textile

(tĕks'tīl', -təl)

1. A cloth, especially one manufactured by weaving or knitting; a fabric.
2. Fiber or yarn for weaving or knitting into cloth.

[Latin, from neuter of textilis, woven, from textus, past participle of texere, to weave. See text.]

View more Technology videos

For more information on textile, visit Britannica.com.

A material made mainly of natural or synthetic fibers. Modern textile products may be prepared from a number of combinations of fibers, yards, films, sheets, foams, furs, or leather. They are found in apparel, household and commercial furnishings, vehicles, and industrial products. See also Manufactured fiber; Natural fiber.

The term fabric may be defined as a thin, flexible material made of any combination of cloth, fiber, or polymer (film, sheet, or foams); cloth as a thin, flexible material made from yarns; yarn as a continuous strand of fibers; and fiber as a fine, rodlike object in which the length is greater than 100 times the diameter. The bulk of textile products are made from cloth.

The natural progression from raw material to finished product requires: the cultivation or manufacture of fibers; the twisting of fibers into yarns (spinning); the interlacing (weaving) or interlooping (knitting) of yarns into cloth; and the finishing of cloth prior to sale.

The conversion of staple fiber into yarn (spinning) requires the following steps: picking (sorting, cleaning, and blending), carding and combing (separating and aligning), drawing (reblending), drafting (reblended fibers are drawn out into a long strand), and spinning (drafted fibers are further attenuated and twisted into yarn).

The process of weaving allows a set of yarns running in the machine direction (warp) to be interlaced with another set of yarns running across the machine (filling or weft). The weaving process involves four functions: shedding (raising the warp yarns by means of the appropriate harnesses); picking (inserting the weft yarn); battening (pushing the weft into the cloth with a reed); and taking up and letting off (winding the woven cloth onto the cloth beam and releasing more warp yarn from the warp beam; Figs. 1 and 2).

Knit cloth is produced by interlocking one or more yarns through a series of loops. The lengthwise columns of loops are known as the wales, and the crosswise rows of loops are called courses. Filling (weft) knits (Fig. 3) are those in which the courses are composed of continuous yarns, while in warp knits (Fig. 4) the wale yarns are continuous.

Construction design for plain weave; filling yarns pass under and over alternate warp yarns, as shown at right. When fabric is closely constructed, there is no distinct pattern. (After M. D. Potter and B. P. Corbman, Fiber to Fabric, 3d ed., McGraw-Hill, 1959)

Three-shaft twill. Two warp yarns are interlaced with one filling yarn. (After M. D. Potter and B. P. Corbman, Fiber to Fabric, 3d ed., McGraw-Hill, 1959)

Interlocking yarns of (a) course and (b) wale in a Jersey knit cloth. (After B. P. Corbman, Fiber to Fabric, 5th ed., McGraw-Hill, 1975)

Single-warp (one-bar) tricot knit. (After B. P. Corbman, Fiber to Fabric, 5th ed., McGraw-Hill, 1975)

Newly constructed knit or woven fabric must pass through various finishing processes to make it suitable for its intended purpose. Finishing enhances the appearance of fabric and also adds to its serviceability. Finishes can be solely mechanical, solely chemical, or a combination of the two. Those finishes, such as scouring and bleaching, which simply prepare the fabric for further use are known as general finishes. Functional finishes, such as durable press treatments, impart special characteristics to the cloth. For discussions of important finishing operations See also Bleaching; Dyeing; Textile chemistry; Textile printing.

A material, woven or knitted, that is made from fiber or yarn.

Textile production played a crucial part in the American industrial revolution, the establishment of organized labor, and the technological development of this country. Once, textile production was simple enough that the entire process could and did take place in the home. Now, textiles represent a complex network of interrelated industries that produce fiber, spin yarns, fabricate cloth, and dye, finish, print, and manufacture goods.

Products and Services

About 35 percent of U.S. manufactured cloth is intended for apparel, 16 percent for home furnishings, and 24 percent for floor coverings. The remaining 25 percent is used in industrial textiles, which include sports equipment, conveyer belts, filtration materials, and agricultural and construction materials. So-called geotextiles are used for earth stabilization and drainage as well as reinforcement in roads and bridges. The aerospace industry uses industrial textiles in the nose cones of space shuttles, and medicine uses textiles as artificial arteries and dissolving stitches.

Fiber Producers

Until the early twentieth century, all textiles were derived from plants or animals. The invention of a process for regenerating cellulose from wood chips and cotton linters into a usable fiber marked the beginning of research, development, and innovation. Many of today's textile producers started as chemical companies.

Producers of natural fibers are dependent on raw materials and often held hostage to nature. It is not easy for them to quickly increase or decrease output based on consumer demand. Most producers sell their fiber to mills or wholesalers for resale and seldom have any direct involvement after the fiber is sold. Trade organizations like Cotton Incorporated and the American Wool Council have been established to support producers by providing educational materials, helping with public relations, and assisting with advertising.

Manufactured fibers can be made from regenerated natural materials, or they can be synthesized from chemicals. Because many of these processes may be petroleum-based, such producers may be affected by events concerning the oil industry. The American Fiber Manufacturers Association is the primary association for the manufactured fiber industry. Manufactured fibers can be sold as unbranded fiber, where the fiber producer has no further involvement; trademarked fiber, where the fiber producer has some control over the quality of the fabric; or licensed trademarked fiber, where the fiber producer sets standards that must be met by the fabric manufacturer. An advantage of trademarked or licensed trademarked fiber is that the fabric manufacturers and, ultimately, the garment manufacturers, can capitalize on advertising and brand recognition.

