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Styx

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Styx, one of the most successful "arena rock" groups of all time, was born on the South Side of Chicago in the late 1960s. Tradewinds, a trio formed by neighbors Dennis DeYoung and Chuck and John Panozzo, offered a distinctive blend of driving rock 'n' roll rhythms with classical-influenced melodic themes. The group, which formed while DeYoung and the twin Panozzo brothers were in high school, was transformed into TW4 with the addition of guitarist John Curulewski, a fellow student at Chicago State University. In 1970 James "JY" Young, a guitarist with a rival band, joined the group. Not long thereafter the group cut a demo tape that eventually came to the attention of Wooden Nickel Records, a regional label and subsidiary of RCA, with whom TW4 signed a recording contract in 1972; label executives insisted, however, that the group change its name. The band members eventually settled on Styx, mostly because it was the only one of the hundreds of names they'd considered that no one in the group actively hated.

For their debut album, Wooden Nickel recommended the group focus on material written by other people, not their own compositions. Much to Wooden Nickel's surprise, however, the only song from that first album to hit the top 100 was "Best Thing," a track cowritten by Young and DeYoung. Despite this success, the group's record deal didn't enable its members to focus entirely on their music. To make ends meet they still had to hold their regular jobs—DeYoung and Chuck Panozzo taught music and art in the Chicago public schools, while Young drove a cab. They recorded three more albums for Wooden Nickel—Styx II, The Serpent Is Rising, and Man of Miracles—but grew increasingly discouraged by the label's apparent inability to promote their work. When Man of Miracles was released in 1974, Styx was on the verge of disbanding. About that time, however, "Lady," a single from Styx II, suddenly began to get intensive radio play in the greater Chicago area and soon was a hit. Before long the rest of the nation caught on, and both the single—written by DeYoung about his wife, Suzanne—and the album became big hits, the single climbing to number six on the Billboard top 40.

Seizing the moment, Styx went in search of a new label. It wasn't difficult to find a taker, given the success of "Lady," and in 1975 the group was signed by A&M Records. The band's first self-produced album, Equinox, was released that same year. It revealed a maturation and refinement of the group's style, best illustrated by "Suite Madame Blue," DeYoung's allegory for the decline of the United States. It also launched the band as social commentators, a role they would relish for years to come.

Only a week before Styx was to begin its tour to support Equinox, guitarist John Curulewski left the band to spend more time with his family. Desperate for a guitarist to replace him, the band tracked down Tommy Shaw, a performer recommended by the group's road manager. He proved to be an excellent addition, his bluesy style nicely complementing Young's screaming guitar licks. More important, the group found that Shaw's songwriting style bridged the divide between DeYoung's mainstream pop/rock sound and Young's metallic leanings. The year after Equinox, Styx released Crystal Ball, which featured the swinging rock single "Mademoiselle." The group's road tours in support of Equinox and Crystal Ball totaled nearly 400 concert dates; these helped the band to further refine their "arena rock" style.

With the 1977 release of The Grand Illusion, Styx acquired genuine "superstar" status. "Come Sail Away," a single from the album, quickly climbed the charts, helping take The Grand Illusion platinum. Next up was Pieces of Eight, released in 1978. This album also quickly went platinum, its sales fueled by the popularity of its "Renegade" and "Blue Collar Man" tracks. The group's third platinum album in a row was Cornerstone, which was something of a departure for Styx, featuring a mellower sound. Its crowning glory was the single "Babe," a classic ballad that quickly climbed the charts. Other hot singles from Cornerstone included "Borrowed Time" and "Why Me." To promote all three albums, the band toured virtually nonstop and was shown in a 1979 poll to be the hottest concert ticket among teenagers between the ages of 13 and 19.

Early in 1981 Styx kicked off a 110-date North American tour to lay the groundwork for the April release of Paradise Theatre, which spent three weeks at number one on the rock album charts. The album featured two hit singles in "The Best of Times" and "Too Much Time on My Hands," which helped push the album to platinum status, making Styx the first rock 'n' roll group in history to have four consecutive albums go platinum. The band followed up this success with an offbeat concept album entitled Kilroy Was Here. By far the group's most theatrical venture, Kilroy Was Here wove together a complete story through songs, an elaborate stage act featuring scripted dialogue and multiple set and costume changes, and an eleven-minute film. It told the tale of a renegade's rebellion against totalitarian control by bringing rock 'n' roll to the people. The album and its elaborate touring show featured the techno-rock single "Mr. Roboto," and the trademark power ballad "Don't Let It End." To support the album, Styx took its spectacular stage show on tour.

In 1984, not long after the release of the group's double live album Caught in the Act, Styx members DeYoung and Shaw announced plans to leave the band to pursue solo projects. Although the album was well received by the public, the remaining members of the band decided it was time for a much-needed break. DeYoung and Shaw's departure provided the perfect excuse for a hiatus after more than a decade of constant touring. Young put it this way in comments included on the Don't Wait for Heroes website: "We came to a point where we had creatively exhausted ourselves. We needed a chance to refresh and reenergize, a chance to work with other people and explore new areas." Guitarist John Curulewski, who had left Styx in the mid-1970s, died tragically of an aneurysm in 1987.

A number of reunion plans failed during the late 1980s, but in 1990 four of Styx's five members did manage to get back together again. Prior obligations prevented Shaw from joining the group, so singer/guitarist Glen Burtnik was asked to take his place. The reunion album, Edge of the Century, featured the hit single "Show Me the Way," written by DeYoung. It climbed to number three on the charts, finding a ready audience in a country preoccupied with the standoff with Iraq in the Middle East. Styx toured in support of Edge of the Century the following year, playing to standing-room-only crowds across the country. The tour was one of the most successful of 1991.

Another hiatus followed, as individual group members went their separate ways. DeYoung played Pontius Pilate in the national touring company production of Jesus Christ Superstar. Young formed his own group, called simply the James Young Group, which included some of Chicago's best rock musicians. Styx members reunited briefly in the studio to record "Lady" for A&M Records' Styx compilation album Greatest Hits: Volume 1. This brief get-together not surprisingly planted the seeds for yet another tour in 1996. Drummer John Panozzo, who had struggled for some years with alcoholism and was unable to join the tour, died in July of 1996.

