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Motown star Smokey Robinson (born 1940), co-founder of the Tamla record label, has been a composer and performer for more than 30 years.
Smokey Robinson, the "poet laureate of soul music," has been composing and singing rhythm and blues hits for more than three decades. As the lead singer of the Miracles, Robinson, who moved to SBK Records later in his career, helped to put Detroit and its Motown Records on the music map; his solo performances have netted Grammy Awards and praise from pundits who usually shun the pop genre. People contributor Gail Buchalter labeled Robinson "one of the smoothest tenors in soul music," a romantic idol whose 60 million-plus in record sales "helped turn Motown into the largest black-owned corporation in the world."
According to Jay Cocks in Time, Robinson has written, produced, and performed "some of the most enduring rhythm and blues [songs] ever made. The church kept easy company with the street corner in his rich melodies, and his lyrics had a shimmering, reflective grace that, at his pleasure, could challenge or seduce. With the Miracles, Smokey helped make a kind of soul music that balanced ghetto pride and middle-class ambition. Some of the group's best tunes… stayed true to the R & B roots even as they beckoned, and found, a larger pop audience." In Rolling Stone, Steve Pond concluded that Robinson has written "some 4000 songs and recorded hundreds that have made him a true poet of the soul and a voice of the soul, too."
The Miracles's Success Spawned Motown Records
William "Smokey Joe" Robinson, Jr., not only rose from obscurity, he brought along a number of other now-famous black recording stars when he began to find success. He was born and raised in Detroit, in the rough Brewster ghetto, where, as he recalled in People, " you were either in a [music] group or a gang or both." Young Smokey grew up listening to his mother's records, including the works of B. B. King, Muddy Waters, John Lee Hooker, Sarah Vaughan, and Billy Eckstine. These black artists, he commented in Rolling Stone, were "the first inspirational thing I had." When Robinson was ten, his mother died, and his sister Geraldine took him in, raising him along with her ten children. The family was poor but close-knit, and Robinson spent his youth writing songs and singing in local bands.
Robinson would not consider a professional career until he graduated from high school, and even then he tried barber school and courses in dentistry before giving his full attention to music. In 1954 he formed a rhythm and blues group called the Matadors; the name was changed to the Miracles three years later to accommodate a female singer, Claudette Rogers, who married Robinson in 1959. At first the members of the Miracles - who were each paid five dollars per week by their agent, Berry Gordy - found the music business difficult. "For a while," Claudette Robinson related in Essence, " we lived basically in one bedroom. But we didn't stay in that house very long. Fortunately, the music started to happen."
Robinson was lucky to have encountered Berry Gordy during an audition for another agent; Gordy, then a fledgling music producer on a shoestring budget, was equally fortunate to have found Robinson. Gordy began to produce the Miracles's singles in 1958, collaborating with Robinson on lyrics and tunes. Their first release, "Got a Job" - an answer to The Silhouettes's number one hit "Get a Job" - hit Number 93 on the nationwide Billboard Top 100 chart. The debut was encouraging, but nothing prepared Gordy and Robinson for the limelight they would attain in 1960. Late in that year they released an upbeat single, "Shop Around," that became a chart-topping million-seller. The Miracles subsequently became a national phenomenon, and Gordy was able to launch Motown Records, a landmark production company that introduced such talents as Diana Ross and the Supremes, Stevie Wonder, Marvin Gaye, and the Temptations.
Became a Sought-After Songwriter
Robinson and the Miracles were Gordy's first star-quality group, and they continued their association with Motown as the company gained prestige. Indeed, Robinson wrote hit songs not only for his group but for other Motown headliners as well. He explained the Motown philosophy in Rolling Stone: " We set out to make music for people of all races and nationalities. Not to make black music - we just wanted to make good music that would be acceptable in all circles…. Allwe were doing, man, was just putting good songs on good tracks, songs that anybody could relate to. We had good, solid songs that would fit your particular life situation if you were white or Oriental or Chicano or whatever you happened to be. And that made a world of difference."
