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Sidney Lanier

 
Biography: Sidney Lanier
 

The work of Sidney Lanier (1842-1881), American poet, critic, and musician, bridged southern romantic literature and 20th-century realism. He spent his life trying to convince America that poetry and music are governed by similar artistic laws.

Sidney Lanier was born in Macon, Ga., on Feb. 3, 1842, of Huguenot and Scottish parentage. As a child, he was devoted to music, concentrating on study of the flute. After graduating from Oglethorpe University, he tutored for a year, then joined the Macon Volunteers in the Civil War. He was captured in 1864. During his imprisonment he developed tuberculosis. Discharged, he walked home to Georgia, arriving dangerously ill. The rest of his life was a losing battle with bad health.

From 1866 to 1872 Lanier worked at a variety of jobs: bookkeeper-clerk in Montgomery, Ala., teacher in rural Alabama schools, lawyer in his father's Macon office, and novelist (Tiger-lilies, 1867, deals partly with his war experiences). He and his wife moved to San Antonio, Tex., in 1873 to recover his health, but to no avail. That same year he became first flutist in the Peabody Orchestra of Baltimore and began to work on Florida, a guidebook (1875).

Thereafter Lanier divided his time between music and poetry. He published two poems in Lippincott's Magazine (1876) and attended the Philadelphia premiere of his cantata, The Centennial Meditation of Columbia, written to Dudley Buck's music. After a few months in Florida for his health, he resettled his family in Baltimore. His Poems (1877) brought neither the sales nor the reputation he expected, so he turned to hack work for income - writing tales for boys from classical literature. The Boy's King Arthur (1882) was his best-selling book.

In 1879 Johns Hopkins University invited Lanier to lecture on Shakespeare, the novel, and his theories of prosody. When the appearance of The Science of English Verse (1880) did not bring an offer of a professorship from the university, he moved to the mountains of North Carolina. He died there on Sept. 7, 1881.

Lanier's reputation grew rapidly after his death. Two of his best-known poems, "The Song of the Chattahoochee" and "The Marshes of Glynn," are noted for their fluid measure and orchestral effects. Mrs. Lanier edited The English Novel (1883) from his lecture notes.

Further Reading

The standard collection of Lanier's writings is The Centennial Edition of the Works of Sidney Lanier (10 vols., 1945). Letters of Sidney Lanier (1899) and Selections from Sidney Lanier: Prose and Verse (1916) were both edited by Henry W. Lanier. The most recent collection is Selected Poems, edited by Stark Young (1947). Three biographies offering critical judgments of Lanier's work are Edwin Mims, Sidney Lanier (1905); Aubrey H. Starke, Sidney Lanier: A Biographical and Critical Study (1933), which includes previously unpublished material and an extensive bibliography; and Lincoln Lorenz, The Life of Sidney Lanier (1935). Historical estimates of Lanier's work are in Robert E. Spiller, ed., Literary History of the United States (1948; rev. ed., 2 vols., 1963), and in Hyatt H. Waggoner, American Poets: From the Puritans to the Present (1968).

Additional Sources

Gabin, Jane S., A living minstrelsy: the poetry and music of Sidney Lanier, Macon, GA: Mercer University Press, 1985.

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Columbia Encyclopedia: Sidney Lanier
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Lanier, Sidney (lənēr') , 1842–81, American poet and musician, b. Macon, Ga., grad. Oglethorpe College 1860. His first work, the novel Tiger-Lilies (1867), was based on his experiences as a Confederate soldier in the Civil War. An accomplished musician, Lanier was first flutist of the Peabody Orchestra, Baltimore, in 1873. Following his appointment as lecturer on English literature at Johns Hopkins, his study of the interrelation of music and poetry was published as The Science of English Verse (1880). His Poems appeared in 1887. Lanier's poetry is marked by its melodic verse and extravagant conceits. Among his best-known poems are “Corn,” and “The Marshes of Glyn.”

Bibliography

See Centennial edition of his works (ed. by C. R. Anderson et al., 10 vol., 1945); biography by A. H. Starke (1933, repr. 1964); studies by J. De Bellis (1972) and J. S. Gabin (1985).

 
Works: Works by Sidney Lanier
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(1842-1881)

1867Tiger-Lilies. The Georgia musician and poet's first publication is a Civil War novel drawing on his own experience as a Confederate soldier, including his four months spent in a Union prison.
1875"The Symphony." Lanier in one of his most acclaimed poems carefully establishes a natural association between poetry and music and strikes against the dehumanizing effects of industrialism. The poem concludes that "Music is Love in search of a word."
1877Poems. Lanier's first verse collection is published. Also written in 1877 (published in 1883) is one of the poet's greatest achievements in expressing the musicality of verse, "The Song of the Chattahoochee."
1878"The Marshes of Glynn." Anonymously published in the anthology A Masque of Poets, the poem is considered among Lanier's finest. Its description of the sea marshes in Glynn County, Georgia, is his greatest achievement in merging musical and poetical methods. Lanier had intended to write six "Hymns of the Marshes," but besides "Glynn" completed only three: "Sunrise," "Individuality," and "Marsh Song--at Sunset."
1880The Science of English Verse. Lanier's treatise on prosody contains his theories suggesting that the rules governing verse are the same that apply to music.
1883The English Novel. With the subtitle "From Aeschylus to George Eliot: The Development of Personality," Lanier's wide-ranging critical study traces the evolving depiction of human personality by writers such as Geoffrey Chaucer, Émile Zola, and Walt Whitman. Many of Lanier's important aesthetic and social theories are displayed in the work.
1884Poems. An expanded edition of Lanier's poetry that includes two of his greatest pieces, "The Symphony" and "The Song of the Chattahoochee."

