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terra cotta

 
Dictionary: ter·ra cot·ta or ter·ra·cot·ta or ter·ra-cot·ta (tĕr'ə-kŏt'ə) pronunciation
n.
    1. A hard semifired waterproof ceramic clay used in pottery and building construction.
    2. Ceramic wares made of this material.
  1. A brownish orange.

[Italian : terra, earth (from Latin terra; see terrace) + cotta, baked, cooked (from Latin cocta, feminine past participle of coquere, to cook).]


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Fairly coarse, porous clay that, when fired, assumes a colour ranging from dull ochre to red. Terra-cotta objects are usually left unglazed and are often of a utilitarian kind, because of their cheapness, versatility, and durability. Small terra-cotta figures from 3000 BC have been found in Greece and others throughout the Roman Empire from the 4th century BC. The use of terra-cotta virtually died out when the Roman Empire collapsed, but it was revived in Italy and Germany in the 15th century.

For more information on terra-cotta, visit Britannica.com.

Architecture: terra-cotta
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Clay that has been molded in shape and then treated in a kiln at a high temperature; typically reddish-brown in color when unglazed; when glazed, usually colored and used for ornamental work, such as architectural terra-cotta, and for floor tile and roof tile.


Archaeology Dictionary: terracotta
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[Ma]

Literally, ‘baked earth’. Mainly used to refer to fired clay that remains porous, such as might be used in building materials or coarse pottery.

 
Columbia Encyclopedia: terra-cotta
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terra-cotta (tĕr'ə kŏt'ə) [Ital.,=baked earth], form of hard-baked pottery, widely used in the decorative arts, especially as an architectural material, either in its natural red-brown color, or painted, or with a baked glaze.

The Ancient World

The prevalence of terra-cotta as a medium of artistic expression since the earliest periods of history is indicated by statuettes and vases from predynastic Egypt, polychrome tiles from Assyria and Persia, vases and figures from various Central American pre-Columbian sites, and Chinese vases dating probably from 3000 B.C. Terra-cotta first gained importance as an architectural material in classical Greece, where, beginning about the 7th cent. B.C., temples and other structures were often enriched with roof tiles, metopes, acroteria, and various other modeled and painted ornamental features of terra-cotta. Similar roof tiles and ornaments are found in Etruscan and Roman work.

Renaissance Terra-cotta

The golden age of terra-cotta was the Renaissance; it was widely used in N Italy and in N Germany, both of which have a scarcity of good building stone. The towns of Lombardy, Emilia, and Venetia are rich in brick buildings (e.g., the Certosa di Pavia, begun 1396) that are decorated with a profusion of molded terra-cotta detail, such as cornices, stringcourses, window frames, and other exterior ornament. Similarly, the 14th- and 15th-century brick Gothic buildings of N Germany, especially of the district around Brandenburg, had lavish displays of molded terra-cotta. The delicate tracery and other Gothic details of the Church of St. Catherine at Brandenburg (1400) testify to the high technical skill of the artisans of that period.

As the Renaissance progressed in Italy, terra-cotta was established not only as an architectural but also as a sculptural material, used with consummate skill by Della Quercia. In its decorative application, it reached distinction in the 15th cent. when the Della Robbia family developed their characteristic and celebrated polychrome enameled terra-cotta reliefs. In addition to magnificent doorway tympana and decorative medallions, especially the series of Madonna compositions, they used terra-cotta for tombs, fountains, and altars. The material was also favored for bozzetti, or sculptors' sketches, as well as for large pieces.

From Italy terra-cotta work spread to other countries, largely through the activities of migrant Italian artisans. The Château Madrid, now destroyed, designed by Girolamo della Robbia and built for Francis I, was richly decorated with terra-cotta details. The art was introduced (c.1510) into Tudor England, probably by the Florentine sculptor Torrigiano. In the districts of SE England, where good stone is lacking, important country mansions (such as Layer Marney and Sutton Place) had ornamental detail of molded terra-cotta; on Hampton Court, Wolsey employed Italian workmen, who produced portrait medallions and other decorations of merit. In general the use of terra-cotta in England ceased after the death of Henry VIII, when the Italian artists returned home. Later, the 18th-century French sculptors Pigalle, Houdon, and Clodion produced figurines that are outstanding examples of terra-cotta sketches.

Modern Uses

In modern times terra-cotta was used in the Victorian Gothic revival, notably by Alfred Waterhouse, and received widespread application in the United States as an exterior covering for the skeleton steel structure. It was used with consummate skill by Louis Sullivan for decorative stringcourses on many of his buildings. Modern sculptors who made notable terra-cotta works include Maillol, Despiau, Epstein, and Picasso. Terra-cotta has often been molded into the forms of the classical and other styles, with textures closely simulating various kinds of stone. However, it has been most successfully used not imitatively but on its own merits as a lightweight, nonbearing material, perfectly adapted to the task of sheathing a steel frame. Hollow blocks or tiles of rough terra-cotta are used extensively as a structural material for walls and partitions, for floor arches, and for fireproofing.

