n.
A visible electric discharge on a pointed object, such as the mast of a ship or the wing of an airplane, during an electrical storm. Also called corposant.
[After Saint Elmo, fourth-century A.D. patron saint of sailors.]
Dictionary:
Saint El·mo's fire (ĕl'mōz)
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[After Saint Elmo, fourth-century A.D. patron saint of sailors.]
| Britannica Concise Encyclopedia: Saint Elmo's fire |
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| Sci-Tech Encyclopedia: Saint Elmo's fire |
A type of corona discharge observed on ships under conditions approaching those of an electrical storm. The charge in the atmosphere induces a charge on the masts and other elevated structures. The result of this is a corona discharge which causes a spectacular glow around these points. See also Corona discharge.
| Columbia Encyclopedia: Saint Elmo's fire |
| Science Q&A: What is Saint Elmo's fire? |
Saint Elmo's fire has been described as a corona from electric discharge produced on high grounded metal objects, chimney tops, and ship masts. Since it often occurs during thunderstorms, the electrical source may be lightning. Another description refers to this phenomenon as weak static electricity formed when an electrified cloud touches a high exposed point. Molecules of gas in the air around this point become ionized and glow. The name originated with sailors who were among the first to witness the display of spearlike or tufted flames on the tops of their ships' masts. Saint Elmo (which is a corruption of Saint Ermo) is the patron saint of sailors, so they named the fire after him.
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| Wikipedia: St. Elmo's fire |
St. Elmo's fire (also St. Elmo's light[1]) is an electrical weather phenomenon in which luminous plasma is created by a coronal discharge originating from a grounded object in an atmospheric electric field (such as those generated by thunderstorms or thunderstorms created by a volcanic explosion).
St. Elmo's fire is named after St. Erasmus of Formiae (also called St. Elmo), the patron saint of sailors. The phenomenon sometimes appeared on ships at sea during thunderstorms, and was regarded by sailors with religious awe for glowing ball of light, accounting for the name.
Ball lightning is often erroneously identified as St. Elmo's fire. They are separate and distinct meteorological phenomena.[2]
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Physically, St. Elmo's fire is a bright blue or violet glow, appearing like fire in some circumstances, from tall, sharply pointed structures such as lightning rods, masts, sensible spires and chimneys, and on aircraft wings. St. Elmo's fire can also appear on leaves, grass, and even at the tips of cattle horns.[3] Often accompanying the glow is a distinct hissing or buzzing sound.
In 1750, Benjamin Franklin hypothesized that a pointed iron rod during a lightning storm would light up at the tip, similar in appearance to St. Elmo's fire.[4][5]
Although referred to as "fire", St. Elmo's fire is, in fact, plasma. The electric field around the object in question causes ionization of the air molecules, producing a faint glow easily visible in low-light conditions. Approximately 100 - 3000 kV per meter is required to induce St. Elmo's fire; however, this number is greatly dependent on the geometry of the object in question. Sharp points tend to require lower voltage levels to produce the same result because electric fields are more concentrated in areas of high curvature, thus discharges are more intense at the end of pointed objects.[6]
Saint Elmo's fire and normal sparks both can appear when high electrical voltage affects a gas. St. Elmo's fire is seen during thunderstorms when the ground below the storm is electrically charged, and there is high voltage in the air between the cloud and the ground. The voltage tears apart the air molecules and the gas begins to glow.
The nitrogen and oxygen in the Earth's atmosphere causes St. Elmo's fire to fluoresce with blue or violet light; this is similar to the mechanism that causes neon lights to glow.[6]
In ancient Greece, the appearance of a single one was called Helena and two were called Castor and Pollux. Occasionally, it was associated with the Greek element of fire, as well as with one of Paracelsus's elementals, specifically the salamander, or, alternatively, with a similar creature referred to as an acthnici.[7]
Welsh mariners knew it as canwyll yr ysbryd ("spirit-candles") or canwyll yr ysbryd glân ("candles of the Holy Ghost"), or the "candles of St. David".[8]
References to St. Elmo's fire can be found in the works of Julius Caesar (De Bello Africo, 47), Pliny the Elder (Naturalis Historia, book 2, par. 101) , and Antonio Pigafetta's journal of his voyage with Ferdinand Magellan. St. Elmo's fire, also known as "corposants" or "corpusants" from the Portuguese corpo santo[9] ("holy body"), was a phenomenon described in The Lusiads.
Robert Burton wrote of St. Elmo's fire in his Anatomy of Melancholy: "Radzivilius, the Polonian duke, calls this apparition, Sancti Germani sidus; and saith moreover that he saw the same after in a storm, as he was sailing, 1582, from Alexandria to Rhodes". This refers to the voyage made by
Charles Darwin noted the effect while aboard the Beagle. He wrote of the episode in a letter to J.S. Henslow that one night when the Beagle was anchored in the estuary of the Río de la Plata:
St. Elmo's fire is reported to have been seen during the Muslim Siege of Constantinople in 1453. It reportedly was seen emitting from the top of the Hippodrome. The Byzantines attributed it to a sign that the Christian God would soon come and destroy the invading Muslim army.
