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Sister Rosetta Tharpe

 
Artist: Sister Rosetta Tharpe
  • Born: March 20, 1921, Cotton Plant, AR
  • Died: October 09, 1973, Philadelphia, PA
  • Active: '30s, '40s, '50s, '60s
  • Genres: Gospel
  • Instrument: Vocals, Guitar
  • Representative Albums: "Complete Recorded Works, Vol. 1 (1938-1941)," "The Original Soul Sister," "Precious Memories"
  • Representative Songs: "This Train," "Rock Me," "That's All"

Biography

Alongside Willie Mae Ford Smith, Sister Rosetta Tharpe is widely acclaimed among the greatest Sanctified gospel singers of her generation; a flamboyant performer whose music often flirted with the blues and swing, she was also one of the most controversial talents of her day, shocking purists with her leap into the secular market -- by playing nightclubs and theatres, she not only pushed spiritual music into the mainstream, but in the process also helped pioneer the rise of pop-gospel. Tharpe was born March 20, 1921 in Cotton Plant, Arkansas; the daughter of Katie Bell Nubin, a traveling missionary and shouter in the classic gospel tradition known throughout the circuit as "Mother Bell," she was a prodigy, mastering the guitar by the age of six. At the same time she attended Holiness conventions alongside her mother, performing renditions of songs including "The Day Is Past and Gone" and "I Looked Down the Line."

In time the family relocated to Chicago, where Tharpe began honing her unique style; blessed with a resonant vibrato, both her vocal phrasing and guitar style drew heavy inspiration from the blues, and she further aligned herself with the secular world with a sense of showmanship and glamour unique among the gospel performers of her era. Signing to Decca in 1938, Tharpe became a virtual overnight sensation; her first records, among them Thomas A. Dorsey's "Rock Me" and "This Train," were smash hits, and quickly she was performing in the company of mainstream superstars including Cab Calloway and Benny Goodman. She led an almost schizophrenic existence, remaining in the good graces of her core audience by recording material like "Precious Lord," "Beams of Heaven" and "End of My Journey" while also appealing to her growing white audience by performing rearranged, uptempo spirituals including "Didn't It Rain" and "Down by the Riverside."

During World War II, Tharpe was so popular that she was one of only two black gospel acts -- the Golden Gate Quartet being the other -- to record V-Discs for American soldiers overseas; she also toured the nation in the company of the Dixie Hummingbirds, among others. In 1944, she began recording with boogie-woogie pianist Sammy Price; their first collaboration, "Strange Things Happening Every Day," even cracked Billboard's race records Top Ten, a rare feat for a gospel act and one which she repeated several more times during the course of her career. In 1946 she teamed with the Newark-based Sanctified shouter Madame Marie Knight, whose simple, unaffected vocals made her the perfect counterpoint for Tharpe's theatrics; the duo's first single, "Up Above My Head," was a huge hit, and over the next few years they played to tremendous crowds across the church circuit.

However, in the early '50s Tharpe and Knight cut a handful of straight blues sides; their fans were outraged, and although Knight soon made a permanent leap into secular music -- to little success -- Tharpe remained first and foremost a gospel artist, although her credibility and popularity were seriously damaged. Not only did her record sales drop off and her live engagements become fewer and farther between, but many purists took Tharpe's foray into the mainstream as a personal affront; the situation did not improve, and she spent over a year touring clubs in Europe, waiting for the controversy to die down. Tharpe's comeback was slow but steady, and by 1960 she had returned far enough into the audience's good graces to appear at the Apollo Theatre alongside the Caravans and James Cleveland. While not a household name like before, she continued touring even after suffering a major stroke in 1970, dying in Philadelphia on October 9, 1973. ~ Jason Ankeny, All Music Guide
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Sister Rosetta Tharpe

"Sister" Rosetta Tharpe
Background information
Birth name Rosetta Nubin
Born March 20, 1915(1915-03-20)
Origin Cotton Plant, Arkansas
Died October 9, 1973 (aged 58)
Genres gospel, pop, jazz
Occupations singer, guitarist

Rosetta Tharpe (March 20, 1915October 9, 1973) was a pioneering gospel singer, songwriter and recording artist who attained great popularity in the 1930s and 1940s with a unique mixture of spiritual lyrics and early rock and roll accompaniment. She became the first great recording star of gospel music in the late 1930s and also became known as the "original soul sister" of recorded music.

Willing to cross the line between sacred and secular by performing her inspirational music of 'light' in the 'darkness' of the nightclubs and concert halls with big bands behind her, her witty, idiosyncratic style also left a lasting mark on more conventional gospel artists, such as Ira Tucker, Sr., of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the world of pop music, she never left gospel music.

Contents

Biography

Born Rosetta Nubin in Cotton Plant, Arkansas, she began performing at age four, billed as "Little Rosetta Nubin, the singing and guitar playing miracle", accompanying her mother, Church of God in Christ (COGIC) evangelist Katie Bell Nubin, who played mandolin and preached at tent revivals throughout the South. Exposed to both blues and jazz both in the South and after her family moved to Chicago in the late 1920s, she played blues and jazz in private, while performing gospel music in public settings. Her unique style reflected those secular influences: she bent notes the way that jazz artists did and picked guitar like Memphis Minnie.

Rosetta also crossed over to secular music in other ways. After marrying COGIC preacher Thomas Thorpe (from which "Tharpe" is a misspelling) in 1934, they moved to New York City. On October 31, 1938, she recorded for the first time—four sides with Decca Records backed by "Lucky" Millinder's jazz orchestra.[1] Her records caused an immediate furor: many churchgoers were shocked by the mixture of sacred and secular music, but secular audiences loved them. Appearances in John Hammond's extravaganza "From Spirituals To Swing" later that year, at the Cotton Club and Café Society and with Cab Calloway and Benny Goodman made her even more popular. Songs like "This Train" and "Rock Me", which combined gospel themes with bouncy up-tempo arrangements, became smash hits among audiences with little previous exposure to gospel music.