Throughout the 1960s, especially in the latter half of the decade, the Motown sound competed with the music of the British invasion for popularity among the young. Robinson and the Miracles were favorites among the Motown personnel, earning more than six gold records containing such hits as "The Tracks of My Tears," "You've Really Got a Hold on Me," "I Second That Emotion," and "Ooo Baby Baby." Still, Robinson was on the verge of quitting the group in 1968 when his son Berry was born. He reconsidered almost immediately, however, when the Miracles single, "Tears of a Clown," became a Number One hit, first in England and then in the United States. Robinson noted in Rolling Stone that "Tears of a Clown" became the biggest record we ever had. It catapulted us into another financial echelon as far as what we made on dates, and I felt that the band was entitled to reap the benefits." The Miracles, a model group in terms of road behavior, endured until 1972, when Robinson quit.
For a time after leaving the Miracles, Robinson concentrated on his business duties as vice-president of Motown Records. He soon returned to recording, however, this time as a solo artist. His solo albums are, on the whole, more reflective and mellow than his work with the Miracles. All of them highlight the singer's particular talent - the creation and performance of meaningful love songs at a time when many erstwhile romantics have become jaded cynics. Stephen Holden summed up the reason for the immense popularity of Robinson's music in Rolling Stone: "Smokey Robinson is that rare pop singer whose rhapsodic lyricism hasn't diminished with approaching middle age. Indeed, time has added a metaphysical depth to his art…. Smokey Robinson's faith in the redemptive power of erotic love continues unabated. In Robinson's musical world, sexual happiness isn't the product of spiritual equilibrium but its source…. Don't think, however, that Robinson's songs aren't filled with sex. They are. But in this man's art, sex isn't a fast roll in the hay, it's sweet manna shared during a leisurely stroll into paradise. Smokey Robinson creates that paradise every time he opens his mouth to sing."
Inducted Into the Rock and Roll Hall of Fame
Robinson's records of the late 1980s, when he was well into his third decade in the music business, continued to garner popularity and the approval of critics. A People magazine reviewer found that on his 1986 album Smoke Signals, for example, the singer "remains a uniquely resilient performer." His 1987's album entitled One Heartbeat was termed "another winning package of sharp, sophisticated soul" by a reviewer from Rolling Stone. Robinson hits like "Cruisin'," "Just to See Her" - a Grammy Award winner - and "Being With You" became both rhythm-and-blues and pop hits and were rendered in a voice Essence contributor Jack Slater hailed as "a hypnotic, airy aphrodisiac that puts tens of thousands in the mood for love." Coupled with his success with the Miracles and as a prolific Motown song-writer, Robinson's solo achievements in the music industry led to his 1986 induction into the Rock and Roll Hall of Fame, and in 1989 he was named a Grammy Living Legend.
Coping with such enormous fame has not always been easy for Robinson. He chronicles his personal struggles in his 1989 collaboration with David Ritz, Smokey: Inside My Life. Musician contributor Jon Young remarked that the autobiography "documents everything from [Robinson's] family history and the early days of the Miracles to his extramarital affairs and, most striking, a graphic account of two years in thrall to cocaine in the mid-'80s." When asked why he chose to provide such candid details about his drug addiction, Robinson responded to Young, "I wrote it because it was God's will… . I was saved from drugs in 1986 when my pastor prayed for me. I never went to rehab or to a doctor. It was a miracle healing from God, so that I could carry the message about the perils of drugs. At the time I was saved, I was already dead. You are now speaking to Lazarus."
Left Motown for SBK Records
With the onset of the 1990s, Robinson's contract with Motown Records expired, and after a long and productive career with the record company, he moved to SBK Records. According to Gary Graff of the Detroit Free Press, the singer said simply, "My contract with Motown was up, and I was just out of there." He also pointed to the sale of Motown Records to MCA and Boston Ventures in 1988 as one of the reasons for his departure. "After we sold the company," he continued to Graff, "it was never really quite the same for me." With SBK Records, Robinson released a well-received LP he co-produced and recorded in less than six weeks, 1991's Double Good Everything. "It feels like a new day or something, man," he divulged to Graff. "This is the first thing I've everdone outside of Motown; that's a big deal to me… . I feel like a new artist, almost."
