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Ted Hawkins

 
Artist: Ted Hawkins
See Ted Hawkins Lyrics
  • Born: October 28, 1936, Biloxi, MS
  • Died: January 01, 1995, Los Angeles, CA
  • Active: '80s, '90s
  • Genres: Blues
  • Instrument: Vocals, Guitar
  • Representative Albums: "The Ted Hawkins Story: Suffer No More," "Happy Hour," "The Final Tour"
  • Representative Songs: "Bring It on Home Daddy," "Watch Your Step," "Ladder of Success"

Biography

Overseas, he was a genuine hero, performing to thousands. But on his L.A. hometurf, sand-blown Venice Beach served as Ted Hawkins's makeshift stage. He'd deliver his magnificent melange of soul, blues, folk, gospel, and a touch of country all by his lonesome, with only an acoustic guitar for company. Passersby would pause to marvel at Hawkins's melismatic vocals, dropping a few coins or a greenback into his tip jar on the way by.

That was the way Ted Hawkins kept body and soul together until 1994, when DGC/Geffen Records issued The Next Hundred Years, his breakthrough album. Suddenly, Hawkins was poised on the precipice of stardom. And then, just after Christmas that same year, in a bout of cruel irony, he died of a stroke.

Ted Hawkins's existence was no day in the park. Born into abject poverty in Mississippi, an abused and illiterate child, Hawkins was sent to reform school when he was 12 years old. He encountered his first musical inspiration there from New Orleans pianist Professor Longhair, whose visit to the school moved the lad to perform in a talent show. But it wasn't enough to keep him out of trouble. At age 15, he stole a leather jacket and spent three years at Mississippi's infamous state penitentiary at Parchman Farm.

Roaming from Chicago to Philadelphia to Buffalo after his release, Hawkins left the frigid weather behind in 1966, purchasing a one-way ticket to L.A. Suddenly, music beckoned; he bought a guitar and set out to locate the ex-manager of Sam Cooke (one of his idols). No such luck, but he did manage to cut his debut 45, the soul-steeped "Baby"/"Whole Lot Of Women," for "Money Records." When he learned no royalties were forthcoming from its sales, Hawkins despaired of ever making a living at his music and took to playing on the streets.

Fortunately, producer Bruce Bromberg was interested in Hawkins's welfare, recording his delightfully original material in 1971 both with guitarist Phillip Walker's band ("Sweet Baby" was issued as a single on the Joliet label) and in a solo acoustic format (with Ted's wife Elizabeth occasionally adding harmonies). The producer lost touch with Hawkins for a while after recording him, Hawkins falling afoul of the law once again. In 1982, those tapes finally emerged on Rounder as Watch Your Step, and Hawkins began to receive some acclaim (Rolling Stone gave it a five-star review). Bromberg corralled him again for the 1986 encore album Happy Hour, which contained the touching "Cold & Bitter Tears."

At the behest of a British deejay, Hawkins moved to England in 1986 and was treated like a star for four years, performing in Great Britain, Ireland, France, even Japan. But when he came home, he was faced with the same old situation. Once again, he set up his tip jar on the beach, donned the black leather glove he wore on his fretting hand, and played for passersby -- until DGC ever so briefly propelled him into the major leagues.

Ted Hawkins was a unique talent, unclassifiable and eminently soulful. For a year or so, he was even a star in his own country. Love You Most of All: More Songs From Venice Beach was issued posthumously in 1998. ~ Bill Dahl, All Music Guide
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Wikipedia: Ted Hawkins
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Ted Hawkins

Ted Hawkins in a promotional photograph for his album The Next Hundred Years
Background information
Born 28 October 1936
Origin Biloxi, Mississippi, U.S.
Died 1 January 1995, aged 58
Label(s) DGC Records

Ted Hawkins was an American singer-songwriter. He was born in Biloxi, Mississippi on 28 October 1936 and died on 1 January 1995, aged 58.[1]

Hawkins was an enigmatic figure through most of his career; he split his time between his adopted hometown of Venice Beach, California where he was a mostly anonymous street performer, and Europe, where he and his songs were better known and well received in clubs and small concert halls.

