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Steve Miller

 
  • Genres: Rock

Biography

Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra." Miller was turned on to music by his father, who worked as a pathologist but knew stars like Charles Mingus and Les Paul, whom he brought home as guests; Paul taught the young Miller some guitar chords and let him sit in on a session. Miller formed a blues band, the Marksmen Combo, at age 12 with friend Boz Scaggs; the two teamed up again at the University of Wisconsin in a group called the Ardells, later the Fabulous Night Trains. Miller moved to Chicago in 1964 to get involved in the local blues scene, teaming with Barry Goldberg for two years.

He then moved to San Francisco and formed the first incarnation of the Steve Miller Blues Band, featuring guitarist James "Curly" Cooke, bassist Lonnie Turner, and drummer Tim Davis. The band built a local following through a series of free concerts and backed Chuck Berry in 1967 at a Fillmore date later released as a live album. Scaggs moved to San Francisco later that year and replaced Cooke in time to play the Monterey Pop Festival; it was the first of many personnel changes. Capitol signed the group as the Steve Miller Band following the festival.

The band flew to London to record Children of the Future, which was praised by critics and received some airplay on FM radio. It established Miller's early style as a blues-rocker influenced but not overpowered by psychedelia. The follow-up, Sailor, has been hailed as perhaps Miller's best early effort; it reached number 24 on the Billboard album charts and consolidated Miller's fan base. A series of high-quality albums with similar chart placements followed; while Miller remained a popular artist, pop radio failed to pick up on any of his material at this time, even though tracks like "Space Cowboy" and "Brave New World" had become FM rock staples. Released in 1971, Rock Love broke Miller's streak with a weak band lineup and poor material, and Miller followed it with the spotty Recall the Beginning: A Journey from Eden. Things began to look even worse for Miller when he broke his neck in a car accident and subsequently developed hepatitis, which put him out of commission for most of 1972 and early 1973.

Miller spent his recuperation time reinventing himself as a blues-influenced pop/rocker, writing compact, melodic, catchy songs. This approach was introduced on his 1973 LP, The Joker, and was an instant success, with the album going platinum and the title track hitting number one on the pop charts. Now an established star, Miller elected to take three years off. He purchased a farm and built his own recording studio, at which he crafted the wildly successful albums Fly Like an Eagle and Book of Dreams at approximately the same time. Fly Like an Eagle was released in 1976 and eclipsed its predecessor in terms of quality and sales (over four million copies) in spite of the long downtime in between. It also gave Miller his second number one hit with "Rock'n Me," plus several other singles. Book of Dreams was almost as successful, selling over three million copies and producing several hits as well. All of the hits from Miller's first three pop-oriented albums were collected on Greatest Hits 1974-1978, which to date has sold over six million copies and remains a popular catalog item.

Miller again took some time off, not returning again until late 1981 with the disappointing Circle of Love. Just six months later, Miller rebounded with Abracadabra; the title track gave him his third number one single. The remaining albums released in the '80s -- Italian X Rays, 1984; Living in the 20th Century, 1986; and Born 2B Blue, 1988 -- weren't consistent enough to be critically or commercially successful. The early '90s saw Miller return to form with Wide River (the title track becoming a Top 40 chart entry) and the release of a retrospective box set compiled by the artist himself. Miller continued to headline shows into the 2000s, sharing the bill with classic rock acts such as 2008 tourmate Joe Cocker. In 2010, he and his band released Bingo!, the first release on Miller's own Space Cowboy Records and the group's first new studio album in 17 years. Let Your Hair Down followed a year later in the spring of 2011 and featured the last recordings of harmonica whiz Norton Buffalo, Miller's longtime collaborator, who died from lung cancer in 2009. ~ Steve Huey & Al Campbell, Rovi
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Steve Miller (musician)

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Steve Miller

Steve Miller performs on stage ~ 2009
Background information
Born October 5, 1943 (1943-10-05) (age 68), Milwaukee, Wisconsin, United States
Genres Blues-rock, art rock
Occupations Musician
Instruments Vocals, guitar harmonica
Years active 1967–present
Associated acts Steve Miller Band
Website stevemillerband.com

Steven H. "Steve" Miller (born October 5, 1943)[1][2] is an American guitarist and singer-songwriter who began his career in blues and blues rock and evolved to a more pop-oriented sound which, from the mid 1970s through the early 1980s, resulted in a series of successful singles and albums.