Styx members continued to pursue their individual solo careers when they weren't on the road with the band. Bassist Chuck Panozzo, diagnosed with HIV in 1990 and successfully fighting full-blown AIDS since the late 1990s, participated now and then in appearances with the group but devoted most of his time to other projects. In July of 2001 he publicly disclosed his homosexuality, telling USA Today, "It's a weight off my soul.".

The group's appearances continued into the new millennium with a two-month tour of U.S. amphitheaters, teamed with the group REO Speedwagon, and a 50-date tour in 2002, also with REO Speedwagon. By 2002 the band's roster included Tommy Shaw (guitar and vocals), James "JY" Young (guitar and vocals), Glenn Burtnick (bass), Lawrence Gowan (keyboards and vocals), and Todd Sucherman (drums). Panozzo played with them occasionally during this period. The band's tours were successful, almost filling the 13,000- to 18,000-seat arenas where they played. Young told Tamara Conniff in Hollywood Reporter, "We are climbing Everest for a second time." Conniff noted that although "music snobs turn up their noses at arena rock, fans nationwide are crowding to see Styx." She added, "Live rock music at its best is a ritual, a communal experience. It is an art Styx has mastered."

Selected discography
Styx, Wooden Nickel, 1972.Styx II, Wooden Nickel, 1973.Equinox, A&M, 1975.Crystal Ball, A&M, 1976.The Grand Illusion, A&M, 1977.Pieces of Eight, A&M, 1978.Cornerstone, A&M, 1979.Paradise Theatre, A&M, 1981.Kilroy Was Here, A&M, 1983.Edge of the Century, A&M, 1990.(Contributor) Greatest Hits, Volume 1, A&M, 1995.(Contributor) Greatest Hits, Volume 2, A&M, 1996.Return to Paradise, BMG/Sanctuary, 1997.Brave New World, BMG/Sanctuary, 1999.Styxworld, BMG/Sanctuary, 2001.Cyclorama, BMG/Sanctuary, 2003.Big Bang Theory, BMG/Sanctuary, 2005.
Sources
Periodicals
Amusement Business, March 13, 2000, p. 5; January 14, 2002, p. 13.
Daily Variety, October 3, 2005, p. 9.
Guitar Player, July 1981.
Hollywood Reporter, June 26, 2003, p. 2.
USA Today, July 27, 2001; February 18, 2002.

Online
"Biography," Glen Burtnik, http://64.91.227.187/glenburtnik/bio.html (February 20, 2002).
"Biography," Lawrence Gowan, http://www.gowan.org/biography.htm (February 20, 2002).
"John Panozzo Press Release," Styx Web Team, http://www.tiac.net/users/Styx/panozzo-press-release.html (February 20, 2002).
"Official Styx Press Package for 1996 Return to Paradise Tour," Styx Web Team, http://www.tiac.net/users/kat/Styx/press-package-96.html (February 20, 2002).
"Styx History," Don't Wait for Heroes: Equal Time for Dennis DeYoung Since 1977, http://www.styxnet.com/deyoung/frontpage.html (April 29, 2002).
Styx Official Website, http://www.styxworld.com/History.cfm (February 20, 2002).
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AMG AllMusic Guide: Pop Artists:

Styx

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Biography

Although they began as an artsy prog rock band, Styx would eventually transform into the virtual arena rock prototype by the late '70s and early '80s, due to a fondness for bombastic rockers and soaring power ballads. The seeds for the band were planted in another Chicago band during the late '60s, the Tradewinds, which featured brothers Chuck and John Panozzo (who played bass and drums, respectively), as well as acquaintance Dennis DeYoung (vocals, keyboards). By the dawn of the '70s, the group had changed its name to TW4, and welcomed aboard a pair of guitarists/vocalists, James "JY" Young and John Curulewski -- securing a recording contract in 1972 with Wooden Nickel Records (a subsidiary of RCA). Soon after, the group opted to change its name once more, this time to Styx, named after a river from Greek mythology that ran through "the land of the dead" in the underworld.

Early on, Styx's music reflected such then-current prog rockers as Emerson, Lake & Palmer and the Moody Blues, as evidenced by such releases as 1972's self-titled debut, 1973's Styx II, 1974's The Serpent Is Rising, and 1975's Man of Miracles. While the albums (as well as nonstop touring) helped the group build a substantial following locally, Styx failed to break through to the mainstream, until the track "Lady," originally from their second album, started to get substantial airplay in late 1974 on Chicago radio station WLS-FM. The song was soon issued as a single nationwide, and quickly shot to number six on the singles chart, as Styx II was certified gold. By this time, however, the group had grown disenchanted with its record label, and opted to sign on with A&M for their fifth release overall, 1975's Equinox (the band's former label would issue countless compilations over the years, culled from tracks off their early releases). On the eve of the tour in support of the album, Curulewski abruptly left the band, and was replaced by Tommy Shaw (sadly, Curulewski would pass away from an aneurysm in 1988). Shaw proved to be the missing piece of the puzzle for Styx, as most of their subsequent releases throughout the late '70s earned at least platinum certification (1976's Crystal Ball, 1977's The Grand Illusion, 1978's Pieces of Eight, and 1979's Cornerstone), and spawned such hit singles and classic rock radio standards as "Come Sail Away," "Renegade," "Blue Collar Man," "Fooling Yourself," and the power ballad "Babe."

Despite the enormous success of "Babe," it caused tension within the group -- specifically between Shaw and DeYoung (the latter of whom was the song's author), as the guitarist wanted Styx to continue in a more hard rock-based direction, while DeYoung sought to pursue more melodic and theatrically based works. This led to DeYoung's brief ouster from the group (although it was kept completely hush-hush at the time), before a reconciliation occurred. The bandmembers decided that their first release of the '80s would be a concept album, 1981's Paradise Theater, which was loosely based on the rise and fall of a once beautiful theater (which was supposedly used as a metaphor for the state of the U.S. at the time -- the Iranian hostage situation, the Cold War, Reagan, etc.). Paradise Theater became Styx's biggest hit of their career (selling over three million copies in a three-year period), as they became one of the U.S. top rock acts due to such big hit singles as "Too Much Time on My Hands" and "The Best of Times." But the behind-the-scenes bickering only intensified in the wake of the album's success, as DeYoung was now convinced that a more theatrical approach was the future direction for Styx. Shaw and the rest of the group begrudgingly went along, and while the resulting follow-up was another hit, 1983's sci-fi-based Kilroy Was Here (which told the story of a future where rock & roll was outlawed, almost a carbon copy of the story line of Rush's 2112), the album would eventually lead to the group's breakup -- as the ensuing prop-heavy tour seemed to focus more on scripted dialogue and lengthy films than good old rock & roll.

