Steve Swallow has long been many jazz critics' favorite electric bassist, for rather than playing his instrument in a rock-oriented manner, Swallow emphasizes the high notes and approaches the electric bass, to an extent, as if it were a guitar. He originally started on piano and trumpet before settling on the acoustic bass as a teenager. Swallow joined the Paul Bley trio in 1960 and with Bley was a part of an avant-garde version of the Jimmy Giuffre 3 during 1960-1962. Swallow recorded with George Russell and was a member of Art Farmer's quartet (1962-1965), Stan Getz's band (1965-1967), and an important edition of Gary Burton's quartet (1967-1970). The latter group (starting with the addition of guitarist Larry Coryell) was actually one of the first fusion groups, and it was during that time that Swallow began playing electric bass; within a few years he stopped playing acoustic altogether. Swallow spent a few years in the early '70s living in northern California during which time he mostly playing locally. After the late '70s he has been closely associated with Carla Bley's groups, although he occasionally works on other projects (including a reunion of the Jimmy Giuffre 3). Swallow has also proved to be a talented composer with "Eiderdown," "Falling Grace," "General Mojo's Well Laid Plan," and "Hotel Hello" being among his better-known pieces. The 21st century saw the release of several Swallow sets, including Damaged in Transit (2003), Histoire Du Clochard: The Bum's Tale (2004), and an intriguing set with poet Robert Creeley, So There (2006). ~ Scott Yanow, All Music Guide
One of the leading bassists in jazz, Swallow is noted for collaborations with Jimmy Giuffre, Gary Burton and Carla Bley. He was also one of the first acoustic bassists in jazz to switch entirely to bass guitar, on which he has a distinctively nimble sound.
Biography
As a child, Swallow studied piano and trumpet before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960 he left Yale, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre's trio along with Paul Bley. Since joining Art Farmer's quartet in 1964, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton's various bands began.
In the early 1970s, Swallow switched exclusively to bass guitar, of which he prefers the 5-string variety. Along with Bob Cranshaw, Swallow was among the first jazz bassists to do so (with much encouragement from Roy Haynes, Swallow's favorite drummer). He plays with a pick (made of copper by Hotlicks), and his style involves intricate solos in the upper register; he was one of the early adopters of the high C string on a bass guitar.
In 1974-76 Swallow taught at the Berklee College of Music. It is often speculated that he had an influence on the contents of The Real Book, which includes a fair number of his early compositions. He later recorded an album of the same name, with the picture of a well-worn, coffee-stained Real Book on the cover.
In 1978 Swallow became an essential and constant member of Carla Bley's band. He toured extensively with John Scofield in the early 1980s, and had returned to this collaboration several times over the years.
Swallow had consistently won the electric bass category in Down Beat yearly polls, both Critics' and Readers', since the mid-80s. His compositions have been covered by, among others, Jim Hall (who recorded his very first tune, "Eiderdown"), Bill Evans, Chick Corea, Stan Getz and Gary Burton.