This CD is the soundtrack to Nina Danino's movie Temenos, an impressionistic documentary on the Virgin Mary's alleged apparitions in Medjugorje (Bosnia). It features vocal performances by avant-garde improvisers Sainkho Namchylak and Shelley Hirsch and soprano Catherine Bott, with Danino narrating, Pavlo Beznosiuk on occasional hurdy-gurdy, and in situ recordings (birds, dogs, wind, children, pilgrims' testimonies). Each performer was recorded separately improvising solos and Danino later combined and arranged the tracks into the soundtrack presented here. The whole thing translates into an extended piece of audio art, a captivating blend of environmental sounds and vocal experimentations with narration, radio, and treated sounds adding colors here and there. Temenos is mainly a showcase for Sainkho Namchylak's incredible vocal capabilities, and the listener constantly comes back to the detailed program notes to check if the sounds are really derived from a human voice or if they are something else. The soundtrack stands nicely on its own and gains from being listened to with headphones in order to catch the quieter passages (the volume range is huge). Namchylak laughs, cries, moans, and drones in ways impossible to describe. The work is split into 22 tracks, but none of them could be taken out of its context; this is the kind of CD one must listen to in one sitting, attentively, with as little distraction and ambient noise as possible in order to be literally engulfed by the sonic tapestry. Then, and only then, will Temenos reveal its hidden beauty. For the most adventurous listeners only or those fascinated by the human voice. ~ François Couture, All Music Guide
Temenos (τέμενος,[1] from the Greek verb τέμνω "to cut"; plural: temene) is a piece of land cut off and assigned as an official domain, especially to kings and chiefs, or a piece of land marked off from common uses and dedicated to a god, a sanctuary, holy grove or holy precinct: The Pythian race-course is called a temenos, the sacred valley of the Nile is the Νείλοιο πῖον τέμενος Κρονίδα, the Acropolis is the ἱερὸν τέ The concept of temenos arose in classical Mediterranean cultures as an area reserved for worship of the gods. Some authors have used the term to apply to a sacred grove of trees,[2] isolated from everyday living spaces, while other usage points to areas within ancient urban development that are parts of temples.[3]
A large example of a Bronze AgeMinoan temenos is at the Juktas Sanctuary of the palace of Knossos on ancient Crete in present day Greece, the temple having a massive northern temenos.[4] Another example is at Olympia, the temenos of Zeus. There were many temene of Apollo, as he was the patron god of settlers.
In religious discourse in English, Temenos has also come to refer to a territory, plane, receptacle or field of deity or divinity.
References
^ Henry George Liddell. Robert Scott. A Greek-English Lexicon Revised and Augmented Throughout by Sir Henry Stuart Jones with the Assistance of Roderick McKenzie. Oxford: Clarendon Press, 1940, ISBN 0198642261. "temenes - a piece of land cut off and assigned as an official domain; II. a piece of land marked off from common uses and dedicated to a god, precinct; III. temple."
^ David S. Whitley, Reader in Archaeological Theory: Post-processual and Cognitive Approaches, 1998, Routledge, 347 pages ISBN:0415141605
^ Carla M. Antonaccio. An Archaeology of Ancestors: Tomb Cult and Hero Cult in Early Greece. Rowman & Littlefield, 1995. ISBN:084767942X