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Stesichorus

 

Stēsichorus (‘choir-setter’), Greek lyric poet writing in the first half of the sixth century BC whose real name was Teisias. He was said to have been born at Matauros (Metaurum) in the toe of Italy and to have lived at Himera in Sicily. He wrote narrative lyric poetry (of what type is not certain) classified by the ancients as choral lyric because its structure was triadic, and is even said to have been the inventor of this particular form. It has seemed to some that the great length of his poems precludes their being sung and danced by a chorus, and that it is more likely that the poet performed them himself, to the accompaniment of a lyre, in the manner of a Homeric bard (see HOMER). Certainly the poems were long: the Geryonēis exceeded 1, 800 lines (by comparison, not many of Pindar's choral odes are much over a hundred lines long), and the Oresteia occupied two books. The Alexandrian scholars collected the poems into twenty-six books. Only fragments survive, and most of these have been recovered from papyrus in the twentieth century.

Existing titles indicate that the subjects were taken from a wide range of epic sources, from the Epic Cycle as well as Homer. His Oresteia differed from the story in Homer in placing the death of Agamemnon at Sparta (not Mycenae or Argos); as Aeschylus did in the Choephoroe, Stesichorus included Clytemnestra's dream and gave some part to Orestes' nurse. The Geryoneis, which told of Heracles' search for the cattle of Geryon (see HERACLES, LABOURS OF 10) is remarkable for an early mention of the silver mines of Tartessus (see SPAIN); it also has a memorable description of the cup of the Sun (see HELIOS). The Funeral Games of Pelias is connected with the legends of the Argonauts, the Boarhunters with the Calydonian boar-hunt, the Eriphylē with Theban legend. The Iliupersis, ‘Sack of Troy’, drew on the Epic Cycle and included an account of Epeus, who made the Wooden Horse; some believe that it may have been the source for the stories of Aeneas' wanderings to Italy (see TABULA ILIACA). Stesichorus told the story of Helen of Troy twice, first in the usual version as the cause of the Trojan War, and secondly in the form familiar from Euripides' play Helen, according to which Helen's phantom went to Troy while she herself remained behind in Egypt. Legend relates that he was struck with blindness for ‘slandering’ Helen in the first poem, and that his sight was restored after he recanted and wrote his famous Palinode, blaming Homer for the earlier story. His language and style show the strong influence of epic, but have many features of later choral lyric, e.g. the rich use of epithets. The metre he used was a form of dactylo-epitrite (see METRE, GREEK 8). His influence on contemporary art was considerable, many of his subjects appearing on the vases of the day.

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Stesichorus (Ancient Greek: Στησίχορος, English translation: "he who sets up the chorus, choirmaster") (640 - 555 BC) was a Greek lyric poet from Himera in Sicily, one of the nine lyric poets esteemed by the scholars of Hellenistic Alexandria as worthy of study.

Contents

Life and chronology

Possible chronologic disputes aside, there is a note in the Harvard University Press' Loeb Classical Library's Introduction to Hesiod, the Homeric Hymns and Homerica (pp. xvi) concerning the story of the death of Hesiod, in which briefly it is told that after Hesiod won a tripod for the contest in song at Chalcis, he "went to Delphi and there was warned that the 'issue of death should overtake him in the fair grove of Nemean Zeus'". Avoiding therefore Nemea on the Isthmus of Corinth, to which he supposed the oracle to refer, Hesiod retired to Oenoe in Locris where he was entertained by Amphiphanes and Ganyctor, sons of a certain Phegeus." This place also being sacred to Nemean Zeus, the poet suspected of seducing their sister was murdered. The Note reads: "She is said to have given birth to the lyrist Stesichorus." Not wishing to late-date Hesiod, there could still be descendant substance to the note. Or "he is "The Son of Hesiod" because he drew heavily on the Hesiodic poems particularly "The Catalogue".[1] According to the Suda he lived from the 37th Olympiad to the 56th and had two brothers: Mamertinus and Helianax.[2]

Works

Stesichorus was included in a list of nine respected lyric poets by the scholars of ancient Alexandria. Like the other eight lyric poets, much of his work is lost, and he is known today through fragments and through descriptions and quotations in later works. A very large fragment was found in mummy cartonnage in Lille in the 1960s, and forms the core of the known corpus.

Several poems dealing with the Trojan War are attributed to him, as well as an Oresteia believed to have influenced Aeschylus in his own Oresteia. Fragments also survive from a poem about the monster Geryon, defeated by Herakles in his bid to steal Geryon's red cattle as his Tenth Labor.

Stesichorus is also famous for his palinode and the legend surrounding it: Allegedly, Stesichorus wrote a negative poem about Helen and the traditional story of the Trojan War, and was immediately blinded. He then composed a palinode to retract his statements about Helen, and his sight was miraculously restored; afterwards he promoted the idea that the real Helen remained in Egypt, while an illusion created by her father Zeus continued on to Troy. Plato in his Phaedrus preserved an introductory fragment of Stesichorus' palinode, which reads:

That story is not true.
You [Helen] never sailed in the benched ships.
You never went to the city of Troy.[3]

His work is reputed to have paralleled most closely that of Homer. He favored epic themes, but unlike Homer he was also known for his erotic works.

References

  1. ^ Richard Lattimore translation, "Hesiod" Intro. pp. 5, The University of Michigan Press, 1959
  2. ^ J.M. Edmonds, Lyra Graeca II pp.23 (Loeb Classical Library) Harvard University Press, 1958
  3. ^ Plato, Phaedrus 243b.

Further reading

  • Barrett, W. S., Greek Lyric, Tragedy, and Textual Criticism: Collected Papers, edited for publication by M. L. West (Oxford & New York, 2007)
  • Carson, Anne, Autobiography of Red. Modern retelling of Stesichoros' fragments.
  • Plato, Phaedrus.
  • M. Davies, Poetarum Melicorum Graecorum Fragmenta (PMGF) vol. 1, Oxford 1991: testimonies of his life and works pp. 134-151, fragments pp. 152-234 (previously D. L. Page, Poetae Melici Graeci (PMG), Oxford 1962, and Supplementum Lyricis Graecis (SLG), Oxford 1974).
  • D. A. Campbell, Greek Lyric III: Stesichorus, Ibycus, Simonides and Others (Loeb Classical Library).
  • G. O. Hutchinson, Greek Lyric Poetry: A Commentary on Selected Larger Pieces (Alcman, Stesichorus, Sappho, Alcaeus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides), Oxford, 2001.
  • J. M. Edmonds, Lyra Graeca II pp.23 (Loeb Classical Library) Harvard University Press, 1958

 
 
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Classical Literature Companion. The Concise Oxford Companion to Classical Literature. Copyright © 1993, 2003 by Oxford University Press. All rights reserved.  Read more
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