Plot
The best-selling suspense novel by late author Robert Ludlum comes to the screen for a second time, following a 1988 made-for-TV movie. Matt Damon stars as Jason Bourne, a barely alive amnesiac with a pair of bullet wounds in his back, pulled from the Mediterranean by Italian fishermen. Bourne's only clue to his own identity is a bank account number etched on a capsule implanted in his body. He quickly finds the Zurich bank where money, a gun, and a few identification documents await, but after he's pursued by security goons at the American consulate, Bourne realizes he can trust no one and offers a German gypsy named Marie (Franka Potente) ten thousand dollars for a ride to Paris. Encountering more professional killers bent on his destruction, Bourne discovers that he possesses a surprising degree of skill in combat, martial arts, and linguistics -- handy talents that clearly indicate his past includes work as a spy and assassin, but for whom? With Marie's reluctant help, Bourne edges closer to the truth, something CIA officials want concealed at all costs. The Bourne Identity co-stars Chris Cooper, Clive Owen, Brian Cox, and Julia Stiles. ~ Karl Williams, RoviReview
A tight, gripping spy thriller that's nonetheless a pleasant surprise given a notoriously difficult production that included an incomplete script, usually an omen of impending artistic doom. Not to disparage his abilities in any way -- a pair of showdowns with rival assassins are high-octane show stoppers -- but so much of what works about director Doug Liman's make-or-break studio debut is in the absolutely superb, even brilliant, casting. Matt Damon is perfect in a role that requires him to be simultaneously smart but baffled, competent but confused, lethal but little-boy-lost. By comparison, Richard Chamberlain in the late '80s TV-movie version of the same novel plays like a stone carving. Franka Potente is the first solid, realistic female foil to hit this genre in a long, long time, leaving one to wonder what exactly the James Bond producers will do with characters like Pussy Galore and Honey Ryder now that they've been trumped by the modern, feminist approach of Bourne and the spoofing jabs of the Austin Powers series. Praise must also be heaped on the blink-and-you'll-miss-it performance of Clive Owen as a rival assassin, whose chilling performance suddenly twists into eerie poignancy in a Van Gogh-inspired death scene that occurs in a wheat field bursting with crows, an unexpectedly quiet high point of the film. The always reliably efficient Chris Cooper, who never seems to use a movement, facial expression, or vocal inflection without deliberate care, seems at first an odd choice for a villain, until it becomes clear that his character's villainy is hopelessly intertwined with his very bureaucratic flunkeyism. Envisioned by Universal as a franchise-launcher with at least two follow-ups to come, The Bourne Identity is a solid kick-start to a series that will, hopefully, remain grounded in the sort of reality that makes the film a slick, enjoyable thriller. ~ Karl Williams, RoviCast
- Matt Damon - Jason Bourne
- Franka Potente - Marie Kreutz
- Clive Owen - The Professor
- Chris Cooper - Ted Conklin
Credit
Bettina von den Steinen - Art Director, Laurent Piron - Art Director, Kate Dowd - Casting, Joseph Middleton - Casting, Andrew R. Tennenbaum - Co-producer, Pierre-Yves Gayraud - Costume Designer, Patrick Crowley - First Assistant Director, Doug Liman - Director, Alexander Witt - Second Unit Director, Saar Klein - Editor, Frank Marshall - Executive Producer, Robert Ludlum - Executive Producer, John Powell - Composer (Music Score), Julianne Jordan - Musical Direction/Supervision, Dan Weil - Production Designer, Oliver Wood - Cinematographer, Alexander Witt - Cinematographer, Richard N. Gladstein - Producer, Patrick Crowley - Producer, Doug Liman - Producer, Alexandrine Mauvezin - Set Designer, Bernard Bats - Sound/Sound Designer, Nicholas Powell - Stunts Coordinator, William Blake Herron - Screenwriter, Tony Gilroy - Screenwriter, Don Burgess - Additional Cinematography, Dan Mindel - Additional Cinematography, Peter Donen - Visual Effects Supervisor, Per Hallberg - Supervising Sound Editor, Karen M. Baker - Supervising Sound Editor, Industrial Light & Magic - Visual Effects, Robert Ludlum - Book Author| The Bourne Identity (1988 Film), The Bouquet (1910 Film) | |
| The Bourne Legacy (2012 Film), The Bourne Supremacy (2004 Film) |
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