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The Death of Ivan Ilych

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Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
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Further Reading


Leo Tolstoy 1886

Tolstoy’s “Smert Ivana Ilyicha” (“The Death of Ivan Ilych”) was widely acclaimed when it was published in 1886 and remains a compelling narrative for contemporary readers. It is significant for its universally powerful portrayal of a man’s physical deterioration and subsequent spiritual rejuvenation at the moment of death, and because it is the first fiction which Tolstoy published after his conversion to radical Christianity. Several critics note a shift in his writing after his spiritual breakdown in the 1870s, which inspired him to write primarily on religious and philosophical issues while repudiating his earlier works. Tolstoy’s Voina i mir (1869; War and Peace) and Anna Karenina (1877) are almost unanimously praised as compelling documents of human existence and are lauded as excellent examples of the realistic novel. Devoting his life to introspection and excelling not only as a writer but as a scholar and philosopher, Tolstoy has influenced a wide range of writers and philosophers, from Ernest Hemingway to Martin Heidegger. He has been hailed by a variety of writers as one of the most important figures in modern literary history, successfully animating his fiction with the dynamics of life. Fyodor Dostoyevsky called him “a sublime artist”; Virginia Woolf claimed him as “the greatest of all novelists”; and Marcel Proust honored him as “a serene god.” Due to Tolstoy’s relentless examinations of psychology and society, he has won the admiration of multitudes of writers and still affects readers with his stark portrayal of human life. “The Death of Ivan Ilych” perfectly demonstrates this introspection as it magnifies a man’s struggle with how to live his life.

 
 
Wikipedia: The Death of Ivan Ilyich
For the Austrian development critic, see Ivan Illich

The Death of Ivan Ilyich (Russian: Смерть Ивана Ильича, Smert' Ivana Ilyicha), first published in 1886, is a novella by Leo Tolstoy. It is one of Tolstoy's most celebrated pieces of late fiction. This work stems in part from Tolstoy's anguished intellectual and spiritual struggles which led to his conversion to Christianity. Central to the story is an examination on the nature of both life and death, and how man can come to terms with death's very inevitability. The novella was acclaimed by Vladimir Nabokov and Mahatma Gandhi as the greatest in the whole of Russian literature.[specify]

Plot summary

Ivan Ilych Golovin, a high court judge in St. Petersburg with a wife and family, lives a carefree life which is "most simple and most ordinary and therefore most terrible". One day, after falling while hanging curtains, he begins to suffer from a mysterious pain in his left abdomen. The pain becomes more and more excruciating. He is forced to visit physicians, who cannot pinpoint the source of his malady, and soon it becomes clear that his condition is terminal. He is brought face to face with his mortality, and realizes that although he knows of it, he does not truly grasp it.

During the long and painful process of death, Ivan dwells on the idea that he does not deserve his suffering, because he has lived rightly. If he had not lived a good life, there could be reason for his pain; but he had, so pain and death had to be arbitrary and senseless. As he begins to hate his family for avoiding the subject of his death, for pretending he was only sick and not dying, he finds his only comfort in his peasant boy servant, Gerasim, who is the only person in Ivan’s life who does not fear death, and is also the only one who shows compassion for Ivan. Ivan begins to question whether he has, in fact, lived rightly.

In the final days of Ivan’s life, he makes a clear split between artificial life, the life of himself and his family that masks the true meaning of life and makes one fear death, and authentic life, the life of Gerasim. Authentic life is marked by compassion and empathy, artificial by self-interest. Then “some force” strikes Ivan in the chest and side, and he is brought into the presence of a bright light. His hand falls onto his son’s head, and he pities him. He no longer hates his son or wife, only feels sorry for them, because he has found a last minute joy in authentic life and they will continue their artificial lives fearing death. In the middle of a sigh, Ivan dies.

Controversy

Christians have often embraced the apparent conversion or redemption of Ivan Ilych at the end. Ivan Ilych sees the light, cries out "What Joy!" etc. Indeed, the novella was written soon after Tolstoy had a conversion experience. Tolstoy's Christianity, however, was always a quirky one, focused on the life of Jesus as a model of love in action. There is, for example, no definite indication of life after death in “The Death of Ivan Ilych,” only the powerful depiction of the man’s experience of dying.

Many people have different interpretations for the end of the novella. One such interpretation is that Ivan Ilych's whole struggle and agony ends with the great gift of a cessation of suffering. Another interpretation is that Ivan Ilych's breakthrough is the freedom that comes with truth, in his case, seeing the falsity of his life, which enables him to have a brief moment of unselfish love or at least compassion for his wife and son.

Pop Culture

  • Akira Kurosawa's 1952 film Ikiru (To Live) was inspired by The Death of Ivan Ilyich, though the film is not a retelling of the Tolstoy work.
  • The film Ivans XTC was also inspired by this novella.

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