A forgettable live album, Caught in the Act, was issued in 1984, before Styx went on hiatus, and the majority of the bandmembers pursued solo projects throughout the remainder of the decade. DeYoung issued 1984's Desert Moon (which spawned a moderate hit single with its reflective title track), 1986's Back to the World, and 1988's Boomchild, Young released 1986's City Slicker, while Shaw put forth several solo sets -- 1984's Girls with Guns, 1985's What If?, 1986's Live in Japan, and 1987's Ambition. Shaw then formed Damn Yankees along with former Night Ranger bassist/singer Jack Blades, guitarist Ted Nugent, and drummer Michael Cartellone, a group that enjoyed commercial success right off the bat with its self-titled debut in 1990 (due to the hit power ballad "High Enough"), before issuing an unsuccessful sophomore effort two years later, Don't Tread. During Shaw's tenure with Damn Yankees, Styx had re-formed with newcomer Glen Burtnik taking the place of Shaw -- issuing a new studio album in 1990, Edge of the Century, which spawned yet another hit power ballad, "Show Me the Way." But the Styx reunion was a fleeting one, as the group's members went their separate ways shortly thereafter -- with DeYoung going on to play Pontius Pilate in a revival of Jesus Christ Superstar (and issuing an album of Broadway show tunes, 1994's 10 on Broadway), while Young issued a pair of solo discs (1994's Out on a Day Pass and 1995's Raised by Wolves), and Shaw teamed up with Jack Blades for the short-lived outfit Shaw Blades (issuing a lone recording in 1995, Hallucination).

A re-recording of their early hit "Lady" (titled "Lady '95") for a Greatest Hits compilation finally united Shaw with his former Styx bandmates, which led to a full-on reunion tour in 1996. But drummer John Panozzo fell seriously ill at the time (due to a long struggle with alcoholism), which prevented him from joining the proceedings -- and he passed away in July of the same year. Although grief-stricken, Styx persevered with new drummer Todd Sucherman taking the place of Panozzo, as the Styx reunion tour became a surprise sold-out success, resulting in the release of a live album/video, 1997's Return to Paradise, while a whole new generation of rock fans was introduced to the grandiose sounds of Styx via a humorous car ad which used the track "Mr. Roboto," as well as songs used in such TV shows as South Park and Freaks & Geeks. The group even stuck around long enough to issue a new studio album, 1999's Brave New World, before friction within the band set in once again.

With the other Styx members wanting to soldier on with further albums and tours, DeYoung was forced to take a break when he developed an uncommon viral ailment, which made the singer extremely sensitive to light. DeYoung was able to eventually overcome his disorder, but not before Shaw and Young opted to enlist new singer Lawrence Gowan and issued a pair of live releases in the early 21st century -- 2000's Arch Allies: Live at Riverport (split 50-50 between Styx and REO Speedwagon) and 2001's Styx World: Live 2001. DeYoung began touring as a solo artist at the same time, and eventually attempted to sue Shaw and Young over the use of the name Styx (the lawsuit was eventually settled in late 2001). Around the same time, Chuck Panozzo confirmed rumors that he had contracted AIDS (but was battling the virus successfully), while the turbulent career of Styx was told in an entertaining episode of VH1's Behind the Music.

In the spring of 2003, a new studio album featuring Gowan arrived in stores. For Cyclorama, Styx consisted of Shaw, Young, Burtnik, Sucherman, and Gowan. The album also featured guest appearances from John Waite, Brian Wilson, and actor Billy Bob Thornton. By the end of the year, Burtnik was out of the band and replaced by former Bad English and Babys member Ricky Phillips, although Panozzo did play with the group on selected live dates. The two-CD Come Sail Away: The Styx Anthology from 2004 did an excellent job representing the band's career, while 2005's double-disc The Complete Wooden Nickel Recordings collected the band's first four albums. That same year, Styx released the cover version-filled Big Bang Theory, featuring some of their favorite picks from "the Great Rock Songbook." ~ Greg Prato, Rovi
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Styx (band)

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Styx

Styx performing in Omaha, Nebraska at Bank of the West Celebrates America in Memorial Park (Omaha) on July 2, 2010 (from left to right: Ricky Phillips, James Young, Tommy Shaw)
Background information
Origin Chicago, Illinois
Genres Progressive rock, hard rock
Years active 1970–1984, 1989–1992, 1995–present
Labels Wooden Nickel, A&M, Interscope, Sanctuary, CMC International, New Door
Associated acts REO Speedwagon, Damn Yankees
Members
James "J.Y." Young
Tommy Shaw
Todd Sucherman
Lawrence Gowan
Ricky Phillips
with
Chuck Panozzo
Past members
Dennis DeYoung
John Panozzo
John "J.C." Curulewski
Glen Burtnik

Styx (play /ˈstɪks/) is an American rock band that became famous for its albums from the late 1970s and early 1980s. The Chicago band is known for melding the style of prog-rock with the power of hard rock guitar, strong ballads, and elements of American musical theater.

The band is best known for the hit songs "Lady" (#6, 1975), "Come Sail Away" (#8, 1977), "Babe" (#1, 1979), "The Best of Times" (#3, 1981), "Too Much Time on My Hands" (#9, 1981), and "Mr. Roboto" (#3, 1983). Other hits by the band include "Show Me the Way" (#3, 1990), "Don't Let It End" (#6, 1983) and "Renegade" (#16, 1978). The band has four consecutive albums certified multi-platinum by the RIAA.[1]

Contents

Early years

Twin brothers Chuck and John Panozzo first got together with their neighbor Dennis DeYoung in 1961 in the Roseland section of the south side of Chicago, eventually taking the band name "The Tradewinds". Chuck Panozzo left to attend seminary school for a year but returned to the group by 1964. Tom Nardini had been brought in to replace Chuck on guitar and Chuck decided to play bass guitar when he returned to the band. John Panozzo was the drummer, while Dennis DeYoung had switched from accordion to organ and piano. In 1965, the name "Tradewinds" was changed to TW4 after another band called The Trade Winds broke through nationally. By 1966, the Panozzo brothers had joined DeYoung at Chicago State University and kept the group together doing gigs at high schools and frat parties while studying to be teachers. In 1969 they added a college buddy, John Curulewski, on guitar after Tom Nardini departed. Guitarist James "J.Y." Young came aboard in 1970 making TW4 a quintet.

