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Plot

An African-American man finds that leaving behind his life of crime is harder than he imagined in this groundbreaking crime drama. Priest (Ron O'Neal) is a stylish and successful cocaine dealer who drives a fancy car, commands a small army of street salesmen, and lives a life of luxury. However, Priest is just smart enough to know that there's no real future in dealing coke, and one day he makes a proposal to his partner Eddie (Carl Lee) -- they take their 300,000-dollar savings, buy 30 kilos of cocaine, and use their street team to move it out in four months, leaving a million dollar profit for both Priest and Eddie, allowing them to get out of the business for good. Eddie is wary but willing to go along, but Scatter (Julius Harris), a former dealer who set Priest up in the cocaine trade, is both unwilling and unable to sell them that much product. As Priest looks for a new source for his big score, one of his underlings, Fat Freddie (Charles McGregor) is picked up by the police, and under violent interrogation, Freddie tells the cops about Priest's underground empire. When Priest is confronted by the police, however, he learns they're less interested in putting him behind bars than in making him a partner. While Superfly was a box-office smash and (along with Shaft and Sweet Sweetback's Baadasssss Song) one of the key films of the nascent blaxploitation movement of the early '70s, it's best remembered today for the soundtrack composed and performed by Curtis Mayfield, which included the hit songs "Freddie's Dead," "Pusherman," and the title tune. ~ Mark Deming, Rovi

Review

Part of the 1970s blaxploitation vanguard, Superfly's (1972) gritty authenticity elevates it above its subsequent imitators. Directed by Gordon Parks Jr. -- the son of Shaft (1971) director Gordon Parks -- funded by black businessmen, and shot by a mostly black crew, Superfly was as much a statement against white-dominated Hollywood behind the camera as it was a convincing depiction of a certain segment of black city life. Shooting on-location in New York, Parks energetically evoked the violence and material allure of Youngblood Priest's (Ron O'Neal) drug dealer existence, while the famous still-photo montage of people of all races snorting coke attested to what enabled Priest's "superfly" life. Counterpointing the heroic effects of Priest's flamboyantly clothed charisma and his plot to stick it to the Man, Curtis Mayfield's trailblazing, best-selling soundtrack matched the urban mood while lyrically attesting to the negative effects of drugs. Even so, Superfly became a controversial hit, as African-American critics decried its influence on cocaine use and the glorification of criminals; the filmmakers observed that they were just telling it like it was. Either way, Superfly confirmed the financial as well as rhetorical power of the nascent blaxploitation genre in the wake of Sweet Sweetback's Baadasssss Song (1970) and Shaft (1971). ~ Lucia Bozzola, Rovi

Cast

Nate Adams - Dealer; The Curtis Mayfield Experience - The Band; Yvonne Delaine - Mrs. Freddie; K.C. - Pimp; Polly Niles - Cynthia; Jim Richardson - Junkie; Henry Shapiro - Robbery Victim; Sig Shore - Deputy Commissioner

Credit

Nate Adams - Costume Designer, Gordon Parks, Jr. - Director, Bob Brady - Editor, Curtis Mayfield - Composer (Music Score), Marvin Stuart - Musical Direction/Supervision, Curtis Mayfield - Songwriter, James Farabee - Makeup, James Signorelli - Cinematographer, Sig Shore - Producer, Harry Lapham - Sound/Sound Designer, Phillip Fenty - Screenwriter

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Next:Superfly T.N.T. (1973 Film), Superfly: The True, Untold Story of Frank Lucas, The American Gangster (Film)

Super Fly

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Super Fly (film)

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Super Fly

Theatrical release German film poster, design by Tom Jung
Directed by Gordon Parks, Jr.[1]
Produced by Sig Shore[2]
Written by Phillip Fenty
Starring Ron O'Neal
Sheila Frazier
Julius Harris
Charles McGregor
Music by Curtis Mayfield
Cinematography James Signorelli
Editing by Bob Brady
Distributed by Warner Bros.
Release date(s) July 1, 1972 (1972-07-01)
Running time 93 minutes
Country United States
Language English

Super Fly is a 1972 Blaxploitation film directed by Gordon Parks, Jr., starring Ron O'Neal as Youngblood Priest, a black cocaine dealer who is trying to quit the underworld drug business.

This film is known for its soundtrack, written and produced by soul singer Curtis Mayfield (see Super Fly (soundtrack)). Super Fly is one of the few films ever to have been outgrossed by its soundtrack.

Leading man O'Neal directed a sequel to the film that was released less than a year later, Super Fly T.N.T.; Super Fly producer Sig Shore directed a second sequel in 1990, The Return of Superfly.