Origins in America

The American colonies were viewed as rich deposits of natural resources for Europe, and the colonists were considered as a consumer pool. Because Holland and France were producing their own wool, England was forced to look west for a new market. England encouraged the culture of flax, hemp, and silk in the colonies, but only if it aided English industries. Though the colonists were capable of producing cloth through spinning and weaving, they found no real necessity to do so as long as cloth could be imported. Problems arose in the Massachusetts colony when the French captured supply ships. The lack of sufficient warm clothing in an inhospitable climate created great hardship in the northern settlements.

The Massachusetts colony recognized the need to be as self-sufficient as possible. It encouraged the development of raw materials and the manufacture of wool and linen cloth. A bounty was offered to weavers as inducement, and the coarse linen they produced was the first officially recorded American-produced textile.

In 1638, twenty families arrived in Massachusetts from Yorkshire, a wool-producing district in England. Five years later, they began the manufacture of cloth, establishing the textile industry in America. Although they worked primarily in wool, they also spun and wove flax and cotton. The mill they established continued in production into the nineteenth century. With increasing concern over the availability of goods, in 1645 the Massachusetts colony instructed the public to preserve and increase their flocks of sheep, make woolen cloth, and advise friends and family still in England to emigrate and bring as many sheep with them as possible. By the beginning of the eighteenth century, there were a quarter of a million colonists. Textile production had become important enough to pose a threat to English merchants and manufacturers. The English enacted restrictions that detailed what goods could be exported to the colonies and by whom, and what items could be exported from the colonies and where. This only served to instill a greater sense of defiance among the colonists. George Washington was a great supporter of homespun American cloth and maintained a weaving house on his Mount Vernon estate, as did Thomas Jefferson at Monticello. Imported textiles became very unpopular, especially after the 1765 Stamp Act. England retaliated for colonial disobedience by disallowing the exportation of any textile goods, machinery, or equipment to the colonies. The American army suffered terribly during the Revolution because of lack of proper clothing. The freedom won by the former colonists allowed the textile industry to develop.

Industry Pioneers

George Cabot founded the first integrated American textile mill in Beverly, Massachusetts, in 1787. His mill hand-carded fiber, spun yarn, and wove cloth, all under one roof. The company produced a variety of cotton fabrics until the early 1800s.

Samuel Slater may be considered the father of the American industrial revolution. English by birth, he trained for seven years in a textile mill, and left England in 1789 at age twenty-one. Settling in Rhode Island, he built the first successful water-powered spinning mill in Pawtucket in 1793.

Francis Cabot Lowell, nephew of George Cabot, visited English textile mills and committed the workings of the power loom to memory. Upon his return, he worked with the inventor Paul Moody at Waltham, Massachusetts, to develop the first American power loom.

George Corliss contributed to steam engine design and succeeded in making Providence, Rhode Island, the center of steam engine manufacture in the 1850s. First used as a source of alternate power during the dry season, steam slowly replaced water as an energy source. It allowed a mill owner to build in a populous area without regard for waterpower.

How the Industry Developed

Cloth production is a two-part process: spinning fiber into yarn, and weaving yarn into cloth. A mechanized spinning frame was invented in England in 1764 that could spin eight spools of yarn at once. Within a few years, it was improved to spin 100 spools simultaneously. Richard Arkwright improved upon the original design so that all steps occurred in one machine. It was in the factory of his partner, Jedediah Strutt, that Samuel Slater was trained. Slater opened Slater Mill in 1793 with money from Providence investors. His organizational methods became the blueprint for successors in the Blackstone River Valley. Based on mills smaller than those used in Massachusetts, his plan was ideal for small rural mill villages. Seven more mills opened by 1800, and there were 213 by 1815. The mills flourished in areas where the rocky terrain made farming unsuitable.

The year after Slater opened his mill, Eli Whitney patented a machine that would lead to the revival of the declining practice of slavery and ultimately contribute to the causes of the Civil War. In 1790, there were 657,000 slaves in the southern states. In 1793,187,000 pounds of cotton was harvested. Because one slave was able to clean only one pound of cotton fiber per day, the crop hardly was worth the trouble. Whitney's cotton gin, however, could process fifty pounds a day, enabling the harvest to grow to six million pounds in 1795. The business of slavery grew as well, so that in 1810 there were 1.3 million slaves and 93 million pounds of cotton harvested. Cotton became the largest U.S. export and textiles the most important industry before the Civil War.

Weavers could not keep up with the abundance of yarn being produced by the mechanized mills. This problem was solved when Francis Cabot Lowell and Paul Moody created their more efficient power loom and spinning apparatus in 1813 in Lowell's Waltham mill. With a dependable loom, weaving could now keep apace of spinning. Soon mills began to dot the rivers of New England. The fully integrated mill marked the shift from a rural, agrarian society to a manufacturing economy. Shortly after his death, Lowell's associates began to develop an area north of Boston where the Merrimack River and Pawtucket Falls had the waterpower to operate dozens of mills. Named for Lowell, the planned community was set up in 1823 and incorporated in 1826. By 1850 almost six miles of canals flowed through Lowell, drove the water-wheels of 40 mill buildings, and powered 320,000 spindles and almost 10,000 looms, operated by more than 10,000 workers.

The period from 1820 to 1860 saw the rapid development of many more factories. New England became the nation's textile center. In 1825, there were 16,000 mills in Maine, New Hampshire, Vermont, and New York. By 1850, there were 60,000 mills in the United States. New England alone had 896 power-driven mills, almost 500 of which were in northern Massachusetts, patterned after Lowell's Waltham mill. Virtually all mills were fully mechanized by the early part of the nineteenth century. Initially powered by water, the mills eventually switched to steam, then electricity. By 1910, the Lowell mills were using hydroelectricity.

