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Fairy Tale Companion:

'Snow White and the Seven Dwarfs'

‘Snow White and the Seven Dwarfs’ deals with an ‘innocent persecuted heroine’. Early written versions appeared in Giambattista Basile's Kinder‐ und Hausmärchen (The Pentameron, 1634–6), J. K. Musäus's Volksmärchen der Deutschen (1782), and Wilhelm and Jacob Grimm's Kinder‐ und Hausmärchen (Children's and Household Tales, 1812–15). It has circulated widely in Africa, Asia Minor, Scandinavia, Ireland, Russia, Greece, Serbo‐Croatia, the Caribbean, and North, South, and Central America. The tale consists of stable elements: origin, jealousy, expulsion, adoption, renewed jealousy, death, exhibition of corpse, resuscitation, and a multiplicity of incidental variant details.

Snow White's origin is marked by a magical sequence of events. Her mother, longing for a child, pricks her finger while sewing; three droplets of blood fall on the snow (or she eats a rose leaf, a pomegranate seed, a tangerine). She wishes for a child as red as blood, as white as snow, and as black as ebony. The wish fulfilled, she dies in childbirth. Snow White's father remarries, and this generates jealousy between stepmother and stepdaughter, creating a surrogate mother towards whom Snow White can direct hostility, while revering her birth mother's image. Her stepmother, aware that beauty declines with years, is jealous of the girl's youth and beauty. In the Grimms' version she has a magic mirror she consults to verify who is the fairest in the land. When the girl passes from infancy to girlhood (seven years) the mirror acknowledges Snow White as the fairest. Elsewhere the stepmother consults an omniscient trout in a well, the sun, or the moon; she overhears passers‐by remarking on the stepdaughter's beauty; a visiting nobleman prefers her daughter; guests declare the girl more beautiful than she.

Anxious to restore her primacy, the queen orders the heroine's execution, a terminal expulsion from the family. A huntsman is to kill her and bring back her lungs and liver. Instead, as the traditional compassionate executioner, he stabs a boar (stag, dog) and substitutes the animal's lungs and liver (heart, intestines). He brings a blood‐soaked dress (undershirt, hands, eyes, tongue, intestines, hair, bottle of blood stoppered with her little finger) to prove he has completed the task. The queen, determined to consume her rival's essence, has the parts cooked and served. A unique motif has the father lead her into the forest and abandon her as in ‘Hansel and Gretel’. The adoption phase begins when she finds a home with seven dwarfs (thieves, woodsmen, ogres, Jinns, bears, bandits, giants, monkeys, cannibals, brothers, wild men, old women).

In almost all the versions Snow White sweeps the house, washes the dishes, and prepares a meal for the occupants. These domestic tasks represent the young woman's first assumption of responsibility. Renewed jealousy occurs when the mirror or the queen's other informants continue to name Snow White as the fairest. The stepmother's rage and her determination to find Snow White confirm the idea that the daughter cannot escape, but must learn how to cope with danger. The queen makes various attempts to kill her rival. She disguises herself as a pedlar (sends a beggar woman in her stead) to sell lethal items: poisoned staylaces, a poisoned comb, a poisoned apple (flowers, corsets, shoes, raisins, grapes, needles, rings, belts, neckbands, shirts, wine, gold coins, headbands, hats, cakes, shoes, white bread, brooches) that Snow White eats and apparently dies. Musäus has the stepmother, the Countess of Brabant, order a physician to kill the girl with poisoned pomegranate soap, and then with a poisoned letter. Her death (death‐like sleep) occurs despite the precautions of her companions, who warn her against strangers. In the Grimms' version the dwarfs rescue her twice, once from the staylaces and then from the comb. In an English text, the robbers also save her twice. They take away the pedlar's basket and burn the flowers that she offers to her victim. Then the pedlar throws poisoned apples in a glade, and Snow White picks one up and eats it. An ingenious pedlar puts a poisoned dart in the keyhole, and entices Snow White to insert her finger so that it might be kissed. In a Mexican version, the storytellers recognize the temporary nature of her death. She dons poisoned slippers one at a time. With the first she starts to shake, and with the second she is stunned and looks dead.

