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The Born Losers

 
Movies:

The Born Losers

  • Director: Tom Laughlin
  • AMG Rating: star
  • Genre: Action
  • Movie Type: Action Thriller, Biker Film
  • Themes: Righting the Wronged, Vigilantes
  • Main Cast: Tom Laughlin, Elizabeth James, Jane Russell, Jeremy Slate, William Wellman, Jr.
  • Release Year: 1967
  • Country: US
  • Run Time: 112 minutes

Plot

One of the first recognizable "vigilante" films in American cinema, The Born Losers tells the story of Billy Jack (writer-director Tom Laughlin), a half-breed ex-Green Beret and Vietnam veteran who makes it his business to rescue a cute mod girl from a crew of vicious bikers. Much to his chagrin, however, he finds his lethal training gets him in as much trouble with the racist cops as with the bikers, and he soon becomes embroiled in a violent struggle against all parties involved. There is blood-letting and bone-breaking to burn in The Born Losers, not to mention lots of preaching on the part of Laughlin. However, it still tops the more famous sequel, Billy Jack, and it qualifies writer-director-star Laughlin for the status of true auteur. ~ Jeremy Beday, All Movie Guide

Review

The little acorn that would grow into the legendary Billy Jack film series of the '70s begins with this fairly unassuming biker picture. Indeed, The Born Losers looks and feels like many a cycle epic of the late '60s: there's tough talk, brutal violence (both fights and sexual assaults), hairy guys speeding around on motorcycles, and a small town forced to make its stand against a horde of invading reprobates. However, The Born Losers distinguishes itself by its ambitious approach to this subgenre. The story gets a bit unwieldy at almost two hours (fare like this usually works best at around 90 minutes) and the dialogue can get a bit ripe, but the expansive storytelling allows for some unusually ambitious plotting. More interestingly, director/co-writer/star Tom Laughlin uses his premise to explore the ineffectiveness of law at dealing with career criminals, how the justice system fails to protect the public in criminal proceedings, and how ineffectual parenting breeds the very problems society would like to avoid. Keep in mind that all these points are dealt out with a very heavy hand and couched in all manner of exploitable violence and raciness, but it's unique and interesting that the time is taken to make such points. The Born Losers is also pretty entertaining on a B-movie level. Despite some slack pacing here and there, Laughlin knows how to build tension and stage action with skill. He also gets good performances from a colorful cast. Jeremy Slate makes a nicely underplayed villain, Jane Russell steals a few scenes as an overwrought mother, and familiar B-movie faces like Stuart Lancaster and Jack Starrett lend solid support. Best of all, Tom Laughlin makes a cool, charismatic hero and his performance here makes it easy to understand the long-lived popularity of his Billy Jack character. In short, The Born Losers might be a little too creaky and contrived for modern viewers, but it's worth a look to B-movie aficionados (especially those with a yen for biker movies). ~ Donald Guarisco, All Movie Guide

Cast

Robert Tessier - Cue Ball; Jeff Cooper - Gangrene; Paul Prokop - Speechless; Susan Foster - Linda Prang; Stuart Lancaster - Sheriff; Paul Bruce - District Attorney; Robert Cleaves - Mr. Crawford; Ann Bellamy - Mrs. Prang; Jack Starrett - Deputy; Ed Cook - Crabs

Credit

Tom Laughlin - Director, John Wineld - Editor, Mike Curb - Composer (Music Score), Gregory Sandor - Cinematographer, Tom Laughlin - Producer, Delores Taylor - Producer, Tom Laughlin - Screenwriter, E. James Lloyd - Screenwriter

Similar Movies

Hell's Angels on Wheels; Mad Max; The Wild One; Shame; The Black Six
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Wikipedia: The Born Losers
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Born Losers

Promotional movie poster for the film
Directed by T. C. Frank (Laughlin)
Produced by Delores Taylor
Don Henderson
Written by James Lloyd
Starring Tom Laughlin
Elizabeth James
Jeremy Slate
Jane Russell
Music by Mike Curb
Cinematography Gregory Sandor
Editing by John Winfield
Distributed by American International Pictures
Release date(s) August 18, 1967
Running time 113 min.
Country U.S.
Language English
Followed by Billy Jack

Born Losers is a 1967 film and the first of the Billy Jack movies. The film introduced Tom Laughlin as the half-Indian Green Beret Vietnam war veteran Billy Jack. Since 1954 Laughlin had been trying to produce his Billy Jack script about discrimination toward Native Americans. In 1967 he decided to introduce the Billy Jack character in a quickly written script designed to capitalize on the then-popular trend in motorcycle gang movies. The story was based on a real incident from 1964 where members of the Hells Angels were arrested for raping two teenage girls in Monterey, California.

