives were often told in the form of rhyming or rhythmic poetry, often including recurring sections or, in the case of Homer, Homeric epithets. Such stylistic effects often acted as mnemonic means for easier recall, rendition and adaptation of the story. Short sections of such poems might focus on individual narratives that could be told at one sitting. The overall arc of the story would only emerge through the telling of multiple sections of the tale.

Fables, which tend to be folk tales with an explicitly expressed moral, were said by the Greek historian Herodotus to have been invented by a Greek slave named Aesop in the 6th century BCE (although other times and nationalities are also given for Aesop). These ancient fables are known today as Aesop's Fables.

The other ancient form of short story, anecdotes, was popular during the years of the Roman Empire. Anecdotes functioned as a sort of parable, a brief realistic narration that embodies a point. Many of the surviving Roman anecdotes were later collected in the Gesta Romanorum in the 13th or 14th century. Anecdotes remained popular in Europe well into the 18th century, when the fictional anecdotal letters of Sir Roger de Coverley were published.

In Europe, the oral story-telling tradition began to develop into written stories in the early 14th century, most notably with Geoffrey Chaucer's Canterbury Tales and Giovanni Boccaccio's Decameron. Both of these books are composed of individual short stories (which range from farce or humorous anecdotes to well-crafted literary fictions) set within a larger narrative story (a frame story), although the frame tale device was not adopted by all writers. At the end of the 16th century, some of the most popular short stories in Europe were the darkly tragic "novella" of Matteo Bandello (especially in their French translation). During the Renaissance, the term novella was used when referring to short stories.

The mid 17th century in France saw the development of a refined short novel, the "nouvelle", by such authors as Madame de Lafayette. In the 1690s, traditional fairy tales began to be published (one of the most famous collections was by Charles Perrault). The appearance of Antoine Galland's first modern translation of the Thousand and One Nights (or Arabian Nights) (from 1704; another translation appeared in 1710–12) would have an enormous influence on the 18th century European short stories of Voltaire, Diderot and others.

Modern short stories

Modern short stories emerged as their own genre in the early 19th century. Early examples of short stories include the Brothers Grimm Fairy Tales (1824–1826) or Nikolai Gogol's Evenings on a Farm Near Dikanka (1831-1832). Charles Brockden Brown's "Somnambulism" (1805), Washington Irving's Rip van Winkle (1819) and The Legend of Sleepy Hollow (1820), Edgar Allan Poe's Tales of the Grotesque and Arabesque (1840) and Nathaniel Hawthorne's Twice-Told Tales (1842) are the first examples in the USA.

In the later part of the 19th century, the growth of print magazines and journals created a strong market demand for short fiction between 3,000 and 15,000 words in length. Among the famous short stories to come out of this time period was "Ward No. 6" by Anton Chekhov.

At the same time first literary theories about the short story appeared. The first widely known theory is Edgar Allan Poe's "The Philosophy of Composition" (1846). In 1901 Brander Matthews, first US-American professor of dramatic literature published his "The Philosophy of the Short-Story."

In the first half of the 20th century, a number of high-profile magazines, such as The Atlantic Monthly, Scribner's, and The Saturday Evening Post, all published short stories in each issue. The demand for quality short stories was so great, and the money paid for them so high, that F. Scott Fitzgerald repeatedly turned to short story writing to pay off his numerous debts.

The demand for short stories by print magazines hit its peak in the middle of the 20th century, when in 1952 Life magazine published Ernest Hemingway's long short story (or novella) The Old Man and the Sea. The issue containing this story sold 5,300,000 copies in only two days.

Since then, the number of commercial magazines that publish short stories has declined, even though several well-known magazines like The New Yorker continue to feature them. Literary magazines also provide a showcase for short stories. In addition, short stories have recently found a new life online, where they can be found in online magazines, in collections organized by author or theme, and on blogs.

Elements and characteristics

Short stories tend to be less complex than novels. Usually, a short story will focus on only one incident, has a single plot, a single setting, a limited number of characters, and covers a short period of time.

In longer forms of fiction, stories tend to contain certain core elements of dramatic structure: exposition (the introduction of setting, situation and main characters); complication (the event of the story that introduces the conflict); rising action, crisis (the decisive moment for the protagonist and their commitment to a course of action); climax (the point of highest interest in terms of the conflict and the point of the story with the most action); resolution (the point of the story when the conflict is resolved); and moral.

Because of their short length, short stories may or may not follow this pattern. Some do not follow patterns at all. For example, modern short stories only occasionally have an exposition. More typical, though, is an abrupt beginning, with the story starting in the middle of the action. As with longer stories, plots of short stories also have a climax, crisis, or turning-point. However, the endings of many short stories are abrupt and open and may or may not have a moral or practical lesson.

Of course, as with any art form, the exact characteristics of a short story will vary by author.

Length

Determining what exactly separates a short story from longer fictional formats is problematic. A classic definition of a short story is that one should be able to be read it in one sitting, a point most notably made in Edgar Allan Poe's essay "The Philosophy of Composition" (1846). Other definitions place the maximum word length at 7,500 words. In contemporary usage, the term short story most often refers to a work of fiction no longer than 20,000 words and no shorter than 1,000.

A short story is a form of short fictional narrative prose. Short stories tend to be more concise and to the point than longer works of fiction, such as novellas (in the modern sense of this term) and novels. Because of their brevity, successful short stories rely on literary devices such as character, plot, theme, language, and insight to a greater extent than long form fiction.

Short stories have their origins in the prose anecdote, a swiftly-sketched situation that comes rapidly to its point, with parallels in oral story-telling traditions. With the rise of the comparatively realistic novel, the short story evolved as a miniature, with some of its first perfectly independent examples in the tales of E.T.A. Hoffmann and Edgar Allan Poe.

A selection of famous short stories

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    Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
    Literary Dictionary. The Concise Oxford Dictionary of Literary Terms. Copyright © Chris Baldick 2001, 2004. All rights reserved.  Read more
    Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
    Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
    Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Short story" Read more

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