In 1972 the band members decided to choose a new name when they signed to Wooden Nickel Records; several suggestions were made and, says DeYoung, Styx, the name of the river in Greek mythology between Earth and the Underworld, was chosen because it was "the only one that none of us hated".[2]

Wooden Nickel years

The band's Wooden Nickel recordings Styx (1972), Styx II (1973), The Serpent Is Rising (1973), and Man of Miracles (1974) were a mixture of straight-ahead rock with some dramatic prog-rock flourishes and art-rock aspirations. These albums showcase intricate and powerful organ, guitar, vocal, and percussion solos as well. The Serpent Is Rising would foreshadow later endeavors by the group — the so-called concept album is an idiom upon which Styx would rely heavily by the 1980s.

On the strength of these releases and constant playing in local clubs and schools, the band established a fan base in the Chicago area, but was unable to break into the mainstream until an earlier song, the power ballad "Lady" (from Styx II), began to earn some radio time, first on WLS in Chicago and then nationwide. In the spring of 1975, nearly two years after the album had been released, "Lady" hit #6 in the U.S., and Styx II went gold soon after.

Move to A&M

On the heels of its belated hit single, Styx signed with A&M Records and released Equinox (1975), which sold well and yielded a minor hit in "Lorelei", #27 in the U.S. More importantly, it contained the rock anthem "Suite Madame Blue", which gained the band considerable recognition and airplay on FM radio in the relatively new Album Oriented Rock (AOR) format. Following the move to A&M, Curulewski suddenly left the band in December 1975 to spend more time with his family just as they were to embark on a nationwide tour. After a frantic last-minute search, the band brought on guitarist Tommy Shaw as Curulewski's replacement. Curulewski later died of a brain aneurysm in February 1988.

Crystal Ball (1976) was moderately successful and also included Shaw's "Mademoiselle" (which was another minor hit, reaching #36) and DeYoung's "This Old Man".

Breakthrough

The Grand Illusion was released in 1977 and became Styx' breakthrough album, reaching Triple Platinum certification. It spawned a top-ten hit and AOR radio staple in the DeYoung-written "Come Sail Away," which reached #8 in 1978. Shaw's "Fooling Yourself (The Angry Young Man)" was a second radio hit, and reached #29 the same year. The title track also received significant airplay.

Through the late 1970s and early 1980s, the band enjoyed its greatest success. Their 1978 album Pieces of Eight found the group moving in a more straight-ahead pop-rock direction and spawned the singles "Renegade" (#16 in the U.S.) and "Blue Collar Man (Long Nights)" (#21 in the U.S.), plus a minor hit "Sing for the Day" that stopped just short of the Top Forty at #41.

Styx' 1979 album Cornerstone yielded their only #1 hit, the DeYoung ballad "Babe." By early 1980, "Babe" had become the band's biggest international hit and first million-selling single, reaching number six in the United Kingdom.[3] The album also included the #26 DeYoung hit "Why Me" and "Borrowed Time," which was co-written with Shaw, plus Shaw's "Boat on the River", which was a hit in most of Europe. The popularity of the album helped win the band a People's Choice Award for Best New Song in 1980. At the 22nd Grammy Awards, Styx received a nomination for Best Rock Vocal Performance by a Duo or Group,[4] and Cornerstone's engineers Gary Loizzo and Rob Kingsland were nominated for a Grammy[5] for Best Engineered Recording.

Stardom in the 1980s

Paradise Theater

On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after JY and Shaw objected to the ballad "First Time" released as the second single from Cornerstone, and DeYoung was fired from the band. However, things were quickly smoothed over, and cooler heads prevailed, leading to his quick return.[6]

In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching #1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theater became the band's fourth consecutive Multi-Platinum album.

The band was accused by a California religious group and later the P.M.R.C of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind."[7] James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward."

Throughout the 1980s, the band would use the album's opening track, "Rockin' the Paradise" (charted at #8 on Top Rock Tracks Chart) to open their shows.

Kilroy was Here and breakup

The band followed DeYoung's lead with their next project, Kilroy Was Here (1983), another more fully realized concept album, embracing the rock opera form. Set in a future where performing and playing recorded rock music has been outlawed due to the efforts of a charismatic evangelist, Kilroy featured Dennis DeYoung in the part of Kilroy, an unjustly imprisoned rock star. Tommy Shaw played the part of Jonathan Chance, a younger rocker who fights for Kilroy's freedom and the lifting of the ban on rock music. This future society is served by robots. Called Robotos, these automatons perform many jobs, not the least of which are as Kilroy's prison guards.

Part of the impetus for the Kilroy story was the band's reaction to accusations of including backwards satanic messages embedded in their prior releases. The album included James Young's song "Heavy Metal Poisoning", which includes lyrics sarcastically mocking the allegations against the group. Its introduction intentionally included a backward message, the Latin phrases, "annuit coeptis" and "novus ordo seclorum," from the reverse side of the Great Seal of the United States. Referring to the United States Declaration of Independence in 1776, these are translated, "Annuit cœptis - He (God) favors our undertakings, and Novus ordo seclorum - A new order of the ages."[8] Both choices also served the Kilroy story as well, as the villain is an evangelist that seeks to expand his vision of morality movement through mass demonstrations.

Kilroy went Platinum in 1983, boasting two Top Ten hits, the synthesizer-based "Mr. Roboto" (#3 U.S.) and power ballad "Don't Let It End. (#6 U.S.)" The album earned a nomination as Best Engineered Recording for engineer and long-time friend Gary Loizzo, and fellow engineers on the album Will Rascati and Rob Kingsland, for the twenty-sixth Grammy Awards (1983).[9]

In 1983, the band mounted an ambitious stage show in support of Kilroy featuring theatrical presentations of three songs utilizing instrumental backing tracks, including "Mr. Roboto", which featured DeYoung singing live while disguised as a Roboto, "Heavy Metal Poisoning" with James Young as the evangelist Dr. Righteous singing while the Panozzo brothers acted as his henchmen on stage, and "Haven't We Been Here Before" with Tommy Shaw as Jonathan Chance and DeYoung (as Kilroy in Roboto costume) duetting. The elaborate show was expensive to produce and was not as profitable as previous tours.

