This album is an overlooked gem in the catalog of Bonnie Raitt. On Takin' My Time, she wears her influences proudly in an eclectic musical mix containing blues, jazz, folk, New Orleans R&B, and calypso. Although she did not write her own material for this album, she demonstrates an excellent ear for songs and chooses material from some of the best songwriters of the day. She is a great interpreter, and her renditions of Jackson Browne's "I Thought I Was a Child" and Randy Newman's "Guilty" from this album are the definitive versions of these songs. The highlights of this album are the romantic ballads "I Gave My Love a Candle" and "Cry Like a Rainstorm," where Raitt adds an emotional depth to the performance unusual for such a young woman. (Perhaps that's a result of her spending time with elder statesmen of the blues community such as Mississippi Fred McDowell and Sippie Wallace.) Although the faster-paced songs like the calypso "Wah She Go Do" seem a little out of place, the playful tune is welcome among an album filled with the heartache of the slower tunes. Despite being a relative newcomer, Raitt had already earned the respect of her mentors and her peers, as evidenced by the musical contributions of Taj Mahal, and Little Feat members Lowell George and Bill Payne on the album. This is the last consistent album she would make until her comeback in the mid-'80s. ~ Vik Iyengar , All Music Guide
Taj Mahal (Bass), Taj Mahal (Guitar), Taj Mahal (Harmonica), Taj Mahal (Harp), Taj Mahal (Vocals), Taj Mahal (Vocals (Background)), Taj Mahal (Bass (Acoustic)), Van Dyke Parks (Piano), Van Dyke Parks (Keyboards), Van Dyke Parks (Vocals), Van Dyke Parks (Vocals (Background)), Van Dyke Parks (Inspiration), Bonnie Raitt (Guitar (Acoustic)), Bonnie Raitt (Guitar), Bonnie Raitt (Guitar (Electric)), Bonnie Raitt (Vocals), Bonnie Raitt (Vocals (Background)), Bonnie Raitt (Handclapping), Bonnie Raitt (Main Performer), Bonnie Raitt (Bottleneck Guitar), Marty Krystall (Horn), Bob Hardaway (Horn), Paul Barrére (Guitar), Paul Barrére (Guitar (Electric)), Lowell George (Guitar), Lowell George (Slide Guitar), John Hall (Guitar (Acoustic)), John Hall (Guitar), John Hall (Guitar (Electric)), John Hall (Vocals (Background)), John Hall (Handclapping), John Hall (Producer), John Hall (Mellotron), Jim Keltner (Drums), Arnie Acosta (Mastering), George Bohannon (Trombone), George Bohannon (Horn Arrangements), Oscar Brashear (Flugelhorn), Oscar Brashear (Horn), Bud Brisbois (Horn), Ed Cherney (Remastering Supervisor), Sam Clayton (Conductor), Sam Clayton (Conga), Glenn Ferris (Horn), Freebo (Bass), Freebo (Tuba), Freebo (Vocals), Freebo (Vocals (Background)), Freebo (Fretless Bass), Tom Gamache (Art Direction), Tom Gamache (Design), John Haney (Engineer), Richard Heenan (Mixing), Lee Herschberg (Remastering), Milt Holland (Percussion), Milt Holland (Tabla), Milt Holland (Tambourine), Milt Holland (Timbales), Milt Holland (Claves), Milt Holland (Shaker), Kirby Johnson (Conductor), Kirby Johnson (Horn Arrangements), Earl Palmer (Drums), Bill Payne (Organ), Bill Payne (Piano), Bill Payne (Keyboards), Bill Payne (Piano (Electric)), Bill Payne (Vocals), Bill Payne (Vocals (Background)), Joel Peskin (Horn), Doug Sax (Mastering), Tony Terran (Horn), Ernie Watts (Saxophone), Ernie Watts (Sax (Soprano)), Anthony Terran (Horn), Carol Farhat (Handclapping), Robert Hardaway (Horn), Carl Huston (Handclapping), Nat Seligman (Handclapping), Sandy Kroopf (Art Direction), Sandy Kroopf (Design), Sandy Kroopf (Photography), Sandy Kroopf (Back Cover), Jo Motta (Project Coordinator), Mickey Dobó (Photography), Mickey Dobó (Cover Photo)
Takin' My Time is the third album by Bonnie
Raitt, released in 1973 (see 1973 in music). Widely considered one of her strongest
works, critic Robert Christgau praised the album for "conveying songs from Calypso Rose
and Martha Reeves Vandella into the women's music of the '70s."
In an interview taken in 1982, Raitt would reveal that "Takin' My Time is one of my favourite records to listen to,
although I started out with Lowell George producing it, and he and I got too close to be
able to have any objectivity about it. That's the problem when you're a woman and you get involved with the people you work with
- and I just don't just mean romantically. It becomes too emotional. It's hard to have a strong woman telling the man her ideas
when, in fact, the man wants to take over the situation. So that album had a lot of heartache in it. At the time it was a
difficult one to make, but now I like it."
Track listing
"You've Been in Love Too Long" (Hunter, Paul, Stevenson) – 3:43
Search for answers directly from your browser with the FREE Answers.com Toolbar! Click here to download now. Get Answers your way! Check out all our free tools and products.