The Grimms have the dwarfs mourn her apparent death in the exhibition episode and display her corpse in a glass coffin on a mountain top in a sort of wildlife shrine to which animals come to weep. In another tale it is cast into the sea. In Basile's version she is placed in seven nested crystal chests. Elsewhere her bejewelled casket is carried on a horse that will stop only if someone gives it a magic command (in a golden coffin in an oxcart, suspended between elk's antlers). Her casket is variously left on a windowsill or on a doorstep. Her body is placed in a four‐poster surrounded by candles or on a stretcher suspended between two trees. A Mexican storyteller confuses her with the Virgin Mary and places her on an altar in church. The chance arrival of a prince (a hunter, a nobleman) brings about her resuscitation. In the Grimms' tale he convinces the dwarfs to give him the coffin. When his men carry it, they stumble. The jolt causes the piece of poisoned apple to be released from the sleeping princess's throat. In other versions someone removes the lethal instrument, and she revives. The resolution is marriage with the prince, and punishment of the stepmother (immolation, immuration, decapitation).

Like all the great classical fairy tales, ‘Snow White’ has undergone numerous literary transformations in the 19th and 20th centuries. Two of the more important adaptations were films: Walt Disney's Snow White and the Seven Dwarfs (1937) and Howard Hawks's Ball of Fire (1941), starring Gary Cooper and Barbara Stanwyck (see burlesque fairy‐tale films). In an important literary study, Sandra Gilbert and Susan Gubar used the fairy tale as a theoretical paradigm about how 19th‐century literature depicted older women being pitted against younger women within the framework of a male mirror and were driven mad. During the 1970s and 1980s numerous writers such as Anne Sexton, Olga Broumas, Tanith Lee, and Robert Coover have focused on the sexual connotation of this tale in different ways. Central to all the reworkings of the classical tale is the theme of jealousy.

Bibliography

  • Baeten, Elizabeth M., The Magic Mirror: Myth's Abiding Power (1996).
  • Girardot, N. J., ‘Initiation and Meaning in the Tale of Snow White and the Seven Dwarfs’, Journal of American Folklore, 90 (1977).
  • Gilbert, Sandra M., and Gubar, Susan, The Madwoman in the Attic: The Woman Writer and the Nineteenth‐Century Literary Imagination (1979).
  • Holliss, Richard, and Sibley, Brian, Walt Disney's Snow White and the Seven Dwarfs and the Making of the Classic Film (1987).
  • Jones, Steven Swann, The New Comparative Method: Structural and Symbolic Analysis of the Allomotifs of ‘Snow White’ (1990).
  • Stone, Kay, “‘Three Transformations of Snow White’”, in James M. McGlathery (ed.), The Brothers Grimm and Folktale (1988).

— Harriet Goldberg

 
 
Spotlight: Snow White and the Seven Dwarfs

From our Archives: Today's Highlights, December 21, 2005

Mirror, Mirror on the wall, who is the fairest one of all? Generations of readers were frightened and delighted by the story of Snow White, terrorized by her wicked, jealous stepmother. The film version of Snow White and the Seven Dwarfs premiered in Hollywood on this date in 1937. The first full-length, animated feature film was made by Walt Disney and cost $1.5 million. Some 750 artists made nearly one million drawings for the 83-minute film, 250,000 of which were used. In the film based on the fairy tale by the Brothers Grimm, the dwarfs were given names: Happy, Bashful, Grumpy, Sleepy, Sneezy, Dopey and Doc.
 
Movies:

Snow White and the Seven Dwarfs

DVD Release: Snow White and the Seven Dwarfs [2 Discs]

  • Release Date: 2001
  • Hosted by Roy Disney and the Magic Mirror
  • Two VIP tours
  • Deleted scenes and songs
  • Guided tour through virtual galleries
  • "Dopey's Wild Mine Ride" adventure game
  • "Some Day My Prince Will Come" performed by Barbra Streisand
  • Heigh-ho karaoke singalong
  • Behind-the-scenes footage
  • "Disney Through the Decades" timeline
  • Digital restoration
  • Original theatrical aspect ratio
  • Fully restored 5.1 Dolby Digital Surround Sound, original English mono track
  • French 5.1 audio
  • THX-certified

DVD Release: Snow White and the Seven Dwarfs [Spanish] [2 Discs]

