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Stan Rogers

 

Singer, songwriter

Although less well known outside of Canada than his contemporary Gordon Lightfoot, singer-songwriter Stan Rogers commanded strong affection in the folk music community with his vivid, realistic songs of Canadian life. According to Northern Journey: A Guide to Canadian Folk Music, "Many fans consider Stan Rogers the greatest Canadian folksinger ever." Rogers died a tragic and early death at age 33 in an airliner fire, but his legacy includes a strong influence on a creatively fertile group of younger Canadian songwriters that has included his brother Garnet.

Stanley Allison Rogers was born in Hamilton, Ontario, Canada, on November 29, 1949. His father, Nathan, was a bricklayer. Both his parents had joined a migration of Canadians from the country's Maritime provinces on the Atlantic seaboard to the country's industrial heartland in Ontario, but they retained strong ties to Canso, Nova Scotia, the ancestral home of Rogers's mother. Rogers grew up spending every summer in Nova Scotia. Music ran in the family; Nathan Rogers had a strong voice, and an uncle gave Stan his first guitar when he was five—a homemade contraption constructed from birch wood, welding rods, and a toothbrush.

Rogers began to focus seriously on music in high school. For a while he joined the rock revolution as a bassist, but the influence of Canadian folk stars Joni Mitchell and Gordon Lightfoot steered him toward folk music in the late 1960s. His Aunt Jane, who lived in Canso, urged him to write songs about Nova Scotia, and he responded with a group of detailed story songs.

These set him apart from the introspective productions of other folk-pop songwriters of the day, and he was able to launch a professional career in 1969 while attending classes intermittently at McMaster University in Hamilton and at Trent University in Peterborough, Ontario. Ontario audiences responded to Rogers as an authentic voice of the culture of the Maritimes. But in the Maritime Provinces themselves he was initially less popular. "We were coming from ‘away’ [a name for outsiders]," recalled Garnet Rogers, who joined his brother's band in 1973, in an interview in the Boston-area Patriot Ledger newspaper that was reproduced on Stan Rogers's website. "They wanted to hear Hank Williams. Then we'd come back to Ontario and play the club circuit, the coffeehouses, and they would see us as being a real Maritime act."

Rogers found a new outlet for his songs when he began to receive commissions from the Canadian Broadcasting Corporation (CBC) for music suitable for documentary programs, and for a folk-music "opera," So Hard to Be So Hard. A major career breakthrough came with his appearance at Canada's prestigious Winnipeg Folk Festival in 1975. After that show, Rogers was brought into the studio by festival director Mitch Podolak to record an album for his Barnswallow label. With a fund of songs about the Maritimes drawn from his earlier tours and from his CBC soundtrack material, Rogers was in a position to release a strong debut with Fogarty's Cove in 1977. The album showcased the six-foot four-inch Rogers's rich baritone voice in front of a small instrumental group that included a flute. "Barrett's Privateers" was a depiction of an eighteenth-century pirate ship, historically authentic and unsentimental in the lament of its young narrator, who loses both his legs. Though most of the songs were narrative portraits, perhaps the album's best-known track was "Forty-Five Years," a warm chronicle of a long love affair.

After the success of Fogarty's Cove, Rogers formed his own record label, taking the album's name as that of the new company. He released Turnaround in 1978, another album that reached into his earlier songbag, and followed it with Between the BreaksLive in 1979. That album included covers of songs by other writers, as well as original Rogers compositions. Sales figures for Rogers's music are difficult to establish, for many of them were sold at concerts and in small, independent shops not tied into the machinery of music industry distribution. One distributor, however, pointed in 1997 to strong ongoing sales of Rogers's albums and estimated that Fogarty's Cove had sold more than 100,000 copies—a figure good for platinum status in Canada.

Rogers released Northwest Passage in 1981, and it has generally been accounted among his finest releases. In the songs for the album, Rogers turned from the Maritimes to the farms of the Canadian prairies. "Field Behind the Plow" influenced, among others, North Dakota farmer songwriter Chuck Suchy, who said on his website that when a friend gave him a tape of the song, "It was at that moment that I realized that the life I was immersed in was worthy of song." CBC listeners later nominated the album's title track as Canada's unofficial second national anthem. Rogers's Canadian portraits also had a strong influence on younger singers such as James Keelaghan and the group Blue Rodeo. His nearly 100 songs have been recorded by artists ranging from Scotland's Battlefield Band and Tannahill Weavers to the American folksters Peter, Paul & Mary, and even by children's star Raffi.

Some of Rogers's recordings had orchestral string backing, and by the standards of folk music in the United States they qualified as heavily produced. But the sparse For the Family (1983), a selection of traditional songs, placed Rogers and his guitar front and center; he produced the album himself. With several albums under his belt, Rogers began to gain attention beyond Canada. He represented Nova Scotia at the Gathering of the Clans in Scotland in 1981, and he frequently toured the folk circuit in the northeastern United States. In 1983 he headed for the Kerrville Folk Festival in Texas.

