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Steve Kipner

 
Artist: Steve Kipner

Performed Songs By:

Richard Leigh

Worked With:

  • Active: '70s, '80s, '90s
  • Genres: Rock
  • Instrument: Vocals, Synthesizer
  • Representative Albums: "I Had to Find It Out for Myself," "Knock the Walls Down"

Biography

Singer/songwriter/producer Steve Kipner's career spans over three decades, from Olivia Newton-John's mega-selling 1981 hit "Physical" to the 1999 hits "The Hardest Thing" by 98 Degrees and Christina Aguilera's "Genie in a Bottle." Another Kipner song, "Anyway," is included on the 1999 RCA solo debut for singer Kevan Edmonds, formerly of the group After 7 ("Ready or Not," "Can't Stop"), produced by Kenneth "Babyface" Edmonds.

Born in Cincinnati, OH, Kipner has musical talent in his genes. His father, Nat Kipner, co-wrote with Johnny Vallins the gold single "Too Much, Too Little, Too Late" by Johnny Mathis & Deniece Williams (number one R&B for four weeks, number one pop, spring/summer 1978). While still a child, Steve Kipner moved with his parents to Brisbane, Australia, where his father was stationed as a member of the U.S. Air Force. At 16, he had a number one 1965 Aussie hit with "Giggle Eyed Google Eyegoo" with his band Steve and the Board for Spin Records.

Later in England, Kipner, as part of the duo Tin Tin with Steve Groves scored a hit on Atco Records with "Toast and Marmalade for Tea." Produced by his old friend Maurice Gibb of the Bee Gees, the tune went to number 20 pop, spring 1971. Spending some time in London, he was introduced to Peter Beckett. Later, Kipner co-wrote two songs for Beckett's band Player, who later hit with the 1978 gold single "Baby Come Back."

Producers Mike Curb and Michael Lloyd invited Kipner to the United States to work on a band project, Friends, for MGM Records during Christmas 1973. Settling in the Los Angeles area, Kipner started doing background vocals for various recording artists and writing songs. He began singing in coffee bars to expose his original tunes. To make ends meet, Kipner began selling house plants out of a Volkswagen van with a friend around Hollywood. He scraped together $600 to buy a 4-track Teac tape recorder.

Coming across a band that practiced in a garage in his neighborhood, Kipner struck a barter deal: he'd loan them his Teac in exchange for them backing him on his song demos. The partnership proved successful. One day while selling plants and handing out his cassette demos, Kipner met RSO record executive Al Coury's secretary, who invited him upstairs. The meeting got Kipner a singles deal with the label. Kipner's major songwriting success started when he played the demo of "Let's Get Physical" to his manager Roger Davies and it was overheard by Olivia Newton-John's manager Lee Kramer who was in the next-door office. Kramer originally wanted the song to help promote one of his other clients, Mr. Universe.

Produced by John Farrar and co-written by Kipner and Terry Shaddick, "Physical" pumped its way up to number one pop, staying in place for an astounding ten weeks beginning November 21, 1981. The song received airplay on all kinds of radio stations including urban radio. Another Kipner hit, "Heart Attack," co-written with Paul Bliss, peaked at number three pop, spending 21 weeks on the charts after its debut on September 4, 1982.

In 1998, Kipner hooked up with keyboardist David Frank of the pioneering synth duo the System. The two began collaborating on songs and scored a summer 1999 Top Five pop hit for vocal group 98 Degrees with "The Hardest Thing" from the platinum LP 98 Degrees and Rising (Motown). The duo followed that up with "Genie in a Bottle" by Christina Aguilera who had been featured in the Disney animated feature Mulan.

Kipner was also involved in an recording project for the Chicago-based National Committee to Prevent Child Abuse through songwriter/producer Jack Kugel. Others involved included Stephen Stills, Ann Wilson of Heart, Olivia Newton-John, All 4 One, Michael Bolton, and Timia.

During 1999, Kipner had product coming out on the self-titled debut CD for LFO (Arista) which included the single "Summer Girls" and four tracks for singer T'gana (Hollywood): "Pain," "Give Me," "All the Love," and "There Is a Love." Other songs in Kipner's catalog are Chicago's Grammy-nominated "If She Would Have Been Faithful" and "Hard Habit to Break" (number three pop, summer 1984), Changing Faces' "My Heart Can't Take Much More (All Day All Night)," Color Me Badd's "The Last to Know," Janet Jackson's "Two to the Power of Love," Joe Cocker's "Take Me Home," Cher's "I Paralyze," and George Benson's "20/20" (number 15 R&B, late 1984).

