The Anderson Tapes is a 1971 crime film. It was directed by Sidney Lumet and stars Sean Connery, Dyan Cannon, Martin Balsam, and comedian Alan King. The screenplay was written by Frank Pierson, based upon a best-selling 1970 novel of the same name by Lawrence Sanders. The film is distinctively scored by Quincy Jones.[citation needed]
Revolving around a bold robbery, the film was prescient in focusing on the pervasiveness of electronic surveillance, from security cameras in public places to more discrete and underhanded methods, the first film to do so.[1] This theme would become a movie staple following the Watergate scandal a few years later.[2] It also the addressed the lack of coordination between government agencies.[citation needed]
A remake has been announced, to be released in 2010.[3]
Plot
Burglar John "Duke" Anderson is released after ten years in jail. He renews his relationship with his old girlfriend, Ingrid. She lives in a high-class apartment block (1 East 91st Street) in New York and Anderson, almost instantly, decides to burglarize the entire building in a single sweep — filling a furniture van with the proceeds. He gains financing from a nostalgic Mafia boss and gathers his four-man crew. Also included is an old ex-con drunk, "Pop", whom Anderson met in jail, and who is to play concierge while the real one is bound and gagged in the cellar.
Less welcoming is a man the Mafia foists onto Anderson: the thuggish "Socks". "Socks" is a psychopath who has become a liability to the mob and, as part of the deal, Anderson must kill him in the course of the robbery. Anderson is not keen on this since the operation is complicated enough, but is forced to go along.
However Anderson has entered a world of pervasive surveillance — the agents, cameras, bugs, and tracking devices of numerous public and private agencies see almost the entire operation from the earliest planning to the execution. As Anderson advances the scheme he moves from the surveillance of one group to another as locations or individuals change. These include a private detective hired to eavesdrop on Anderson's girlfriend who is also the mistress of a wealthy man; the BNDD, who are checking over a released drug dealer; the FBI, investigating Black activists and the inter-state smuggling of antiques; and the IRS, which is after the mob boss who is financing the operation.
Yet, because the various federal, state and city agencies doing the surveillance are all after different things, none of them are able to "connect the dots" and anticipate the robbery.
The operation proceeds over a Labor Day weekend. The crew cut phones and alarms and move up through the building, gathering the residents as they go and robbing each apartment.
(The scenes of the residents being seized, and in some cases assaulted, are shown in contrast to them giving statements to the police after the robbery, which appears to indicate that it succeeded.)
However, the son of two of the residents is a paraplegic and asthmatic who is left behind in his air-conditioned room. Using his amateur radio equipment, he calls up other radio amateurs, based in Hawaii, Portland, Maine and Wichita Falls, who contact the police. (There is an obvious goof as Wichita Falls is said to be in Kansas, not Texas, obviously the screenwriter confused it with Wichita, Kansas). The alarm is thus raised, after some problems as to which side (callers or emergency services) should take the phone bill.
As the oblivious criminals work, the police array an enormous amount of force outside to prevent their escape and send a team in via a neighbouring rooftop.
In the shootout that follows, Anderson kills "Socks" but is himself shot by the police. The other robbers are killed, injured or captured, but none get away with it. One of them, "Pop", gives himself up after a while of letting the police believe that he is the real concierge. Having never adapted to life on the outside he looks forward to going back to prison.
In the course of searching the building, the police discover some audio listening equipment left behind by the private detective who was hired to check up on Ingrid. While organising the robbery Anderson met various people who were under similar surveillance for other reasons by various government agencies. To avoid embarrassment over the fact that they failed to realise what was going on and that some of the tapings were illegal, the agencies order the tapes to be erased.
Cast
Cast notes
Production
The Anderson Tapes was filmed on location in New York City, on Fifth Avenue, at the Convent of the Sacred Heart, Riker's Island Prison, the Port Authority Bus Terminal, Luxor Health Club and on the Lower East Side. Interiors scenes were filmed at Hi Brown Studio[5] and ABC-Pathé Studio, both in New York City.[4] The production was on a tight budget, and filming was completed in the short period of six weeks, from mid-August to 16 October 1970.[1][6] The film was the first for producer Robert M. Weitman as an independent producer.[4]
Columbia Pictures was not happy with the planned ending of the film, in which Connery escaped to be pursued by police helicopters, fearing that it would hurt sales to television, which generally required that bad deeds not go unpunished.[1]
Quotes
America, man! You know, it's so beautiful I wanta eat it!
– "The Kid" (Christopher Walken)[7]
What's advertising but a legalized con game? And what the hell's marriage? Extortion, prostitution, soliciting with a government stamp on it. And what the hell's your stock market? A fixed horse race. Some business guy steals a bank, he's a big success story. Face in all the magazines. Some other guy steals the magazine and he's busted.
– Anderson (Sean Connery)[8]
References
External links
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