The Civil War dramatically changed production. The cotton harvest shrunk to 200,000 bales in 1864, and after the war the western states began producing cotton. The South was faced with the need to reinvent itself and began to build spinning and weaving mills. Its lower wages, lower rate of unionization, and openness to new technology induced many northern mills to relocate southward in the years between the world wars.

Chemistry began to play an important part in the textile industry in the mid-nineteenth century when synthetic dyes were discovered. These were followed in 1891 by the development of regenerated cellulose, the first manmade fiber. The first plant for manufacturing "artificial silk" in America opened in 1910. Later named rayon (1924), the fabric was followed by acetate and triacetate, also cellulose derivatives. Chemical companies set up research and development labs in the race to find new fibers.

DuPont established an experimental lab for the purpose of pure scientific research in 1928. Directed by Dr. Wallace Hume Carothers, the lab conducted work on polyesters but abandoned the project to pursue what would become known as nylon. After several years of development, the fiber was presented to consumers in the form of women's stockings. In 1940, when they became available to the general public, nylon stockings earned more than $3 million in profit in seven months, completely covering the cost of research and development. Nylon stockings ceased production during World War II when nylon was needed for parachutes, ropes, and tents.

British scientists picked up Carothers's work on giant molecules and further developed polyesters. DuPont bought the appropriate patent and opened the first U.S. plant to produce Dacron polyester in 1953. Subsequent developments include manufactured fibers for protection, high performance, durability, strength, and ease of care. Other important chemical contributions are finishes on traditional fabrics for wrinkle resistance, shrinkage control, and color fastness. Technological developments include computer-aided design (CAD) and computer-aided manufacture (CAM). CAD equipment is used in the design of yarns and fabrics and the development of coloration. Prints can easily be manipulated, and designs can be reconfigured in seconds. CAM is used for designing factory layouts and in textile production processes like the control of looms and robotics. Computers are invaluable in communications and for tracking inventory.

Concern for the impact of manufacturing on the environment led to the development of so-called environmentally improved textile products. One such product is lyocell, regenerated cellulose produced using a nontoxic solvent. Organic cotton and naturally colored cottons are being cultivated, and natural dyes have sparked interest. Attention is also being given to recycling materials such as old carpets as well as other used textile products into new materials. Plastic soda bottles are being processed into fiberfill, polar fleece, and geotextiles.

Statistics

By the end of the twentieth century, there were approximately 75,000 woolgrowers in the United States, active in almost every state, and 35,000 cotton growers, mainly in the South. Textiles were also being manufactured in almost all states, with the largest concentrations in Georgia, North Carolina, and South Carolina.

According to the U.S. Department of Commerce and the Bureau of Labor Statistics there were 5,117 companies, with 6,134 plants, in 1997. The companies employed 541,000 workers in 2000, but within a few years 177,000 jobs had been lost and more than 215 mills had closed. Though the industry income was $57.8 billion in 2000, shipments and exports soon dropped as the strength of the U.S. dollar against faltering Asian economies allowed for a surge of inexpensive imported textiles and clothing.

Changes in Business and Commerce

The textile industry has undergone significant changes in business practices in several key areas. Labor relations, trade practices, product labeling, product safety, and environmental and antipollution measures have been subjects of public scrutiny and federal legislation.

Employee and Labor Practices

Once farmers gave up rural self-sufficiency, they had to adapt to a mill whistle rather than the rhythm of nature. Life was difficult and unhealthy with long hours and poor conditions. Respiratory disease was common and there was always the danger of losing a limb in the machinery. The mills were cold and drafty in the winter and stifling in the summer, as well as dirty and noisy. Physical abuse occurred and it was not uncommon for mill owners to take advantage of workers. When labor was scarce, conditions improved, but conditions declined again when more workers became available.

Samuel Slater developed a management style that became known as the Rhode Island system. He hired entire families, who often lived in company housing, shopped in the company store, and attended company schools and churches. It was a clever means of control because bad behavior on one worker's part could get the entire family fired. Work was ten to twelve hours a day, six days a week. Sunday was for church and for children to learn basic reading, writing, and arithmetic. Though the mill complex did provide a measure of convenience for the workers, it was actually a way for the owner and investors to regulate every aspect of the workers' lives. Paid by the mill owner, teachers and ministers preached the party line.

By 1830,55 percent of Rhode Island mill workers were children earning less than $1 a week. Children on farms worked equally long hours, and so for poor families, millwork was seen as an improvement. Textile machines lent themselves to child labor because they were simple enough for unskilled children to operate under adult supervision.

By 1900,92 percent of southern textile workers lived in mill villages. By 1908, fewer than 7 percent had a living situation with anything more than a simple privy. Some villages had a rule that a family had to have one employee for each room in the house, further ensuring child entry into the workforce. School was discouraged so that children would have no option but to enter mill life. Schools were free to seventh grade, then charged tuition after that. Between 1880 and 1910 about one-fourth of southern cotton mill workers were under sixteen, having entered the mills full-time by age twelve. The Fair Labor Standards Act of 1938 finally regulated child labor.

In the 1890s, the National Union of Textile Workers held meetings throughout the Carolina Piedmont, organizing ninety-five locals by 1900. Unions continued to organize workers and in 1929 a wave of strikes began in Elizabethton, Tennessee. Thousands of mill workers walked out and stayed out three months even in the face of intimidation and the murder of Ella May Wiggins, organizer of the Gastonia, North Carolina, strike. Though hunger forced the workers back with only minor concessions from the owners, the stage was set for later protest.

In an effort to stimulate recovery from the 1929 stock market crash and the depression that followed, President Franklin D. Roosevelt signed the National Industrial Recovery Act (NIRA) into law in 1933. Under NIRA, a Cotton Textile Board was established to enforce a code of fair competition in the industry, limit destructive price competition, prevent overproduction, and guarantee mill hands a minimum wage. Unfortunately, the Board was controlled by mill owners, who used the minimum wage as the maximum and laid off even more workers.

