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Tadd Dameron

 
Artist: Tadd Dameron
  • Born: February 21, 1917, Cleveland, OH
  • Died: March 08, 1965, New York, NY
  • Active: '40s, '50s, '60s
  • Genres: Jazz
  • Instrument: Piano, Composer, Arranger
  • Representative Albums: "The Magic Touch of Tadd Dameron," "Mating Call," "Fontainebleau"
  • Representative Songs: "Good Bait," "If You Could See Me Now," "On a Misty Night"

Biography

The definitive arranger/composer of the bop era, Tadd Dameron wrote such standards as "Good Bait," "Our Delight," "Hot House," "Lady Bird," and "If You Could See Me Now." Not only did he write melody lines, but full arrangements, and he was an influential force from the mid-'40s on even though he never financially prospered. Dameron started out in the swing era touring with the Zack Whyte and Blanche Calloway bands, he wrote for Vido Musso in New York and most importantly, contributed arrangements for Harlan Leonard's Kansas City Orchestra, some of which were recorded. Soon Dameron was writing charts for such bands as Jimmie Lunceford, Count Basie, Billy Eckstine, and Dizzy Gillespie (1945-1947) in addition to Sarah Vaughan. Dameron was always very modest about his own piano playing but he did gig with Babs Gonzales' Three Bips & a Bop in 1947 and led a sextet featuring Fats Navarro (and later Miles Davis) at the Royal Roost during 1948-1949. Dameron co-led a group with Davis at the 1949 Paris Jazz Festival, stayed in Europe for a few months (writing for Ted Heath), and then returned to New York. He wrote for Artie Shaw's last orchestra that year, played and arranged R&B for Bull Moose Jackson (1951-1952) and in 1953 led a nonet featuring Clifford Brown and Philly Joe Jones. Drug problems, however, started to get in the way of his music. After recording a couple of albums (including 1958's Mating Call with John Coltrane) he spent much of 1959-1961 in jail. After he was released, Dameron wrote for Sonny Stitt, Blue Mitchell, Milt Jackson, Benny Goodman and his last record but was less active in the years before his death from cancer. Tadd Dameron's classic Blue Note recordings of 1947-48, his 1949 Capitol sides and Prestige/Riverside sets of 1953, 1956, 1958, and 1962 are all currently in print on CD. ~ Scott Yanow, All Music Guide
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Wikipedia: Tadd Dameron
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Tadd Dameron
Birth name Tadley Ewing Peake Dameron
Born February 21, 1917(1917-02-21)
Origin Cleveland, Ohio
Died March 8, 1965 (aged 48)
Genres Jazz
Occupations musician, arranger, composer
Instruments Piano

Tadley Ewing Peake "Tadd" Dameron (February 21, 1917 – March 8, 1965) was an American jazz pianist, arranger, and composer. Dexter Gordon called Dameron the "romanticist" of the bop movement while reviewer Scott Yanow writes that Dameron was the "definitive arranger/composer of the bop era".[1]

Contents

Biography

Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. He and lyricist Carl Sigman wrote "If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs.

He also arranged and played for rhythm and blues star Bull Moose Jackson. Also playing for Jackson at the time was Benny Golson, who also was to become a celebrated jazz composer; Golson has said Dameron was the most important influence on his writing. Dameron composed several bop standards, including "Hot House", "Our Delight", "Good Bait", and "Lady Bird". His bands featured leading players such as Fats Navarro, Miles Davis, Dexter Gordon, Sonny Rollins, and Wardell Gray.

Dameron developed an addiction to narcotics toward the end of his career. He also suffered from cancer and had several heart attacks before he died at the age of 48 of cancer in 1965.

Legacy

Dameron has been the subject of many tributes since his death.

In the 1980s, Philly Joe Jones, drummer for the Miles Davis Quintet, and Don Sickler founded Dameronia, a tribute band to Dameron.[2]

Continuum : Mad About Tadd: The Music of Tadd Dameron is an album released in 1982 by a group consisting of Slide Hampton, Jimmy Heath, Ron Carter, Art Taylor, Kenny Barron. The LP has since been reissued on CD.

In 1975, jazz pianist Barry Harris released Barry Harris Plays Tadd Dameron (Xanadu Records).

Discography

As leader

  • 1948: The Dameron Band (Featuring Fats Navarro) (Blue Note)
  • 1949: Anthropology (Spotlite)
  • 1949: Cool Boppin´ (Fresh Sound) with Miles Davis, Kai Winding, Sahib Shihab, Kenny Clarke
  • 1949: The Miles Davis and Dameron Quartet in Paris - Festival International du Jazz, May 1949 (Columbia)
  • 1953: A Study in Dameronia (Prestige)
  • 1956: Fontainebleau (Prestige)
  • 1956: Mating Call (Prestige)
  • 1962: The Magic Touch (Riverside)
  • 1995: The Complete Blue Note and Capitol Recordings of Fats Navarro and Tadd Dameron (Blue Note)

References

External links


 
 
Learn More
Continuum (1983 Album by Richie Beirach)
Smooth As the Wind (1960 Album by Blue Mitchell)
Be Bop Boys [Savoy] (1946 Album by Fats Navarro)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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