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Sigmund Romberg

 

(born July 29, 1887, Nagykanizsa, Austria-Hungary — died Nov. 9, 1951, New York, N.Y., U.S.) Hungarian-born U.S. composer. Romberg studied engineering and composition in Vienna, becoming a skilled violinist and organist. In 1909 he went to New York City, where he conducted a restaurant orchestra and played piano in cafés. As staff composer for the impresario Jacob Shubert (see Shubert Brothers), Romberg prepared scores for about 40 musical shows. His first notable operetta, Maytime (1917), was followed in the 1920s by Blossom Time (1921), The Student Prince (1924), The Desert Song (1926), and The New Moon (1928). His last success was Up in Central Park (1945). In all he wrote almost 80 stage shows.

For more information on Sigmund Romberg, visit Britannica.com.

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American Theater Guide: Sigmund Romberg
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Romberg, Sigmund (1887–1951), composer. The Hungarian was slated to become an engineer, but when he was sent to Vienna, he took work at the Theatre‐an‐der‐Wien and studied with Richard Heuberger. Coming to America in 1909, Romberg accepted odd jobs until he could establish his own small dance band and publish some songs, which came to the attention of the Messrs. Shubert, who signed him as their house composer in 1914. His first song hit was “Auf Wiedersehn,” which was one of his additions to Eysler's score for The Blue Paradise (1915). In 1916 alone he wrote music (mostly tinny ragtime melodies) for at least six Shubert shows, but he did not begin to gain real recognition until he was allowed to compose a score entirely in his own middle‐European idiom for Maytime (1917), followed by his redactions of Schubert melodies for Blossom Time (1921). Romberg enjoyed four huge successes in the 1920s: The Student Prince (1924), The Desert Song (1926), My Maryland (1927), and The New Moon (1928). With the coming of the Great Depression and the rise of Nazism, the vogue for German‐style operettas waned, and Romberg had little success in the 1930s. However, he scored a final success in 1945 with a bit of nostalgic Americana, Up in Central Park. After Romberg's death his underrated score for The Girl in Pink Tights (1954) was offered to Broadway. In all he composed songs for nearly sixty Broadway musicals. Romberg was often accused of borrowing themes from classic compositions, and his music often seems less original and less passionate than that of his principal rival, Rudolf Friml. Nevertheless, the pair was almost solely responsible for the great outpouring of gorgeous, memorable melodies in the final American heyday of traditional operetta. Biography: Deep in My Heart, Elliott Arnold, 1949.

Music Encyclopedia: Sigmund Romberg
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(b Nagykanizsa, 29 July 1887; d New York, 9 Nov 1951). American composer. He studied music in Vienna and became an engineer before going to the USA and working in dance bands. His romantic operettas became widely popular in the 1920s, notably Blossom Time (1921, on Schubert's life) and The Desert Song (1926); Up in Central Park (1945) represents his move towards the American musical. He also wrote film scores for Hollywood.



 
Columbia Encyclopedia: Sigmund Romberg
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Romberg, Sigmund (rŏm'bûrg), 1887-1951, Hungarian-American composer, educated in Vienna. He came to the United States in 1909, played in restaurant and café orchestras, and soon had his own orchestra. He wrote the score for the musical The Whirl of the World (1914), and followed it with more than 70 operettas. Among the most successful were Blossom Time (1921; based on the life and music of Franz Schubert), The Student Prince (1924), The Desert Song (1926), and The New Moon (1928). These recalled the romantic, lyrical style of Viennese operettas. He later wrote scores for several films, some of them adaptations of his own stage works.

Bibliography

See E. Arnold's Deep in My Heart: A Story Based on the Life of Sigmund Romberg (1949).

Dictionary: Rom·berg   (rŏm'bərg) pronunciation, Sigmund
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1887-1951.

Hungarian-born American composer of operettas, including Blossom Time (1921) and The Student Prince (1924).


Works: Works by Sigmund Romberg
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(1887-1951)

1921Blossom Time. The Hungarian-born composer's operetta, a fictionalized treatment of the life of Franz Schubert, is one of the longest-running musicals of the decade (second only to Romberg's The Student Prince, 1924).
1928The New Moon. Romberg's operetta, set in eighteenth-century New Orleans, is the last of his successes and marks the end of the popularity of operettas on Broadway.