Contents

Early years

Born in Milwaukee, Wisconsin, young Steve received his first exposure to music from his mother, Bertha, whom he described as a remarkable non-professional jazz-influenced singer, and his physician father, George, known as "Sonny" who, in addition to his profession as a pathologist, was a jazz enthusiast and accomplished amateur recording engineer. Moreover, guitar virtuoso Les Paul and his musical partner Mary Ford were regular visitors at the Miller house and Dr. and Mrs. Miller were best man and maid of honor at their December 1949 wedding. Les Paul heard Steve, who was about five, on a wire recording made by Dr. Miller, as the youngster was "banging away" on a guitar given to him by his uncle, Dr. K. Dale Atterbury. Paul encouraged the little musician to continue with his interest in the guitar ... and "perhaps he will be something one day".

In 1950 the family relocated to Texas and Steve, who was nearly seven, began attending Dallas' St. Mark's School, a non-sectarian preparatory day school for boys where, about eight years later, he formed his first band, "The Marksmen". He taught older brother Buddy, the only youngster in the family with a driver's license, to play the bass and also instructed classmate and future musical star, Boz Scaggs, a few guitar chords so that he could join the band. After leaving St. Mark's — "I got kicked out", he recalled with a laugh in a 2004 interview[3] — he then attended a school in the Lakewood area of Dallas, Woodrow Wilson High School, from which he graduated in 1961.

In 1962,[4] Miller returned to Wisconsin, and entered the University of Wisconsin–Madison, where he formed The Ardells. Scaggs joined the Ardells the next year, and Ben Sidran became the band's keyboardist the year after.[5] After attending the University of Copenhagen in Denmark for a semester in his senior year to study comparative literature,[2] he dropped out six credit hours shy of a literature degree, opting to pursue a music career with his mother's encouragement and his father's misgivings:

[Interviewer:] When you look back over the span of your career, what are the lasting moments, the sweetest highs?

[Miller:] I would have to say my father's relationship with Les Paul and T-Bone Walker when I was young. Growing up in Dallas, being part of that phenomenal music scene. I found a way to do what I really wanted to do, which is so important for a kid. Near the end of college, my parents said, 'Steve, what are you going to do?' I said, 'I want to go to Chicago and play the blues.' My father looked at me like I was insane. But my mom said, 'You should do it now.' So I went to Chicago. And that was a special time. I played with Muddy Waters and Howlin' Wolf. I got to work with adults and realized music was what I wanted to do, what I loved.[3]

Upon his return to the United States, Miller moved to Chicago where he immersed himself in the city's blues scene. During his time there, he worked with harmonica player Paul Butterfield and jammed with blues greats Muddy Waters, Howlin' Wolf and Buddy Guy, all of whom offered the young guitarist encouragement to pursue a musical career.[5] In 1965, Miller and keyboardist Barry Goldberg formed the Goldberg-Miller Blues Band and began playing on the Chicago club scene. They signed with Epic Records and released a single, "The Mother Song", and soon began a residency at a New York City blues club.[5]

When Miller returned from New York, he was disappointed by the state of the Chicago blues scene, so he moved to Texas in hopes finishing his education at the University of Texas at Austin. He was disenchanted with academic politics at the University, so he took a Volkswagen Bus his father had given him and headed to San Francisco. Upon arrival, he used his last $5 to see the Butterfield Blues Band and Jefferson Airplane at the Fillmore Auditorium. Miller fell in love with the vibrant San Francisco music scene and decided to stay.

The Steve Miller Band

In 1967, he formed the Steve Miller Band (at first called The Steve Miller Blues Band), with Miller also handling vocals. Billed as The Miller Band, they backed Chuck Berry on his Live at Fillmore Auditorium album released that year. In 1968, they released an album, Children of the Future,[5] the first in a series of discs rooted solidly in the psychedelic blues style that then dominated the San Francisco scene. Writing in Crawdaddy!, Peter Knobler called the album "a triple moment of experience, knowledge, inspiration".[6] Boz Scaggs rejoined Miller for this album and the next one, before starting his solo career.

The group followed the release of their second album, Sailor, with the albums Brave New World, Your Saving Grace and Number 5. These first five albums performed respectably on the U.S. Billboard 200 chart but failed to yield a major hit single; the highest charted single being "Livin' in the USA" from Sailor. Songs from this period are also featured in a portion of the double album compilation Anthology, which includes a guest appearance on bass guitar, drums and backing vocals by Paul McCartney on the songs "Celebration" and "My Dark Hour."

In this first period Miller established his personae of the "Gangster of Love" (from Sailor)[5] and the "Space Cowboy" (from Brave New World), which were reused in later works. In 1972, Miller recorded the album Recall the Beginning...A Journey from Eden, in which a third persona, "Maurice," was introduced in the tune "Enter Maurice."