In modern practice terra-cotta is manufactured from carefully selected clays, which, combined with water and vitrifying ingredients, are put through a pug mill or other device to reduce the mass to homogeneity. In cakes of convenient size the clay passes to the molding room. Individual pieces are modeled by hand; in the case of repetitive pieces, the clay is pressed into plaster molds to form a shell. The molded pieces are finished by hand and then are ready for baking in a kiln or reverberatory furnace.

Bibliography

See I. C. Hill, Decorated Architectural Terracottas (1929); F. Nicholson, Greek, Etruscan and Roman Pottery (1965); A. von Wuthenau, Art of Terracotta Pottery in Pre-Columbian Central and South America (1969).


Gardener's Dictionary: terra cotta
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From the Italian for “baked earth,” a clay flowerpot that has been fired to a reddish brown color but is unglazed, so water and air can penetrate through it.

Wikipedia: Terracotta
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A terracotta sculpture of Hanuman in India. The reddish color is due to iron oxide in the source clay. Clays with low iron content can result in paler colors on firing, ranging from white to yellow.
Terracotta designs outside the Kantaji Temple.
Glazed building decoration at the Forbidden City, Beijing, China.
Rare terracotta image of Isis lamenting the loss of Osiris (Eighteenth Dynasty, Egypt) Musée du Louvre, Paris
The Bell Edison Telephone Building, Birmingham, England.
The Natural History Museum in London has an ornate terracotta facade typical of high Victorian architecture. The carvings represent the contents of the Museum.

Terracotta, Terra cotta or Terra-cotta (Italian: "baked earth",[1] from the Latin terra cocta) is a clay-based unglazed ceramic.[2] Its uses include vessels, water and waste water pipes and surface embellishment in building construction, along with sculpture such as the Terracotta Army and Greek terracotta figurines. The term is also used to refer to items made out of this material and to its natural, brownish orange color, which varies considerably. In archaeology and art history, "terracotta" is often used of objects not made on a potter's wheel, such as figurines, where objects made on the wheel from the same material, possibly even by the same person, are called pottery; the choice of term depending on the type of object rather than the material. Plain unglazed pottery is often also called terracotta.

Contents

Production and properties

An appropriate refined clay is partially dried and cast, molded, or hand worked into the desired shape. After further thorough drying it is placed in a kiln, or atop combustible material in a pit, and then fired. After pit firing the hot ware is covered with sand to cool, and after kiln firing the kiln is slowly cooled. When unglazed, the material will not be waterproof, but it is suitable for in-ground use to carry pressurized water (an archaic use), for garden ware, and sculpture or building decoration in tropical environments, and for oil containers, oil lamps, or ovens. Most other uses such as for table ware, sanitary piping, or building decoration in freezing environments require that the material be glazed. Terracotta, if uncracked, will ring if lightly struck, but not as brightly as will ware fired at higher temperature, which is called stoneware. The fired material is weak compared to stoneware.

Some types of terracotta are created from clay that includes recycled terracotta ("grog").

The unglazed color after firing can vary widely, but most common clays contain enough iron to cause an orange, orangish red, or brownish orange color, with this range including various colors described as "terracotta". Other colors include yellow, gray, and pink.

History

Terracotta has been used throughout history for sculpture and pottery, as well as bricks and roof shingles. In ancient times, the first clay sculptures were dried (baked) in the sun after being formed. Later, they were placed in the ashes of open hearths to harden, and finally kilns were used, similar to those used for pottery today. However only after firing to high temperature would it be classed as a ceramic material.

In art history

Significant uses of terracotta have included Emperor Qin Shi Huang's Terracotta Army of China, built in 210–209 BC. The ancient Greeks Tanagra figurines are mass-produced mold-cast and fired terracotta figurines. The Burney Relief is an outstanding terracotta plaque from Ancient Mesopotamia of about 1950 BC.

Precolonial West African sculpture also made extensive use of terracotta[3]. The regions most recognized for producing terracotta art in this part of the world include the Nok culture of central and north-central Nigeria, the Ife/Benin cultural axis in western and southern Nigeria (also noted for its exceptionally naturalistic sculpture), and the Igbo culture area of eastern Nigeria, which excelled in terracotta pottery. These related, but separate, traditions also gave birth to elaborate schools of bronze and brass sculpture in the area.