As he returned home on Air Canada Flight 797 on June 2, 1983, a fire broke out in the plane's rear restroom. Pilots made an emergency landing at Greater Cincinnati Airport in Kentucky, but 23 passengers died of smoke inhalation as the plane was evacuated. Among them was Rogers, who was said to have helped other passengers to safety. The loss of Rogers was still felt keenly in the folk music community two decades later—even more so in view of the depth of talent revealed in the substantial body of unreleased recordings left behind at his death. The Fogarty's Cove label, under the leadership of Rogers's widow, Ariel, released them periodically over the 1980s and 1990s; From Fresh Water was a completed cycle of songs about Canada's Great Lakes region that included a protest song, "Tiny Fish for Japan." Home in Halifax was a recording of a Nova Scotia house concert, while Poetic Justice (1996) showcased music written by Rogers for two plays broadcast on CBC radio.

Selected discography
Fogarty's Cove, Barnswallow, 1977.
Turnaround, Fogarty's Cove, 1978.
Between the BreaksLive!, Fogarty's Cove, 1979.
Northwest Passage, Fogarty's Cove, 1981.
For the Family, Folk Tradition, 1983.
From Fresh Water, Fogarty's Cove, 1984.
Home in Halifax, Fogarty's Cove, 1992.
Poetic Justice: Two Radio Plays, Fogarty's Cove, 1996.

Sources
Books
Gudgeon, Chris, Stan Rogers: Northwest Passage, Fox, 2004.
Wilburn, Gene, Northern Journey: A Guide to Canadian Folk Music, Reference, 1995.

Periodicals
Billboard, November 1, 1997, p. 59.

Online
"Biography," Chuck Suchy Official Website, http://www.chucksuchy.com (February 28, 2007).
"Rogers, Stan," The Canadian Encyclopedia, http://www.canadianencyclopedia.ca (February 28, 2007).
Stan Rogers Official Website, http://www.stanrogers.net (February 28, 2007).
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  • Genres: Folk

Biography

Stan Rogers came from Hamilton, Ontario, a six-foot-four poet who started out as a rock bassist before turning to folk music. With his rich voice, he used his music to call to life all of the wonder and mysticism of his native Canada. His singing was occasionally mistaken for that of Gordon Lightfoot, but it was huskier and earthier than Lightfoot's, and his repertoire -- made up of song cycles drawn from throughout Canada -- was also more tradition-oriented and more mystical. Rogers died in a fire aboard an Air Canada flight in Cincinnati, Ohio in June 1983, leaving behind a half-dozen albums. ~ Bruce Eder, Rovi
Wikipedia on Answers.com:

Stan Rogers

Top
Stan Rogers
Birth name Stanley Allison Rogers
Born November 29, 1949(1949-11-29)
Hamilton, Ontario, Canada
Died June 2, 1983(1983-06-02) (age 33 on Air Canada Flight 797)
Hebron, Kentucky, United States
Genres Folk
Occupations Singer-songwriter
Years active 1970–1983
Labels RCA, Fogarty's Cove, Borealis
Website fogartyscovemusic.skyrocketlabs.com

Stanley Allison "Stan" Rogers (November 29, 1949 – June 2, 1983) was a Canadian folk musician and songwriter.

Rogers was noted for his rich, baritone voice and his finely crafted, traditional-sounding songs which were frequently inspired by Canadian history and the daily lives of working people, especially those from the fishing villages of the Maritime provinces and, later, the farms of the Canadian prairies and Great Lakes. Rogers died in a fire aboard Air Canada Flight 797 on the ground at the Greater Cincinnati Airport at the age of 33. His influence on Canadian folk music has been deep and lasting.

Contents

Early life and musical development

Rogers was born in Hamilton, Ontario, the eldest son of Nathan Allison "Al" and Valerie Rogers (née Bushell), two Maritimers who had relocated to Ontario in search of work shortly after their marriage in July 1948. Although Rogers was raised in Woodburn, Ontario (a community in the easternmost part of Hamilton), he often spent summers visiting family in Guysborough County, Nova Scotia. It was there that he became familiar with the way of life in the Maritimes, an influence which was to have a profound impact on his subsequent musical development. He was interested in music from an early age, reportedly beginning to sing shortly after learning to speak. He received his first guitar, hand-built by his uncle Lee Bushell, when he was five years of age. He was exposed to a variety of music influences, but among the most lasting were the country and western tunes his uncles would sing during family get-togethers. Throughout his childhood, he would practice his singing and playing along with his brother Garnet, six years his junior.

By the time that Rogers was attending Saltfleet High School in Stoney Creek, he started to meet other young people interested in folk music, although at this time he was also dabbling in rock and roll, singing and playing bass guitar in garage bands such as "Stanley and the Living Stones" and "The Hobbits".

As a young man, Rogers briefly attended both McMaster University and Trent University.

