The Beau Brummels

The Beau Brummels
(l-r) Sal Valentino, John Petersen, Ron Elliott, Ron Meagher
Background information
Origin	San Francisco, CA, U.S.
Genres	Folk rock, pop rock, country rock
Years active	1964-1968, 1974-1975
Labels	Autumn, Warner Bros.
Website	http://www.beaubrummels.com/
Former members
Sal Valentino Ron Elliott Ron Meagher Declan Mulligan John Petersen Don Irving Dan Levitt

The Beau Brummels were an American pop rock band, formed in San Francisco in 1964. The band's original lineup included Sal Valentino (lead vocals), Ron Elliott (lead guitar), Ron Meagher (bass guitar), Declan Mulligan (rhythm guitar, harmonica), and John Petersen (drums). Although their initial musical style blended beat music and folk music and typically drew comparisons to The Beatles, the Beau Brummels later worked with other music genres such as psychedelic pop and country rock.

The band broke into the mainstream with their debut single, "Laugh, Laugh," for which they would later be credited for setting the aesthetic foundation for the San Francisco Sound.^[1] The band's popularity continued with the subsequent album, 1965's Introducing the Beau Brummels, and top 10 single "Just a Little." Although the group's commercial success dwindled by the following year, their albums of the late 1960s received critical acclaim.

The band underwent several personnel changes, beginning with Mulligan's departure in 1965. Guitarist Don Irving joined the band in late 1965 when Elliott began to suffer seizures resulting from his diabetic condition, leaving him unable to tour with the band. Shortly after the release of Beau Brummels '66, Irving left the group when he received an induction notice into the armed forces. Petersen left to join Harpers Bizarre. The Beau Brummels were a trio for 1967's Triangle album. Meagher was drafted for military service in 1968, leaving Valentino and Elliott as the only remaining band members for that year's Bradley's Barn album. The duo parted ways in 1969 to record solo material and participate in projects by other artists. The five original Beau Brummels reformed in 1974, and the band released an eponymous album the following year.

History

Formation (1964)

Sal Valentino grew up in the North Beach section of San Francisco.^[2] In early 1964, following a string of appearances as a singer on local television, Valentino received an offer to play a regular gig at El Cid, a San Francisco club.^[3] Needing a band, he called childhood friend and songwriter/guitarist Ron Elliott, who recruited drummer John Petersen, rhythm guitarist/singer Declan Mulligan, and bassist Ron Meagher.^[3] The gig led to a more lucrative deal at the Morocco Room, a club in nearby San Mateo, California.^[1]

The Beau Brummels took their name from a term used to describe a fop, an excessively well-dressed person. The group liked having a British-sounding name, and since it so closely followed The Beatles in the alphabet, the group also knew their records would likely be placed immediately behind those of the Beatles in record store bins.^[4] Meanwhile, San Francisco disc jockeys Tom Donahue and Bobby Mitchell were looking for new acts to bring to their fledgling Autumn Records label.^[1] Donahue and Mitchell wanted to capitalize on the Beatlemania craze that originated the previous year in the UK and was spreading across the U.S. by this time.^[1] Donahue and Mitchell saw the Beau Brummels perform and quickly signed them to Autumn, where the band's early recording sessions were produced by Autumn house producer Sylvester Stewart, who later rose to fame as Sly Stone of Sly & the Family Stone.^[5]

Introducing the Beau Brummels and The Beau Brummels, Volume 2 (1965)

	"Laugh, Laugh" A sample of "Laugh, Laugh," the debut single by the Beau Brummels, from the band's 1965 album, Introducing the Beau Brummels. This sample illustrates the song shifting from the first verse to the chorus.
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The band's debut single, "Laugh, Laugh" entered the U.S. Billboard Hot 100 singles chart in January 1965.^[6] As the song climbed the charts, many listeners assumed the Beau Brummels were British, due to the band's name and musical style, which recalled such bands as the Beatles and The Zombies.^[7] The comparisons were bolstered by Donahue and Mitchell, who had the band dress in Beatlesque suits and spread rumors that the band was indeed British.^[1] "Laugh, Laugh" peaked at number fifteen in February,^[8] but Donahue believed the single would have gone to number one if the band was on a label with stronger distribution.^[9] The song was the band's highest-charting single in Canada, where it reached number two on the Canadian Singles Chart.^[10] The band's followup single, "Just a Little," became the band's highest-charting single in the U.S., peaking at number eight in June.^[8] Both songs were included on the band's debut album, Introducing the Beau Brummels, which was released in April and reached number 24 on the Billboard 200 albums chart.^[11] The band appeared as themselves and performed in the 1965 science-fiction/comedy movie Village of the Giants, which was later featured in a 1994 episode of Mystery Science Theater 3000.^[12] The band appeared as The Beau Brummelstones on The Flintstones television animated sitcom in the season six episode "Shinrock A Go-Go," which originally aired on December 3, 1965.^[13]

