Haydn's quartets Opus,17, 20, and especially Op.33. In1782,
Mozart also began a thorough study of the works of Bach and Handel
at the urging of Baron van Swieten. These did not include any
string quartets, yet their influence on the "Haydn" quartets is
obvious and strong. Of course, Mozart was also acquainted with the
quartets of Richter, Dittersdorf, Vanhal, and the other Mannheim
and Viennese composers, but in the "Haydn" quartets he is moving
away from their ideas.