 
Wikipedia: Sidney Lanier
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Sidney Lanier

Born February 3, 1842(1842-02-03)
Macon, Georgia
Died September 7, 1881 (aged 39)
Lynn, North Carolina
Occupation Poet, musician, academic
Nationality American
Writing period 1867 - 1881

Sidney Lanier (February 3, 1842 – September 7, 1881) was an American musician and poet.

Contents

Early life and war

"Sydney Lanier,"was born February 3, 1842, in Macon, Georgia, to parents Robert Sampson Lanier and Mary Jane Anderson; he was mostly of English ancestry, with his distant French ancestors having immigrated to England in the 16th century.[1] He began playing the flute at an early age, and his love of that musical instrument continued throughout his life. He attended Oglethorpe University near Milledgeville, Georgia, graduating first in his class shortly before the outbreak of the American Civil War.

He fought in the Civil War, primarily in the tidewater region of Virginia, where he served in the Confederate signal corps. Later, he and his brother Clifford served as pilots aboard English blockade runners. On one of these voyages, his ship was boarded. Refusing to take the advice of the British officers on board to don one of their uniforms and pretend to be one of them, he was captured. He was incarcerated in a military prison at Point Lookout in Maryland, where he contracted tuberculosis (generally known as "consumption" at the time).[1] He suffered greatly from this affliction for the rest of his life.

Post War

Shortly after the war, he taught school briefly, then moved to Montgomery, Alabama, where he worked as a desk clerk at The Exchange Hotel and also performed as a musician; he was the regular organist at The First Presbyterian Church in nearby Prattville. He wrote his only novel, Tiger Lilies (1867) while in Alabama. In 1867, he moved to Prattville, at that time a small town just north of Montgomery where he taught and served as principal of a school. He married Mary Day of Macon(1876) that same year and moved back to his hometown and began working in his father's law office. After taking and passing the Georgia bar, he practiced as a lawyer for several years. During this period he wrote a number of poems in the "cracker" and "negro" dialects of his day about poor white and black farmers in the Reconstruction South. He traveled extensively through southern and eastern portions of the United States in search of a cure for his tuberculosis.

Musician

While on one such journey in Texas, he rediscovered his native and untutored talent for the flute and decided to travel to the northeast in hopes of finding employment as a musician in an orchestra. Unable to find work in New York, Philadelphia, or Boston, he signed on to play flute for the Peabody Orchestra in Baltimore, Maryland, shortly after its organization. He taught himself musical notation and quickly rose to the position of first flutist. He was famous in his day for his performances of a personal composition for the flute called "Black Birds," which mimics the song of that species.

Sidney Lanier

Poet and scholar

In an effort to support Mary and their three sons, he also wrote poetry for magazines. His most famous poems were "Corn" (1875), "The Symphony" (1875), "Centennial Meditation" (1876), "The Song of the Chattahoochee" (1877), "The Marshes of Glynn" (1878), and "Sunrise" (1881). The latter two poems are generally considered his greatest works. They are part of an unfinished set of lyrical nature poems known as the "Hymns of the Marshes", which describe the vast, open salt marshes of Glynn County on the coast of Georgia. There is a historical marker in Brunswick commemorating the writing of "The Marshes of Glynn". The largest bridge in Georgia (as of 2005), a short distance from the marker, is named The Sidney Lanier Bridge.

Late in his life, he became a student, lecturer, and, finally, a faculty member at the Johns Hopkins University in Baltimore, specializing in the works of the English novelists, Shakespeare, the Elizabethan sonneteers, Chaucer, and the Anglo-Saxon poets. He published a series of lectures entitled The English Novel (published posthumously in 1883) and a book entitled The Science of English Verse (1880), in which he developed a novel theory exploring the connections between musical notation and meter in poetry.

1972 Sidney Lanier U.S. postage stamp

Later life

Putting these theories into practice, he developed a unique style of poetry written in logaoedic dactyls, which was strongly influenced by the works of his beloved Anglo-Saxon poets. He wrote several of his greatest poem in this meter, including "Revenge of Hamish" (1878), "The Marshes of Glynn" and "Sunrise". In Lanier's hands, the logaoedic dactylic meter led to a free-form, almost prose-like style of poetry that was greatly admired by Longfellow, Bayard Taylor, Charlotte Cushman, and other leading poets and critics of the day. A similar poetical meter was independently developed by Gerard Manley Hopkins at about the same time (there is no evidence that they knew each other or that either of them had read any of the other's works).

Lanier also published essays on other literary and musical topics and a notable series of four redactions of literary works about knightly combat and chivalry in modernized language more appealing to the boys of his day:

The house in which Lanier died.

He also wrote two travelogues that were widely read at the time, entitled Florida: Its Scenery, Climate and History (1875) and Sketches of India (1876) (although he never visited India).

Memorial stone for Lanier.

Lanier finally succumbed to complications caused by his tuberculosis on September 7, 1881, while convalescing with his family near Lynn, North Carolina. He was only 39. He is buried in Green Mount Cemetery in Baltimore. Baltimore also honored him with a large and elaborate bronze and granite sculptural monument, created by Hans K. Schuler and located on the campus of the Johns Hopkins University.

Lanier's poem "The Marshes of Glynn" is the inspiration for a cantata by the same name that was created by the modern English composer Andrew Downes to celebrate the Royal Opening of the Adrian Boult Hall in Birmingham, England, in 1986.

Namesakes

Several things have been named for Sidney Lanier:

References in Popular Culture

Lanier, his life, his talent as a flautist, and his poetry all figure prominently in the 1969 Science Fiction novel Macroscope by Piers Anthony. Several quotations from "The Marshes of Glynn" and other references appear throughout the novel, and indeed Lanier and his work are central to one of the characters in the story.

See also

References

External links

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Biography. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Sidney Lanier" Read more