Kilroy brought the creative and competitive tensions within the band beyond the breaking point. Tommy Shaw departed the band for a solo career at the conclusion of the Kilroy tour. In 1984, the band released its first live album, Caught in the Act. The project featured one studio track, "Music Time", which became a Top 40 hit. The concert was also filmed and released on VHS under the same title (and on DVD in 2007). However, by the time of the album's release, the band had already parted ways.

Solo careers

Dennis DeYoung and Tommy Shaw released a string of solo albums, beginning with DeYoung's Desert Moon and Shaw's Girls with Guns in 1984. Both Shaw and DeYoung generated a moderate amount of interest with their first solo albums. DeYoung scored a Top 10 hit with the title track, "Desert Moon", which was also heavily featured on MTV. Shaw also cracked the Top Forty with "Girls with Guns" and he made a cameo appearance on the NBC television series Miami Vice. DeYoung's follow up single "Don't Wait for Heroes" also featured a video that was heavily featured on MTV, but it failed to generate significant radio airplay, only peaking at #83. During the filming of the video, DeYoung injured his back, causing him to back out of opening a North American concert tour for Huey Lewis and the News. Shaw, however, did tour in the fall of 1984 as an opening act for The Kinks.

Shaw's 1985 album What If and DeYoung's 1986 album Back to the World also charted, along with singles from film soundtracks. Shaw's "What If (Remo's Theme)" from Remo Williams: The Adventure Begins entered the Billboard Hot 100, while DeYoung's "This is the Time" from The Karate Kid, Part II soundtrack was featured for a short while on MTV. The first single from DeYoung's Back to the World, "Call Me", peaked at #6 on the Adult Contemporary chart and was a modest pop hit, peaking at #54 on the Billboard Hot 100.

However, by the late 1980s, both Styx members' solo careers gradually simmered down to a modest but loyal fan base. Neither DeYoung's Boomchild nor Shaw's Ambition achieved nearly the same levels of earlier albums, although Shaw's cover of Jim Peterik's "Ever Since the World Began" charted briefly. Shaw also recorded sessions with Peterik's group, Survivor, on 1986's When Seconds Count, and Shaw's solo band opened the majority of the U.S. shows for Rush's 1987-88 Hold Your Fire Tour.[10]

Meanwhile, James Young recorded his own solo albums: City Slicker (with Jan Hammer) and Out On a Day Pass, both attracting only minimal attention. In 1995 James Young partnered with other Chicago musicians and released an album under "James Young Group" titled Raised by Wolves.

In 1989, Tommy Shaw formed Damn Yankees with Ted Nugent, Jack Blades, and Michael Cartellone. Meanwhile, the remaining members of Styx made plans for a comeback in the new decade.

1990s and beyond

Edge of the Century

In 1989, with Shaw's commitment to Damn Yankees, Styx reformed, bringing in Glen Burtnik (in 1990) to take Shaw's vacated position.

The new line-up released one album, Edge of the Century, featuring the Dennis DeYoung ballad "Show Me the Way", which received an additional boost just prior to the first Persian Gulf War. Some radio stations edited the Top Three smash to include the voices of children whose parents were deployed in Saudi Arabia between 1990 and 1991. This contributed to the song's longevity at Adult Contemporary radio, where the song also peaked at #3 and notably remained in the top 40 for 23 weeks.[11] With the huge success of "Show Me The Way," Styx joined a handful of musical acts to have top 10 singles in 3 different decades and under 4 different presidential administrations.

Burtnik's songwriting also helped buoy Edge of the Century, contributing to the moderate hits "Love at First Sight" (#25 Billboard Hot 100 Charts, #13 Adult Contemporary) and "Love Is the Ritual" (#80 Billboard Hot 100, #9 Billboard Mainstream Rock Tracks), as well as album tracks "All In a Day's Work", "World Tonite", and the title track. On the strength of the singles, particularly "Show Me the Way", Edge of the Century peaked at #63 on the Billboard album chart and was certified Gold.

Styx toured across the U.S. in the spring and summer of 1991, but despite the success of the album, a top 3 single and a top 25 single, the band was dropped after A&M Records was purchased by PolyGram Records. A set of demos internally titled "Son Of Edge" were completed and shopped to other record labels. But with Grunge now dominating the rock press, video channels, and airwaves, and with singles being phased out, there was little interest from major record companies, and by 1992, Styx disbanded once again. Portions of the "Son of Edge" demos have resurfaced in various forms over the years in Styx, DeYoung, and Burtnik anthologies.[citation needed]

In 1994, DeYoung recorded 10 on Broadway, an album of showtunes. A single "On the Street Where You Live" received limited airplay.

Reunion

The band reunited once again in 1995, with Tommy Shaw returning to the fold, to re-record "Lady" for Styx Greatest Hits. A tour was mounted in 1996, but John Panozzo was unable to participate in the tour due to declining health caused by problems with alcohol which eventually claimed his life.

The band continued with Todd Sucherman replacing Panozzo. The 1996 "Return to Paradise" tour was also a success. They documented the reunion tour with a two-disc live set, 1997's Return to Paradise, which featured three new studio tracks: "On My Way", "Paradise" (a soft rock hit that also appears in another version on Dennis DeYoung's Hunchback of Notre Dame album) and "Dear John", a tribute to the late Styx drummer John Panozzo that has become a cult favorite among Styx fans. Return to Paradise was a surprise hit in 1997, achieving gold status, with the single "Paradise" peaking at number twenty-seven on the Billboard Adult Contemporary chart. Return to Paradise was the first gold album for Styx's new record company, CMC.

Brave New World and split

Two years later, in 1999, the band released its first new studio album in almost a decade: Brave New World. The album received a lukewarm reception, sold very slowly, and the single, "Everything Is Cool", failed to chart.