Tharpe continued recording during World War II, one of only two gospel artists able to record V-discs for troops overseas. Her song "Strange Things Happening Every Day", recorded in 1944 with Sammy Price, Decca's house boogie woogie pianist, showcased her virtuosity as a guitarist and her witty lyrics and delivery. It was also the first gospel song to make Billboard's "race records" Top Ten—something that Sister Rosetta Tharpe accomplished several more times in her career.

After the war Decca paired her with Marie Knight, a sanctified shouter with a strong contralto and a more subdued style than Tharpe. Their hit "Up Above My Head" showed both of them to great advantage: Knight provided the response to Tharpe in traditional call and response format, then took the role that would have been assigned to a bass in a male quartet after Tharpe's solo. They toured the gospel circuit for a number of years, during which Tharpe was so popular that she attracted 25,000 paying customers to her wedding to her manager Russell Morrison (her third marriage), followed by a vocal performance, at Griffith Stadium in Washington, D.C. in 1951.

Their popularity took a sudden downturn, however, when they recorded several blues songs in the early 1950s. Knight attempted afterwards to cross over to popular music, while Tharpe remained in the church, but rebuffed by many of her former fans. Retreating to Europe, Tharpe gradually returned to the gospel circuit, although at nowhere near her former celebrity. In April - May 1964, at the height of a surge of popular interest in the blues, she toured the UK as part of the "American Folk Blues and Gospel Caravan", alongside Muddy Waters and Otis Spann, Ranson Knowling and Little Willie Smith, Reverend Gary Davis, Cousin Joe and Sonny Terry and Brownie McGhee. Tharpe was introduced on stage and accompanied on piano by Cousin Joe Pleasant.[2]

Tharpe's performances were curtailed by a stroke in 1970, after which she lost the use of her legs. She died in 1973 after another stroke, on the eve of a scheduled recording session. She was buried in Northwood Cemetery in Philadelphia, Pennsylvania in an unmarked grave.[3] In 2008, a concert was held to raise funds for a marker for her grave and January 11 was declared Sister Rosetta Tharpe Day in Pennsylvania.[4] A gravestone was put in place later that year[5] and a Pennsylvania historical marker was approved for placement at her home in the Yorktown neighborhood of Philadelphia.[5]

Discography

Gospel Train (1956)

Tributes

Shout, Sister, Shout: A Tribute to Sister Rosetta Tharpe (2003)

Musical influence

A number of musicians, ranging from Elvis Presley and Jerry Lee Lewis to Isaac Hayes and Aretha Franklin, have identified her—or, more particularly, her singing, guitar playing and showmanship—as an important influence on them. Little Richard referred to the stomping, shouting gospel music legend as his favorite singer when he was a child. In 1945, she heard Richard sing prior to her concert at the Macon City Auditorium and later invited him on stage to sing with her. Following the show, she paid him for his performance.[6] Johnny Cash's daughter Rosanne similarly stated in an interview with Larry King that Tharpe was her father's favorite singer. She was held in particularly high esteem by UK jazz/blues singer George Melly.

Brixton band Alabama 3 (of Sopranos theme fame) named a track after Sister Rosetta on their debut album Exile on Coldharbour Lane, as well as recording a version of her song Up Above My Head. UK indie rock band The Noisettes released the single "Sister Rosetta (Capture the Spirit)" off their 2007 album What's the Time Mr. Wolf? Also in 2007, singers Alison Krauss and Robert Plant recorded a duet version of the song "Sister Rosetta Goes Before Us", written by Sam Phillips who released her version of the song in 2008. Michelle Shocked opened her live gospel album ToHeavenURide (2007) with "Strange Things Happening Every Day", along with a tribute to Tharpe.

In popular culture

The 2001 film Amélie shows the protagonist's house-bound neighbor mesmerized by a montage of video clips which featured a rousing performance by Tharpe.

References

  1. ^ Wald, Gayle, Shout, Sister, Shout!, p. 42
  2. ^ Mike Rowe (2007), presentation booklet in The American Folk Blues Festival: The British Tours 1963 - 1966 DVD, Reeling In The Years Productions, Catalogue EAN: (US) 6-02517-20588-8.
  3. ^ Sister Rosetta Tharpe at Find a Grave
  4. ^ Pennsylvania Governor Rendell Proclaims Sister Rosetta Tharpe Day on January 11, 2008 to Honor the Gospel Music Legend
  5. ^ a b Sister Rosetta’s Stone: Gospel Music Legend Memorialized after 35 Years
  6. ^ White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. p. 17. Omnibus Press.

Other sources cited

  • Boyer, Horace Clarence. (1995). How Sweet the Sound: The Golden Age of Gospel. Elliott and Clark. ISBN 0-252-06877-7.
  • Heilbut, Tony. (1997). The Gospel Sound: Good News and Bad Times. Limelight Editions. ISBN 0-87910-034-6.
  • Wald, Gayle. (September 2003). "From Spirituals to Swing: Sister Rosetta Tharpe and Gospel Crossover." American Quarterly, 55 (3), 387-416.
  • Wald, Gayle. (2007) "Shout, Sister, Shout!: The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe" Beacon Press. ISBN 0-80700-984-9.
  • White, Charles. (2003). The Life and Times of Little Richard: The Authorised Biography. Omnibus Press. pg. 17.

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