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| Artist | Salvador Dalí |
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| Year | 1936 |
| Type | Oil on canvas |
| Dimensions | 100 cm × 99 cm (39 5/16 in × 39 3/8 in) |
| Location | Philadelphia Museum of Art, Philadelphia |
Soft Construction with Boiled Beans (Premonition of Civil War) (1936) is a painting by Spanish Surrealist Salvador Dalí. Dali made this painting to represent the horrors of the Spanish Civil War. Dali painted this 6 months before the Spanish Civil War had even begun and then claimed that he had known the War was going to happen and that he was a prophet.[1] He wanted to seem prophet-like.[1] In reality Dali changed the name of his painting after the war had begun to appear more prophet-like.[1]
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Contents
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Description
This is a painting made with oil on canvas that is located in the Philadelphia Museum of Art. Dali painted it in 1936, but there were studies found of it that dated back to 1934.[2] It is a picture of a geometric monster type creature and connected to a similar monster. The two creatures appear to be two parts of the same creature so that it appears to be wrestling itself. All over the background and on parts of the monster are boiled beans that look like they are melting. The monster stands on trees and a brown wooden box. The background is a blue sky with clouds, that are darker in some parts and lighter in others.
Salvador Dali and the Spanish Civil War
Dali and his wife, Gala, were trapped in the middle of a general strike and an armed uprising by Catalan separatists in 1934, in Catalonia, and this may have influenced his Spanish Civil War motif.[3] Salvador and Gala had to run away to Paris, where they actually got married.[4] Dali and Gala had hired an escort to take them safely to Paris, but the escort died on his return because of the stresses of the Spanish Civl War.[3] When Dali had finally returned home his house in Port Lligat was destroyed by the war.[4] He was also greatly affected because his friend was executed in the war and his sister Ana Maria was imprisoned and tortured.[4]
Meaning
This painting expresses the destruction during the Spanish Civil War. The monster in this painting is self destructive just as a Civil War is.[1] This painting is not meant to depict choosing sides although Dali had many reasons to choose sides in the Spanish Civil War. His sister was tortured and imprisoned by communist soldiers fighting for the Republic and his good friend from art school was murdered by a fascist firing squad[1] Dali also made this painting look very realistic and yet continued to bring in surreal concepts.[3] Although humans do not have the potential to look like the creatures in this painting, it retains a realistic feel, reminding the viewer of the levitity of the ideas behind it. Dali also brought ideas of tradition to this piece with a beautiful Catalonian sky, creating contrast to the idea of revolution.[4] There are many boiled beans in this painting. Dali is quoted as saying the reason he included boiled beans was "one could not imagine swallowing all that unconscious meat without the presence of some mealy and melancholy vegetable."[4] By this he meant that there were many hardships in the war so the Spanish citizens had to do their best to deal with their problems.[4] He played with themes of love, eating, and the war and how they are all related.[4]
References
- ^ a b c d e "Salvador Dalí teacher resource materials". http://www.philamuseum.org/micro_sites/exhibitions/dali/downloads/edu/imagePacket.pdf.
- ^ "Spain is Culture".
- ^ a b c Moorhouse, Paul. Dali. ISBN 1-85422-105-1.
- ^ a b c d e f g Wach, Kenneth (1996). Salvador Dalí. New York: Harry N. Abrams Inc. http://books.google.co.uk/books?id=YTlCAQAAIAAJ.
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