  • Rating: StarStarStarStarStar
  • Genre: Children's/Family
  • Movie Type: Children's Fantasy, Fairy Tales & Legends
  • Themes: Curses and Spells, Knights and Ladies, Cinderella Stories
  • Director: William Cottrell
  • Release Year: 1937
  • Country: US
  • Run Time: 83 minutes

Plot

It was called "Disney's Folly." Who on earth would want to sit still for 90 minutes to watch an animated cartoon? And why pick a well-worn Grimm's Fairy Tale that every schoolkid knows? But Walt Disney seemed to thrive on projects which a lesser man might have written off as "stupid" or "impossible". Investing three years, $1,500,000, and the combined talents of 570 artists into Snow White and the Seven Dwarfs, Disney produced a film that was not only acknowledged a classic from the outset, but also earned 8,500,000 depression-era dollars in gross rentals. Bypassing early temptations to transform the heroine Snow White into a plump Betty Boop type or a woebegone ZaSu Pitts lookalike, the Disney staffers wisely made radical differentiations between the "straight" and "funny" characters in the story. Thus, Snow White and Prince Charming moved and were drawn realistically, while the Seven Dwarfs were rendered in the rounded, caricatured manner of Disney's short-subject characters. In this way, the serious elements of the story could be propelled forward in a believable enough manner to grab the adult viewers, while the dwarfs provided enough comic and musical hijinks to keep the kids happy. It is a tribute to the genius of the Disney formula that the dramatic and comic elements were strong enough to please both demographic groups. Like any showman, Disney knew the value of genuine horror in maintaining audience interest: accordingly, the Wicked Queen, whose jealousy of Snow White's beauty motivates the story, is a thoroughly fearsome creature even before she transforms herself into an ancient crone. Best of all, Snow White clicks in the three areas in which Disney had always proven superiority over his rivals: Solid story values (any sequence that threatened to slow down the plotline was ruthlessly jettisoned, no matter how much time and money had been spent), vivid etched characterizations (it would have been easier to have all the Dwarfs walk, talk and act alike: thank heaven that Disney never opted for "easy"), and instantly memorable songs (Frank Churchill, Leigh Harline, Paul J. Smith and the entire studio music department was Oscar-nominated for such standards-to-be as "Whistle While You Work" and "Some Day My Prince Will Come"). ~ Hal Erickson, All Movie Guide

Cast


Roy Atwell - Doc
Stuart Buchanan - Huntsman
Adriana Caselotti - Snow White
Marge Champion - Model for Snow White
Eddie Collins
Pinto Colvig - Grumpy
Pinto Colvig - Sleepy
Marion Darlington - Bird Sounds
Billy Gilbert - Sneezy
Otis Harlan - Happy
Lucille La Verne - Queen/Witch
Jim MacDonald - Yodeling
Scotty Mattraw - Bashful
Moroni Olsen - Magic Mirror
Harry Stockwell - Prince

Credit

Jack Campbell - Animator; Les Clark - Animator; William Cottrell - Director; Eric Larson - Animator; Maurice Noble - Background Artist; James Algar - Animator; Ken Anderson - Art Director; Frank Churchill - Composer (Music Score); Marc Davis - Animator; Walt Disney - Director; Walt Disney - Producer; Otto Englander - Screenwriter; Norman Ferguson - Animator; Joe Grant - Consultant/advisor; David Hand - Director; Leigh Harline - Composer (Music Score); Wilfred Jackson - Director; Milt Kahl - Animator; Ward Kimball - Animator; Hamilton Luske - Animator; Joshua Meador - Animator; Harold Miles - Art Director; Fred Moore - Animator; Larry Morey - Director; Larry Morey - Composer (Music Score); Perce Pearce - Director; Wolfgang Reitherman - Animator; Bill Roberts - Animator; George Rowley - Animator; Ted Sears - Screenwriter; Ben Sharpsteen - Director; Marvin Woodward - Animator; Paul J. Smith - Composer (Music Score); Vladimir Tytla - Animator; Arthur Babbitt - Animator; Webb Smith - Director; Webb Smith - Screenwriter; Kendall O'Connor - Art Director; Terrell Stapp - Art Director; Berny Wolf - Animator; Cy Young - Animator; Robert Stokes - Animator; Tom Codrick - Art Director; Charles Philippi - Art Director; Ugo D'Orsi - Animator; Earl Hurd - Screenwriter; Hugh Hennesy - Art Director; McLaren Stewart - Art Director; Albert Hunter - Consultant/advisor; Robert Martsch - Animator; Grim Natwick - Animator; Dorothy Ann Blank - Director; Dorothy Ann Blank - Screenwriter; Richard Creedon - Director; Richard Creedon - Screenwriter; Dick Richard - Director; Dick Richard - Screenwriter; Merrill de Maris - Director; Merrill de Maris - Screenwriter; Gustaf Tengren - Art Director; Hazel Sewell - Art Director; Dick Lundy - Animator; Al Eugster - Animator; Fred Spencer - Animator; Bernard Barbutt - Animator; James Culhane - Animator; Stan Quackenbush - Animator; Brothers Grimm - Short Story Author; Frank Thomas - Animator; Maxwell Morgan - Cinematographer