When recording began for the band's second album, 1965's The Beau Brummels, Volume 2, Mulligan was no longer a member of the group.^[14] In 1966, he sued the band for $1.25 million in damages, claiming he was wrongfully dismissed from the group.^[15] "You Tell Me Why," the album's lead single, was the band's third and final U.S. top 40 hit, peaking at number 38 in August 1965.^[8] Another single, "Don't Talk to Strangers," reached number 52 in November.^[8] While Stone is credited as the album's producer, his involvement, according to Sal Valentino and Ron Elliott, had diminished to the point that the band does not recall any producer being in charge.^[14] By the end of the year, Elliott began to suffer seizures from his diabetic condition that left him unable to perform.^[16] Don Irving became Elliott's stand-in on guitar when the group performed live.^[16]

Beau Brummels '66, Triangle and Bradley's Barn (1966-1968)

The Beau Brummels in the 1966 teen film Wild Wild Winter. L to R: Elliott, Petersen, Mulligan, Valentino, Meagher.

The Beau Brummels made a musical guest appearance in Wild Wild Winter, a beach party-inspired comedy film by Universal Pictures which was released January 5, 1966. The band continued recording new material despite Autumn verging on collapse.^[17] Such songs as "I Grow Old," "Gentle Wandering Ways" and "Dream On," along with Valentino-composed tracks such as "Love is Just a Game," "This is Love," and "Hey Love," would have most likely been included on the band's third album for Autumn.^[18] But before an album was completed and released, the entire Autumn roster, including the Beau Brummels, was transferred to Warner Bros. Records.^[18] Warner Bros., however, did not control the band's publishing, and consequently the company chose not to have the band release an album of original material.^[18] The unreleased songs were later included on the 2005 three-disc compilation album San Fran Sessions.^[18] Instead, Warner Bros. opted to have the band record an album of cover songs.^[18] Released in July 1966, Beau Brummels '66 was considered a commercial and critical disappointment.^[19] The non-album single "One Too Many Mornings," a Bob Dylan cover, was the band's sixth and final Hot 100 chart entry, peaking at number 95 in June.^[8] Petersen left the band after the album's release to join Harpers Bizarre,^[20] while Irving departed when he received an induction notice into the armed forces.^[21] The three remaining members quit touring to focus on studio work.^[21]

The band resumed writing original material for their fourth album, Triangle, produced by Lenny Waronker.^[2] Session musicians, such as Van Dyke Parks, who played harpsichord on "Magic Hollow," contributed to the album.^[22] Released in July 1967, Triangle only reached number 197 on the Billboard 200 albums chart,^[11] but it was praised by critics, including Australian journalist and author Lillian Roxon in her 1969 Rock Encyclopedia.^[23][24] In 1968, Meagher was drafted for military service, leaving the Beau Brummels as a duo consisting of Valentino and Elliott.^[25] The duo went to Tennessee to record their fifth album, and worked with prominent Nashville session musicians such as Kenny Buttrey, a drummer on Bob Dylan's albums from 1966 to 1969, and guitarist Jerry Reed.^[26] The Beau Brummels were so pleased with the results at the studio that they named the album Bradley's Barn, after the studio in which it was recorded.^[27] Shortly following the album's release in October 1968, the Beau Brummels split up.^[2]

Solo works, other projects and reformation (1969-1975)

Following a stint in 1969 recording solo singles for Warner Bros. Records, Valentino assembled a new band, Stoneground,^[20] which was associated with the hippie commune the Hog Farm in the early 1970s.^[20] The band broke up in 1973 after releasing three albums.^[3] Elliott, who in 1968 played guitar on Van Dyke Parks' debut album, Song Cycle, and arranged The Everly Brothers' album, Roots, released a solo album, The Candlestickmaker, in 1970.^[16] During the early 1970s, Elliott produced albums by Levitt & McClure and Pan, and played on albums by Van Morrison, Randy Newman and Little Feat.^[16][26] Meanwhile, Mulligan and Meagher were members of the Black Velvet Band.^[25] In 1969, Petersen married Roberta Templeman, sister of Harpers Bizarre's Ted Templeman.^[28] Petersen remained with Harper's Bizarre until the band broke up in the early 1970s.^[28]

In February 1974, Billboard magazine reported that the Beau Brummels had reformed in San Francisco.^[29] The band resumed touring, and a 1974 performance recorded in Fair Oaks Village near Sacramento, California was released in 2000 as the Live! album.^[30] In April 1975, the band released a self-titled studio album, which reached number 180 on the Billboard 200 albums chart.^[11] One of the band's previous singles, 1965's "You Tell Me Why," was re-recorded for the album.^[28]

Although the band split up again soon after the album's release, the Beau Brummels occasionally toured in various incarnations from the late 1970s through the mid-1990s, including shows with The Smithereens.^[31] The band also performed at shows such as the Baypop 2000 Festival^[32] and the 2002 Summer of Love Festival, both in San Francisco.^[33] In 2006, Valentino released Dreamin' Man, the first solo album of his 45-year career.^[34] Another album, Come Out Tonight, followed later that year, and his third solo album, Every Now and Then, was released in 2008.^[35] John Petersen died of a heart attack on November 11, 2007.^[36]