Rogers' songs often had a Celtic feel which was due, in part, to his frequent use of DADGAD guitar tuning. He regularly used the 12-string guitar in performance. His best known pieces include "Northwest Passage" , "Barrett's Privateers", "The Mary Ellen Carter", "Make and Break Harbour", "The Idiot", "The Field Behind the Plow", "Lies", "Fogarty's Cove", "White Squall", and "Forty-Five Years".

Death

Rogers died alongside 22 other passengers (23 fatalities in all) most likely of smoke inhalation on June 2, 1983, while travelling on Air Canada Flight 797 (a McDonnell Douglas DC-9) after performing at the Kerrville Folk Festival. The airliner was flying from Dallas, Texas to Toronto and Montreal when an in-flight fire forced it to make an emergency landing at the Greater Cincinnati Airport in northern Kentucky.

Smoke was filling the cabin from an unknown source, and once on the ground, the plane's doors were opened to allow passengers to escape. Approximately 60 to 90 seconds into the evacuation of the plane, the oxygen rushing in from outside caused a flash fire.[1] Rogers was one of the passengers still on the plane at the time of the fire.

His remains were cremated and his ashes scattered in the Atlantic Ocean off the coast of Nova Scotia.[2]

Legacy

Rogers' legacy includes his recordings, songbook, and plays for which he was commissioned to write music. His songs are still frequently covered by other musicians, and are perennial favourites at Canadian campfires and song circles. Members of Rogers' band, including his brother Garnet Rogers, continue to be active performers and form a significant part of the fabric of contemporary Canadian folk music. Following his death, he was nominated for the 1984 Juno Awards in the category for Best Male Vocalist. In 1993, his posthumous live album Home in Halifax was likewise nominated for Best Roots and Traditional Album.

His widow, Ariel, continues to oversee his estate and legacy. His music and lyrics have been featured in numerous written publications and films. For instance, his lyrics have appeared in school poetry books[citation needed], taking their place alongside acknowledged classics. His song "Northwest Passage" was featured in the last episode of the TV show Due South, his songs "Barrett's Privateers" and "Watching the Apples Grow" having been previously featured. "Barrett's Privateers" has also been used extensively in promotion ads for Alexander Keith's ale. In the 2005 CTV made-for-TV movie on the life of Terry Fox, Rogers' "Turnaround" is the music over the closing shot. As the movie ends, Fox is depicted, alone, striding up a hill, while the lyric "And yours was the open road. The bitter song / The heavy load that I'll never share, tho' the offer's still there / Every time you turn around," forges a link between these Canadian icons[citation needed]. Many of his songs on the albums Northwest Passage and From Fresh Water refer to events in Canadian history.

Adrienne Clarkson, who, prior to serving as the Governor General of Canada from 1999 to 2005, had worked for the Canadian Broadcasting Corporation, highlighted Rogers' career in a 1989 television documentary called One Warm Line on CBC Television; she also quoted Rogers in her investitural address.

When CBC's Peter Gzowski asked Canadians to pick an alternate national anthem, "Northwest Passage" was the overwhelming choice.[citation needed]

The Stan Rogers Folk Festival is held every year in Canso, Nova Scotia. In 1995, several artists performed two nights of concerts at Halifax's Rebecca Cohn Auditorium, which were released on album that year as Remembering Stan Rogers.

Rogers is also a lasting fixture of the Canadian folk festival Summerfolk, held annually in Owen Sound, Ontario, where the main stage and amphitheater are dedicated as the "Stan Rogers Memorial Canopy". The festival is firmly fixed in tradition, with Rogers` song The Mary Ellen Carter, being sung by all involved, including the audience and a medley of acts at the festival.

At The Canmore Folk Festival, Alberta's longest running folk music festival, performers take to the Stan Rogers Memorial Stage, which is the festival's main stage.

One of Stan's sons, Nathan Rogers, is also an established Canadian folk artist with a voice similar to his father's.

History and discography

Rogers signed with RCA Records for a brief period in the early 1970s. During this period, Rogers wrote and recorded a number of original songs for the label, including five singles: Here's to You Santa Claus in 1970, The Fat Girl Rag in 1971, and Three Pennies, Guysborough Train and Past Fifty in 1973.

In 1976, Rogers recorded and released his debut album, "Fogarty's Cove", on Barnswallow Records. The album's subject matter dealt almost entirely with life in maritime Canada, and was an immediate success. Rogers then formed Fogarty's Cove Music, and bought Barnswallow, allowing him the luxury of releasing his own albums. Posthumously, additional albums were released.

See also

References

  • Gudgeon, Chris (2004). Stan Rogers: Northwest Passage. Fox Music Books. ISBN 1-894997-01-8. 
  • Rogers, Stan (1982). Songs from Fogarty's Cove. OFC publications. ISBN 0-919141-01-3. 
  • Obituary, "Stan Rogers, Folk Musician; In Fire Aboard DC9; At 33". Boston Globe, June 5, 1983, page 1.

External links


 
 
Related topics:
Alive (1983 Album by Schooner Fare)
From Fresh Water (1984 Album by Stan Rogers)
Overnight Success (1980 Album by Danny Quinn)

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