Contents

Production

The movie was filmed on location in southern California at Seal Beach, Big Sur, and other coastal areas. According to Laughlin's DVD audio commentary, filming was completed in just 3 weeks on an operating budget of $160,000. To cut costs, a stunt scene of a biker crashing into a pond was taken from American International's 1966 comedy The Ghost in the Invisible Bikini. The movie was not released until 1969.

Despite its formulaic premise, it hit a note with audiences, and resulted in Laughlin being able to raise the funds to make its successful sequel, Billy Jack. In 1974, after the sequel proved financially successful, American International Pictures re-released The Born Losers with the taglines "The film that introduced Billy Jack" and "Back By Popular Demand: "Born Losers" The Original Screen Appearance of Tom Laughlin as Billy Jack". This re-release helped cement The Born Losers' honor of being the highest grossing American International release until 1979 when The Amityville Horror was released.

Although the screenplay has all the trappings of a typical motorcycle-gang exploitation film, director-writer-star Tom Laughlin added a layer of social criticism and a skeptical, anti-authority tone to the story. (A formula he would expand upon in his next film, Billy Jack.) Here, bad parenting results in teenage girls cavorting with bikers and getting brutally assaulted. The police are ineffective in dealing with career criminals and protecting the innocent—and the local citizens lack the courage to take action themselves. It is up to the lone hero in the form of Billy Jack to stand up to the gang and restore some sense of order.

Plot

Billy Jack is introduced as an enigmatic, half-Indian Vietnam War veteran who shuns society, taking refuge in the peaceful solitude of the mountains. His troubles begin when he descends from this unspoiled setting, driving into a small beach town (i.e., re-enters society). A minor traffic accident in which a motorist hits a motorcyclist results in a savage beating by members of the Born Losers Motorcycle Club. The horrified bystanders (including Laughlin's wife, Delores Taylor, and their two children in cameo roles) are too afraid to help or be involved in any way. Billy Jack jumps into the fray and rescues the man by himself. At this point the police arrive and arrest Billy for using a rifle to stop the fight. (The irony here is that, unknown to Billy, the motorist is the one who starts the fight by inexplicably insulting one of the bikers.)

The police throw Billy in jail and fine him heavily for discharging a rifle in public. He is treated with suspicion and hostility by the police. Meanwhile, the marauding bikers terrorize the town, rape four teenage girls, and threaten anyone slated to testify against them. One of the girls, played by Susan Foster, later recants, saying she willingly gave herself to the biker gang. (Foster would go on to play a larger supporting role in Billy Jack.)

Co-scriptwriter Elizabeth James plays Vicky Barrington, a bikini-clad damsel-in-distress who is twice abducted and abused by the gang. The second time, she and Billy are kidnapped together. After Billy sustains a brutal beating, Vicky agrees to become the gang's sexually compliant "biker mama" if they release Billy. At the police station, Billy is unable to get help from the police or the local residents and must return to the gang's lair to rescue Vicky by himself.

Billy, armed with a rifle, captures the gang, shoots the leader (Jeremy Slate) between the eyes, and forces some of the others to take Vicky, who's been badly beaten herself, to the hospital. As the police finally arrive, Billy abruptly rides off on one of the gang's motorcycles.

The anti-authority sentiment continues up to the end when a police deputy accidentally shoots Billy in the back, mistaking him for a fleeing gang member. He is later found, nearly dead, lying by the shore of a lake. It is notable that this element of near-martydom is used again in Billy Jack where he receives a serious gunshot wound (in the original script, Billy was killed by a police sniper). Also in both films Billy is overpowered by a gang of thugs and receives a severe and sadistic beating.

Themes and format

The story is reminiscent of a traditional Western, particularly High Noon and Shane. A lone hero stands against a gang of outlaws in a town where both lawmen and townspeople are unable or unwilling to help. This image is reinforced by the cowboy hat Billy wears (his trademark Indian hat was introduced in the 1971 sequel, Billy Jack). Billy's half-Indian heritage also leads to gang members taunting him with racial slurs (racial intolerance, especially toward Indians, will become the central theme of Billy Jack).

Here and in its three sequels, Laughlin adopted the format of violent exploitation and martial arts films to comment on a variety of social and political issues. Although highly successful at the box office, critical response has been generally negative. A characteristic remark from film critic Leonard Maltin takes Laughlin's films to task for "using violence as an indictment of violence." The inescapable irony is that while his films center around a message of peace, tolerance, and understanding, the Billy Jack character spends an inordinate amount of time karate-kicking his opponents into submission in order to make his point.

Films in the series

References

  • Weiner, Mike, Motorcycle News, Review of "The Born Losers"
  • White, Rusty, Entertainment Insiders "1967 films : The Born Losers"

See also

External links



 
 

 

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