Contents

Plot

Priest (Ron O'Neal) is an up-and-coming successful cocaine dealer in New York City. On his way to a meeting point in Harlem early one morning he is mugged by two junkies. Priest beats one up and gives chase to the other where he gets his money back and kicks him in an apartment. Afterwards, Fat Freddie and Nate Adams (Priest's main dealers) turn up at his apartment to make their payments. Fat Freddie is short and doesn't have his money. Priest warns him that either he is going to get his money by robbing someone or he will put his wife out on "whore's row". Priest gives them a gun and the pair go out to rob a Mafia member after they follow him to New Jersey. Priest then goes to meet his partner in crime, Eddie (Carl Lee), who is playing craps downtown, to discuss his future plans. The pair go back to Eddie's apartment where Priest tells Eddie he wants out of the business but wants to make one last big score and to make one million dollars in four months. Eddie, who tries to talk him out of it as he loves the lifestyle, reluctantly goes along with Priest's ambitions and the pair agree to make one last big score.

Later that night, Priest and Eddie arrive at Scatter's restaurant. Scatter (Julius Harris), is a retired drug dealer who was a mentor to Priest. After watching the band play (The Curtis Mayfield Experience), the two go into the kitchen to discuss business with Scatter. Priest tells Scatter his plans and that he needs him to provide him with 30 kilograms of coke.

Curtis Mayfield performing in the film.

Scatter, who has retired from the cocaine business, gets frustrated at them and tells them he cannot help. After Eddie angers Scatter, Scatter puts a gun to his head. Scatter then agrees to supply Priest the 30 keys. The trio agree to a meeting time and Priest and Eddie leave to meet Fat Freddie and Nate. Freddie has Priest's money from the successful holdup and the three of them talk over a beer. Priest accidentally reveals to Freddie and Nate that he is picking up one key of coke from Scatter. Priest then goes home to a romantic evening with his girlfriend, Georgia (Sheila Frazier).

The following day, Freddie is arrested in Harlem for assault and is questioned by narcotics detectives (cocaine was found on him) who beat him into a confession. Freddie rats out Priest and Eddie and tells the police that there are around 50 family members (dealers) and that Priest and Eddie are picking up a key of coke that night from Scatter (who pays off the same detectives). Freddie is released but tries to escape outside the police precinct and is hit by a car and killed. Meanwhile Priest and Georgia are in Central Park discussing Priest's ambitions in getting out and leaving New York and taking her with him.

Later that night, Priest and Eddie go to pick up one key of coke from Scatter but the detectives are waiting. Alerted, Priest walks away but one of the detectives follows him down a dark street where Priest is ambushed and held at gun point with Eddie who was already arrested. The detectives make a deal with the pair and tell them they can operate but must make payments of $10,000 a month. Priest obviously is uncomfortable with this but Eddie happily agrees saying that 'the man' is on our side.

The pair then goes on to sell a kilo of cocaine, which is shown in a classic photo montage scene with "Pusherman" playing. Priest and Eddie arrive in a bar in Harlem to meet a potential buyer. While they are waiting, three black activists approach them who are trying to shake Priest down for money for their cause. Priest demands they leave as he has a meeting and will not be lured into their scam. Their buyer arrives and samples the cocaine and agrees to make a deal and to 'get it on!'

Priest is at Cynthia's apartment (his other girlfriend who is from Manhattan and has corporate contacts). Priest is unsure about staying with her and the pair has an argument. Scatter arrives at the apartment with information about 'The Man' and asks Priest for $20,000 in cash as he must leave town. After Scatter leaves, he is arrested by the narcotics detectives. The police no longer need Scatter and dispose of him in his Rolls Royce with a large dose of heroin to shut him up. Priest learns of this, and suspecting something is wrong, meets with two mafia contractors in a café to discuss business. Although words are not said, it is clear that Priest is asking them for a contract for murder. This is his insurance policy.

Priest arrives at Eddie's apartment and discusses the murder of Scatter. Telling him the news that he was killed by the police, Priest suggests foul play and that the police were behind it in order to use him and Eddie to make larger buys and to stay in business. Priest demands his half of the money and wants to get out. Eddie tells him that he can't do anything else, especially pimpin' as he doesn't have the 'stomach' for it. Eddie gives him his share and then calls the detectives and tells them that Priest has left with a briefcase full of money. Priest then exchanges his briefcase in the elevator with Georgia who is in disguise. By the time he arrives to his car, the police have arrived. They detain him until the narcotics detectives come and then they all leave. Priest watches Georgia leave with his money knowing it's safe.

