Representative Albums: "The Magnificent Thad Jones," "Thad Jones and the Mel Lewis Quartet," "The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra"
Representative Songs: "A Child Is Born," "Tiptoe," "Little Pixie"
Biography
A harmonically advanced trumpeter/cornetist with a distinctive sound, as well as a talented arranger/composer, Thad Jones (the younger brother of Hank and older brother of Elvin) had a very productive career. Self-taught on trumpet, he started playing professionally with Hank Jones and Sonny Stitt when he was 16. After serving in the military (1943-1946), Jones worked in territory bands in the Midwest. During 1950-1953 he performed regularly with Billy Mitchell's quintet in Detroit and he made a few recordings with Charles Mingus (1954-1955). Jones became well-known during his long period (1954-1963) with Count Basie's Orchestra, taking a "Pop Goes the Weasel" chorus on "April in Paris," and sharing solo duties with Joe Newman. While with Basie, Jones had the opportunity to write some arrangements and he became a busy freelance writer after 1963. He joined the staff of CBS, co-led a quintet with Pepper Adams, and near the end of 1965, organized a big band with drummer Mel Lewis that from February 1966 on, played Monday nights at the Village Vanguard. During the next decade the orchestra (although always a part-time affair) became famous and gave Jones an outlet for his writing. He composed one standard ("A Child Is Born") along with many fine pieces including "Fingers," "Little Pixie," and "Tiptoe." Among the sidemen in the Thad Jones-Mel Lewis Orchestra (which started out as an all-star group and later on featured younger players) were trumpeters Bill Berry, Danny Stiles, Richard Williams, Marvin Stamm, Snooky Young, and Jon Faddis, trombonists Bob Brookmeyer, Jimmy Knepper, and Quentin Jackson, the reeds of Jerome Richardson, Jerry Dodgion, Eddie Daniels, Joe Farrell, Pepper Adams, and Billy Harper, pianists Hank Jones and Roland Hanna, and bassists Richard Davis and George Mraz. In 1978, Jones surprised Lewis by suddenly leaving the band and moving to Denmark, an action he never explained. He wrote for a radio orchestra and led his own group called Eclipse. In late 1984 Jones took over the leadership of the Count Basie Orchestra but within a year bad health forced him to retire. Thad Jones recorded as a leader for Debut (1954-1955), Blue Note, Period, United Artists, Roulette, Milestone, Solid State, Artists House, A&M, Metronome, and many of the Thad Jones-Mel Lewis Orchestra's best recordings have been reissued on a five-CD Mosaic box set. ~ Scott Yanow, All Music Guide
Thad Jones was born in Pontiac, Michigan to a musical family of ten (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). Thad Jones was a self taught musician, performing professionally by the age of sixteen. He served in U.S. Army bands during World War II (1943-46).
After the war, Thad Jones continued his professional music career, eventually winding up with Count Basie in 1954, for whom he arranged, composed, and performed. He stayed with Basie for nine years. Thad achieved critical acclaim during this time, but not for his work with Basie. Much of Jones's music was stylistically original and didn't always fit in with the Basie group which he left in 1963. In the early sixties he became a free lance arranger and performer in the New York area.
In 1965, he and drummer Mel Lewis formed the Thad Jones/Mel Lewis Big Band. The group initially began with informal late night jam sessions amongst New York's top studio musicians. The group eventually began performing at the Village Vanguard, to wide acclaim, and continued with Jones in the lead for twelve years. They won a 1978 Grammy Award for their album Live in Munich.[1] Jones also taught at William Paterson College in New Jersey, which is now the site of the Thad Jones Archive, containing pencil scores and vintage photos as part of the Living Jazz Archives.
Jones' big band arranging style was unique, especially from the standpoint of featuring dissonant voicings in a tonal context. This required the members of his big band to play correctly in tune, otherwise the dense chords he wrote would not sound correct. Minor 2nds and major 7ths are often featured in his voicings, especially when the entire band plays a long, powerful chord that some would describe as having "bite".
One of the more notable albums he made in this regard is Suite for Pops recorded on the A&M Records "Horizon" label (now out of print) in the early 70's. It also featured the intense bebop improvisations of saxophonist Billy Harper and the high note screech playing of lead trumpet player Jon Faddis.
In 1978, Thad suddenly moved to Copenhagen, Denmark, (to the great surprise of his New York band mates), where several other American jazz musicians had gone to live. There, he formed a new band Eclipse, composed for The Danish Radio Big Band and taught jazz at the Royal Danish Conservatory in Copenhagen.
In later years his playing ability was overshadowed by his composing and arranging skills. His best known composition is the standard "A Child is Born". A year before his death, Jones came back to the U.S. to lead the Count Basie Orchestra but had to step down due to ill health. He returned to his home in Copenhagen for the last few months of his life. He died on August 21, 1986 after being hospitalized for months but his cause of death was not published. At the time of his death he had a six year old child, also named Thad Jones, with his wife Lis Jones, a daughter Thedia and a son Bruce. He is buried in Copenhagen's Vestre Kirkegård Cemetery (Western Churchyard Cemetery).[2]
