For more information on Sigmund Romberg, visit Britannica.com.
| Britannica Concise Encyclopedia: Sigmund Romberg |
For more information on Sigmund Romberg, visit Britannica.com.
| American Theater Guide: Sigmund Romberg |
Romberg, Sigmund (1887–1951), composer. The Hungarian was slated to become an engineer, but when he was sent to Vienna, he took work at the Theatre‐an‐der‐Wien and studied with Richard Heuberger. Coming to America in 1909, Romberg accepted odd jobs until he could establish his own small dance band and publish some songs, which came to the attention of the Messrs. Shubert, who signed him as their house composer in 1914. His first song hit was “Auf Wiedersehn,” which was one of his additions to Eysler's score for The Blue Paradise (1915). In 1916 alone he wrote music (mostly tinny ragtime melodies) for at least six Shubert shows, but he did not begin to gain real recognition until he was allowed to compose a score entirely in his own middle‐European idiom for Maytime (1917), followed by his redactions of Schubert melodies for Blossom Time (1921). Romberg enjoyed four huge successes in the 1920s: The Student Prince (1924), The Desert Song (1926),
| Music Encyclopedia: Sigmund Romberg |
(b Nagykanizsa, 29 July 1887; d New York, 9 Nov 1951). American composer. He studied music in Vienna and became an engineer before going to the USA and working in dance bands. His romantic operettas became widely popular in the 1920s, notably Blossom Time (1921, on Schubert's life) and The Desert Song (1926); Up in Central Park (1945) represents his move towards the American musical. He also wrote film scores for Hollywood.
| Columbia Encyclopedia: Sigmund Romberg |
Bibliography
See E. Arnold's Deep in My Heart: A Story Based on the Life of Sigmund Romberg (1949).
Dictionary:
Rom·berg (rŏm'bərg) , Sigmund
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| Works: Works by Sigmund Romberg |
| 1921 | Blossom Time. The Hungarian-born composer's operetta, a fictionalized treatment of the life of Franz Schubert, is one of the longest-running musicals of the decade (second only to Romberg's The Student Prince, 1924). |
| 1928 | The New Moon. Romberg's operetta, set in eighteenth-century New Orleans, is the last of his successes and marks the end of the popularity of operettas on Broadway. |
| Writer: Sigmund Romberg |
| Filmography: Sigmund Romberg |
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| Wikipedia: Sigmund Romberg |
Sigmund Romberg, born Zsigmond Romberg (July 29, 1887 – November 9, 1951), was an American composer best known for his operettas.
Romberg was born to a Jewish family in the West-Hungarian provincial town of Nagykanizsa during the Austro-Hungarian k.u.k. Monarchy period. He went to Vienna to study engineering, but also took composition lessons while there. He moved to the United States in 1909 and, after a brief stint working in a pencil factory, was employed as a pianist in cafés. He eventually founded his own orchestra and published a few songs, which, despite their limited success, brought him to the attention of the Shubert brothers, who in 1914 hired him to write music for their Broadway theatre shows. That year he wrote his first successful Broadway revue, The Whirl of the World.
Romberg's adaptation of melodies by Franz Schubert for Blossom Time (1921, produced in the UK as Lilac Time) was a great success. He subsequently wrote his best-known operettas, The Student Prince (1924), The Desert Song (1926) and The New Moon (1928), which are in a style similar to the Viennese operettas of Franz Lehár. He also wrote Rosalie (1928) together with George Gershwin. His later works, such as Up in Central Park (1945), are closer to the American musical in style, but they were less successful. Romberg also wrote a number of film scores and adapted his own work for film.
Columbia Records asked Romberg to conduct orchestral arrangements of his music (which he had played in concerts) for a series of recordings from 1945 to 1950 that were issued both on 78-rpm and 33-1/3 rpm discs. These performances are now prized by record collectors. Naxos Records digitally remastered the recordings and issued them in the U.K. (They cannot be released in the U.S. because Sony BMG, which acquired Columbia Records, holds the copyright for their American release.)[1]
Much of Romberg's music, including extensive excerpts from his operettas, was released on LP during the 1950s and 1960s, especially by Columbia, Capitol, and RCA Victor. Nelson Eddy and Jeanette MacDonald, who appeared in an MGM adaptation of The New Moon in 1940, regularly recorded and performed his music. There have also been periodic revivals of the operettas.
Romberg died in 1951 in New York City and was interred in the Ferncliff Cemetery in Hartsdale, New York.
Romberg was the subject of the 1954 Stanley Donen-directed film Deep in My Heart, in which he was portrayed by José Ferrer.
His operetta The New Moon was base for two films titled New Moon in 1930 and 1940, with Jeanette MacDonald and Nelson Eddy in the main roles of the 1940 version.
"Softly, As in a Morning Sunrise" and "Lover, Come Back to Me" from The New Moon are still jazz-blues / soft-jazz classics; the first was performed by many jazz performers, the second is best known by Billie Holiday.[citation needed]
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