In 1973, The Joker marked the start of the second phase of Miller's career: this work was less hard-rock oriented and simpler in composition. The album received significant radio airplay, which helped the title track reach number one on the Billboard Hot 100 chart. The single also hit No 1 on the UK Singles Chart in September 1990 after it was used for a television commercial.[5]

Miller followed up with Fly Like an Eagle in 1976, and Book of Dreams in 1977. (The songs for both had been recorded at the same time, and released over two single albums rather than one double-album.) This pair of albums represented the peak of Miller's commercial career, both reaching the top echelons of the album charts and spawning a lengthy series of hit singles, including "Fly Like An Eagle", "Rock'n Me", "Take the Money and Run", "Jet Airliner" and "Jungle Love".[5] The Steve Miller Band co-headlined a major stadium tour with The Eagles in 1978.

1980s and later

Miller developed a high degree of music business acumen. Aware that songs earn individual publishing royalties no matter what their length, he separated the 57-second electronic introduction from the song "Sacrifice" on Book of Dreams, named it "Electro Lux Imbroglio" and published it separately, earning thousands of extra dollars as a result. On the heels of this massive success, Miller took a long hiatus from recording and touring, emerging in 1981 with Circle of Love. Sales were disappointing, however, and in 1982 he returned to the pop formula with another hit album, Abracadabra.[5] This was Miller's last great commercial success; a series of collections, live albums and attempts to find a new style appeared in 1984 (Italian X-Rays), 1986 (Living in the 20th Century) and 1988 (Born 2B Blue), but after 1993's effort, Wide River, Miller gave up recording records altogether for some considerable time.

Although the Steve Miller Band had limited peak commercial success, his ongoing popularity has been notable. In 1978, Greatest Hits 1974-1978 was released. The album contained all the big hits from his two most popular albums, Fly Like an Eagle and Book of Dreams (plus the title track from The Joker), which were recorded during the same recording sessions in 1976 and subsequently released one year apart. This popularity also fueled successful concert tours throughout the 1980s and 1990s, often with large numbers of younger people being present at the concerts, many of whom were fans of the big hits and inevitably purchased the greatest hits album. Miller would often headline shows with other classic rock acts, and played a variety of his music, including a selection of his blues work dating from the late 1960s.

On hearing the news of the death of Les Paul in 2009, Miller responded "I cannot believe he is gone, I will miss him very much, my prayers go out to him."[7]

In 2009, Miller was inducted into the Woodrow Wilson High School Hall of Fame.

Miller released Bingo! on June 15, 2010. The albums of blues covers is his first in seventeen years. It is released through his own Space Cowboy label in partnership with Roadrunner/Loud & Proud Records.[8][9] Let Your Hair Down, a companion release to Bingo!, was released 10 months later (on April 18, 2011).[10]

For the 2010-2011 school year, Miller is an Artist in Residence at the USC Thornton School of Music, where he is teaching students in the Popular Music and Music Industry programs.[11]

At a guitar auction in 2011, Miller stated that he owns 450 guitars. [12]

Miller, currently married to his third wife Kim, has homes in Ketchum, Idaho, and Friday Harbor, Washington.[13]

Discography

References

  1. ^ Justin Kern. "'Wizard of Waukesha' still casts a spell here: Les Paul has 'changed the world for the better'," Waukesha Freeman (WI), May 9, 2007: "... Paul's godson, Milwaukee-born Steve Miller ... ."
  2. ^ a b Lynn Van Matre. "Steve Miller gets on with making music," Sun-Sentinel (reprinted from Chicago Tribune), January 2, 1987, p. 36
  3. ^ a b Michael Granberry. "Steve Miller: Dallas set him on his path to stardom", Dallas Morning News, November 28, 2004, Texas Living section, page 2E.
  4. ^ Tom Alesia. "'Gangster of Love' still drawing the college crowd," Wisconsin State Journal (Madison, WI), April 11, 1996, Rhythm section, page 6: "A UW student in 1962-65, Miller also played in Madison blues-rock bands the Ardells (with Boz Scaggs, Ben Sidran and the Night Trains)."
  5. ^ a b c d e f g h Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. pp. 645–647. ISBN 1-84195-017-3. 
  6. ^ Crawdaddy! 1968
  7. ^ "Miller stunned by mentor Paul's tribute" (Contactmusic (April 10, 2008) {includes portrait photograph of Steve Miller}
  8. ^ Music-mix.ew.com
  9. ^ Theepochtimes.com
  10. ^ "Steve Miller Band Announce New Album | Rock News | News". Planet Rock. 2011-02-11. http://planetrock.com/newscentre/rock-news/steve-miller-band-announce-new-album-1463. Retrieved 2011-12-30. 
  11. ^ Rock Legend Steve Miller to Teach at USC
  12. ^ Gere’s Guitar Collection Fetches $936K
  13. ^ Anderman, Joan. Making the case for Steve Miller, Believe it: The Rocker behind 'The Joker' is a virtuosic blues musician. The Boston Globe. 21 August 2005.

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AMG AllMusic Guide: Pop Artists. Copyright © 2012 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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