Also in 1991, Robinson ventured into previously un-chartered areas of the music world, considering an album of country-western tunes and penning the score for a Broadway musical titled Hoops, which presents the history of the Harlem Globetrotters basketball team. "I've written 22 pieces so far," Robinson told Young in February of 1992. "I want this to be like [the Broadway musical] South Pacific and produce several hits. The title track is a funk thing that I can envision being a halftime song for the NBA [National Basketball Association]." Robinson plans to continue his often hectic schedule of performing, comosing, and recording. "If the world lasts until the twenty-second century," the enduring singer-songwriter declared to Young, "I hope they're still playing my music."
Further Reading
Given, Dave, The Dave Given Rock 'n' Roll Stars Handbook, Exposition Press, 1980.
Robinson, Smokey, and David Ritz., Smokey: Inside My Life, McGraw-Hill, 1989.
The Rolling Stone Record Guide, Random House, 1979.
Detroit News, October 20, 1991.
Down Beat, June 1983.
Ebony, October 1971; October 1982; March 1989; May 1989.
Essence, February 1982.
High Fidelity, June 1980; May 1981; May 1982; July 1982; April 1986.
Jet, January 31, 1980; July 9, 1981; August 3, 1987; March 13, 1989; November 13, 1989; December 18, 1989; April 8, 1991; November 11, 1991.
Musician, February 1992.
New Republic, July 15, 1991.
Newsweek, January 27, 1986.
People, March 10, 1980; April 28, 1980; April 12, 1982; May 16, 1983; August 13, 1984; May 20, 1985; December 16, 1985; March 10, 1986; May 18, 1987; March 13, 1989; April 3, 1989.
Playboy, July 1985; June 1986.
Publishers Weekly, January 27, 1989.
Rolling Stone, April 16, 1981; September 17, 1981; February 12, 1987; April 23, 1987; December 17, 1987; February 9, 1989.
Stereo Review, July 1980; May 1982; January 1984; November 1986.
Variety, May 22, 1985; October 15, 1986; December 23, 1987;March 1, 1989.
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| Smokey Robinson | |
|---|---|
Robinson in concert at the Chumash Casino Resort in Santa Ynez, California, on August 17, 2006.
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| Background information | |
| Birth name | William Robinson, Jr. |
| Born | February 19, 1940 |
| Origin | Detroit, Michigan, U.S. |
| Genres | R&B, soul |
| Occupations | Singer, songwriter, record producer, record executive |
| Instruments | Vocals, piano |
| Years active | 1955–1972 (Groups) 1972–present (Solo) |
| Labels | Motown, Universal, SBK, Liquid 8 |
| Associated acts | The Miracles, The Temptations, Mary Wells |
| Website | http://www.smokeyrobinson.com |
William "Smokey" Robinson, Jr. (born February 19, 1940) is an American R&B and soul singer-songwriter, record producer, and former record executive. Robinson is one of the primary figures associated with Motown Records, second only to the company's founder, Berry Gordy. Robinson's consistent commercial success and creative contributions to the label have earned him the title "King of Motown."
As an original member of Motown Records' first vocal group The Miracles and as a solo artist, Robinson delivered thirty-seven Top 40 hits for Motown between 1960 and 1987. He also served as the company's vice president from 1961 to 1988.
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Robinson was born and raised in Detroit, Michigan's North End neighborhood.
According to Entertainment Weekly, "when he was 6 or 7, his Uncle Claude christened him Smokey Joe, which the young William, a Western-movie enthusiast, at first assumed to be his cowboy name for me. Some time later, he learned the deeper significance of his nickname: It derived from smokey, a pejorative term for dark-skinned blacks. I'm doing this, his uncle told the light-skinned boy, so you won't ever forget that you're black."[1]
In his teens, "Smokey Joe" was shortened to "Smokey." In an interview, Robinson claims he has been friends with Diana Ross since she was eleven years old.[2] In 1955, Robinson co-founded a vocal group called The Five Chimes with his best friend Ronald White, and Northern High School classmates Pete Moore, Clarence Dawson, and James Grice. By 1957, the group was renamed the Matadors and included cousins Emerson and Bobby Rogers in place of Dawson and Grice. Emerson was replaced by his sister Claudette Rogers, who later married Robinson. Guitarist Marv Tarplin joined the group in 1958.