The 1934 General Textile Strike led to the eventual abandonment of the mill village system. Twenty thousand Alabama workers walked out, demanding a minimum of $12 for a thirty-hour week and reinstatement of fired union members. The unrest spread, and when the United Textile Workers (UTW) called for a general strike an estimated 400,000 workers walked out, making it the largest labor conflict in American history. The governors of South Carolina, North Carolina, and Georgia called out the militias and the national guards to support the mill owners. Financial need forced workers back and the UTW called off the strike three weeks later. Many workers were fired and blacklisted.

In the early 1960s, African Americans made up fewer than 2 percent of textile industry employees. Although the industry was very competitive and most jobs were largely unskilled, it chose to overlook this source of labor. Integration occurred through the enforcement of the federal Civil Rights Act of 1964.

Prospects

In the 1980s, half a million jobs moved overseas in the search for cheap labor, and in the next decades jobs continued to be lost and mills shut down. Legislative efforts have been made to protect the American textile industry, which will also need continuing innovation and technological advances in order to survive.

Bibliography

Collier, Billie J., and Phyllis G. Tortora. Understanding Textiles, 6th ed. Upper Saddle River, N.J.: Prentice Hall, 2001.

Hall, Jacquelyn Dowd, et al. Like a Family: The Making of a Southern Cotton Mill World. Chapel Hill: University of North Carolina Press, 1987.

Harris, J., ed. Textiles, 5000 Years: An International History and Illustrated Survey. New York: Abrams, 1993.

Kinnane, Adrian. DuPont: From the Banks of the Brandywine to Miracles of Science. Wilmington, Del.: DuPont, 2002.

Little, Frances. Early American Textiles. New York: Century Co., 1931.

Minchin, Timothy J. Hiring the Black Worker: The Racial Integration of the Southern Textile Industry, 1960–1980. Chapel Hill: University of North Carolina Press, 1999.

Tortora, Phyllis G., and Robert S. Merkel, eds. Fairchild's Dictionary of Textiles, 7th ed. New York: Fairchild, 1996.

Lowell Mill Girls

Beginning in 1823, girls from farms and local villages were recruited to work in the Lowell mills for a few years before they left for marriage or other reasons. Most were between fifteen and thirty years old and worked an average of three years. They lived in dormitories and boarding houses with strict rules of curfew and moral conduct. In 1834, 800 young female mill workers went on strike to protest wage cuts, claiming the cuts threatened their economic independence. The Lowell Female Labor Reform Association was formed in 1844, the first organization of working women to try to bargain collectively for better conditions and higher pay. The economic downturn of the 1850s led to lower pay and longer hours, and as a result, immigrant Irish women replaced American farm girls. In the late nineteenth century, women held nearly two-thirds of all textile jobs in Lowell.

• Fabrics and Cloth - textile: fabric woven or knitted from natural or synthetic fiber
• Fashion, Trim, and Sewing - textile: fabric woven or knitted from natural or synthetic fiber

For other uses, see Textile (disambiguation).

"Fabric" redirects here. For other uses, see Fabric (disambiguation).

Sunday textile market on the sidewalks of Karachi, Pakistan

Simple textile – magnified

A small fabric shop in Al-Mukalla, Yemen

Late antique textile, Egyptian, now in the Dumbarton Oaks collection.

Mrs. Condé Nast wearing one of the famous Fortuny tea gowns. This one has no tunic but is finely pleated, in the Fortuny manner, and falls in long lines, closely following the figure, to the floor.

Traditional Romanian table cloth, Maramureș.

A textile or cloth is a flexible woven material consisting of a network of natural or artificial fibres often referred to as thread or yarn. Yarn is produced by spinning raw fibres of wool, flax, cotton, or other material to produce long strands.^[1] Textiles are formed by weaving, knitting, crocheting, knotting, or pressing fibres together (felt).

The words fabric and cloth are used in textile assembly trades (such as tailoring and dressmaking) as synonyms for textile. However, there are subtle differences in these terms in specialized usage. Textile refers to any material made of interlacing fibres. Fabric refers to any material made through weaving, knitting, spreading, crocheting, or bonding that may be used in production of further goods (garments, etc.). Cloth may be used synonymously with fabric but often refers to a finished piece of fabric used for a specific purpose (e.g., table cloth).

Contents 1 History 2 Uses 3 Fashion and textile designers 4 Sources and types 4.1 Animal textiles 4.2 Plant textiles 4.3 Mineral textiles 4.4 Synthetic textiles 5 Production methods 6 Treatments 7 See also 8 References 9 Further reading

History

Main article: History of clothing and textiles

The discovery of dyed flax fibres in a cave in the Republic of Georgia dated to 34,000 BCE suggests textile-like materials were made even in prehistoric times.^[2][3]

The production of textiles is a craft whose speed and scale of production has been altered almost beyond recognition by industrialization and the introduction of modern manufacturing techniques. However, for the main types of textiles, plain weave, twill, or satin weave, there is little difference between the ancient and modern methods.

Incas have been crafting quipus (or khipus) made of fibres either from a protein, such as spun and plied thread like wool or hair from camelids such as alpacas, llamas, and camels or from a cellulose like cotton for thousands of years. Khipus are a series of knots along pieces of string. They have been believed to only have acted as a form of accounting, although new evidence conducted by Harvard professor, Gary Urton, indicates there may be more to the khipu than just numbers. Preservation of khipus found in museum and archive collections follow general textile preservation principles and practice.

