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The Fairfield Four

 
Artist: The Fairfield Four
The Fairfield Four

Group Members:

Rufus Carrethers, Rev. J.R. Carrethers, Harold Carrethers, John Battle, George McCurn

Similar Artists:

Influenced By:

Followers:

Formal Connection With:

James Hill, Joe A. Henderson, George McCurn, Gene Allison
See The Fairfield Four Lyrics
  • Formed: 1921, Nashville, TN
  • Genres: Gospel
  • Representative Albums: "Angels Watching over Me," "Standing in the Safety Zone," "I Couldn't Hear Nobody Pray"
  • Representative Songs: "John the Revelator," "Dig a Little Deeper," "That Day Is Done"

Biography

During the 1940s, the Fairfield Four were among the top-ranked gospel quartets, along with the Dixie Hummingbirds, Five Blind Boys, and Soul Stirrers. Originally a gospel duet created in the early '20s by the pastor of Fairfield Baptist Church in Nashville to occupy his sons, Harry and Rufus Carrethers, they became a gospel trio with the addition of John Battle. The group was transformed into a jubilee quartet by the '30s and began the first of numerous personnel changes. They recorded for RCA Victor and Columbia during the decade and were known for their reinterpretations of standard hymns, featuring bright, close baritone and tenor harmonies. When the Fairfield Four sang, they utilized the full extent of their voices, moving easily from deep, rolling basslines to the staccato upper peaks of the tenor range, all executed with precise, intricate harmonies and ever-shifting leads.

The Fairfield Four reached their broadest audience when the Sunway Vitamin Company sponsored a nationally broadcast radio show for them daily at 6:45 a.m. on WLAC, Nashville. At the same time, they also continued touring; it was a grueling schedule, especially with the drive to Nashville, and often the group would be missing a member or two on the show. In 1942, the quartet recorded for the Library of Congress, but by 1950, it all became too much. Coupled with some financial trouble and a dwindling radio audience, the Fairfield Four broke up, though one member, Reverend Sam McCrary, used the group name to perform with other quartets. In 1980, the Fairfield Four from the '40s was reunited for a concert in Birmingham, Alabama, by Black gospel specialist Doug Seroff. In 1989, they were designated as National Heritage Fellows by the National Endowment for the Arts. They continue to perform, though the original members are either deceased or retired. ~ Sandra Brennan & Bil Carpenter, All Music Guide
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Wikipedia: The Fairfield Four
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The Fairfield Four

Background information
Genres a cappella gospel
Years active 1921-Present
Members
Reverend Sam McCrary
James Hill (baritone)
Isaac 'Dickie' Freeman (bass)
Willie Richardson
Robert Hamlett
Ed Hall
Joe Thompson
Edward Thomas (tenor)
Willie Frank Lewis (utility)
Former members
Harold Carrethers (baritone)
Rufus Carrethers (bass)
John Battle (lead)
Lattimer Green (second lead)
Wilson 'Lit' Waters

The Fairfield Four is a gospel group that has existed for over 80 years. They started as a trio in Nashville, Tennessee's Fairfield Baptist Church in 1921.[1] They were designated as National Heritage Fellows in 1989 by the National Endowment for the Arts. The group won the 1998 Grammy for Best Traditional Soul Gospel Album. As a quintet, they featured briefly in the motion picture O Brother, Where Art Thou?.

The group gained more popular recognition after appearing on John Fogerty's 1997 CD Blue Moon Swamp, singing on the track A Hundred and Ten in the Shade. They also did many live appearances with Fogerty.

Contents

Awards

Discography

  • Don't Let Nobody Turn You Around/Standing in The Safety Zone, Dot, 1947-1948.
  • When I Get up in Heaven/Amazing Grace, Dot, 1947-1948.
  • Tree of Level/Jesus Met the Woman at the Well, Dot, 1949.
  • Dear Lord, Look Down Upon Me/Savior Don't Pass Me By, Dot, 1949.
  • In The Wilderness/Let Me Tell You About Jesus, Dot, 1949.
  • In The Upper Room/I'll Tell The World, Dot, 1950.
  • I Don't Know Why I Have to Cry/When I Move in the Room, Dot, 1950.
  • Don't Drive Your Children Away/Does Jesus Care, Dot, 1950.
  • Nobody To Depend on/Old Time Religion, Dot, 1950.
  • No Room at the Inn/Talking About Jesus, Dot, 1950.
  • I Love The Name Jesus/Leave Them There, Dot, 1950.
  • On My Journey Now/Love Like a River, Dot, 1950.
  • Poor Pilgrim of Sorrow/Don't Drive Her Away, Dot, 1950.
  • Packing Every Burden/Don't Leave Me, Dot, 1951.
  • My Prayer/Come on to This Altar, Dot, 1951.
  • Waiting for Me/Angels Watching, Dot, 1951.
  • I'm in Your Care/I Can Tell You the Time, Dot, 1951.
  • When We Bow/Let's Go, Dot, 1951.
  • Hope To Shout in Glory/All the Way, Dot, 1951.
  • I'll Be Satisfied/I've Got Good Religion, Dot, 1951.
  • Come Over Here/Who Is That Knocking, Dot, 1953.
  • His Eye Is on the Sparrow/Every Day, Dot, 1953.
  • How I Got Over/This Evening Our Father, Dot, 1953.
  • Stand by Me/Hear Me When I Pray, Dot, 1953.
  • When The Battle Is Over/Standing on the Rock, Dot, 1953.
  • Somebody Touched Me/Mother Don't Worry, Dot, 1953.
  • We Never Grow Old/Jesus in Heaven, Dot, 1954.
  • God Knows I'm a Pilgrim/Heaven in My View, Dot, 1954.
  • Standing in the Safety Zone, Warner Bros. Records, 1992.
  • I Couldn't Hear Nobody Pray, Warner Bros. Records, 1997.
  • Wreckin' the House, Dead Reckoning, 1998.
  • Fairfield Four and Friends Live from Mountain Stage, Blue Plate, 2000.
  • The Bells Are Tolling, Ace, 2001.
  • Road to Glory, Fuel, 2001.
  • Beautiful Stars, Isaac Freeman and the Bluebloods, Lost Highway, 2002.

Other contributions

References

External links

Further reading

  • "Fairfield Four" Contemporary Musicians. Ed. Angela M. Pilchak. Vol. 49. Thomson Gale, 2005. March 27, 2007
  • Billboard, July 22, 2000, p. 6.
  • Capital Times (Madison, WI), June 4, 2001, p. 3A.
  • Denver Post, July 31, 1998, p. E7.
  • Herald Sun (Melbourne, Australia), July 14, 2000, p. 96.
  • Independent (London, England), July 12, 2000, p. 6.
  • Nashville Scene, February 26, 1998.
  • Sarasota Herald Tribune, April 15, 1999, p. 5E.
  • Seattle Times, July 8, 2000, p. A4
  • Alabama Hall of Fame, (March 19, 2004).
  • Bill Friskics-Warren Adding Notes to a Folklorist’s Tunes New York Times December 2, 2007

 
 

 

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