With Robinson as lead singer, the Matadors began touring Detroit venues. In 1958, Robinson met songwriter Berry Gordy, who co-wrote for them the single "Got a Job," an answer song to the Silhouettes' hit single "Get a Job." The group renamed itself the Miracles, and issued singles on both End Records and Chess Records. Shortly thereafter, Robinson suggested to Gordy that he start a label of his own.
In 1959, Gordy founded Tamla Records, which he soon reincorporated as Motown. The Miracles were among the label's first signees. Gordy and Robinson had a synergistic relationship, with Robinson providing a foundation for Motown's hit-making success and Gordy acting as a mentor for the budding singer and songwriter. By 1961, Gordy had appointed Robinson vice-president of Motown Records, a title Robinson held for as long as Gordy remained with the company.
The 1960 single "Shop Around" was Motown's first number one hit on the R&B singles chart, and the first major chart success for The Miracles. The song was also Motown's first million selling hit single. The Miracles notched many more hits over the years, including:
Besides penning hits for his own group, Robinson wrote and produced singles and album tracks for other Motown artists. Mary Wells had a hit with the Robinson-penned "My Guy" (1964), and Robinson served as The Temptations' primary songwriter and producer from 1963 to 1966, penning such hits as "The Way You Do the Things You Do", "My Girl", "Since I Lost My Baby", and "Get Ready". Among Robinson's other Motown compositions are "Still Water (Love)" by The Four Tops, "Don't Mess With Bill" and "My Baby Must Be a Magician" by The Marvelettes, "When I'm Gone" by Brenda Holloway, "Ain't That Peculiar" and "I'll Be Doggone" by Marvin Gaye, and "First I Look at the Purse" by The Contours.
His hit songs also earned him the title "America's poet laureate of love." During the course of his 50-year career in music, Robinson has accumulated more than 4,000 songs to his credit. John Lennon of The Beatles made countless remarks regarding Robinson's influence on his music. In a 1969 interview, Lennon stated that one of his favorite songs was The Miracles' "I've Been Good To You", which has similar lyrics to Lennon's "Sexy Sadie". George Harrison also greatly admired Robinson and paid tribute to him in his 1976 song "Pure Smokey". (The Beatles had recorded Robinson and The Miracles' "You've Really Got A Hold On Me" in 1963.) Bob Dylan said of Robinson, that he was "America's greatest living poet."
After marrying Claudette Rogers, Robinson started a family, and named both of his children after Motown: his son was named Berry after the company's founder, and his daughter Tamla after the Motown imprint for which Robinson and The Miracles recorded.
The Miracles remained a premier Motown act through most of the 1960s. Albums were released as "Smokey Robinson & the Miracles" after 1965. By 1969, the group's fortunes began to falter, and Robinson decided to quit The Miracles so that he could remain at home with his family and concentrate on his duties as vice president. The group stopped recording and Robinson prepared to leave the group. Unexpectedly, however, their 1969 recording "Baby, Baby Don't Cry" hit the national Billboard Pop Top 10, and when their 1966 recording of "The Tears of a Clown" was released as a single in 1970, it became a number-one hit in both the United States and the United Kingdom.
With the surprise success of "The Tears of a Clown", Robinson was convinced to remain with The Miracles for a few more years. In 1972, however, he followed through on his original plans to leave the group, and The Miracles began a six-month farewell tour. On July 16, 1972, Smokey and Claudette Robinson gave their final performances as Miracles at the Carter Barron Amphitheater in Washington, DC, and Robinson introduced the group's new lead singer, Billy Griffin. The Miracles went on for a while, even having another number one hit, "Love Machine", in 1976,and a Platinum Album with City Of Angels that same year.
Smokey Robinson began a low-key solo career while concentrating on his duties as vice president of Motown, releasing his first solo LP, Smokey, in 1973. His first hit single, "Sweet Harmony" (1973), was dedicated to The Miracles.
