Results for Talking Heads
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Artist:

Talking Heads

Talking Heads

Formed:
1974

Disbanded:
1991

Representative Songs:

"Road to Nowhere," "And She Was," "Psycho Killer"

Representative Albums:

Talking Heads: 77, Remain in Light, More Songs About Buildings and Food

Similar Artists:

Influences:

Followers:

Performed Songs By:

  • Genre: Rock
  • Active: '70s, '80s, '90s
  • Major Members: Tina Weymouth, Chris Frantz, David Byrne, Jerry Harrison

Biography

At the start of their career, Talking Heads were all nervous energy, detached emotion, and subdued minimalism. When they released their last album about 12 years later, the band had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop. Between their first album in 1977 and their last in 1988, Talking Heads became one of the most critically acclaimed bands of the '80s, while managing to earn several pop hits. While some of their music can seem too self-consciously experimental, clever, and intellectual for its own good, at their best Talking Heads represent everything good about art-school punks.

And they were literally art-school punks. Guitarist/vocalist David Byrne, drummer Chris Frantz, and bassist Tina Weymouth met at the Rhode Island School of Design in the early '70s; they decided to move to New York in 1974 to concentrate on making music. The next year, the band won a spot opening for the Ramones at the seminal New York punk club CBGB. In 1976, keyboardist Jerry Harrison, a former member of Jonathan Richman's Modern Lovers, was added to the lineup. By 1977, the band had signed to Sire Records and released its first album, Talking Heads: 77. It received a considerable amount of acclaim for its stripped-down rock & roll, particularly Byrne's geeky, overly intellectual lyrics and uncomfortable, jerky vocals.

For their next album, 1978's More Songs About Buildings and Food, the band worked with producer Brian Eno, recording a set of carefully constructed, arty pop songs, distinguished by extensive experimenting with combined acoustic and electronic instruments, as well as touches of surprisingly credible funk. On their next album, the Eno-produced Fear of Music, Talking Heads began to rely heavily on their rhythm section, adding flourishes of African-styled polyrhythms. This approach came to a full fruition with 1980's Remain in Light, which was again produced by Eno. Talking Heads added several sidemen, including a horn section, leaving them free to explore their dense amalgam of African percussion, funk bass and keyboards, pop songs, and electronics.

After a long tour, the band concentrated on solo projects for a couple of years. By the time of 1983's Speaking in Tongues, the band had severed its ties with Eno; the result was an album that still relied on the rhythmic innovations of Remain in Light, except within a more rigid pop-song structure. After its release, Talking Heads embarked on another extensive tour, which would turn out to be their last; it's captured on the Jonathan Demme-directed concert film Stop Making Sense. After releasing the straightforward pop album Little Creatures in 1985, Byrne directed his first movie, True Stories, the following year; the band's next album featured songs from the film. Two years later, Talking Heads released Naked, which marked a return to their worldbeat explorations, although it sometimes suffered from Byrne's lyrical pretensions.

After its release, Talking Heads were put on "hiatus"; Byrne pursued some solo projects, as did Harrison, and Frantz and Weymouth continued with their side project, Tom Tom Club. In 1991, the band issued an announcement that they had broken up. Five years later, the original lineup minus Byrne reunited as the Heads for the album No Talking Just Head. Then in 1999, all four worked together to promote a 15th-anniversary edition of Stop Making Sense. ~ Stephen Thomas Erlewine, All Music Guide
 
 
Wikipedia: Talking Heads (plays)
For other uses, see Talking Heads (disambiguation).

Talking Heads is a series of dramatic monologues written for BBC television by the acclaimed British playwright Alan Bennett. The pieces have since been broadcast on BBC Radio, performed in live theatre, and included on the A-level English Literature syllabus and for GCSE. They have also played on PBS in the United States as part of its Masterpiece Theatre programme. In 2002, seven of the pieces were performed at the Tiffany Theater in Los Angeles for a highly-praised engagement. In 2003, several of the monologues premiered in New York at the Minetta Theatre. The entire series is now available on DVD and also in published form.

Summary

There are two seasons of Talking Heads, each composed of six episodes, along with a thirteenth play, A Woman of No Importance, which, while not released alongside Talking Heads, generally fits into the canon. A Woman of No Importance was written considerably earlier than the other twelve instalments.

Although the plays deal with a variety of subjects, there are certain recurring themes, such as loneliness, hubris, and romantic irony.

Most of the plays give some hint as to where they are set - mostly in Leeds, although not, as Bennett stresses, the real Leeds, rather one that exists in his head. For example, Matthias Robinsons, in which Miss Fozzard works, closed in the 1960s.

Episodes

Actors are named for the BBC television versions.

Peggy Schofield, clerical worker and self-described linchpin of her office, finds that when her strict regime is disrupted, her world crumbles around her. Her health deteriorates and she is rapidly spirited away to hospital, where she reconstructs her office routine, appropriating doctors, other hospital staff and patients as replacements for her co-workers. It is soon revealed, through hints that she has lost her job and her co-workers haven't bothered to visit, that she is not as popular and significant as she assumed.

