In Greek mythology the Sirens (Greek
singular: Σειρήν Seirḗn; Greek plural: Σειρῆνες Seirênes) were sea deities who lived on an island called
Sirenum scopuli. In some different traditions they are placed on Cape Pelorum, others in
the island of Anthemusa, and still others in the Sirenusian islands near Paestum, or in
Capreae (Strab. i. p. 22 ; Eustath. ad Horn. p. 1709 ; Serv. I.e.). All locations were
described to be surrounded by cliffs and rocks. Seamen who sailed near were decoyed with the Sirens' enchanting music to shipwreck on the
rocky coast.
The Sirens were considered the daughters of Achelous (by Terpsichore, Melpomene, Sterope,
Chthon (in Euripides' Helen)) or Phorcys (Virgil. V. 846;
Ovid XIV, 88). Homer says nothing of their number, but later writers
mention both their names and number ; some state that they were two, Aglaopheme and Thelxiepeia (Eustath. ad Horn. p.
1709) ; and others, that there were three, Peisinoe, Aglaope, and Thelxiepeia (Tzetz. ad LycopL7l2) or Parthenope, Ligeia,
and Leucosia (Eustath. /. c.; Strab. v. pp. 246, 252 ; Serv. ad Virg. Georg. iv. 562). Their number is variously reported as
between two and five, and their individual names as Thelxiepeia/Thelxiope/Thelxinoe, Molpe, Aglaophonos/Aglaope,
Pisinoe/Peisinoë, Parthenope, Ligeia, Leucosia, Raidne, and Teles. According to some versions, they were playmates of young
Persephone and were given wings by Demeter to search for
Persephone when she was abducted (Ovid V, 551). Their song is continually calling on Persephone.
The term "siren song" refers to an appeal that is hard to resist but that, if heeded, will lead to a bad result. Later writers
have stated that the Sirens were anthropophagous, but this is not supported by classical
writings, nor is there any evidence that the Sirens drowned themselves failing to seduce one of the many heroes that passed their
way, though that has also become a fixture in retellings of the story.
Appearance
In early Greek art Sirens were represented as birds with large heads, bird feathers and scaly feet and sometimes manes of
lions. Later, they were represented as female figures with the legs of birds, with or without wings playing a variety of musical
instruments, especially harps. The 10th century encyclopedia Suda [1] says that from their chests up Sirens had the form of sparrows, below they
were women, or, alternatively, that they were little birds with women's faces. Birds were chosen because of their characteristic,
beautiful voices. However, later in history Sirens were sometimes also depicted as beautiful women (whose bodies, not only their
voices, are seductive), or even as mermaids (half woman, half fish).
The fact that in some languages, such as Spanish, French, Italian, Polish or Portuguese, the word for mermaid are respectively
Sirena, Sirène, Sirena, Syrena and Sereia adds to this confusion. In English however, "Siren"
does not commonly denote "mermaid".
In his Notebooks Leonardo da Vinci wrote the following on the siren: The siren
sings so sweetly that she lulls the mariners to sleep; then she climbs upon the ships and kills the sleeping mariners.
In 1917, Franz Kafka wrote in The Silence of the Sirens:
Now the Sirens have a still more fatal weapon than their song, namely their silence. And though admittedly such a thing
never happened, it is still conceivable that someone might possibly have escaped from their singing; but from their silence
certainly never.
Encounters with the Sirens
Jason had been warn by Chiron that Orpheus would be necessary in his journey. When Orpheus heard their voices,
he drew his lyre and played his music more beautifully than they, drowning out their voices. One of
the crew, however, the sharp-eared hero Butes, heard the song and leapt into the sea, but he was caught up and carried safely
away by the goddess Aphrodite.
Odysseus was curious as to what the Sirens sounded like, so he had all his sailors plug
their ears with beeswax and tie him to the mast. He ordered his men to leave him tied to the mast, no matter how much he would beg. When he heard
their beautiful song, he ordered the sailors to untie him but they stuck to their orders (or they
couldn't hear him). When they had passed out of earshot, Odysseus demonstrated with his eyebrows to be
released(Odyssey XII, 39).
It is said that, incensed at having been outplayed, the Sirens flung themselves down into the water and perished. Varying
traditions associate this event with their encounters with Jason or Odysseus, though the incident appears in neither
Homer's Odyssey nor Apollonius Rhodius's Argonautica, nor does this occur
when Aeneas encounters them in Book V of the Aeneid. In
all versions, they simply continue to sing. Many scholars, however, believe the above vase depicts a drowning attempt on the part
of one of the Sirens.
It is also said that Hera, queen of the gods, persuaded the Sirens to enter a singing contest with the Muses. The Muses won the competition and then plucked out all of the Sirens' feathers and made crowns out of
them.
According to one story, the Sirens were religious celibates, though Parthenope had a brief unconsummated romance with a man
named Metiochus. Supposedly she met with an accident after deciding to end her relationship with him, cutting her hair and
dedicating herself to worship of Dionysus, and the place where she fell is known as the Tomb of
Parthenope, which was supposedly located in what is now Naples.
In popular culture
As with many mythological creatures, sirens are directly featured in many artistic
works and mentioned in many more.
Selected examples
In modern literature, mythological sirens have influenced everything from plant names (for
example, a carnivorous plant by the same name in Terry
Brooks' Shannara series to comic book characters (Marvel Comics' superhero Siryn). In
television, sirens have appeared in shows ranging from sci-fi (the BBC comedy Red Dwarf
episode Psirens) and fantasy (an episode of Charmed titled "Siren Song") to action (the Batman TV series
episode 97, featuring The Siren played by Joan Collins) genres. The popularity of siren
characters extends to films as well with sirens being the main focus of John Duigan's
Sirens (1994) and appearing in the
2000 film O Brother,
Where Art Thou? (the latter drawing particularly on the myth of Odysseus and the sirens).
The idea of the lure of the siren also features in the lyrics and composition of many musical
pieces such as Erasure's Siren
Song, Savatage's song and album Sirens, and New Order's album
Waiting for the Sirens Call. Due to the bewitching powers suggested by the
traditional mythology, sirens also tend to be used as characters in computer and video games such as the Final Fantasy series, the
video game series Star Control's species "Syreens"
and many others.
See also
References
Anonymous (1989) Oxford English Dictionary. Oxford University Press. Oxford.
External links
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