During the 15th century, Textiles were the largest single industry. Before the 15th century textiles were only in a few towns but during, they shifted into districts like East Anglia, and the Cotswolds.^[4]

Uses

Textiles have an assortment of uses, the most common of which are for clothing and containers such as bags and baskets. In the household, they are used in carpeting, upholstered furnishings, window shades, towels, covering for tables, beds, and other flat surfaces, and in art. In the workplace, they are used in industrial and scientific processes such as filtering. Miscellaneous uses include flags, backpacks, tents, nets, cleaning devices such as handkerchiefs and rags, transportation devices such as balloons, kites, sails, and parachutes, in addition to strengthening in composite materials such as fibreglass and industrial geotextiles. Children can learn using textiles to make collages, sew, quilt, and toys.

Textiles used for industrial purposes, and chosen for characteristics other than their appearance, are commonly referred to as technical textiles. Technical textiles include textile structures for automotive applications, medical textiles (e.g. implants), geotextiles (reinforcement of embankments), agrotextiles (textiles for crop protection), protective clothing (e.g. against heat and radiation for fire fighter clothing, against molten metals for welders, stab protection, and bullet proof vests). In all these applications stringent performance requirements must be met. Woven of threads coated with zinc oxide nanowires, laboratory fabric has been shown capable of "self-powering nanosystems" using vibrations created by everyday actions like wind or body movements.^[5][6]

Fashion and textile designers

Fashion designers commonly rely on textile designs to set their fashion collections apart from others. Armani, the late Gianni Versace, and Emilio Pucci can be easily recognized by their signature print driven designs.

Sources and types

Textiles can be made from many materials. These materials come from four main sources: animal (wool, silk), plant (cotton, flax, jute), mineral (asbestos, glass fibre), and synthetic (nylon, polyester, acrylic). In the past, all textiles were made from natural fibres, including plant, animal, and mineral sources. In the 20th century, these were supplemented by artificial fibres made from petroleum.

Textiles are made in various strengths and degrees of durability, from the finest gossamer to the sturdiest canvas. The relative thickness of fibres in cloth is measured in deniers. Microfibre refers to fibres made of strands thinner than one denier.

Animal textiles

Animal textiles are commonly made from hair, fur or skin.

Wool refers to the hair of the domestic goat or sheep, which is distinguished from other types of animal hair in that the individual strands are coated with scales and tightly crimped, and the wool as a whole is coated with a wax mixture known as lanolin (aka wool grease), which is waterproof and dirtproof^{[citation needed]}. Woollen refers to a bulkier yarn produced from carded, non-parallel fibre, while worsted refers to a finer yarn which is spun from longer fibres which have been combed to be parallel. Wool is commonly used for warm clothing. Cashmere, the hair of the Indian cashmere goat, and mohair, the hair of the North African angora goat, are types of wool known for their softness.

Other animal textiles which are made from hair or fur are alpaca wool, vicuña wool, llama wool, and camel hair, generally used in the production of coats, jackets, ponchos, blankets, and other warm coverings. Angora refers to the long, thick, soft hair of the angora rabbit. Qiviut is the fine inner wool of the muskox.

Wadmal is a coarse cloth made of wool, produced in Scandinavia, mostly 1000~1500CE.

Silk is an animal textile made from the fibres of the cocoon of the Chinese silkworm which is spun into a smooth fabric prized for its softness. There are two main types of the silk: ‘mulberry silk’ produced by the Bombyx Mori, and ‘wild silk’ such as Tussah silk. Silkworm larvae produce the first type if cultivated in habitats with fresh mulberry leaves for consumption, while Tussah silk is produced by silkworms feeding purely fed on oak leaves. Around four fifths of the world’s silk production consists of cultivated silk.^[7]

Plant textiles

Grass, rush, hemp, and sisal are all used in making rope. In the first two, the entire plant is used for this purpose, while in the last two, only fibres from the plant are utilized. Coir (coconut fibre) is used in making twine, and also in floormats, doormats, brushes, mattresses, floor tiles, and sacking.

Straw and bamboo are both used to make hats. Straw, a dried form of grass, is also used for stuffing, as is kapok.

Fibres from pulpwood trees, cotton, rice, hemp, and nettle are used in making paper.

Cotton, flax, jute, hemp, modal and even bamboo fibre are all used in clothing. Piña (pineapple fibre) and ramie are also fibres used in clothing, generally with a blend of other fibres such as cotton. Nettles have also been used to make a fibre and fabric very similar to hemp or flax. The use of milkweed stalk fibre has also been reported, but it tends to be somewhat weaker than other fibres like hemp or flax.

Acetate is used to increase the shininess of certain fabrics such as silks, velvets, and taffetas.

Seaweed is used in the production of textiles. A water-soluble fibre known as alginate is produced and is used as a holding fibre; when the cloth is finished, the alginate is dissolved, leaving an open area

Lyocell is a man-made fabric derived from wood pulp. It is often described as a man-made silk equivalent and is a tough fabric which is often blended with other fabrics – cotton for example.

Fibres from the stalks of plants, such as hemp, flax, and nettles, are also known as 'bast' fibres.

Mineral textiles

Asbestos and basalt fibre are used for vinyl tiles, sheeting, and adhesives, "transite" panels and siding, acoustical ceilings, stage curtains, and fire blankets.

Glass fibre is used in the production of spacesuits, ironing board and mattress covers, ropes and cables, reinforcement fibre for composite materials, insect netting, flame-retardant and protective fabric, soundproof, fireproof, and insulating fibres.

Metal fibre, metal foil, and metal wire have a variety of uses, including the production of cloth-of-gold and jewelery. Hardware cloth (US term only)is a coarse weave of steel wire, used in construction.

Synthetic textiles

A variety of contemporary fabrics. From the left: evenweave cotton, velvet, printed cotton, calico, felt, satin, silk, hessian, polycotton.

Woven tartan of Clan Campbell, Scotland.

