Shorty Rogers
Born:
Apr 14, 1924 in Great Barrington, Massachusetts
Died:
Nov 07, 1994 in Van Nuys, California
- Alternative Name: Milton M. Rajonsky
- Genre: Jazz
- Active: '50s - '90s
- Instrument: Trumpet
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Born:
Apr 14, 1924 in Great Barrington, Massachusetts
Died:
Nov 07, 1994 in Van Nuys, California
The Wizard of Oz and Other Harold Arlen Songs Buy this CD |
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Shorty Rogers Courts the Count Buy this CD |
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Shorty Rogers Big Band, Vol. 1 Buy this CD |
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| Shorty Rogers | |
|---|---|
| Birth name | Milton Rajonsky |
| Born | April 14 1924 |
| Origin | |
| Died | November 7 1994 (aged 70) |
| Genre(s) | Jazz Cool jazz |
| Occupation(s) | Trumpeter Arranger Composer |
| Instrument(s) | Trumpet, Flugelhorn |
| Label(s) | Xanadu Records Bluebird Records Atlantic Records |
| Associated acts |
Stan Kenton, Woody Herman, Art Pepper |
Milton “Shorty” Rogers (April 14, 1924–November 7, 1994), born Milton Rajonsky in Great Barrington, Massachusetts, was one of the principal creators of West Coast jazz. He played both the trumpet and flugelhorn, and was in demand for his skills as an arranger. Rogers worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton.
Shorty Rogers eventually became better known for his skills as a composer and arranger than
as a trumpeter, having composed the music for UPA's Mr. Magoo cartoon Hotsy Footsy and the Looney Tune Three Little Bops. Rogers appeared on the 1954 Shelly Manne album The Three and the Two along with Jimmy
Giuffre. Much of the music he recorded with Giuffre showed his experimental side, resulting in an early form of
From 1953 through 1962 Rogers recorded a series of RCA Victor albums (later reissued under the Bluebird label) and Atlantic albums with his own group, Shorty Rogers and His Giants, including Shorty Courts the Count (1954), The Swinging Mr. Rogers (1955), and Martians Come Back (1955), the album title alluding to the tune "Martians Go Home" which Rogers had composed and performed on The Swinging Mr. Rogers earlier the same year. These albums incorporated some of his more Avant-garde music; to some extent they could be classified as "cool" jazz; but they also looked back to the "hot" style of Count Basie, whom Rogers always credited as a major inspiration.
After the early 1960s Rogers stopped performing on trumpet, and soon left the jazz scene for many years. Finally, in 1982, he was persuaded to pick up his trumpet and return, playing first with Britain’s National Youth Jazz Orchestra and soon with Bud Shank and others. In the 1990s he formed a Lighthouse All Stars group along with Shank, Bill Perkins and Bob Cooper.
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