In 1975, Robinson's solo career went into full-drive after the success of the number one R&B hit "Baby That's Backatcha". Robinson's 1976 single "Quiet Storm" and its accompanying album typified a genre of smooth, slow R&B that has spawned late-night radio shows called "quiet storm." Other Robinson solo hits include "Cruisin'" (1979), "Being With You" (a U.K. number-one hit) (1981), "Tell Me Tomorrow" (1982), and "Ebony Eyes", a duet with labelmate Rick James (1983). He also recorded the soundtrack to the film Big Time (1977).
During the mid-1980s, Robinson was addicted to cocaine. His recording slowed, and his marriage to Claudette faltered; the two were divorced in 1986. With the help of friend Leon Kennedy (as described in Robinson's autobiography "Smokey"), Robinson was dramatically healed of his addiction at a religious service. He eventually revitalized his career, scoring hits in 1987 with the Grammy Award-winning "Just to See Her" (a U.S. #8 hit) and "One Heartbeat" (U.S. #10). Also in 1987, British band ABC scored a U.S. and U.K. hit with their tribute to Robinson entitled "When Smokey Sings." In 1987, Robinson published his autobiography, Smokey, and was inducted into the Rock and Roll Hall of Fame as a solo artist.[3] However, in a move that has since sparked much controversy, for unknown reasons the other original members of the Miracles – Bobby Rogers, Ronnie White, Pete Moore, Marv Tarplin, and Claudette Robinson – were not inducted.
Upon Motown's sale to MCA in 1988, Robinson resigned from his position as vice president. After one last album for Motown, Love, Smokey (1990), Robinson left the label. He released one record for SBK Records, Double Good Everything (1991), the same year he won a
Since then, Smokey has continued to periodically perform and tour. In 2003, Robinson served as a guest judge for American Idol during "Billy Joel Week." He issued a gospel LP, Food for the Spirit in 2004. In 2005, Smokey Robinson was inducted into the Michigan Rock and Roll Legends Hall of Fame. A new album of pop standards from the early 20th century, Timeless Love, was released in June 2006. It was originally recorded with a jazz combo, but strings were added after the fact, giving the album more of a lush sound but removing much of the jazz feeling of the disc.
In 2004, Robinson's company, SFGL Foods, launched a special brand of gumbo called "Smokey Robinson's 'The Soul is in the Bowl' Gumbo".[4] Smokey Robinson is the spokesman of the Great American Smokeout, which takes place annually one week before Thanksgiving. It is a day when smokers quit smoking for at least a day.
Robinson has appeared on Friday Night with Jonathan Ross, the NBC daytime drama Days of our Lives, and on The Rachael Ray Show. He is scheduled to appear on Duets on Fox with Clint Black, Michael Bolton, Macy Gray, Chaka Khan, Patti Labelle, Cyndi Lauper, Kenny Loggins, Richard Marx, Brian McKnight, Aaron Neville, Randy Travis, and Dionne Warwick. David Foster will be a judge.
At its 138th Commencement Convocation in May 2006, Howard University conferred on Robinson the degree of Doctor of Music, honoris causa. In December 2006 Robinson was one of five Kennedy Center honorees, along with Dolly Parton (with whom Robinson had recorded a 1987 duet, "I Know You By Heart"), Zubin Mehta, Steven Spielberg and Andrew Lloyd Webber. The ceremony was held on December 3, 2006, and broadcast on CBS on December 26, 2006.
Robinson sang "The Tracks Of My Tears" as a cameo in the 2006 film Last Holiday. Also in late 2006, Robinson reunited with fellow Miracles Bobby Rogers and Pete Moore for the group's first extended interview. This interview forms the basis of the Universal Music DVD release Smokey Robinson and The Miracles: The Definitive Performances, a video retrospective of the group's music and career.
On February 11, 2007 Robinson sang "Tracks Of My Tears" at the 49th annual Grammy Awards, as part of a tribute to R&B music which included Motown labelmate Lionel Richie and current R&B star Chris Brown. Robinson performed on the finale of American Idol (season 6) on May 23, 2007. Robinson and the top six male contestants performed a medley of his hits.
In November 2007, Robinson toured Australia and performed with Australian band Human Nature on the set of local television programme Dancing With The Stars. On 22 November 2007, Robinson was interviewed by Bob Rogers (not to be confused with Bobby Rogers of The Miracles) on Sydney radio station 2CH.[5][6][7]
On August 6, 2008, Robinson appeared at Harlem's legendary Apollo Theater with English singer-songwriter Elvis Costello to record a television special combining on-stage interview and performance segments.