Kipner's 1980 Electra solo LP Knock the Walls Down was reissued as a Japanese import that same year. ~ Ed Hogan, All Music Guide
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Wikipedia: Steve Kipner
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Steve Kipner is a multi-platinum-selling songwriter and record producer with hits spanning over a 40 year history, including chart-topping songs such as Olivia Newton-John's "Physical", Chicago's Grammy-nominated "Hard Habit to Break", "Genie In A Bottle" by Christina Aguilera, for which he won an Ivor Novello Award for International Hit of the Year, Natasha Bedingfield's "These Words"[1], "The Hardest Thing" by 98 Degrees, "He Loves U Not" by Dream, "Stole" by Destiny Child's Kelly Rowland, The Script's "Breakeven" and "The Man Who Can't Be Moved", and most recently, American Idol Season 8 Winner Kris Allen's first single debut "Live Like We're Dying," and "Fight for This Love"[2] by Great Britain's Cheryl Cole.

"Fight for This Love" reached #1 on the UK singles chart and became the fastest-selling single of 2009 with 292,846 sales in its first week[3].

"Physical" was ranked by Billboard in 2008 as the No. 6 song among all songs that charted in the 50-year history of the Hot 100[4]. Steve is also a director and shareholder in Phonogenic Records, a UK-based joint-venture record label with Sony Music, featuring artists such as Natasha Bedingfield and The Script.

Over the years, Steve has created songs for some of music industry's biggest artists including Heart, Janet Jackson, Diana Ross, Neil Diamond, The Temptations, America, Cheap Trick, LFO, Westlife, Huey Lewis & the News, Joe Cocker, Al Jarreau, Rod Stewart, and American Idol's (Season 7) David Archuleta. Other Billboard charting songs include "20/20" by George Benson[5], "Invisible Man" by 98 Degrees, "Potential New Boyfriend" by Dolly Parton, "Heart Attack" and "Twist of Fate" by Olivia Newton-John, and "Impulsive" by Wilson Phillips.

Early History

Steve began his music career where he grew up in Brisbane, Australia. Steve & The Board[6], Steve's first band, achieved Australian chart success with the song "Giggle Eyed Goo,"[7] co-written by his father Nat Kipner and released on Spin Records in 1966. As a result of his father's A&R involvement in Spin Records, the members of Steve & the Board became good friends with The Bee Gees, who were also on the label.

Steve & The Board broke up in early 1967. Steve then formed a duo with Australian Steve Groves, and relocated to England in 1968 where they recorded an unsuccessful LP as "Steve & Stevie" (Toast Records). Then they renamed themselves Tin Tin, signed to the Robert Stigwood Organization, and scored an international hit -including an American Top 20 placing- with their 1971 single, "Toast and Marmalade for Tea," which was produced by Maurice Gibb of The Bee Gees. The song's success led to TinTin supporting the Bee Gees on their American tour in 1972.

"Have You Heard The Word" regularly appeared on Beatles Bootleg albums as what was thought of as a long lost Beatles recording, but it was in fact Steve Kipner, Steve Groves, Maurice Gibb and Lulu's brother Billie Lawrie clowning around in a TinTin recording session.

Steve moved from London to California in 1974 and was a member of the bands "Friends"(MGM), "Skyband"(RCA), and "Think out Loud"(A&M). Steve then recorded the solo album "Knock the Walls Down"[8] in 1979, While writing and recording for his own album, Steve came in contact with other artists who developed an interest in his songs for their albums, and accidentally fell into a songwriting career as more and more opportunities arose. Writing for others at this stage triggered the start of his songwriting career. During which time he met Australian manager Roger Davies, who in the early 1980s was working for Olivia Newton-John's manager Lee Kramer. Steve had co-written a song with English songwriter Terry Shaddick entitled "Let's Get Physical," and played the demo to Roger, imagining the song would be great for a male singer like Rod Steward. Lee Kramer overheard the song from the next room and thought it would be a way to promote another one of his clients (Mr. Universe) by having him appear with Olivia on her album cover. Retitled "Physical," the song spent ten weeks at #1 on the American charts and was a worldwide hit and ultimately ranked as the biggest song of the decade. It also marked a controversial moment in Newton-John's career when Kipner/Shaddick's suggestive lyrics caused the song to be banned in Utah and South Africa.

References

External links


 
 
Learn More
Two of a Kind (1983 Album by John Travolta & Olivia Newton-John)
Tin Tin (Rock Band, '70s)
Astral Taxi (1971 Album by Tin Tin)

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