Talking Heads 1 — (1987)

  • Alan Bennett plays Graham Whittaker in A Chip in the Sugar
Graham is a middle-aged man with a history of mild mental health problems, living with his mother in Leeds. He is an absolutely stereotypical Guardian reader — he wears flares, avoids deodorant, is environmentally conscious, likes date and walnut bread, and is very anti-Thatcher. It is also hinted that he is a closet homosexual. His life is dramatically disrupted when his mother, who he is effectively "married" to, meets her old flame Frank Turnbull after 52 years. Turnbull is bigoted, right-wing, and racist — the opposite of Graham — but he is also well-dressed and well-off, and his reactionary instincts chime with the forgetful and easily-manipulated Mrs Whittaker (whose previous husband, Graham's father, presumably died in hospital — Graham refers to doctors "wheeling him into the theatre"). Graham becomes increasingly jealous as Mr Turnbull takes an ever-growing hold on Mrs Whittaker's life, to the extent he proposes marriage — simultaneously suggesting Graham moves out of the house to a hostel. But Mr Turnbull is hiding a secret, and when Graham finds out he triumphantly confronts his mother with the information, restoring the status quo and his comfortable life but destroying her hopes of happiness in the process.
Susan, an alcoholic, nervous vicar's wife, distracts herself from her ambitious, and, as she sees him, vainly insensitive husband and his doting parishioners by conducting an affair with a nearby grocer, Ramesh Ramesh, discovering something about herself and God in the process. Interestingly, she does not feel cheated when he moves on to marry.

{Anna Massey took the role in the BBC Audio Tape version}

Irene Ruddock is not afraid to speak, or rather write, her mind: she writes letters to her MP, the police, the chemist - everyone she can, to remedy the social ills she sees around her. After one too many accusations of misconduct from Irene's pen, she is sent to prison - where, for the first time in her life, she truly feels free.
Lesley is an aspiring actress, who, after a series of unpromising extra roles on television programmes such as Crossroads, finds what she believes to be her big break as the adventurous Travis in a new film for the West German market. It is not clear to what extent Lesley understands that she is appearing in a soft pornographic film.
Muriel is a strong woman, and always has been — a pillar of the community, a regular charity worker, and a volunteer for Meals on Wheels; and looking after her mentally ill daughter, Margaret, has fortified her resolve — so, after the death of her husband, Muriel is well-prepared to cope with the crisis. However, given her son's ineptitude (or dishonesty) with money, and the vile secret behind Margaret's illness, Muriel finds that she needs to adapt in order to 'soldier on.'
  • Thora Hird plays Doris in A Cream Cracker under the Settee
Doris, aged seventy-five, is a tidy woman — and when she suffers a fall after trying to clear up after her considerably less thorough home help, Zulema, it becomes apparent that her constant nagging may have been responsible for her husband's early death. Alone and injured, she wonders whether the only place left for her in society is a care home which she distrusts. Resisting this with all her being, she decides she'd rather die than be within their care.

Talking Heads 2 — (1998)

Celia is a covetous antiques dealer who brazenly aids elderly neighbours for the sole purpose of being in a good position to buy their treasures on the cheap when they die. She's particularly put out when one elderly woman whom she's cared for, living in a house chock full of antiques, dies and leaves everything to a distant Canadian relative. Celia is somewhat soothed when the Canadian gives her a small box of the woman's things, which includes a curious drawing of a finger. Celia is particularly pleased that she makes a hundred pounds selling the picture, but then later learns to her horror that it is a lost Michelangelo masterpiece worth millions, which the buyer says on national television he bought in a "junk shop." The figure is a study of the central image of the hand of God on the ceiling of the Sistine Chapel.
Miss Fozzard is a lonely, middle-aged department store clerk in the Soft Furnishings Department whose free time is mostly spent caring for her brother after he suffers a stroke. Her one joy in life is her regular visits to her podiatrist, but when he retires, she finds her life consumed with a burgeoning relationship with his replacement, a decidedly kinky fellow with an all-consuming foot fetish. While Miss Fozzard would be the last to admit it, she ventures into benign prostitution as she allows her new podiatrist to pay her to model a variety of footwear whilst also indulging in other activities. It is this that gives her the satisfaction her life was missing, as she begins to stop caring what other people think.
  • David Haig plays Wilfred Paterson in Playing Sandwiches
Wilfred is a reformed paedophile living under a false identity and working as a much-praised maintenance man in a public park. However, as a superior begins to pressure him for bureaucratic historical information to include in his personnel file, the pressure causes Wilfred to resume his old ways with horrifying results. Incarcerated, he contemplates on his condition, remarking 'It's the one part of my life that feels right... and that's the bit that's wrong.'
Obsessively clean Marjory slowly comes to realise that her husband, who works in a slaughterhouse, is using his employment to cover the fact that he's a particularly heinous criminal. She's not particularly disturbed when he's arrested and prosecuted, as it gets him out of the house, where he's always soiling something she's just cleaned. When he's found not guilty because of a technicality, she's more concerned that he's coming home to mess things up again than with the fact that she'll be sharing a house with a serial murderer.
Rosemary is a lonely woman who takes it upon herself to tend to a female neighbour's garden after the latter is arrested for murdering her abusive husband. Rosemary inserts herself more and more in the woman's life and visits her repeatedly in prison when the incarcerated woman becomes ill, to the point where the relationship becomes almost obsessive. As the case of her newfound friend is investigated, a darker and more perverted side of Rosemary's own husband is revealed.
  • Thora Hird plays Violet in Waiting for the Telegram
Violet is a confused, elderly woman in a nursing home who has been told by the excited staff she will soon be receiving a congratulatory telegram from the Queen in honour of her one hundredth birthday. This, however, perplexes Violet as she wanders far back in her memory to an age where telegrams brought news of death on a battlefield. Violet ruminates about a long-lost love and a more recent friend, a male nurse at the home named Francis, who has recently died of AIDS.

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Copyrights:

Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Talking Heads (plays)" Read more

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