Embroidered skirts by the Alfaro-Nùñez family of Cochas, Peru, using traditional Peruvian embroidery methods.^[8]

All synthetic textiles are used primarily in the production of clothing.

Polyester fibre is used in all types of clothing, either alone or blended with fibres such as cotton.

Aramid fibre (e.g. Twaron) is used for flame-retardant clothing, cut-protection, and armor.

Acrylic is a fibre used to imitate wools, including cashmere, and is often used in replacement of them.

Nylon is a fibre used to imitate silk; it is used in the production of pantyhose. Thicker nylon fibres are used in rope and outdoor clothing.

Spandex (trade name Lycra) is a polyurethane product that can be made tight-fitting without impeding movement. It is used to make activewear, bras, and swimsuits.

Olefin fibre is a fibre used in activewear, linings, and warm clothing. Olefins are hydrophobic, allowing them to dry quickly. A sintered felt of olefin fibres is sold under the trade name Tyvek.

Ingeo is a polylactide fibre blended with other fibres such as cotton and used in clothing. It is more hydrophilic than most other synthetics, allowing it to wick away perspiration.

Lurex is a metallic fibre used in clothing embellishment.

Milk proteins have also been used to create synthetic fabric. Milk or casein fibre cloth was developed during World War I in Germany, and further developed in Italy and America during the 1930s.^[9] Milk fibre fabric is not very durable and wrinkles easily, but has a pH similar to human skin and possesses anti-bacterial properties. It is marketed as a biodegradable, renewable synthetic fibre.^[10]

Carbon fibre is mostly used in composite materials, together with resin, such as carbon fibre reinforced plastic. The fibres are made from polymer fibres through carbonization.

Production methods

Main article: Textile manufacturing

Top ten exporters of textiles—2008 ($ billion)
European Union	80.2
People's Republic of China	65.3
United States	12.5
South Korea	10.4
India	10.3
Turkey	9.4
Republic of China	9.2
Japan	7.3
Pakistan	7.2
United Arab Emirates	5.8
Indonesia	3.7
Source:[11]

Weaving is a textile production method which involves interlacing a set of longer threads (called the warp) with a set of crossing threads (called the weft). This is done on a frame or machine known as a loom, of which there are a number of types. Some weaving is still done by hand, but the vast majority is mechanised.

Knitting and crocheting involve interlacing loops of yarn, which are formed either on a knitting needle or on a crochet hook, together in a line. The two processes are different in that knitting has several active loops at one time, on the knitting needle waiting to interlock with another loop, while crocheting never has more than one active loop on the needle.

Spread Tow is a production method where the yarn are spread into thin tapes, and then the tapes are woven as warp and weft. This method is mostly used for composite materials; Spread Tow Fabrics can be made in carbon, aramide, etc.

Braiding or plaiting involves twisting threads together into cloth. Knotting involves tying threads together and is used in making macrame.

Lace is made by interlocking threads together independently, using a backing and any of the methods described above, to create a fine fabric with open holes in the work. Lace can be made by either hand or machine.

Carpets, rugs, velvet, velour, and velveteen are made by interlacing a secondary yarn through woven cloth, creating a tufted layer known as a nap or pile.

Felting involves pressing a mat of fibres together, and working them together until they become tangled. A liquid, such as soapy water, is usually added to lubricate the fibres, and to open up the microscopic scales on strands of wool.

Nonwoven textiles are manufactured by the bonding of fibres to make fabric. Bonding may be thermal or mechanical, or adhesives can be used.

Treatments

Textiles are often dyed, with fabrics available in almost every colour. The dying process often requires several dozen gallons of water for each pound of clothing.^[12] Coloured designs in textiles can be created by weaving together fibres of different colours (tartan or Uzbek Ikat), adding coloured stitches to finished fabric (embroidery), creating patterns by resist dyeing methods, tying off areas of cloth and dyeing the rest (tie-dyeing), or drawing wax designs on cloth and dyeing in between them (batik), or using various printing processes on finished fabric. Woodblock printing, still used in India and elsewhere today, is the oldest of these dating back to at least 220CE in China. Textiles are also sometimes bleached, making the textile pale or white.

Brilliantly dyed traditional woven textiles of Guatemala, and woman weaving on a backstrap loom.

Textiles are sometimes finished by chemical processes to change their characteristics. In the 19th century and early 20th century starching was commonly used to make clothing more resistant to stains and wrinkles. Since the 1990s, with advances in technologies such as permanent press process, finishing agents have been used to strengthen fabrics and make them wrinkle free.^[13] More recently, nanomaterials research has led to additional advancements, with companies such as Nano-Tex and NanoHorizons developing permanent treatments based on metallic nanoparticles for making textiles more resistant to things such as water, stains, wrinkles, and pathogens such as bacteria and fungi.^[14]

More so today than ever before, textiles receive a range of treatments before they reach the end-user. From formaldehyde finishes (to improve crease-resistance) to biocidic finishes and from flame retardants to dyeing of many types of fabric, the possibilities are almost endless. However, many of these finishes may also have detrimental effects on the end user. A number of disperse, acid and reactive dyes (for example) have been shown to be allergenic to sensitive individuals.^[15] Further to this, specific dyes within this group have also been shown to induce purpuric contact dermatitis.^[16]

Although formaldehyde levels in clothing are unlikely to be at levels high enough to cause an allergic reaction,^[17] due to the presence of such a chemical, quality control and testing are of utmost importance. Flame retardants (mainly in the brominated form) are also of concern where the environment, and their potential toxicity, are concerned.^[18] Testing for these additives is possible at a number of commercial laboratories, it is also possible to have textiles tested for according to the Oeko-tex certification standard which contains limits levels for the use of certain chemicals in textiles products.

