
[French stéréotype, stereotype printing : stéréo-, solid (from Greek stereo-; see stereo-) + type, printing type (from Old French, symbol , from Late Latin typus; see type).]
stereotyper ster'e·o·typ'er n.Printing: duplicate printing plate cast from a paper matrix used in letterpress. Newspapers or other print media who use the letterpress printing method require advertisers to provide a plate of their ad. This is done by creating a metal mold of the ad. A papier-maché mold is then made by pressing the paper material against the metal plate under pressure so that a matrix forms a mirror image. The paper matrix is then mailed (at a low cost) to the newspaper, where another metal mold is created by pouring metal over the matrix. This duplicate mold is called a stereotype.
Psychology: general mental image that is held of a group or class of people that is usually oversimplified. An advertiser may feature a stereotypical user of his product in order to encourage the audience to identify with the user. For example, housewives are often used in advertisements for cleaning products.
| Stepped-Up Basis, Steering, Steelintensive | |
| Stet, Stevedore, Steward |
noun
Definition: idea held as standard, example
Antonyms: difference
v
Definition: categorize as being example, standard
Antonyms: differentiate, dissimilate
In some approaches to semantics it is supposed that general terms work by an initial connection with a stereotype (sometimes a prototype) or typical example of a class, from which other examples may differ in various ways and to varying degrees before finally losing the classification. In ethical and political contexts, stereotyping is the assumption that some features supposedly true of central examples of the class apply to all its members.
Preconceived, simplistic description of all members of a given group that leads to having certain expectations, often inaccurate and prejudicial, about members of that group without regard to individual differences.
A too-simple and therefore distorted image of a group, such as “Football players are stupid” or “The English are cold and unfriendly people.”
Quotes:
"All stereotypes turn out to be true. This is a horrifying thing about life. All those things you fought against as a youth: you begin to realize they're stereotypes because they're true."
- David Cronenberg
"Nothing is ever simple. What do you do when you discover you like parts of the role you're trying to escape?"
- Marilyn French
"Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth."
- Camille Paglia
"Do you really have to be the ice queen intellectual or the slut whore? Isn't there some way to be both?"
- Susan Sarandon
A generalization, usually exaggerated or oversimplified and often offensive, that is used to describe or distinguish a group.
A generalization about a form of behavior, an individual, or a group.
A stereotype is a popular belief about specific types of individuals or certain way of doing things. The concepts of "stereotype" and "prejudice" are often confused with many other different meanings. Stereotypes are standardized and simplified conceptions of people based on some prior assumptions.
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The term stereotype derives from the Greek words στερεός (stereos), "firm, solid"[1] and τύπος (typos), "impression,"[2] hence "solid impression".
Psychology was not the first to adopt the term "stereotype". Instead, this term was first adopted in the printing industry in 1798 by Firmin Didot to describe a printing plate that duplicated any typography. The duplicate printing plate, or the stereotype, is used for printing instead of the original.
The first reference to "stereotype" in its modern use in English, outside of printing, was in 1850, in a noun, meaning "image perpetuated without change."[3] But it was not until 1922 that "stereotype" was first used in the modern psychological sense by American journalist Walter Lippmann in his work Public Opinion.[4]
In one perspective of the stereotyping process, there are the concepts of ingroups and outgroups. From each individual's perspective, ingroups are viewed as normal and superior, and are generally the group that they already associate with, or aspire to join. An outgroup is simply all the other groups. They are seen as lesser than or inferior to the in-groups. An example of this would be: Asians are smarter than Americans. In this example Asians are looked at as being smarter because their education systems are more strict than that of the Americans.
A second perspective is that of automatic and explicit or subconscious and conscious. Automatic or subconscious stereotyping is that which everyone does without noticing. Automatic stereotyping is quickly preceded by an explicit or conscious check which permits time for any needed corrections. Automatic stereotyping is affected by explicit stereotyping because frequent conscious thoughts will quickly develop into subconscious stereotypes.
A third method to categorizing stereotypes is general types and sub-types. Stereotypes consist of hierarchical systems consisting of broad and specific groups being the general types and sub-types respectively. A general type could be defined as a broad stereotype typically known among many people and usually widely accepted, whereas the sub-group would be one of the several groups making up the general group. These would be more specific, and opinions of these groups would vary according to differing perspectives.