Writer: Sigmund Romberg
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  • Born: Jul 29, 1887 in Nagykanizsa, Hungary
  • Died: Nov 09, 1951 in New York, New York
  • Occupation: Writer
  • Active: '20s-'50s
  • Major Genres: Musical, Romance
  • Career Highlights: Maytime, The Desert Song, The Student Prince
  • First Major Screen Credit: Foolish Wives (1922)

Biography

Hungarian composer Sigmund Romberg was a prolific creator of light operettas and the occasional film score. Some of his operettas were made into films. ~ Sandra Brennan, All Movie Guide
Wikipedia: Sigmund Romberg
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Sigmund Romberg, born Zsigmond Romberg (July 29, 1887 – November 9, 1951), was an American composer best known for his operettas.

Biography

Romberg was born to a Jewish family in the West-Hungarian provincial town of Nagykanizsa during the Austro-Hungarian k.u.k. Monarchy period. He went to Vienna to study engineering, but also took composition lessons while there. He moved to the United States in 1909 and, after a brief stint working in a pencil factory, was employed as a pianist in cafés. He eventually founded his own orchestra and published a few songs, which, despite their limited success, brought him to the attention of the Shubert brothers, who in 1914 hired him to write music for their Broadway theatre shows. That year he wrote his first successful Broadway revue, The Whirl of the World.

Romberg's adaptation of melodies by Franz Schubert for Blossom Time (1921, produced in the UK as Lilac Time) was a great success. He subsequently wrote his best-known operettas, The Student Prince (1924), The Desert Song (1926) and The New Moon (1928), which are in a style similar to the Viennese operettas of Franz Lehár. He also wrote Rosalie (1928) together with George Gershwin. His later works, such as Up in Central Park (1945), are closer to the American musical in style, but they were less successful. Romberg also wrote a number of film scores and adapted his own work for film.

Columbia Records asked Romberg to conduct orchestral arrangements of his music (which he had played in concerts) for a series of recordings from 1945 to 1950 that were issued both on 78-rpm and 33-1/3 rpm discs. These performances are now prized by record collectors. Naxos Records digitally remastered the recordings and issued them in the U.K. (They cannot be released in the U.S. because Sony BMG, which acquired Columbia Records, holds the copyright for their American release.)[1]

Much of Romberg's music, including extensive excerpts from his operettas, was released on LP during the 1950s and 1960s, especially by Columbia, Capitol, and RCA Victor. Nelson Eddy and Jeanette MacDonald, who appeared in an MGM adaptation of The New Moon in 1940, regularly recorded and performed his music. There have also been periodic revivals of the operettas.

Romberg died in 1951 in New York City and was interred in the Ferncliff Cemetery in Hartsdale, New York.

Romberg was the subject of the 1954 Stanley Donen-directed film Deep in My Heart, in which he was portrayed by José Ferrer.

His operetta The New Moon was base for two films titled New Moon in 1930 and 1940, with Jeanette MacDonald and Nelson Eddy in the main roles of the 1940 version.

"Softly, As in a Morning Sunrise" and "Lover, Come Back to Me" from The New Moon are still jazz-blues / soft-jazz classics; the first was performed by many jazz performers, the second is best known by Billie Holiday.[citation needed]

References

  1. ^ Naxos Records website
  • Ganzl, Kurt. The Encyclopedia of Musical Theatre (3 Volumes). New York: Schirmer Books, 2001.
  • Traubner, Richard. Operetta: A Theatrical History. Garden City, NY: Doubleday & Company, 1983.
  • Bordman, Gerald. American Operetta. New York: Oxford University Press, 1981.
  • Clarke, Kevin. "Im Himmel spielt auch schon die Jazzband." Emmerich Kálmán und dir transatlantische Operette 1928–1932. Hamburg: von Bockel Verlag, 2007 (examines the connection between Kálmán's jazz-operettas of the 1920s and Romberg's scores; in German)

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Copyrights:

Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Music Encyclopedia. The Concise Grove Dictionary of Music. Copyright © 1994 by Oxford University Press, Inc.. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Works. The Chronology of American Literature, edited by Daniel S. Burt. Copyright © 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
Writer. Copyright © 2009 All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Sigmund Romberg" Read more

 

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