On March 25, 2009, Robinson appeared as a mentor on the popular television show American Idol. He coached the top 10 contestants of Season 8, who performed classic Motown songs. He also premiered the first single, "You're the One For Me", which features Joss Stone. The song also became available on iTunes and Amazon, March 26, 2009. The song is an updated version of the song "You're The One For Me Bobby," which he wrote and produced for The Marvelettes in 1968 for their album "Sophisticated Soul." On March 20 2009, The Miracles were finally honored as a group with a star on the Hollywood Walk of Fame. Smokey was present with original Miracles members Bobby Rogers,Pete Moore ,ex-wife (and Bobby's cousin) Claudette Robinson, and ,Gloria White, accepting for her husband , the late Ronnie White. Smokey's replacement, 70's Miracles lead singer, Billy Griffin was also honored. Controversially, original Miracle Marv Tarplin was not honored, against the wishes of his fellow Miracles,and the group's fans, who felt that he should have also been there to share the honor.[1]
On May 9, 2009, Smokey Robinson received an honorary doctorate degree and gave a commencement speech at Berklee College of Music's commencement ceremony.
Smokey Robinson appeared in episode 22 with Daryl Hall on Live From Daryl's House.
On August 25, 2009 Robinson released "Time Flies When You're Having Fun." A self produced and written CD of mostly new material on his own RobSo label. The CD includes a cover of the Norah Jones hit 'Don't Know Why'. Special guests on the LP include India Arie, Carlos Santana, and Joss Stone. The Joss Stone duet "You're the one for me" was performed on American Idol. The CD also contains a homage to early Motown and Michael Jackson with the hidden bonus track "I Want You Back."
As the finale to the BBC Electric Proms 2009, Robinson and his band appeared on 24 October with the BBC Concert Orchestra at The Roundhouse, London, in a performance to celebrate the 50th anniversary of the birth of Motown Records. Brand new arrangements of Robinson's songs had been specially commissioned by the Electric Proms.[8] The show saw him perform a mix of classics, including those written for other Motown artists as well as himself, and new material from his forthcoming 'Time Flies When You’re Having Fun' album. [9] While in the UK Robinson also appeared on Later with Jools Holland (Oct 20), giving a short interview and performing two songs, with Eric Clapton as a backing guitarist[10] (according to Jools Holland during the broadcast, this was at Clapton's request when he heard that Robinson would be appearing).
Smokey Robinson is today married to Frances Glandney.[14] His ex-wife is Miracles member Claudette Rogers Robinson with whom he had two children: Berry Robinson (named after Berry Gordy) and Tamla Robinson (named after the Motown imprint for which Robinson and The Miracles recorded).He also has another son, Trey Robinson, from another relationship.*
According to NFL.COM Smokey Robinson now has a great-nephew Duke Robinson, who played Offensive Tackle for the Oklahoma Sooners, and was drafted in 2009 by the NFL's Carolina Panthers.