Priest is then escorted to the waterfront where Deputy Commissioner Reardon (Sig Shore) is waiting for him. Reardon, who is running the extortion racket, chastises Priest for wanting to leave the business and tells him he will be "nothing more than another two-bit black junkie." A fight breaks out and Priest uses his karate skills to overcome the detectives. Reardon then pulls his gun and the fighting stops. Priest then explains he has placed a murder contract on Reardon and his family if any harm comes to him from the police. He tells him that he's smarter than those other "niggers" and that he has contracted the best killers there are, "White ones, baby! White ones!" Reardon claims that Priest doesn't have any money for something like that as they open his briefcase. Dirty clothes fall out and Priest claims that doing his laundry will not help. Priest then hops into his customized Cadillac Eldorado and drives off, victorious.

Cast

  • Ron O'Neal .... Priest [3] [4]
  • Carl Lee .... Eddie
  • Sheila Frazier .... Georgia (as Shiela Frazier)
  • Julius Harris .... Scatter
  • Charles McGregor .... Fat Freddie (as Charles MacGregor)
  • Nate Adams .... Dealer
  • Polly Niles .... Cynthia
  • Yvonne Delaine .... Mrs. Freddie
  • Henry Shapiro .... Robbery Victim
  • K.C. .... Pimp
  • James G. Richardson .... Junkie (as Jim Richardson)
  • Make Bray .... Junkie
  • Al Kiggins .... Police
  • Bob Bonds .... Police
  • Fred Rolaf AKA Fred Ottaviano .... Police
  • Alex Stevens .... Police
  • Harry Manson .... Police
  • Floyd Levine .... Police
  • Sig Shore (billed as Mike Richards) .... Deputy Commissioner Reardon
  • Chris Arnett .... Coke Buyer
  • Cecil Alonzo .... Militant
  • Gene Chambers .... Militant
  • John Williams .... Militant
  • E. Preston Reddick .... Karate Instructor
  • Lorraine Horn .... Mother In Apartment
  • Nick Sands .... Contracted Man
  • Bob Richards .... Contracted Man
  • Nita Michaels .... Hooker
  • Vicki McLaughlin .... Hooker
  • Curtis Mayfield .... Himself (The Curtis Mayfield Experience)
  • Master Henry Gibson .... Himself (The Curtis Mayfield Experience)
  • Lucky Scott .... Himself (The Curtis Mayfield Experience)
  • Craig McMullen .... Himself (The Curtis Mayfield Experience)
  • Tyrone McCullough .... Himself (The Curtis Mayfield Experience)

Production

The film was financed by two black dentists and Gordon Parks, Sr., who had just directed the cult classic Shaft. Sig Shore, who produced Super Fly, plays Deputy Commissioner Riordan, or "The Man".[5]

Nate Adams coordinated the fashion and wardrobe for the film. He had done several fashion shows prior to Super Fly. He still owns many of the suits, shoes and fedora hats.

Charles McGregor, who plays Fat Freddie, was released from prison before the film's production.

The film was shot by director of photography, James Signorelli, who would go on to become the film director at Saturday Night Live.

Car

Priest's car is a 1971 customized Cadillac Eldorado. This type of Eldorado had the largest V8 ever used in a production vehicle, an 8.2 L (500 in³) engine. The car belonged to K.C., an actual hustler and pimp from Harlem who plays a pimp in the film. K.C. met Nate Adams in a hotel lobby and was asked if his car could be used in the film. K.C. agreed but later telephoned Nate Adams accusing him of lying, stating, "No niggers are making no movies."

The car was customized by Les Dunham Coachworks of New Jersey, who modified the headlight covers, goddess hood ornament (Rolls Royce/Bentley style), lake pipes and circular porthole windows.

The film helped start a trend for car customization in America known as the Pimpmobile. Many aspiring drug dealers, gangsters, and pimps modified their cars during the 1970s as a result of watching Super Fly


Reception

The movie was controversial.[6] At least one critic has suggested that the film's glorification of drug dealers serves to subtly critique the civil rights movement’s failure to provide better economic opportunities for black America and that the portrayal of a black community controlled by drug dealers serves to highlight that the initiatives of the civil rights movement were far from fully accomplished.[7]

However the filmmakers maintain that it was their desire to show the negative and empty aspects of the drug subculture. This is evident in the movie from the beginning as Priest communicates his desire to leave the business. Nearly every character in the film, with the notable exception of his "main squeeze," tries to dissuade Priest from quitting; their chief argument being that dealing and snorting are the best he ever could achieve in life.

DVD Release (Standard Definition)

A standard definition DVD was released by Warner Brothers in 2004. The original red and black Warner logo is replaced by the updated AOL/Warner logo used at the time to DVD release. Additionally, the end credits on the original film release and video cassette, differs from the DVD. On the original release and videocassette the film ends credits roll with a shot of the top of the Empire State building and the title track ("Superfly") plays. After "The End" is displayed, the film fades to black but Mayfield's "Superfly" continues to play for a few minutes until the track ends. In the DVD release, Warner Brothers decided to fade out the track midway right as "The End" is shown, and again brings up the AOL/Warner logo.

References

External links


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