Similar Movies

Pinocchio; Sleeping Beauty; The Sleeping Beauty (Bolshoi Ballet); The Sleeping Beauty (Kirov Ballet); The Wizard of Oz; Sleeping Beauty; Faerie Tale Theatre [TV Series]; Dvenadtsat Mesyatsev
 
Mythology Dictionary: “Snow White and the Seven Dwarfs”

A fairy tale in the Grimm collection, about a beautiful young princess whose jealous stepmother tries to kill her. She avoids being killed and hides in a forest cottage occupied by dwarfs. The stepmother finds out where Snow White is, visits her in disguise, and gives her a poisoned apple; Snow White eats it and falls into a deathlike sleep. When a prince kisses her, she awakens from her sleep, and he marries her.

  • The wicked stepmother consults a magical mirror several times throughout the story, often asking it, “Mirror, mirror, on the wall, who is the fairest one of all?”
  • In the 1930s, Walt Disney made a very popular animated film adaptation of the story of Snow White.

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    Wikipedia: Snow White and the Seven Dwarfs (1937 film)
    Snow White and the Seven Dwarfs
    Snowwhiteposter.jpg
    Original theatrical poster for Snow White and the Seven Dwarfs
    Directed by William Cottrell
    Wilfred Jackson
    Larry Morey
    Perce Pearce
    Ben Sharpsteen
    Produced by Walt Disney
    Written by Dorothy Ann Blank
    Richard Creedon
    Merrill De Maris
    Otto Englander
    Earl Hurd
    Dick Rickard
    Ted Sears
    Webb Smith
    Gustaf Tenggren
    Based on the fairy tale preserved by the Brothers Grimm
    Starring Adriana Caselotti
    Lucille La Verne
    Pinto Colvig
    Roy Atwell
    Distributed by RKO Radio Pictures
    Release date(s) February 8, 1938 (USA)
    Running time 83 minutes
    Country Flag of the United States United States
    Language English
    Budget $1,488,000 USD (est.)
    All Movie Guide profile
    IMDb profile

    Snow White and the Seven Dwarfs is a 1937 animated feature, the first produced by Walt Disney. It wasn't the first full-length animated feature to be produced (the 1917 Argentine film El Apóstol holds that distinction, and there are seven earlier ones). However, it was the first animated feature to become widely successful within the English-speaking world and the first to be filmed in Technicolor.

    The film premiered on December 21, 1937 with a wide theatrical release by RKO Radio Pictures on February 8, 1938. The film was adapted by storyboard artists Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb Smith from the German fairy tale Snow White by the Brothers Grimm. David Hand was the supervising director, while William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, and Ben Sharpsteen directed the film's individual sequences.

    Snow White was the most successful motion picture released in 1938, is the tenth highest-grossing film of all time (and the highest-grossing animated film) within the U.S., when adjusted for inflation.[1]

    Snow White was one out of only two animated films to rank in the American Film Institute's list of the 100 greatest American films of all time in 1997 (the other being Fantasia), ranking number 49. It achieved a higher ranking (#34) in the list's 2007 update, this time being the only traditionally animated film on the list.

    In 1989, Snow White and the Seven Dwarfs was added to the United States National Film Registry as being deemed "culturally, historically, or aesthetically significant."