Once again, during work on the album, personality conflicts drove the band members apart. While Tommy Shaw and James Young's material attempted to convey a hard rock vein, Dennis DeYoung's penchant for other styles resulted in dramatic differences in the material on Brave New World. According to DeYoung, another crucial difference was the fact that he was not the overall producer on this album, as he'd been on the others. It had been he who had tried to maintain a consistent sound from track to track on all the band's releases up to this point.

Arguments over which songs to release as singles, the album's artwork, the track sequencing, the slow album sales, and the omission of DeYoung's vocals and keyboards from many of the Shaw/Young tracks fueled the fire. The band was further hindered by a viral illness contracted by DeYoung which temporarily made his eyes sensitive to light. DeYoung asked his bandmates to delay touring, but they refused and decided to go forward without him.

Chuck Panozzo was sidelined in 1998 due to health issues, his battle with HIV/AIDS. His public "coming out" occurred in 2001 at the annual Human Rights Campaign banquet, with James Young in attendance for support.

On June 5, 1999, Styx played their final show with Dennis DeYoung for the Children's Miracle Network Telethon. This was probably one of the hardest shows to do as DeYoung had already been replaced by Canadian Lawrence Gowan, though no official statement regarding a firing or replacement had been made. As a result of the replacement, DeYoung filed a lawsuit charging that the remaining members of the band were using the Styx name without his consent, and he in turn was eventually countersued by Shaw and Young for using the billing of "Dennis DeYoung, the voice of Styx" in his solo concerts. The suit was eventually settled with the agreement that DeYoung could bill himself as "performing the music of Styx" or "formerly of Styx", but not as "the voice of Styx", and Styx continued on with Shaw and Young at the helm.

Cyclorama and beyond

With Chuck Panozzo focusing on his health concerns, Glen Burtnik returned to Styx, this time as bass player, to fill Chuck's duties, with Chuck participating on a part-time basis, sitting in as his health permitted.

Styx's new lineup released several live albums and released the studio album Cyclorama in February 2003, which reached #127 on the Billboard 200 album charts failing to make much of an impact. Although a single "Waiting for Our Time" reached #37 on the Billboard mainstream rock chart, it charted for 1 week and failed to make much, if any, impact. Styx toured extensively during this period and released additional live albums.

Burtnik left Styx in September 2003 and recorded a solo album, Welcome to Hollywood. He was replaced by Ricky Phillips, formerly of The Babys and Bad English. Burtnik would go on to join up with Dennis DeYoung for numerous tour dates over the next several years.

On June 5, 2004, Styx participated in Eric Clapton's Crossroads Guitar Festival covering songs by Jimi Hendrix, B.B. King, and Slim Harpo with Jeff Baxter as a special guest.[12]

In 2005 Styx released an album of cover tunes, Big Bang Theory, which reached the Billboard Top 50 on the album charts, their highest charting album since 1990. Their version of The Beatles song "I am the Walrus" received some radio play and a video was made for the song, which was subsequently featured in their live shows. Still the album had a short life on the charts and failed to make much of a dent.

DeYoung continued his solo career by re-arranging and performing his Styx hits with a symphony orchestra. In 2005, DeYoung released a CD of re-recorded Styx hits from a solo concert with a symphony orchestra (titled The Music of Styx - Live with Symphony Orchestra). The album also contained three new DeYoung songs. DeYoung's CD became a major hit in Canada, selling 50,000 copies there. Burtnik now often appears with DeYoung in his solo shows.

In 2009, DeYoung released "One Hundred Years From Now" in the U.S., his first full collection of new songs in some time.

As of April 21, 2006, according to the RIAA which awards artists and groups gold/platinum status, Styx ranks number 127 with 17.5 million records sold within the United States.[13] The blurb on Amazon.com about Chuck Panozzo's book "The Grand Illusion: Love, Lies, and My Life with Styx" states that Styx has sold over 54 million records.

On April 16, 2007, Def Leppard announced a 50-date 2007 tour, which included Styx and Foreigner as supporting acts.[14]

On October 16, 2007 Styx received the "Lifetime Achievement Award" from IEBA (International Entertainment Buyers Association) in Nashville, Tennessee.

In 2008, Styx performed on a double bill with Boston in a North American summer tour, playing 53 dates in 12 weeks.

In 2009, Styx went on tour with REO Speedwagon and .38 Special. Styx and REO Speedwagon teamed up to record a single entitled "Can't Stop Rockin", released April 23, 2009.[15] That tour continued into early 2010.

On February 21, 2010 the current incarnation of the band performed before the Sprint Cup Auto Club 500 In Fontana, California.

On March 3, 2010, Tommy Shaw and Styx played in the Auditorio Nacional of Mexico City in a double concert followed by REO Speedwagon.

In a North American tour beginning in May 2010, Styx were co-headliners of United in Rock with Foreigner and special guests Kansas.[16]

In July 2010, Styx announced the forthcoming release of Regeneration: Volume 1, a new EP featuring six re-recorded hits and a new song entitled "Difference In the World".[17] This coincided with The Grand Illusion / Pieces Of Eight Tour, on which both albums were played in their entirety.[18]

In November 2010, Styx announced that they would be filming their concert in Memphis on November 9 for a DVD.[19] They also announced that they'd be touring the UK with Journey and Foreigner for 5 dates in June 2011.[20]

As of March 18, 2011, Dennis DeYoung's name was removed from the history section of Styx's official website.[20]

In early April 2011, it was announced that Styx would join up with Yes for a “Progressive U.S. Tour” that began on July 4, 2011.