Crude terra-cotta female figurines were uncovered by archaeologists in excavations of Mohenjo-daro and Harappa, the two large urban sites that tell about the Indus Valley period (3000-1500 BC) in Hindu history. Along with phallus-shaped stones, these suggest some sort of fertility cult and a belief in a Mother Goddess. [4]

French sculptor Albert-Ernest Carrier-Belleuse made many terracotta pieces, but possibly the most famous is The Abduction of Hippodameia depicting the Greek mythological scene of a centaur kidnapping Hippodameia on her wedding day. American architect Louis Sullivan is well-known for his elaborate glazed terracotta ornamentation, designs that would have been impossible to execute in any other medium. Terracotta and tile were used extensively in the town buildings of Victorian Birmingham, England.

In chemistry

In chemistry, pieces of terracotta are used as a heterogeneous catalyst to "crack" long-chain alkanes. This process is useful for obtaining more useful products, such as gasoline or petrol, from less useful ones, such as highly viscous long chain alkanes.

Advantages in sculpture

As compared to bronze sculpture, terracotta uses a far simpler process for creating the finished work with much lower material costs. Reusable mold-making techniques may be used for series production. Compared to marble sculpture and other stonework the finished product is far lighter and may be further glazed to produce objects with color or durable simulations of metal patina. Robust durable works for outdoor use require greater thickness and so will be heavier, with more care needed in the drying of the unfinished piece to prevent cracking as the material shrinks. Structural considerations are similar to those required for stone sculpture.

Color

Terra cotta is a color between orange and brown.

Terra cotta
About these coordinatesAbout these coordinates
— Color coordinates —
Hex triplet #E2725B
RGBB (r, g, b) (226, 114, 91)
HSV (h, s, v) (10°, 70%, 62%)
Source DMC Color List
B: Normalized to [0–255] (byte)
Dark Terra cotta
About these coordinatesAbout these coordinates
— Color coordinates —
Hex triplet #CC4E5C
RGBB (r, g, b) (204, 78, 92)
HSV (h, s, v) (354°, 55%, 55%)
Source [Unsourced]
B: Normalized to [0–255] (byte)


See also

External links



Footnotes

  1. ^ http://www.merriam-webster.com/dictionary/terra-cotta
  2. ^ OED, "Terracotta"
  3. ^ H. Meyerowitz; V. Meyerowitz (1939). "Bronzes and Terra-Cottas from Ile-Ife". The Burlington Magazine for Connoisseurs 75 (439), 150-152; 154-155.
  4. ^ Jacob Neusner, ed. World Religions in America. Louisville: Westminster John Knox Press, 2003.

Translations: Terracotta
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Dansk (Danish)
n. - terrakotta

Français (French)
n. - terre cuite, ocre brun
adj. - ocre brun, en terre cuite

Deutsch (German)
n. - Terrakotta, Terrakottafigur, bräunliches Orange
adj. - orangebraun, Terrakotta-

Ελληνική (Greek)
n. - οπτή γη, κεραμικά (κν. τερακότα), (μτφ.) σκούρα πορτοκαλιά απόχρωση
adj. - από τερακότα

Italiano (Italian)
terracotta

Português (Portuguese)
n. - terracota (f), objeto (m) de terracota, cor (f) marrom avermelhada
adj. - de terracota, marrom avermelhado

Русский (Russian)
терракота (жженная глина), скульптура из керамики, цвет терракоты

Español (Spanish)
n. - terracota
adj. - ladrillo (color), terracota (color)

Svenska (Swedish)
n. - terracotta
adj. - terracottafärgad

中文(简体)(Chinese (Simplified))
陶瓦, 赤土陶器, 赤土色

中文(繁體)(Chinese (Traditional))
n. - 陶瓦, 赤土陶器, 赤土色

한국어 (Korean)
n. - 테라코타, 테라코타 건축 재료, 적갈색

日本語 (Japanese)
n. - テラコッタ, テラコッタ細工

עברית (Hebrew)
n. - ‮כלי-חרס, פסלון חרס, חימר חום-אדום‬


 
 

 

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Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2009. Published by Houghton Mifflin Company. All rights reserved.  Read more
Britannica Concise Encyclopedia. Britannica Concise Encyclopedia. © 2006 Encyclopædia Britannica, Inc. All rights reserved.  Read more
Architecture. McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc. All rights reserved.  Read more
Archaeology Dictionary. The Concise Oxford Dictionary of Archaeology. Copyright © 2002, 2003 by Oxford University Press. All rights reserved.  Read more
Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/ Read more
Gardener's Dictionary. Taylor's Dictionary for Gardeners, by Frances Tenenbaum. Copyright © 1997 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Terracotta" Read more
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