    Plot

    The film begins with a prologue:

    Once upon a time there lived a lovely little princess named Snow White. Her vain and wicked stepmother the Queen feared that some day Snow White's beauty would surpass her own. So she dressed the little Princess in rags and forced her to work as a Scullery Maid. Each day the vain Queen consulted her Magic Mirror, 'Mirror, Mirror on the wall, who is the fairest one of all?' and as long as the Mirror answered, 'You are the fairest one of all,' Snow White was safe from the Queen's cruel jealousy.

    One day, however, the Magic Mirror informs the queen that Snow White, despite her rags, is now the fairest in the land. In addition, the queen observes the arrival of a prince, who serenades the young girl as she gathers water from a well to scrub the grounds. These events fuel the queen's jealousy, and she orders her huntsman to take Snow White into the woods and kill her. As proof, the queen requires the huntsman to bring back the dead girl's heart in a jeweled box. The kind-hearted huntsman cannot go through with the act, and urges Snow White to flee into the woods and never come back.

    The frightened princess finds herself lost in the woods, and terrified by luminous glowing eyes peering from within the trees and the brush. These turn out to be the eyes of friendly woodland creatures, who befriend Snow White and lead her to a cottage deep in the forest. Finding seven small chairs in the cottage's dining room, Snow White assumes the cottage is the home of seven children—"Seven untidy children," she notes as she finds the cottage in disarray. The princess and the animals band together and clean the cottage, hoping that the good deed will convince the children to let Snow White stay with them.

    The woodland cottage belongs not to seven children but to seven adult dwarfs who spend their days working in a nearby diamond mine. Upon returning home at the end of the working day, they are alarmed to find their cottage clean, and surmise that a monstrous intruder has invaded their home. The dwarfs discover Snow White upstairs, asleep in their beds. The princess introduces herself, and the dwarfs, save for one aptly named Grumpy, are pleased to welcome her as a house guest, particularly when they learn she can cook and has prepared dinner. They are less pleased, however, at Snow White's insistence that they wash up before eating, something they've never done and only do after much apprehension.

    Meanwhile, the huntsman has returned to the castle and delivered the Queen what she assumes to be Snow White's heart. However, the magic mirror informs the Queen that Snow White is in the care of the seven dwarfs, and that the huntsman has actually given the Queen a pig's heart. The enraged Queen descends to a secret laboratory, where she practices witchcraft. Using her potions and spells, the Queen disguises herself as an ugly old hag and prepares a poisoned apple to place Snow White in an eternal state of repose called, The Sleeping Death.

    The next morning, the dwarfs head out for the diamond mine, warning Snow White to beware of the evil Queen. However, the Queen's disguise is so convincing that Snow White is neither alarmed nor alert when the she arrives at the dwarfs' cottage, pretending to be an apple peddler. The Queen offers Snow White the poisoned apple, claiming it to be a magic wishing apple. Snow White's animal friends are not as easily convinced, and rush off to warn the dwarfs. While they are gone, however, Snow White takes a bite out of the apple, and falls to the floor, seemingly dead. A storm starts up outside, as the ugly old hag cackles, "Now I'll be fairest in the land!"

    The dwarfs arrive, riding deer, just in time to catch the Queen fleeing from the cottage. The dwarfs chase the hag through the raging storm, following her up the side of a mountain and trapping her at the edge of a jagged cliff. Desperate to rid herself of the dwarfs, the Queen attempts to push a boulder down the mountainside and onto them. However, a bolt of lightning strikes the edge of the cliff where she stands, causing her to fall into the chasm below as the boulder she had tried to push onto the dwarfs rolls backwards to crush her.

    Despite having done away with the Queen, the dwarfs return to their cottage and find Snow White seemingly dead. They cannot bear to bury her, and instead build for her a glass coffin trimmed with gold in a clearing in the forest. The dwarfs and the woodland creatures keep watch over Snow White through the autumn, winter, and spring. One day, the prince, who had been searching all over for the princess, learns of her plight and comes to visit the coffin. Captivated by her beauty, he approaches the coffin and kisses Snow White, restoring her to life with, "Love's first kiss"—the only cure for the sleeping death. The dwarfs and animals all rejoice, and tearfully say good-bye to Snow White as she and the prince ride off into the sunset to his castle, where they live happily ever after.