On December 15th, 2011, they participated in the figure skating show Improv-Ice, which was broadcast on television January 15th, 2012.[21]

Talks of Reunion with DeYoung

Although, words of reunion with DeYoung back to the fold were being suggested around the press and fan forums, on a July 7, 2011 interview by Rolling Stone, Tommy Shaw states that he "don't think [a reunion] is realistic" and stating that "what was true in 1983 was only more true in 1996" in which their coming back together with DeYoung had "a very negative effect on each other". [22] DeYoung however, stated that he's open to a Styx Reunion, and that what he really wanted was for all of them to "come together as a band" which he and the fans were hoping for. DeYoung also refuted the claim that Shaw and Young wanted a hard-edged rock sound in contrast to his, even stating on one instance on Shaw's song "Renegade", that the song "wasn't a rock song when he brought it in. It was my idea to make it into a rock song". [23]

Band members

Further Information: List of Styx Band Members

Current members

  • James "J.Y." Young – guitars, backing and lead vocals, additional keyboards (1970–1984, 1989–1992, 1995–present)
  • Tommy Shaw – guitars, lead and backing vocals, mandolin, autoharp, talk box (1975–1984, 1995–present)
  • Todd Sucherman – drums, percussion, backing vocals (1995–present)
  • Lawrence Gowan – lead and backing vocals, keyboards, additional guitars (1999–present)
  • Ricky Phillips – bass guitar, backing vocals, additional guitars (2003–present)

with

  • Chuck Panozzo – bass guitar, backing vocals, bass pedals (1970–1984, 1989–1992, 1995–1998, 1999–present [recurring live and occasionally in studio])

Former members

  • John Panozzo – drums, percussion, backing vocals (1970–1984, 1989–1992, 1995–1996)
  • Dennis DeYoung – lead and backing vocals, keyboards, accordion (1970–1984, 1989–1992, 1995–1999)
  • John "J.C." Curulewski – guitars, backing and lead vocals, additional keyboards, autoharp (1970–1975)
  • Glen Burtnik – guitars, backing and lead vocals (1990–1992); bass guitar, backing and lead vocals, additional guitars (1999–2003)

Discography

Main article: Styx discography

Consecutive Multi-Platinum albums

From 1977 to 1981, Styx released four consecutive albums that have been certified Multi-Platinum, for at least 2 million units sold each, by the RIAA: The Grand Illusion, Pieces of Eight, Cornerstone, and Paradise Theatre.[24]

A longstanding, oft-repeated claim in the music industry and the mainstream press is that Styx were the first band to release four consecutive Triple-Platinum albums, signifying at least 3 million units sold.[20][25][26][27][28][29] During the period when these albums charted, the RIAA's only certifications were for Gold (500,000 units sold) and Platinum (1 million). Multi-Platinum awards were introduced in late October 1984.[30] Following this development, record companies submitted their most popular artists' sales records to accountants in order to achieve the new thresholds. Styx did score three Triple-Platinum albums—Paradise Theater, Pieces of Eight and The Grand Illusion—and one Double-Platinum album—Cornerstone—on the same date, November 14, 1984. Complete and detailed historical sales figures for record albums are not readily available to the public, but the certifications, which can be found at the RIAA site, show that the feat the band actually achieved was being the first group to be awarded four consecutive Multi-Platinum albums with three of those ranking better than Double Platinum. Styx achieved another Double-Platinum album—Greatest Hits (Volume I)—on August 23, 2005.

In other media

  • In Supernatural season 2 episode 12 "Nightshifter" the song Renegade plays as the episode ends
  • In The Simpsons episode "Homerpalooza", Homer walks into a record store and looks for records of his most favourite bands. When the record store owner advises him to look at the 'Oldies' section, Homer takes out a Styx record and says "Oldies?, but you got all the top bands in here. Styx? I just heard them on the King Biscuit Flower Hour."
  • In the Futurama episode "The Devil's Hands Are Idle Playthings", the Robot Devil sings at one point "I will marry her now and confine her to Hell, How droll! How droll!, Where Styx is a river, and not just a band, Though they'll play the reception if all goes as planned."
  • In the South Park episode "Cartman's Mom Is Still a Dirty Slut", Cartman reveals that he hates to leave things unfinished and that he has the urge to finish the song "Come Sail Away" whenever he hears the first few verses. Kyle sings the verses causing Cartman to sing the rest of the song very fast.
  • Only 7 months after the episodes premiere, in November 1998, the CD Chef Aid: The South Park Album was released, where a professionally produced cover version of "Come Sail Away" sung by Cartman has been included.
  • In the TV show Arrested Development, the actor Tony Hale dances and sings to the song "Mr. Roboto" inside of the family car.[31]
  • In the 1999 movie Big Daddy, the main character Sonny (played by Adam Sandler) chats with his date about how they both like Styx, while "Babe" plays on the radio.[32] "Blue Collar Man" is also played during another part of the movie, and "Mr. Roboto" is mentioned as well.
  • In the American comedy-drama series Freaks and Geeks, in the episode "Girlfriends and Boyfriends", Nick makes advances towards Lindsay as he plays "Lady" on his stereo and sings to it.[33]
  • The song "Come Sail Away" appears in the Off-Broadway production Power Balladz.
  • In an episode of That 70's Show, Eric Forman sings the intro to "The Grand Illusion" in his basement. He is excited that Styx will be playing a local show for Thanksgiving. He camped the night so he could get tickets. At the ticket window, Eric is the first and only one in line. Also, in the same episode, Eric's friends claim they hate Styx, despite Kelso and Fez trying to steal a Styx album from a record store.
  • In an episode of Family Guy, Dennis DeYoung calls a fan-based Kiss public-access television cable TV show to bad mouth the group, when the show's host recognizes him, and dares him to compare "Detroit Rock City" to "Come Sail Away."

Volunteers For America

Volunteers For America was a benefit concert held on October 20, 2001 in Atlanta, Georgia and October 21, 2001 at the Smirnoff Music Center, Dallas, Texas. The concerts were held in tribute to the victims of the September 11, 2001 attacks. Styx band members, Tommy Shaw, James Young along with others put the benefit concert together in a short period of time. The Concert was in Atlanta Georgia on October 20, and moved over night to Dallas, Texas for the October 21 show. Proceeds from the concerts went to the families of firemen killed in the 9-11 terrorist attacks.

