
[Middle English storie, from Old French estorie, estoire, from Latin historia. See history.]

[Middle English storie, story, from Medieval Latin historia, picture, story (probably from painted windows or sculpture on the front of buildings), from Latin, history. See history.]
noun
Idioms beginning with story:
story of my life, the
In addition to the idiom beginning with story, also see cock and bull story; cover story; fish story; hard-luck story; make a long story short; old story; same old story; shaggy dog story; sob story; upper story.
story, in the everyday sense, any narrative or tale recounting a series of events. In modern narratology, however, the term refers more specifically to the sequence of imagined events that we reconstruct from the actual arrangement of a narrative (or dramatic) plot. In this modern distinction between story and plot, derived from Russian Formalism and its opposed terms fabula and sjuzet, the story is the full sequence of events as we assume them to have occurred in their likely order, duration, and frequency, while the plot is a particular selection and (re‐)ordering of these. Thus the story is the abstractly conceived ‘raw material’ of events which we reconstruct from the finished arrangement of the plot: it includes events preceding and otherwise omitted from the perceived action, and its sequence will differ from that of the plot if the action begins in medias res or otherwise involves an anachrony. As an abstraction, the story can be translated into other languages and media (e.g. film) more successfully than the style of the narration could be.
Volume between the floors of a building or between its floor and roof. Storeys are defined as basement (wholly or partly underground), ground (in the USA first and in France rez-de-chaussée), first (or piano nobile if containing the principal rooms), second, third, etc., then Attic (over the entablature of the principal façade). The volume within a roof-space is the garret rather than the Attic. Entresols and mezzanines are intermediate floors between the main storeys. Towers have stages rather than storeys, and, like storeys, are often identified by horizontal bands of mouldings, string-courses, cornices, etc. Storey-posts are the main posts in a timber-framed building, rising one storey.
n.
A narrative, commonly untrue. The truth of the stories here following has, however, not been successfully impeached.
One evening Mr. Rudolph Block, of New York, found himself seated
at dinner alongside Mr. Percival Pollard, the distinguished critic.
"Mr. Pollard," said he, "my book, The Biography of a Dead Cow,
is published anonymously, but you can hardly be ignorant of its
authorship. Yet in reviewing it you speak of it as the work of the
Idiot of the Century. Do you think that fair criticism?"
"I am very sorry, sir," replied the critic, amiably, "but it did
not occur to me that you really might not wish the public to know who
wrote it."
Mr. W.C. Morrow, who used to live in San Jose, California, was
addicted to writing ghost stories which made the reader feel as if a
stream of lizards, fresh from the ice, were streaking it up his back
and hiding in his hair. San Jose was at that time believed to be
haunted by the visible spirit of a noted bandit named Vasquez, who had
been hanged there. The town was not very well lighted, and it is
putting it mildly to say that San Jose was reluctant to be out o'
nights. One particularly dark night two gentlemen were abroad in the
loneliest spot within the city limits, talking loudly to keep up their
courage, when they came upon Mr. J.J. Owen, a well-known journalist.
"Why, Owen," said one, "what brings you here on such a night as
this? You told me that this is one of Vasquez' favorite haunts! And
you are a believer. Aren't you afraid to be out?"
"My dear fellow," the journalist replied with a drear autumnal
cadence in his speech, like the moan of a leaf-laden wind, "I am
afraid to be in. I have one of Will Morrow's stories in my pocket and
I don't dare to go where there is light enough to read it."
Rear-Admiral Schley and Representative Charles F. Joy were
standing near the Peace Monument, in Washington, discussing the
question, Is success a failure? Mr. Joy suddenly broke off in the
middle of an eloquent sentence, exclaiming: "Hello! I've heard that
band before. Santlemann's, I think."
"I don't hear any band," said Schley.
"Come to think, I don't either," said Joy; "but I see General
Miles coming down the avenue, and that pageant always affects me in
the same way as a brass band. One has to scrutinize one's impressions
pretty closely, or one will mistake their origin."
While the Admiral was digesting this hasty meal of philosophy
General Miles passed in review, a spectacle of impressive dignity.
When the tail of the seeming procession had passed and the two
observers had recovered from the transient blindness caused by its
effulgence --
"He seems to be enjoying himself," said the Admiral.
"There is nothing," assented Joy, thoughtfully, "that he enjoys
one-half so well."
The illustrious statesman, Champ Clark, once lived about a mile
from the village of Jebigue, in Missouri. One day he rode into town
on a favorite mule, and, hitching the beast on the sunny side of a
street, in front of a saloon, he went inside in his character of
teetotaler, to apprise the barkeeper that wine is a mocker. It was a
dreadfully hot day. Pretty soon a neighbor came in and seeing Clark,
said:
"Champ, it is not right to leave that mule out there in the sun.
He'll roast, sure! -- he was smoking as I passed him."
"O, he's all right," said Clark, lightly; "he's an inveterate
smoker."
The neighbor took a lemonade, but shook his head and repeated that
it was not right.