    History

    Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White theatrical trailer.
    Enlarge
    Walt Disney introduces each of the Seven Dwarfs in a scene from the original 1937 Snow White theatrical trailer.

    "Disney's Folly": production

    Development on Snow White and the Seven Dwarfs began in early 1934, and in June 1934, Walt Disney announced the production of his first feature to the New York Times. [2] Before Snow White, the Disney studio had been primarily involved in the production of highly successful animated short subjects in the Mickey Mouse and Silly Symphonies series. Disney hoped to expand his studio's prestige and revenues by moving into features, and estimated that Snow White could be produced for a budget of $250,000 - ten times the budget of an average Silly Symphony.

    Walt Disney had to fight to get the film produced. Both his brother Roy Disney and his wife Lillian attempted to talk him out of it, and the Hollywood movie industry mockingly referred to the film as "Disney's Folly" while it was in production. He even had to mortgage his house to help finance the film's production, which eventually ran up a total cost of just over $1.5 million, a whopping sum for a feature film in 1937.

    Snow White, which spent three years in production, was the end result of Walt Disney's plan to improve the production quality of his studio's output, and also to find a source of income other than short subjects. Many animation techniques which later became standards were developed or improved for the film, including the animation of realistic humans (with and without the help of the rotoscope), effective character animation (taking characters that look similar — the dwarfs, in this case — and making them distinct characters through their body acting and movement), elaborate effects animation to depict rain, lightning, water, reflections, sparkles, magic, and other objects and phenomena, and the use of the multiplane camera.

    The names of the Seven Dwarfs ("Bashful," "Doc," "Dopey," "Grumpy," "Happy," "Sleepy" and "Sneezy") were created for this production, chosen from a pool of about fifty potentials. Blabby, Jumpy, Shifty, and Snoopy were among those that were rejected (along with Scrappy, Cranky, Dirty, Awful, Silly, Daffy, Flabby, Jaunty, Biggo Ego, Chesty, Bald, Gabby, Nifty, Sniffy, Burpy, Scaredy, Lazy, Puffy, Elisey, Dizzy, Stuffy, Gassy, Tubby, Mr. Shy, Cheery, Flaunty, Hairy and Grabby) [3].

    The songs in Snow White were composed by Frank Churchill and Larry Morey. Paul J. Smith, Leigh Harline and Churchill composed the incidental music score. Well-known songs from Snow White include "Heigh-Ho," "Some Day My Prince Will Come," and "Whistle While You Work." Because Disney did not have its own music publishing company at this time, the publishing rights for the music and songs were administered through the Bourne Co., which continues to hold these rights. In later years, the Studio was able to acquire back the rights to the music from many of the other films, but not this one. Snow White became the first American film to have a soundtrack album released in conjunction with the feature film. Prior to Snow White, a movie soundtrack recording was unheard of and of little value to a movie studio.

    Critical and commercial success

    The famous "Heigh-Ho" sequence from Snow White, animated by Shamus Culhane.
    Enlarge
    The famous "Heigh-Ho" sequence from Snow White, animated by Shamus Culhane.

    Disney's wife, Lillian, told him: "No one's ever gonna pay a dime to see a dwarf picture."[4] Snow White and the Seven Dwarfs premiered at the Carthay Circle Theater on December 21st, 1937 to a widely receptive audience (many of whom were the same naysayers who dubbed the film "Disney's Folly"), who gave the film a standing ovation at its completion. Shortly thereafter, Walt Disney and his magical dwarfs appeared on the cover of Time magazine. The New York Times said "Thank you very much, Mr. Disney." RKO Radio Pictures put the film into general release on February 4th, 1938, and it went on to become a major box-office success, making more money than any other motion picture in 1938. In fact, for a short time, Snow White was the highest-grossing film in American cinema history; it was ousted from that spot by Gone with the Wind in 1939. Adjusted for inflation, and incorporating subsequent releases, the film still registers one of the top ten American film grosses of all time.

    Snow White and the Seven Dwarfs was the first full-length animated feature film made in English and Technicolor, and won an honorary Academy Award for Walt Disney "as a significant screen innovation which has charmed millions and pioneered a great new entertainment field." Disney received a full-size Oscar statuette and seven miniature ones, presented to him by child actress Shirley Temple.