Musical style

	"Magic Hollow" A sample of "Magic Hollow" from the band's 1967 album, Triangle. This song represents the band's psychedelic pop sound.
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Combining beat music and folk rock,^[37] the Beau Brummels, especially early in their career, were compared to British bands such as the Beatles and the Zombies.^[7] Indeed, the Beau Brummels were fans of these acts, as well as The Rolling Stones and The Searchers, and originally patterned their overall style after their sounds.^[38] The melancholy, minor keys of debut single "Laugh, Laugh" led many listeners to mistakenly believe that the band were indeed British.^[39] As the band evolved, they incorporated different music genres into their works, ranging from hard rock to country and western to rhythm and blues.^[40] 1967's Triangle was a concept album which featured not only the band's increasing interest in country music, but elements of psychedelic pop, including the use of strings, brass, woodwinds, harpsichord, and various types of unique percussion.^[1] Ron Elliott said the album was "sort of a mood swing into the world that was around us at the time. It was sort of dissolving into this drug culture. So the music became very ethereal, mystic, and mysterious."^[41] The band's country rock fusion was most evident on 1968's Bradley's Barn, which Elliott said was similar stylistically to Triangle, but with more country accents.^[42]

The band members were hesitant to categorize their music, preferring to call it a combination of styles, according to Elliott.^[43] "We don't play anything really different—we play melodically and rhythmically," he said in a 1965 interview.^[43] "I think that's why the [Rolling] Stones have made it. They don't do anything really fantastic but they have good taste, and good taste is more important than speed."^[43] Sal Valentino credited Elliott for his vocal style, saying that "Ron had a great low register. He knew how to write in the best keys for me." Valentino added, "From the time I started singing in bands, I didn't really sing too many other people's songs other than Ron's. Being able to sing just one person's writing, who was a pretty able writer with ability to adjust to what he's working with, had a lot to do with the way I sang."^[41]

Legacy

Clockwise from top right: John Petersen, Sal Valentino, Ron Meagher, Ron Elliott, and Declan Mulligan perform as the Beau Brummelstones on a 1965 episode of The Flintstones.

The Beau Brummels are considered the first band to achieve widespread success in response to the British Invasion from a burgeoning San Francisco music scene^[32][34] which included such bands as Jefferson Airplane, the Grateful Dead, We Five, Moby Grape, Quicksilver Messenger Service and Country Joe and the Fish.^[2] At the height of the band's popularity, the Beau Brummels were regarded as teen idols, appearing on several television music variety shows including American Bandstand, Shindig! and Hullabaloo, as well as the teen films Village of the Giants and Wild Wild Winter.^[1] The band also appeared as the Beau Brummelstones in a 1965 episode of the animated television sitcom The Flintstones.^[13] The band pioneered blending beat music with folk rock, as "Laugh, Laugh" was recorded before The Byrds recorded "Mr. Tambourine Man."^[1][37] The group's Triangle (1967) and Bradley's Barn (1968) albums are considered early examples in the country rock music genre.^[44]

"Laugh, Laugh" was included on 1972's Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968, a compilation double album of American garage rock singles that helped influence the development of 1970s punk rock.^[45][46][47] The song was also featured during a scene in the 1989 comedy-drama film Uncle Buck, starring John Candy.^[48] In 1994, "Laugh, Laugh" was named to the Rock and Roll Hall of Fame's exhibit showcasing The 500 Songs that Shaped Rock and Roll."^[49] In the June 1997 issue of Mojo magazine, "Magic Hollow" was selected one of the "100 Greatest Psychedelic Classics."^[50] Music journalist and author Tom Moon named Triangle to his 2008 book of the 1,000 Recordings to Hear Before You Die.^[51]

Band members

Original line-up

• Sal Valentino – lead vocals, tambourine (1964-1969, 1974-1975)
• Ron Elliott – lead guitar, backing vocals (1964-1969, 1974-1975)
• Ron Meagher – bass, backing vocals (1964-1967, 1974)
• Declan Mulligan – rhythm guitar, harmonica, backing vocals (1964-1965, 1974-1975)
• John Petersen – drums (1964-1966, 1974-1975)

Subsequent members

• Don Irving - guitars, backing vocals (1965-1966)
• Dan Levitt - banjo, guitars (1974-1975)

Timeline

• Note: The Beau Brummels were inactive during the 1969–1974 period.

Discography

• 1965: Introducing the Beau Brummels
• 1965: The Beau Brummels, Volume 2
• 1966: Beau Brummels '66
• 1967: Triangle
• 1968: Bradley's Barn
• 1975: The Beau Brummels

See also

• List of best-charting U.S. music artists
• List of bands from the San Francisco Bay Area

Notes

References

• Unterberger, Richie (2000). Urban Spacemen and Wayfaring Strangers: Overlooked Innovators and Eccentric Visionaries of '60s Rock. San Francisco: Miller Freeman. ISBN 978-0879306168. 
  
• March, Jeff; Childs, Marti (1999). Echoes of the Sixties. New York: Billboard Books (Nielsen Business Media, Inc.). ISBN 978-0823083169. 

External links

• Official Sal Valentino site