Born into a poor family in Mississippi, Hawkins lived a difficult early life, ending up at a reform school by age 12, and drifting, hitching, and stealing his way across the country for the next dozen years, earning several stays in prison including a 3-year stint for stealing a leather jacket as a teenager. Along the way, he picked up a love of music and a talent for the guitar. "I was sent to a school for bad boys called Oakley Training School in 1949," from a brief piece of autobiography he wrote. "There I developed my voice by singing with a group that the superintendent's wife had got together." After reform school, he ended up in the state penitentiary and was released at 19. "Then I heard a singer whose name was Sam Cooke. His voice did something to me." For the next ten years or so he drifted in and out of trouble around the country, living in Chicago, Buffalo, Philadelphia, and Newark. In the middle of the mid 1960s folk music boom Hawkins set out for California to try for a professional singing career. He recorded several tunes without commercial success, worked at odd jobs, and took up busking along the piers and storefronts of Venice Beach as a way to supplement his income. Hawkins made ends meet by developing a small following of locals and tourists who would come to hear this southern black man, sitting on an overturned milk-crate, play blues and folk standards as well as a few original tunes in his signature open guitar tuning and raspy vocal style (Hawkins claimed the rasp in his voice came from the damage done by years of singing in the sand and spray of the boardwalk).

A series of record producers and promoters would "discover" Hawkins over the years, only to be thwarted by circumstance and Hawkins' unconventional approach to life. The first of these was musicologist and blues producer Bruce Bromberg who approached Hawkins about a recording contract in the early 1970s. Hawkins tentatively agreed and recorded some dozen songs for Bromberg but again got into trouble and spent much of the next decade in jail and addicted to heroin. Bromberg lost contact until 1982, when he re-located Hawkins and got him to agree to release the previously-recorded songs as an album, Watch Your Step, which was released on Rounder Records. This debut album was a commercial failure but received rave reviews (notably a rare 5-star rating in Rolling Stone). Following the release of the album, Hawkins dropped out of sight again for a time, re-uniting with Bromberg in 1985 for a second album, Happy Hour. This album featured more original tunes from Hawkins and was again ignored in the U.S.; however it won acclaim and sales in Europe. Andy Kershaw encouraged Hawkins to come to the UK, and he moved to Bridlington in 1986 and enjoyed his first taste of real musical success, touring Europe and Asia as a well-known performer even while he remained anonymous in his home country.

During this period Hawkins stayed largely out of trouble and refined his unique musical style: a mixture of folk, country, deep southern spirituals, and soul music. Hawkins' music was informed by but did not resemble blues music (Hawkins himself claimed he could not play the blues because his damaged fretting hand -- he wore a leather glove to protect his fingers -- would not allow him to bend notes).

In 1987, documentary film-maker Nick Shaw approached Hawkins to produce a profile of his life and times. Shaw followed Hawkins closely for the next two years. Eventually, this documentary was taken up by the Arts Council of Great Britain, but has not been released; however, some of this footage was eventually featured in the film "Amazing Grace" produced by David Geffen.

Despite his recognition and fame in Europe, Hawkins was restless and moved back to California in the early 1990s and again took on the role of a street performer. Several musicians and promoters encouraged Hawkins to record, but he did so only on occasion and without much enthusiasm, until he agreed to record a full album for Geffen Records and producer Tony Berg. For this first major-label release, titled The Next Hundred Years, Berg added crack session musicians to Hawkins' typical solo guitar-and-vocal arrangmements for the first time and brought national attention and respectable sales to Hawkins (though Hawkins, in typically contrary fashion, claimed to dislike the result, preferring his unaccompanied versions). Hawkins began to tour on the basis of this success, commenting that he had finally reached an age where he was glad to be able to sing indoors, out of the weather, and for an appreciative crowd. Hawkins, however, died of a stroke at the age of only 58 just a few months after the release of his breakthrough recording.

Hawkins' widow, Elizabeth Hawkins, sold the rights for a film version of Hawkins' life story.

Hawkins is the subject of Mick Thomas' song "57 Years".

Discography

Date Title Label Charted Certification Catalog Number
Albums
1982 Watch Your Step - -
1985 Happy Hour UK
#82[1]
-
1986 On the Boardwalk at Venice Beach[2] Thorp Minister - -
1989 I Love You Too PT Records - -
1994 The Next Hundred Years Geffen - -
1995 Songs From Venice Beach - -
1998 Love You Most Of All - More Songs From Venice Beach - -
1998 The Final Tour (live 1994) - -
2000 The Kershaw Sessions: Live at the BBC (1986 - 1989) - -
Compilations
1998 The Ted Hawkins Story: Suffer No More Rhino - -
1996 Just Say Noël Geffen - -

References

  1. ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 246. ISBN 1-904994-10-5. 
  2. ^ Tedhawkinsmusic.com

 
 

 

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