Certain circumstances can affect the way an individual stereotypes. Some theorists argue in favor of the conceptual connection and that one's own subjective thought about someone is sufficient information to make assumptions about that individual. Other theorists argue that at minimum there must be a causal connection between mental states and behavior to make assumptions or stereotypes. Thus results and opinions may vary according to circumstance and theory. An example of a common, incorrect assumption is that of assuming certain internal characteristics based on external appearance. The explanation for one's actions is his or her internal state (goals, feeling, personality, traits, motives, values, and impulses), not his or her appearance.
Sociologist Charles E. Hurst, "One reason for stereotypes is the lack of personal, concrete familiarity that individuals have with persons in other racial or ethnic groups. Lack of familiarity encourages the lumping together of unknown individuals."[5]
Stereotypes focus upon and thereby exaggerate differences between groups. Competition between groups minimizes similarities and magnifies differences.[6] This makes it seem as if groups are very different when in fact they may be more alike than different. For example, among African Americans, identity as an American citizen is more salient than racial background; that is, African Americans are more American than African.[7]
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Different disciplines give different accounts of how stereotypes develop: Psychologists may focus on an individual's experience with groups, patterns of communication about those groups, and intergroup conflict. Pioneering psychologist William James cautioned psychologists themselves to be wary of their own stereotyping, in what he called the psychologist's fallacy. Sociologists focus on the relations among different groups in a social structure. Psychoanalytically-oriented humanists (e.g., Sander Gilman) have argued that stereotypes, by definition, are representations that are not accurate, but a projection of one to another.
A number of theories have been derived from sociological studies of stereotyping and prejudicial thinking. In early studies it was believed that stereotypes were only used by rigid, repressed, and authoritarian people. Sociologists concluded that this was a result of conflict, poor parenting, and inadequate mental and emotional development. This idea has been overturned; more recent studies have concluded that stereotypes are commonplace.
One theory as to why people stereotype is that it is too difficult to take in all of the complexities of other people as individuals. Even though stereotyping is inexact, it is an efficient way to mentally organize large blocks of information. Categorization is an essential human capability because it enables us to simplify, predict, and organize our world. Once one has sorted and organized everyone into tidy categories, there is a human tendency to avoid processing new or unexpected information about each individual. Assigning general group characteristics to members of that group saves time and satisfies the need to predict the social world in a general sense.
Some psychologist believe that childhood influences are some of the most complex and influential factors in developing stereotypes. Though they can be absorbed at any age, stereotypes are usually acquired in early childhood under the influence of parents, teachers, peers, and the media. Once a stereotype is learned, it often becomes self-perpetuating.
Stereotypes may also be self-fulfilling in that they tend to cause what people see based on their expectations. A consequence of this prophecy is the "stereotype threat", which arises from the fear that one could be judged or treated a certain way based on a negative stereotype about one's group. This generalized assumption usually occurs when one is acting in a way that is consistent with their stereotype.
Another prominent theory is the stereotype content model which attempts to predict behavior based on levels of warmth and competence.
Stereotypes can have a negative and positive impact on individuals. Joshua Aronson and Claude M. Steele have done research on the psychological effects of stereotyping, particularly its effect on African Americans and women.[8] They argue that psychological research has shown that competence is highly responsive to situation and interactions with others.[9] They cite, for example, a study which found that bogus feedback to college students dramatically affected their IQ test performance, and another in which students were either praised as very smart, congratulated on their hard work, or told that they scored high. The group praised as smart performed significantly worse than the others. They believe that there is an 'innate ability bias'. These effects are not just limited to minority groups. Mathematically competent white males, mostly math and engineering students, were asked to take a difficult math test. One group was told that this was being done to determine why Asians were scoring better. This group performed significantly worse than the control group.[9]:443
Possible prejudicial effects of stereotypes are:
Stereotypes allow individuals to make better informed evaluations of individuals about whom they possess little or no individuating information, and in many, but not all circumstances stereotyping helps individuals arrive at more accurate conclusions.[10] Over time, some victims of negative stereotypes display self-fulfilling prophecy behavior, in which they assume that the stereotype represents norms to emulate. Negative effects may include forming inaccurate opinions of people, scapegoating, erroneous judgmentalism, preventing emotional identification, distress, and impaired performance.
Yet, the stereotype that stereotypes are inaccurate, resistant to change, overgeneralized, exaggerated, and destructive is not founded on empirical social science research, which instead shows that stereotypes are often accurate and that people do not rely on stereotypes when relevant personal information is available.[11] Indeed, Jussim et al. comment that ethnic and gender stereotypes are surprisingly accurate, while stereotypes concerning political affiliation and nationality [12] are much less accurate; the stereotypes assessed for accuracy concerned intelligence, behavior, personality, and economic status.[10] Stereotype accuracy is a growing area of study and for Yueh-Ting Lee and his colleagues they have created an EPA Model (Evaluation, Potency, Accuracy) to describe the continuously changing variables of stereotypes.