    The film was also nominated for Best Musical Score. "Some Day My Prince Will Come" has become a jazz standard that has been performed by numerous artists, including Buddy Rich, Oscar Peterson, and Miles Davis.

    Noted filmmakers such as Sergei Eisenstein and Charlie Chaplin praised Snow White as a notable achievement in cinema. [5] The film inspired Metro-Goldwyn-Mayer to produce its own fantasy film, The Wizard of Oz. The 1943 Merrie Melodies short Coal Black and de Sebben Dwarfs, directed by Bob Clampett, parodies Snow White by presenting the story with an all-black cast singing a jazz score.

    Snow White was such a success that the Disney studio would produce more animated films.

    Re-releases, home video, and related products

    Snow White and the Seven Dwarfs was first re-released in 1944, in order to raise revenue for the Disney studio during the World War II period. This re-release set a tradition of re-releasing Disney animated features every seven to ten years, and Snow White was re-released to theaters in 1952, 1958, 1967, 1975, 1983, 1987, and 1993. The film was restored for its 1987 50th anniversary reissue and a more comprehensive digital restoration was done for the 1993 reissue.

    Coinciding with the 1987 release, Disney released an authorized novelization of the story, written by childrens' author, Suzanne Weyn.

    Snow White wouldn't be released on VHS until 1994, as the first video in the Walt Disney Masterpiece Collection.It was the last of the early Disney animated films to be released on home video.Snow White was later released on DVD in October 2001, the first in Disney's Platinum Series line of releases, and featured, across two discs, the digitally restored film, a making-of documentary narrated by Angela Lansbury, an audio commentary by John Canemaker and (via archived audio clips) Walt Disney, and many more special features. [1]

    A Snow White video game was released for the Game Boy Color system. Snow White makes an appearance in the popular Playstation 2 game Kingdom Hearts as one of the seven fabled Princesses of Heart. As of 2006, Snow White and the Seven Dwarfs is one of three Disney full-length animated classics that still have never been shown complete on television. The others are Fantasia, and Song of the South.

    Snow White's Scary Adventures is a popular theme park ride at Disneyland (an opening day attraction dating from 1955), Walt Disney World's Magic Kingdom, Tokyo Disneyland, and Disneyland Paris.

    In a famous scene in the film Gremlins, the Gremlins invade a theater. One of them puts a reel in the projection booth, which shows part of this film. The Gremlins immediately stop what they are doing and begin watching the film, even singing along during "Heigh-Ho".

    Snow White theatrical release history

    United States Releases

    Worldwide Releases

    Country Date
    Brazil January 7, 1938
    Argentina January 26, 1938
    U.K. March 12, 1938
    Canada April 5, 1938
    France May 4, 1938
    Belgium, Netherlands May 26, 1938
    Australia August 18, 1938
    Norway September 12, 1938
    Sweden September 27, 1938
    Denmark September 29, 1938
    Finland October 16, 1938
    Eritrea December 7, 1938
    Italy December 8, 1938
    Portugal March 9, 1939
    Hong Kong January 16, 1941
    Spain October 6, 1941
    Poland December 21, 1947
    Austria June 25, 1948
    Philippines September 24, 1949
    West Germany February 24, 1950
    Japan September 16, 1950
    Lebanon July 30, 1966
    Kuwait June 11, 1984