See also

Bettsometer Maya textiles Quipu Realia (library science) Textile manufacturing Textile manufacturing terminology Textiles of Lampung Textiles of Mexico

Textiles of Oaxaca Textile preservation Textile printing Textile recycling Timeline of clothing and textiles technology Units of textile measurement Bangladesh textile industry

References

1. ^ "An Introduction to Textile Terms" (PDF). http://www.textilemuseum.org/PDFs/TextileTerms.pdf. Retrieved August 6, 2006. 
2. ^ Balter, M. (2009). "Clothes Make the (Hu) Man". Science 325 (5946): 1329. doi:10.1126/science.325_1329a. PMID 19745126. 
3. ^ Kvavadze, E.; Bar-Yosef, O.; Belfer-Cohen, A.; Boaretto, E.; Jakeli, N.; Matskevich, Z.; Meshveliani, T. (2009). "30,000-Year-Old Wild Flax Fibers". Science 325 (5946): 1359. doi:10.1126/science.1175404. PMID 19745144.  Supporting Online Material
4. ^ Robert S. DuPlessis (18 September 1997). Transitions to capitalism in early modern Europe. Cambridge University Press. ISBN 978-0-521-39773-5. http://books.google.com/books?id=SxA7VQkYUVgC. Retrieved 4 February 2012. 
5. ^ Keim, Brandon (February 13, 2008). "Piezoelectric Nanowires Turn Fabric Into Power Source". Wired News (CondéNet). http://blog.wired.com/wiredscience/2008/02/piezoelectric-n.html. Retrieved 2008-02-13. 
6. ^ Yong Qin, Xudong Wang & Zhong Lin Wang (October 10, 2007). "Letter/abstract: Microfibre–nanowire hybrid structure for energy scavenging". Nature (Nature Publishing Group) 451 (7180): 809–813. doi:10.1038/nature06601. PMID 18273015. http://www.nature.com/nature/journal/v451/n7180/full/nature06601.html. Retrieved 2008-02-13.  cited in "Editor's summary: Nanomaterial: power dresser". Nature. Nature Publishing Group. February 14, 2008. http://www.nature.com/nature/journal/v451/n7180/edsumm/e080214-06.html. Retrieved 2008-02-13. 
7. ^ Trevisan, Adrian. "Cocoon Silk: A Natural Silk Architecture". Sense of Nature. http://www.senature.com/research/publications/cocoon-silk-a-natural-architecture. 
8. ^ Art-Gourds.com Traditional Peruvian embroidery production methods
9. ^ Euroflax Industries Ltd. "Euroflaxx Industries (Import of Textiles)"
10. ^ Fonte, Diwata (August 23, 2005). "Milk-fabric clothing raises a few eyebrows". The Orange County Register. http://www.textile-technology.com/2010/04/milk-fabric-clothing-raises-a-few-eyebrows/. Retrieved 2009-10-21. 
11. ^ "Leading exporters and importers of textiles, 2008" (PDF). http://www.wto.org/english/res_e/statis_e/its2009_e/its09_merch_trade_product_e.pdf. Retrieved 2011-12-04. 
12. ^ Green Inc. Blog "Cutting Water Use in the Textile Industry." The New York Times. July 21, 2009. July 28, 2009.
13. ^ "What makes fabric "wrinkle-free"? Is it the weave or a special type of fiber?". Ask.yahoo.com. 2001-03-15. http://ask.yahoo.com/ask/20010315.html. Retrieved 2011-12-04. 
14. ^ "The Materials Science and Engineering of Clothing". Tms.org. http://www.tms.org/pubs/journals/jom/0507/byko-0507.html. Retrieved 2011-12-04. 
15. ^ Lazarov, A (2004). "Textile dermatitis in patients with contact sensitization in Israel: A 4-year prospective study". Journal of the European Academy of Dermatology and Venereology 18 (5): 531–7. doi:10.1111/j.1468-3083.2004.00967.x. PMID 15324387. 
16. ^ Lazarov, A; Cordoba, M; Plosk, N; Abraham, D (2003). "Atypical and unusual clinical manifestations of contact dermatitis to clothing (textile contact dermatitis): Case presentation and review of the literature". Dermatology online journal 9 (3): 1. PMID 12952748. 
17. ^ Scheman, AJ; Carroll, PA; Brown, KH; Osburn, AH (1998). "Formaldehyde-related textile allergy: An update". Contact dermatitis 38 (6): 332–6. PMID 9687033. 
18. ^ Alaee, M; Arias, P; Sjödin, A; Bergman, A (2003). "An overview of commercially used brominated flame retardants, their applications, their use patterns in different countries/regions and possible modes of release". Environment International 29 (6): 683–9. doi:10.1016/S0160-4120(03)00121-1. PMID 12850087. http://www.elsevier.com/authored_subject_sections/P09/pdf/EI-cited-97-times.pdf. 

Further reading

Look up cloth in Wiktionary, the free dictionary.

Wikimedia Commons has media related to: Textiles

Wikimedia Commons has media related to: Fabrics

• Fisher, Nora. Rio Grande Textiles (Paperbound ed.). Museum of New Mexico Press. ^{[year needed]} Introduction by Teresa Archuleta-Sagel. 196 pages with 125 black and white as well as color plates. Fisher is Curator Emirta, Textiles & Costumes of the Museum of International Folk Art.
• Good, Irene (2006). "Textiles as a Medium of Exchange in Third Millennium B.C.E. Western Asia". In Mair, Victor H.. Contact and Exchange in the Ancient World. Honolulu: University of Hawai'i Press. pp. 191–214. ISBN 978-0824828844. 