In Two Years Before the Mast, Richard Henry Dana, Jr. describes seeing a corposant in the southern Atlantic Ocean, however he may have been talking about ball lightning; as mentioned earlier it is often erroneously identified as St. Elmo's fire: "There, directly over where we had been standing, upon the main top-gallant mast-head, was a ball of light, which the sailors name a corposant (corpus sancti), and which the mate had called out to us to look at. They were all watching it carefully, for sailors have a notion, that if the corposant rises in the rigging, it is a sign of fair weather, but if it comes lower down, there will be a storm."[11]
Many Russian sailors have seen them throughout the years. To them, they are "Saint Nicholas" or "Saint Peter's lights".[8] They were also sometimes called St. Helen's or St. Hermes' fire, perhaps through linguistic confusion.[12]
St Elmo's fire were also seen during the Chicago Fire in Kansas and Oklahoma (US).[13]
Accounts of Magellan's first circumnavigation of the globe refer to St. Elmo's fire being seen around the fleet's ships multiple times off the coast of South America. The sailors saw these as favorable omens.
Among the phenomena experienced on British Airways Flight 9 on 24 June 1982 were glowing light flashes along the leading edges of the aircraft, which were seen by both passengers and crew. While it shared similarities with St Elmo's fire, the glow experienced was from the impact of ash particles on the leading edges of the aircraft, similar to that seen by operators of sandblasting equipment.
Spectacular jet aircraft St. Elmo's fire was observed and its optical spectrum recorded during a University of Alaska research flight over the Amazon in 1995 to study sprites.[14][15]
The phenomenon appears to be described first in the Gesta Herwardi[16], written in around 1100 and concerning an event of the 1070s. However, one of the earliest direct references to St. Elmo's fire made in fiction can be found in Ludovico Ariosto's epic poem Orlando furioso (1516). It is located in the 17th canto (19th in the revised edition of 1532) after a storm has punished the ship of Marfisa, Astolfo, Aquilant, Grifon, and others, for three straight days, and is positively associated with hope:
But now St. Elmo's fire appeared, which they had so longed for, it settled at the bows of a fore stay, the masts and yards all being gone, and gave them hope of calmer airs.
In Shakespeare's The Tempest (c. 1623), Act I, Scene II, St. Elmo's fire acquires a more negative association, appearing as evidence of the tempest inflicted by Ariel according to the command of Prospero:
- PROSPERO
Hast thou, spirit,
Perform'd to point the tempest that I bade thee?
- ARIEL
To every article.
I boarded the king's ship; now on the beak,
Now in the waist, the deck, in every cabin,
I flamed amazement: sometime I'ld divide,
And burn in many places; on the topmast,
The yards and bowsprit, would I flame distinctly,
Then meet and join.—Act I, Scene II, The Tempest
Later 18th Century and 19th Century literature associated St. Elmo's fire with bad omen or divine judgment, coinciding with the growing conventions of Romanticism and the Gothic novel. For example, in Ann Radcliffe's The Mysteries of Udolpho (1794), during a thunderstorm above the ramparts of the castle:
"And what is that tapering of light you bear?" said Emily, "see how it darts upwards,—and now it vanishes!"
"This light, lady," said the soldier, "has appeared to-night as you see it, on the point of my lance, ever since I have been on watch; but what it means I cannot tell."
"This is very strange!" said Emily. "My fellow-guard," continued the man, "has the same flame on his arms; he says he has sometimes seen it before…he says it is an omen, lady, and bodes no good."
"And what harm can it bode?" rejoined Emily.
"He knows not so much as that, lady."
—Vol. III, Ch. IV, The Mysteries of Udolpho
And in Herman Melville's Moby-Dick (1851), during which the ship Pequod is struck head-on by a typhoon:
"Look aloft!" cried Starbuck. "The corpusants! the corpusants!"
All the yard-arms were tipped with a pallid fire; and touched at each tri-pointed lightning-rod-end with three tapering white flames, each of the three tall masts was silently burning in that sulphurous air, like three gigantic wax tapers before an altar. […] [Stubb] cried, "The corpusants have mercy on us all!" […]
…in all my voyagings seldom have I heard a common oath when God's burning finger has been laid on the ship…
—Ch. CXIX, "The Candles", Moby-Dick
There is also a possible reference[17] to St. Elmo's fire in Samuel Taylor Coleridge's The Rime of the Ancient Mariner (1798):
About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue, and white.
A 19th Century literary account is portrayed in Edgar Allan Poe's story "The Fall of the House of Usher" (1839), when the storm outside causes objects inside of a room to glow:
I say that even their exceeding density did not prevent our perceiving this—yet we had no glimpse of the moon or stars—nor was there any flashing forth of the lightning. But the under surfaces of the huge masses of agitated vapour, as well as all terrestrial objects immediately around us, were glowing in the unnatural light of a faintly luminous and distinctly visible gaseous exhalation which hung about and enshrouded the mansion.
The use of St. Elmo's fire as a device to create romance or mystery grew well into the twenty-first century, appearing in a wide range of popular culture, from novels and film to the children's book Tintin in Tibet (p. 39).
In Kurt Vonnegut's novel Slaughterhouse-Five, the protagonist Billy Pilgrim experiences St. Elmo's fire just after a staged prisoner of war photo shoot during the Battle of the Bulge:
Ever since Billy had been thrown into the shrubbery for the sake of a picture, he had been seeing Saint Elmo's fire, a sort of electronic radiance around the heads of his companions and captors. It was in the treetops and rooftops of Luxembourg, too. It was beautiful.—Chapter 3, Slaughterhouse-Five
St. Elmo's fire also appears in Terry Pratchett's novel Nation (p. 12):
There was thunder and lightning up there. Hail rattled of his head. St. Elmo's fire glowed on the tip of every mast and them crackled on the captain's beard as he began to sing, in a rich bariton.
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