See also

Footnotes

  1. ^ "''Select "Multi-Platinum" & click to end at "1 JAN 1985"". Riaa.com. http://www.riaa.com/goldandplatinumdata.php?table=SEARCH. Retrieved April 1, 2011. 
  2. ^ "MelodicRock.com Forums". forums.melodicrock.com. http://forums.melodicrock.com/phpBB/viewtopic.php?p=94642&sid=f4d559e6f0836e0461ce1e0784a8aa7d. Retrieved March 28, 2010. 
  3. ^ "everyHit.com - UK Top 40 Chart Archive, British Singles & Album Charts". everyhit.com. http://www.everyhit.com/. Retrieved March 28, 2010. 
  4. ^ "Rock On The Net: 22nd Annual Grammy Awards - 1980". rockonthenet.com. http://www.rockonthenet.com/archive/1980/grammys.htm. Retrieved March 28, 2010. 
  5. ^ "Every show, every winner, every nominee - The Envelope - LA Times". Los Angeles Times. http://theenvelope.latimes.com/search/env-past-winners-search,0,1243372,results.formprofile?Query=Styx&selectsearch=pastwinners&target=article&Lib=turbine_cdb_lib%3Aresult_doc_id+result_doc_rank+document_id+cdb_num+cdb_01_txt+cdb_02_txt+cdb_03_txt+cdb_04_txt+cdb_01_num&SortBy=COMPOSITE_RANK+desc&PageSize=10&Page=1&MinCoarseRank=500&QueryType=CONCEPT&x=10&y=11. Retrieved March 28, 2010. 
  6. ^ VHI Behind the Music Remastered
  7. ^ [1]
  8. ^ "The Great Seal of the United States on Paper Currency". U.S. Bureau of Engraving and Printing. http://www.moneyfactory.gov/document.cfm/18/2233. Retrieved November 19, 2008. [dead link]
  9. ^ "Every show, every winner, every nominee - The Envelope - LA Times". Los Angeles Times. http://theenvelope.latimes.com/search/env-past-winners-search,0,1243372,results.formprofile?Query=Styx&selectsearch=pastwinners&target=article&Lib=turbine_cdb_lib%3Aresult_doc_id+result_doc_rank+document_id+cdb_num+cdb_01_txt+cdb_02_txt+cdb_03_txt+cdb_04_txt+cdb_01_num&SortBy=COMPOSITE_RANK+desc&PageSize=10&Page=1&MinCoarseRank=500&QueryType=CONCEPT&x=10&y=11.. Retrieved March 28, 2010. 
  10. ^ "Rush Tour Dates and Setlists from Power Windows". 2112.net. http://www.2112.net/powerwindows/tours/Tours.htm. Retrieved April 1, 2011. 
  11. ^ Billboard Week of March 16, 1991
  12. ^ "Crossroads Guitar Festival : June 4–6, 2004 : Dallas, TX". zrock.com. http://www.zrock.com/zforum/post-1448.html. Retrieved March 28, 2010. 
  13. ^ "RIAA - Gold & Platinum - March 28, 2010". riaa.com. http://www.riaa.com/goldandplatinumdata.php?table=tblTopArt. Retrieved March 28, 2010. 
  14. ^ "News". Def Leppard. http://www.defleppard.com/news/news_item.asp?item=184. Retrieved 2011-06-24. 
  15. ^ ""Can't Stop Rockin'" - Styx/REO Speedwagon // Rock Band". rockband.com. http://www.rockband.com/songs/cantstoprockin. Retrieved March 28, 2010. 
  16. ^ "Foreigner, Styx And Kansas United In Rock Tour". Antimusic.com. http://www.antimusic.com/news/10/march/05Foreigner,_Styx_And_Kansas_United_In_Rock_Tour.shtml. Retrieved April 1, 2011. 
  17. ^ bravewords.com. "STYX Re-Record Six Songs For New Album, Brand New Song Available For Free Download". Bravewords.com. http://www.bravewords.com/news/142724. Retrieved April 1, 2011. 
  18. ^ bravewords.com. "STYX To Launch The Grand Illusion / Pieces Of Eight Tour Performing Both Album In Their Entirety; EP Of Re-Recorded Classics/ New Track For Sale At Shows". Bravewords.com. http://www.bravewords.com/news/143893. Retrieved April 1, 2011. 
  19. ^ "Niet compatibele browser". Facebook. http://www.facebook.com/styxtheband?v=wall. Retrieved April 1, 2011. 
  20. ^ a b c "Welcome To StyxWorld.com". Styxworld.com. http://www.styxworld.com/. Retrieved 2011-06-24. 
  21. ^ [2]
  22. ^ [3]
  23. ^ http://www.rollingstone.com/music/news/dennis-deyoung-open-to-a-styx-reunion-20110727?page=2
  24. ^ "Gold & Platinum - August 08, 2008". RIAA. http://www.riaa.com/goldandplatinumdata.php?table=SEARCH. Retrieved April 1, 2011. 
  25. ^ "Cumberland Times-News - Styx, Kansas Concert, August 11". Times-news.com. http://www.times-news.com/entertainment/local_story_188091223.html?keyword=topstory. Retrieved April 1, 2011. 
  26. ^  . "Tampa Bay Newspapers : Music & Concerts". Tbnweekly.com. http://www.tbnweekly.com/content_articles/090806_leconcert-04.txt. Retrieved April 1, 2011. 
  27. ^ "Behind The Music : Styx | VSPOT Video Clips, Photos, Episodes and Online Message Boards from the Reality TV Show". VH1. http://www.vh1.com/shows/dyn/behind_the_music/51408/episode.jhtml. Retrieved April 1, 2011. 
  28. ^ STYX | Rockdetector[dead link]
  29. ^ liveDaily Interview: Tommy Shaw of Styx >> Tour dates and concert ticket info >> LiveDaily[dead link]
  30. ^ "Gold & Platinum - August 08, 2008". RIAA. http://www.riaa.com/goldandplatinum.php?content_selector=historyx. Retrieved April 1, 2011. 
  31. ^ "VW - Mr. Roboto". YouTube. http://www.youtube.com/watch?v=KvLXOZKSve8. Retrieved April 1, 2011. 
  32. ^ "IMDB Quotes". http://www.imdb.com/title/tt0142342/quotes. Retrieved June 24, 2011. 
  33. ^ "Freaks and Geeks - Lady". YouTube. http://www.youtube.com/watch?v=ZzrMrglib6c. Retrieved April 1, 2011. 

External links

Wikimedia Commons has media related to: Styx (band)
Styx
Studio albums
Studio EPs
Regeneration: Volume 1 Regeneration: Volume 2
Live albums
Compilations

Best of Styx • Lady • Styx Classics Volume 15 • Greatest Hits • Styx Greatest Hits Part 2 • The Best of Times: The Best of Styx • Best of Styx 1973-1974 • Extended Versions • Singles Collection • Styx Yesterday & Today • 20th Century Masters - The Millennium Collection • Rockers • Come Sail Away – The Styx Anthology • The Complete Wooden Nickel Recordings

Regeneration: volumes 1 and 2
Singles
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