(b Grand Rapids, mi, 1 May 1895; d Port Clinton, oh, 7 July 1968). American composer and church musician. Trained in Chicago and Italy, he taught at the American Conservatory in Chicago (1925-62) and was organist and choirmaster at St James's Cathedral (1927-62). His output includes five symphonies and two organ concertos as well as much music for the Anglican liturgy. His Canticle of the Sun (1944) won a Pulitzer Prize.
Sowerby, Leo (sō'ərbē), 1895-1968, American composer and organist, b. Grand Rapids, Mich. Sowerby studied at the American Conservatory, Chicago, and with Percy Grainger. In 1921 an American Prix de Rome was created to enable him to study in Rome. In 1925 he became teacher of composition at the American Conservatory and in 1927 organist and choirmaster of St. James Episcopal Church, Chicago. A prolific composer, he wrote such important works as A Set of Four (1917), Symphony in B Minor (1927), and Symphony in F Sharp Minor (1940), for orchestra; a concerto (1938), for organ and orchestra; the oratorios The Vision of Sir Launfal (1925) and The Canticle of the Sun (1944); and Symphony in G (1932), for organ.
Genres: Choral Music, Keyboard Music, Orchestral Music
Biography
Sowerby began piano lessons when he was seven and was teaching himself theory from a textbook at 11. He moved to Chicago in 1909 and continued his music studies while at Englewood High School. At age 15, Sowerby received some cursory instruction on the organ, but from then on would be self-taught.
Sowerby's debut as a composer came in 1913 when the Chicago Symphony at an all-America concert performed his Concerto for Violin and Orchestra. Four years later, Sowerby gave his first public performance on the piano at the Norfolk, Connecticut, Festival.
His first pair of published compositions was a Woodwind Quintet (1916) and Serenade for string quartet (1917), which was a birthday present to Elizabeth Sprague Coolidge. In December 1917, Sowerby went into the U.S. Army and served for 15 months in England and France as a clarinetist and bandmaster. Sowerby remained in Europe after his discharge from the army and began composing a series of works including his First Symphony, which led to him being awarded the first American Prix de Rome in 1921. For the next three years Sowerby resided at the American Academy in Rome, writing among others From the Northland a composition that would win the Society for the Publication of American Music Award.
Sowerby returned to the U.S. in 1924 and began writing music embracing American idioms including two pieces for jazz band, Syncopata and Monotony. Sowerby even adapted the popular folk tune "Pop Goes the Weasel" and arranged it for flute, oboe, clarinet, and oboe.
In 1932, Sowerby joined the faculty of the American Conservatory in its composition department and remained there until 1962. He also served as choirmaster and organist of St. James Episcopal Cathedral in Chicago from 1927 to 1961, where he wrote a large body of music for chorus and organ. His love of religious music led to his founding of the College of Church Musicians in Washington D.C., which he served as director until 1968.
Prior to World War II, Sowerby was one of the most frequently performed American composers and by 1943, had received the Society for the Publication of American Music Award four times. He received the Pulitzer Prize for music in 1946 for his The Canticle of the Sun, a cantata for chorus and orchestra, which employed Matthew Arnold's English translation of the canticle of St. Francis of Assisi. Later awards include an honorary fellowship at Trinity College in London and the Royal School of Church Music in Croydon, England (1963). In the same year, Sowerby was presented to Queen Elizabeth II. ~ Tod Whitesel, All Music Guide
Leo Sowerby (May 1, 1895–July 7, 1968), Americancomposer and church musician, was the winner of the Pulitzer Prize for music in 1946, and was often called the “Dean of American church music” in the early to mid 20th century.
In 1927 he became organist-choirmaster at St James’s Episcopal Church, Chicago, which was consecrated as a cathedral while he was there (1955). It was during his time there that he did most of his work and gained his international reputation.[citation needed]
In 1962, after his retirement from St James’s, he was called to Washington National Cathedral to become the founding director of the College of Church Musicians, a position he held until his death in 1968 (Stalford & Meckna 2001). He died in Port Clinton, Ohio, while at Camp Wa-Li-Ro, in Put-in-Bay, Ohio, the summer choir camp where he had taught for many years.
His substantial output includes over 500 works in every genre but opera and ballet (Stalford & Meckna 2001). His later works, done at St James's, Chicago, and Washington Cathedral, are primarily church music for choir and organ. As a teacher Sowerby's pupils included Robert Beadell, Miriam Clapp Duncan, William Ferris, Edwin Fissinger,Milan Kaderavek, Gail Kubik, Roland Leich, Darwin Leitz, Norman Luboff, Maylon Merrill (Jack Benny's longtime music director), Gerald Near, Florence Price, Ned Rorem, Ronald Stalford, Robert Stewart, and David Van Vactor.
Amacker, Marianne. 1970. "The Chorale Preludes of Leo Sowerby". The Diapason 61, no. 9 (August): 20–21.
Sharp, Timothy W. 1995. "The Choral Music of Leo Sowerby: A Centennial Perspective". The Choral Journal. 35, no. 8 (March): 9–19.
Stalford, Ronald, and Michael Meckna. 2001. "Sowerby, Leo". The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell. London: Macmillan.