He was a conspirator. There had been a fire the night before: a
stable just around the corner had burned and a number of horses had
put on their immortality, among them a young colt, which was roasted
to a rich nut-brown. Some of the boys had turned Mr. Clark's mule
loose and substituted the mortal part of the colt. Presently another
man entered the saloon.
"For mercy's sake!" he said, taking it with sugar, "do remove that
mule, barkeeper: it smells."
"Yes," interposed Clark, "that animal has the best nose in
Missouri. But if he doesn't mind, you shouldn't."
In the course of human events Mr. Clark went out, and there,
apparently, lay the incinerated and shrunken remains of his charger.
The boys idd not have any fun out of Mr. Clarke, who looked at the
body and, with the non-committal expression to which he owes so much
of his political preferment, went away. But walking home late that
night he saw his mule standing silent and solemn by the wayside in the
misty moonlight. Mentioning the name of Helen Blazes with uncommon
emphasis, Mr. Clark took the back track as hard as ever he could hook
it, and passed the night in town.
General H.H. Wotherspoon, president of the Army War College, has a
pet rib-nosed baboon, an animal of uncommon intelligence but
imperfectly beautiful. Returning to his apartment one evening, the
General was surprised and pained to find Adam (for so the creature is
named, the general being a Darwinian) sitting up for him and wearing
his master's best uniform coat, epaulettes and all.
"You confounded remote ancestor!" thundered the great strategist,
"what do you mean by being out of bed after naps? -- and with my coat
on!"
Adam rose and with a reproachful look got down on all fours in the
manner of his kind and, scuffling across the room to a table, returned
with a visiting-card: General Barry had called and, judging by an
empty champagne bottle and several cigar-stumps, had been hospitably
entertained while waiting. The general apologized to his faithful
progenitor and retired. The next day he met General Barry, who said:
"Spoon, old man, when leaving you last evening I forgot to ask you
about those excellent cigars. Where did you get them?"
General Wotherspoon did not deign to reply, but walked away.
"Pardon me, please," said Barry, moving after him; "I was joking
of course. Why, I knew it was not you before I had been in the room
fifteen minutes."

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Dansk (Danish)
1.
n. - historie, beretning, fortælling, anekdote, handling, artikel
v. tr. - beskrive historisk
idioms:
2.
n. - etage
Nederlands (Dutch)
verhaal, geschiedenis, smoes, verdieping alleen een deel van het verhaal iemands kant van het verhaal
Français (French)
1.
n. - histoire, récit, (gén) histoire, (Littérat) conte, (Journ) article, mensonge/histoire, rumeur, intrigue, scénario, action, (US) étage
v. tr. - raconter une histoire, peindre des scènes historiques
idioms:
2.
n. - (US) étage
Deutsch (German)
1.
n. - Geschichte, Erzählung, Bericht, Märchen
v. - mit legendären od. historischen Szenen schmücken
idioms:
2.
n. - Stockwerk
Ελληνική (Greek)
n. - ιστορία, διήγημα, αφήγημα, ανέκδοτο, ζήτημα, υπόθεση, διαδεδομένη φήμη, (δημοσιογραφική) είδηση ή ρεπορτάζ, παραμύθι, πλοκή (έργου κ.λπ.)
v. - διακοσμώ με ιστορικές παραστάσεις, εξιστορώ
idioms:
Italiano (Italian)
piano, racconto, fiaba, scappatoia
idioms:
Português (Portuguese)
n. - história (f)
idioms:
Русский (Russian)
повесть, рассказ, сюжет, история, предание, сказка, что-л. сказанное, сплетни, выдумка, газетный материал, лицо или событие, заслуживающее освещения в печати, этаж, ярус
idioms:
Español (Spanish)
1.
n. - historia, cuento, narración, piso, planta, relato, artículo, rumor, mentira
v. tr. - historiar, adornar con escenas históricas
idioms:
2.
n. - planta
Svenska (Swedish)
n. - historia, berättelse, saga, sägen, anekdot, bakgrund, rykte, handling, osanning, påhitt
v. - att göra ryktbar
中文(简体)(Chinese (Simplified))
1. 故事, 传说, 小说, 编成故事叙述, 用故事画装饰
idioms:
2. 层, 楼
中文(繁體)(Chinese (Traditional))
1.
n. - 層, 樓
2.
n. - 故事, 傳說, 小說
v. tr. - 編成故事敘述, 用故事畫裝飾
idioms:
한국어 (Korean)
1.
n. - 이야기, 줄거리, 역사
v. tr. - 이야기로 꾸미다, 이야기하다
idioms:
2.
n. - (건물의)층, 같은 층의 방, 같은 구획의 방
日本語 (Japanese)
n. - 物語, 小説, 筋, 言い伝え, 噂, 記事, うそ, 階, 身の上話
idioms:
العربيه (Arabic)
(الاسم) قصه, حكايه, روايه (فعل) يزين ( كتاب) بمشاهد مصورة من التاريخ جزء من الحقيقه حسب روايته
עברית (Hebrew)
n. - סיפור, מעשה, עלילה, כתבה, סיפור-בדים
v. tr. - אייר בתמונות היסטוריות
n. - קומה, דיוטה
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