| Release date | Title | Chart positions | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| US Billboard Hot 100 | US R&B | US A/C | UK Singles Chart | Notes | |||||||||||
| 1973 | "Sweet Harmony" | 48 | 31 | ||||||||||||
| "Baby Come Close" | 27 | 7 | |||||||||||||
| 1974 | "It's Her Turn To Live" | 82 | 29 | ||||||||||||
| "Just My Soul Responding" | 35 | B-side of "It's Her Turn To Live" | |||||||||||||
| "Virgin Man" | 56 | 12 | |||||||||||||
| 1975 | "I Am I Am" | 56 | 7 | ||||||||||||
| "Baby That's Backatcha" | 26 | 1 | |||||||||||||
| "The Agony And The Ecstasy" | 36 | 7 | |||||||||||||
| 1976 | "Quiet Storm" | 61 | 25 | ||||||||||||
| "Open" | 81 | 10 | |||||||||||||
| "When You Came" | Issued in Canada only | ||||||||||||||
| "An Old Fashioned Man" | |||||||||||||||
| 1977 | "There Will Come A Day (I'm Gonna Happen To You)" | 42 | 7 | ||||||||||||
| "Vitamin U" | 101 | 18 | |||||||||||||
| "Theme From Big Time, Part I" | 38 | ||||||||||||||
| 1978 | "Daylight and Darkness" | 75 | 9 | ||||||||||||
| "Why You Wanna See My Bad Side" | 52 | B-side of "Daylight and Darkness" | |||||||||||||
| "Shoe Soul" | 68 | ||||||||||||||
| 1979 | "Pops We Love You" | 59 | 26 | 66 | Artist: Diana Ross, Marvin Gaye, Smokey Robinson and Stevie Wonder | ||||||||||
| "Get Ready" | 82 | ||||||||||||||
| "Cruisin'" | 4 | 4 | 34 | ||||||||||||
| 1980 | "Let Me Be The Clock" | 31 | 4 | ||||||||||||
| "Heavy On Pride (Light On Love)" | 34 | ||||||||||||||
| "Wine, Women and Song" (Duet with Claudette Robinson) | |||||||||||||||
| 1981 | "Being With You" | 2 | 1 | 4 | 1 | ||||||||||
| "Aquí Contigo" | "Being With You", sung in Spanish | ||||||||||||||
| "You Are Forever" | 59 | 31 | |||||||||||||
| "Who's Sad" | 62 | ||||||||||||||
| 1982 | "Tell Me Tomorrow - Part I" | 33 | 3 | 31 | 51 | ||||||||||
| "Old Fashioned Love" | 60 | 17 | 32 | ||||||||||||
| "Yes It's You Lady" | 107 | ||||||||||||||
| 1983 | "Blame It On Love" | 48 | 35 | 5 | Artist: Smokey Robinson with High Inergy | ||||||||||
| "Don't Play Another Love Song" | 103 | 75 | 36 | ||||||||||||
| "I've Made Love To You a Thousand Times" | 101 | 8 | |||||||||||||
| "Touch The Sky" | 110 | 68 | |||||||||||||
| 1984 | "Ebony Eyes" | 43 | 22 | 35 | Artist: Rick James featuring Smokey Robinson | ||||||||||
| "And I Don't Love You" | 106 | 33 | |||||||||||||
| "I Can't Find" | 109 | 41 | |||||||||||||
| 1985 | "First Time on a Ferris Wheel" | Artist: Smokey Robinson and Syreeta | |||||||||||||
| 1986 | "Hold on to Your Love" | 11 | 18 | ||||||||||||
| "Sleepless Nights" | 51 | ||||||||||||||
| "Because of You (It's The Best It's Ever Been)" | |||||||||||||||
| "Love Will Set You Free (Theme From Solarbabies)" | Issued in Canada only; last ever release by Tamla Records | ||||||||||||||
| 1987 | "Just to See Her" | 8 | 2 | 1 | 52 | Robinson's first single on Motown | |||||||||
| "One Heartbeat" | 10 | 3 | 2 | ||||||||||||
| "What's Too Much" | 79 | 16 | 15 | ||||||||||||
| 1988 | "I Know You By Heart" | 22 | Artist: Dolly Parton with Smokey Robinson. Released on Columbia Records | ||||||||||||
| "Love Don't Give No Reason" | 31 | 24 | |||||||||||||
| 1989 | "We've Saved The Best For Last" | 47 | 18 | 4 | Artist: Kenny G with Smokey Robinson | ||||||||||
| "Indestructible" | 30 | Artist: The Four Tops featuring Smokey Robinson | |||||||||||||
| 1990 | "Everything You Touch" | 4 | 2 | ||||||||||||
| "(It's The) Same Old Love" | 68 | 32 | |||||||||||||
| "Take Me Through The Night" | 34 | ||||||||||||||
| 1991 | "Double Good Everything" | 91 | 23 | 12 | Robinson's first single for SBK Records | ||||||||||
| 1992 | "I Love Your Face" | 57 | |||||||||||||
| "Rewind" | 56 | ||||||||||||||
| 1999 | "Easy to Love" | 67 | Robinson's first single for Universal Records | ||||||||||||
| 2009 | "Don't Know Why" | ||||||||||||||
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