    Characters

    • Princess Snow White, voiced by Adriana Caselotti. Snow White was the daughter of a great king whose wife died when she was very young. Her wicked stepmother forced her to work as a scullery maid in the castle. Despite this she retains a cheerful yet naive demeanor. Virginia Davis, who starred in Disney's "Alice" series, was considered for the role of Snow White, but was rejected. Deana Durbin was also considered, but was rejected because her voice was "too mature" for the role.
    • The Queen/Witch, voiced by Lucille La Verne. The Queen is the stepmother of Snow White. Once her magic mirror tells her that Snow White is fairer than she is, she immediately enlists her huntsman to kill her in the woods. After she discovers that Snow White did not die, she disguises herself as an old hag and uses a poisoned apple in order to "kill" Snow White. While recording the voice of the Queen as the hag, Walt Disney was not happy with the voice Lucille La Verne was producing. After several retakes La Verne asked if she could go to the bathroom. When she returned and tried again to do the voice, she performed it perfectly. Amazed, Disney asked how she had achieved it. La Verne replied that she had removed her false teeth.
    • Doc, voiced by Roy Atwell. Doc is considered the leader of the seven dwarfs, and is presumably the oldest. He wears glasses and often mixes up his words. His job in the dwarfs' mine is to check the authenticity of the many gems (Joe Twerp, who was famous for spoonerizing words, was considered for the role, but only played Doc in the radio version of the movie).
    • Grumpy, voiced by Pinto Colvig. Grumpy is grumpy as his name suggests. He has the biggest nose of the seven and he automatically disapproves of Snow White for the mere fact that she is a woman. However, though initially too proud to show it, deep down he cares perhaps the most for her safety. He repeatedly warns her of the Queen and rushes to her aid upon hearing she is in danger.
    • Happy, voiced by Otis Harlan. Happy is the joyous dwarf. He is the fattest of the seven and is always laughing.
    • Sleepy, voiced by Pinto Colvig. Sleepy is always tired with heavy eyelids. His job at the mine is to haul all the diamonds and rubies by cart to Doc for inspection. He also has the longest beard of the seven. Usually he is pestered by a fly (Sterling Holloway was considered for the role)
    • Bashful, voiced by Scotty Mattraw. Bashful is the shyest of the dwarfs. He frequently annoys Grumpy, though not as much as Doc. In Walt Disney's own words, according to one of the film's original theatrical trailers, Bashful is "secretly in love with Snow White."
    • Sneezy, voiced by Billy Gilbert. Sneezy sneezes almost all the time. He has the shortest beard of the seven (besides the beardless Dopey). The cause of his sneezes is an allergy to flowers.
    • Dopey, with vocal effects supplied by Eddie Collins.[6] Dopey is the only dwarf to have no beard at all, and he is presumably the youngest of the seven. He is a mute, or at least the dwarfs do not know if he can talk since "he ain't never tried before". His job at the mine is to clean up all the unusable jewels and lock up the vault. He is always seen last in line whenever the dwarfs walk to and from work. Although he is scared at times, he can also be very brave, especially when Snow White is in danger.
    • The Prince, voiced by Harry Stockwell. The Prince first sees Snow White while she is singing at her wishing well. He immediately falls in love with her and her voice.
    • Humbert the Huntsman, voiced by Stuart Buchanan. The Huntsman is a kind-hearted person who can't bear to kill Snow White, even when the Queen orders him to take the princess's heart.

    Unvoiced characters include Snow White's animal friends, the Queen's raven, and the vultures who follow the Witch. However, although the animals didn't have human speaking voices, their natural calls were very lifelike, and were all voiced by champion whistler and animal mimic A. Purves Pullen, who would provide bird and animal calls for Disney films (including numerous Pluto cartoons) for several decades. He even did the bird calls for the Enchanted Tiki Room attractions at Disney theme parks. During the 1940s and '50s, he also performed as "Dr. Horatio Q. Birdbath" with the comedy band Spike Jones & His City Slickers.

    Songs

    Songs written for film but not used include two songs for the Dwarfs: "Music in Your Soup" (the accompanying sequence was completed up to the pencil test stage before being deleted from the film), and "You're Never Too Old to Be Young" (which was replaced by "The Silly Song").

    Crew

    Supervising animators

    Animators

    See also

    Notes

    1. ^ "All-Time Box Office: Adjusted for Ticket Price Inflation". Box Office Mojo. Retrieved from http://www.boxofficemojo.com/alltime/adjusted.htm on September 8, 2006.
    2. ^ Barrier, Michael (1999). Hollywood Cartoons. New York: Oxford University Press. Pgs. 125-126. ISBN 0-19-516729-5.
    3. ^ Walt Disney: The Biography by Neal Gabler, 2007
    4. ^ Walt Disney: The Biography by Neal Gabler, 2007
    5. ^ Culhane, John (July 12, 1987). "'Snow White' at 50: undimmed magic." The New York Times. Retrieved May 10, 2007.
    6. ^ http://disney.go.com/vault/archives/characters/sevendwarfs/sevendwarfs.html

    External links

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    Preceded by
    None
    Walt Disney Pictures
    1937
    Succeeded by
    Pinocchio


     
     

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