v d e Textile arts Fundamentals Applique · Beadwork · Crochet · Dyeing · Embroidery · Fabric (textiles) · Felting · Fiber · Knitting · Lace · Macramé · Nålebinding · Needlework · Patchwork · Passementerie · Plying · Quilting · Rope · Rug making · Sewing · Stitch · Spinning · Spinning by hand · Sprang · Tapestry · Tatting · Textile printing · Weaving · Yarn History of ... Byzantine silk  · Clothing and textiles · Silk · Quilting · Silk in the Indian subcontinent · Textiles in the Industrial Revolution · Timeline of textile technology Regional and ethnic African · Andean · Australian Aboriginal · Hmong · Indigenous peoples of the Americas  · Korean · Māori · Mayan · Mexican · Navajo · Oaxacan Related Blocking · Fiber art · Mathematics and fiber arts · Manufacturing · Preservation · Recycling · Textile industry · Textile Museums · Units of measurement · Wearable fiber art Reference Dyeing terms · Sewing terms · Textile terms

v d e Fabric Woven Aertex · Airdura · Airguard · Barathea · Barkcloth · Batiste · Bedford cord · Bengaline silk · Beta cloth · Bombazine · Brilliantine · Broadcloth · Buckram · Bunting · Burlap · C change · Calico · Cambric · Canvas · Chambray · Capilene · Cedar bark · Char cloth · Charmeuse · Charvet · Cheesecloth · Chiffon · Chino · Chintz · Cloqué · Cloth of gold · Cordura · Duck · Coutil · Crape · Cretonne · Dazzle · Denim · Dimity · Donegal tweed · Dowlas · Drill · Drugget · Foulard · Flannel · Gabardine · Gauze · Gazar · Georgette · Ghalamkar · Gingham · Grenadine · Grenfell Cloth · Grosgrain · Habutai · Haircloth · Harris Tweed · Herringbone · Himroo · Hodden · Irish linen · Jamdani · Kerseymere · Khādī · Khaki · Khaki drill · Kente cloth · Lamé · Lawn · Linsey-woolsey · Loden · Longcloth · Lumalive · Mackinaw · Madapolam · Madras · Moleskin · Muslin · Nainsook · Nankeen · Ninon · Oilskin · Organdy · Organza · Osnaburg · Ottoman · Oxford · Paduasoy · Percale · Pongee · Poplin · Rakematiz · Rayadillo · Rep · Rinzu · Ripstop · Ripstop nylon · Russell cord · Saga Nishiki · Samite · Sateen · Satin · Saye · Scarlet · Seersucker · Serge · Scrim · Shot silk · Stuff · Taffeta · Tais · Toile · Tucuyo · Tweed · Twill · Ultrasuede · Ventile · Vinyl coated polyester · Viyella · Voile · Wadmal · Wigan · Whipcord · Zephyr · Zorbeez Figured woven Brocade · Camlet · Damask · Lampas · Songket Pile woven Baize · Chenille · Corduroy · Crimplene · Fustian · Mockado  · Moquette · Plush · Polar fleece · Terrycloth · Velours du Kasaï · Velvet · Velveteen · Zibeline Nonwoven Felt · Cedar bark Knitted Boiled wool · Coolmax · Machine knitting · Milliskin · Jersey · Velour Netted Bobbinet · Carbon fiber · Fishnet · Lace · Mesh · Needlerun Net · Ninon · Tulle Technical Ballistic nylon · Ban-Lon · Conductive · Darlexx · E-textiles · Gannex · Gore-Tex · Silnylon · Spandex · Stub-tex · SympaTex  · Windstopper Patterns Argyle · Bizarre silk · Herringbone · Houndstooth · Paisley · Pin stripes · Tartan (Plaid) · Tattersall Textile fibers Acrylic · Alpaca · Angora · Cashmere · Coir · Cotton · Hemp · Jute · Kevlar · Linen · Mohair · Nylon · Microfiber · Olefin · Pashmina · Polyester · Piña · Ramie · Rayon · Sea silk · Silk · Sisal · Spandex · Spider silk · Wool Finishing and printing Androsia · Batik · Beetling · Bingata · Bògòlanfini · Calendering · Decatising · Finishing · Fulling · Heatsetting · Mercerization · Moire · Nap · Rogan printing · Rōketsuzome · Roller printing · Sanforization · Tenterhook · Textile printing · Waxed cotton · Woodblock printing · Indienne Related Dyeing · Fiber · History of textiles · History of silk · Knitting · Pandy · Shrinkage · Synthetic fabric · Terminology · Manufacturing · Preservation · Weaving · Yarn

This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)

Dansk (Danish)
n. - tekstil, vævet stof
adj. - tekstil-, vævet

Nederlands (Dutch)
weefsel, textiel

Français (French)
n. - textile
adj. - du textile, de textile, dans le textile, textile

Deutsch (German)
n. - Gewebe, Textil, Textilien
adj. - Textil...

Ελληνική (Greek)
n. - υφαντουργικό προϊόν, ύφασμα

Italiano (Italian)
tessuto

Português (Portuguese)
n. - têxtil

Русский (Russian)
текстиль, ткань

Español (Spanish)
n. - tejido, materia textil
adj. - textil

Svenska (Swedish)
n. - textilmaterial, textil, vävnad

中文（简体）(Chinese (Simplified))
纺织品, 纺织原料, 纺织的

中文（繁體）(Chinese (Traditional))
n. - 紡織品, 紡織原料
adj. - 紡織的

한국어 (Korean)
n. - 직물 , 피륙, 직물 원료
adj. - 직물의, 방직의, 짜인

日本語 (Japanese)
n. - 織物, 織物材料
adj. - 織物の

العربيه (Arabic)
‏(الاسم) خيط او غزل مستخدم في النسيج, نسيج‏

עברית (Hebrew)
n. - ‮בד, בד ארוג, אריג, טקסטיל, סיב‬
adj. - ‮של אריג, טקסטילי‬

If you are unable to view some languages clearly, click here.

To select your translation preferences click here.