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Stereotypes are common in various cultural media, where they take the form of dramatic stock characters. These characters are found in the works of playwright Bertold Brecht, Dario Fo, and Jacques Lecoq, who characterize their actors as stereotypes for theatrical effect. In commedia dell'arte this is similarly common. The instantly recognizable nature of stereotypes mean that they are effective in advertising and situation comedy. These stereotypes change, and in modern times only a few of the stereotyped characters shown in John Bunyan's The Pilgrim's Progress would be recognizable.
More recently, artists such as Anne Taintor and Matthew Weiner (the producer of Mad Men) have used vintage images or ideas to insert their own commentary of stereotypes for specific eras. Weiner's character Peggy Olson continually battles gender stereotypes throughout the series, excelling in a workplace dominated by men.
In literature and art, stereotypes are clichéd or predictable characters or situations. Throughout history, storytellers have drawn from stereotypical characters and situations, in order to connect the audience with new tales immediately. Sometimes such stereotypes can be sophisticated, such as Shakespeare's Shylock in The Merchant of Venice. Arguably a stereotype that becomes complex and sophisticated ceases to be a stereotype per se by its unique characterization. Thus while Shylock remains politically unstable in being a stereotypical Jew, the subject of prejudicial derision in Shakespeare's era, his many other detailed features raise him above a simple stereotype and into a unique character, worthy of modern performance. Simply because one feature of a character can be categorized as being typical does not make the entire character a stereotype.
Despite their proximity in etymological roots, cliché and stereotype are not used synonymously in cultural spheres. For example a cliché is a high criticism in narratology where genre and categorization automatically associates a story within its recognizable group. Labeling a situation or character in a story as typical suggests it is fitting for its genre or category. Whereas declaring that a storyteller has relied on cliché is to pejoratively observe a simplicity and lack of originality in the tale. To criticize Ian Fleming for a stereotypically unlikely escape for James Bond would be understood by the reader or listener, but it would be more appropriately criticized as a cliché in that it is overused and reproduced. Narrative genre relies heavily on typical features to remain recognizable and generate meaning in the reader/viewer.
Some contemporary studies indicate that racial, ethnic and cultural stereotypes are still widespread in Hollywood blockbuster movies.[13]
| Look up stereotype in Wiktionary, the free dictionary. |
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Dansk (Danish)
n. - stereotypiplade, stereotyp, kliché
v. tr. - stereotypere
Nederlands (Dutch)
stereotype, als stereotype afschilderen
Français (French)
n. - stéréotype
v. tr. - stéréotyper
Deutsch (German)
n. - Stereotyp, Klischee
v. - klischieren, unveränderlich festlegen
Ελληνική (Greek)
n. - στερεότυπο, (τυπογρ.) στερεοτυπία, (μτφ.) κλισέ, κοινοτοπία
v. - τυποποιώ
Italiano (Italian)
stereotipo, stereotipare
Português (Portuguese)
n. - estereotipo (m)
v. - estereotipar
Русский (Russian)
стереотип, шаблон, стереотипировать, опошлять
Español (Spanish)
n. - estereotipo, plancha estereotípica
v. tr. - estereotipar, uniformizar
Svenska (Swedish)
n. - stereotyp
v. - stereotypera
中文(简体)(Chinese (Simplified))
铅版, 老套, 陈腔滥调, 使用铅版, 使一成不变, 套用老套
中文(繁體)(Chinese (Traditional))
n. - 鉛版, 老套, 陳腔濫調
v. tr. - 使用鉛版, 使一成不變, 套用老套
한국어 (Korean)
n. - 스테레오판, 연판, 정형
v. tr. - 연판으로 하다, 연판으로 인쇄하다, 정형화하다
日本語 (Japanese)
n. - 鉛版, 固定観念, 決まり文句
v. - ステロ版で印刷する, 型にはめる
العربيه (Arabic)
(الاسم) نمطي (فعل) لا اصاله في آرائه أو أفكاره
עברית (Hebrew)
n. - סטריאוטיפ, אימה (בדפוס), הטפס, דוגמה, דבר טיפוסי, דבר נדוש
v. tr. - הדפיס מסטריאוטיפ, הטפיס, קבע כטיפוסי, הפך לנדוש
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