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The Fall

 
Artist: The Fall
The Fall

Group Members:

Mark E. Smith, Craig Scanlon, Steve Hanley, Karl Burns, Brix Smith, Simon Wolstencroft, Martin Bramah, Julia Nagle, Simon Rogers, Paul Hanley, Marc Riley, Dave Bush, Marcia Schofield, Lucy Rimmer, Yvonne Pawlett, Mike Leigh, Tony Friel, Johnnie Brown, Kenny Brady, Tommy Crooks, Una Baines

Similar Artists:

Influenced By:

Followers:

Performed Songs By:

Mike Bennett, Simon Wolstencroft, Mark E. Smith, Marcia Schofield, Craig Scanlon, Simon Rogers, Steve Hanley, Paul Hanley, Karl Burns, Brix Smith, Ray Davies, The Monks

Formal Connection With:

Marc Riley, Von Südenfed
See The Fall Lyrics
  • Formed: 1977, Manchester, England
  • Genres: Rock
  • Representative Albums: "458489 A-Sides," "50,000 Fall Fans Can't Be Wrong: 39 Golden Greats," "This Nation's Saving Grace"
  • Representative Songs: "Totally Wired," "The Man Whose Head Expanded," "Mr. Pharmacist"

Biography

Out of all the late-'70s punk and post-punk bands, none were longer lived or more prolific than the Fall. Throughout their career, the band underwent a myriad lineup changes, but at the center of it all was vocalist Mark E. Smith. With his snarling, nearly incomprehensible vocals and consuming bitter cynicism, Smith became a cult legend in indie and alternative rock. Over the course of their career, the Fall went through a number of shifts in musical style, yet the foundation of their sound was a near-cacophonous, amelodic jagged jumble of guitars, sing-speak vocals, and keyboards. During the late '70s and early '80s, the band was at their most abrasive and atonal. In 1984, Smith's American wife, Brix, joined the band as a guitarist, bringing a stronger sense of pop melody to the group. By the mid-'80s, the band's British following was large enough to result in two U.K. Top 40 hits, but in essence, the group has always been a cult band; their music was always too abrasive and dense for the mainstream. Only hardcore fans can differentiate between the Fall's many albums, yet the Fall, like many cult bands, inspired a new generation of underground bands, ranging from waves of sound-alike indie rockers in the U.K. to acts in America and New Zealand, which is only one indication of the size and dedication of their small, devoted fan base.

Prior to forming the Fall in 1977, Smith worked on the docks in Manchester, where he had auditioned and failed with a number of local heavy metal groups. Smith wasn't inspired by metal in the first place; his tastes ran more toward the experimental rock & roll of the Velvet Underground, as well as the avant-garde art rock of Can. Eventually, he found several similarly inclined musicians -- guitarist Martin Bramah, bassist Tony Friel, keyboardist Una Baines, and drummer Karl Burns -- and formed the Fall, taking the group's name from the Albert Camus novel. The band cut an EP, Bingo-Master's Break-Out!, which was funded by the Buzzcocks' label, New Hormones, but it sat unreleased for nearly a year, simply because the band couldn't find anyone who wanted to sign them. The Fall were outsiders, not fitting in with either the slick new wave and the amateurish, simple chord-bashing of punk rock. Consequently, they had a difficult time landing a record contract . After a while, the group had gained some fans, including Danny Baker, the head of the Adrenaline fanzine, who persuaded Miles Copeland to release the EP on his Step Forward independent label.

During 1978, Smith replaced bassist Friel with Marc Riley (bass, guitar, keyboards) and keyboardist Baines with Yvonne Pawlett because they wanted to make the Fall more accessible. The new lineup recorded the band's first full-length album, Live at the Witch Trials, which was released in 1979. The Fall continued to tour, playing bars and cabaret clubs, and, in the process, began to slowly build a fan base. Radio 1 DJ John Peel had become a fervent fan of the band, letting them record a number of sessions for his show, which provided the group with a great deal of exposure.

Before recording the Fall's second album, Smith changed the band's lineup, firing Pawlett, Bramah, and Burns, while hiring guitarist Craig Scanlon, bassist Steve Hanley, and drummer Mike Leigh; Riley moved to lead guitar from bass during this lineup shift. Scanlon and Hanley would become integral members of the Fall, staying with the band for great part of their career. The new lineup recorded and released Dragnet late in 1979. The following year, the Fall parted with Step Forward and signed with Rough Trade, where they released the live album Totale's Turns (It's Now or Never), the studio Grotesque (After the Gramme), and several acclaimed singles, including "Totally Wired" and "How I Wrote Elastic Man," in the course of 1980. Paul Hanley joined the group as a second drummer before the Grotesque album. Though several Fall recordings appeared in 1981, they were all archival releases with the exception of the Slates EP. After the release of Slates, drummer Karl Burns rejoined the group. In early 1982, the band released the full-length Hex Enduction Hour, which received some of the group's strongest reviews to date. Since the group was having trouble with Rough Trade, the album was released on Kamera Records, as was its follow-up, Room to Live, which also appeared in 1982. Following its release, Riley left the band.

The major turning point in the Fall's career arrived in 1983, when Smith met Brix Smith (born Laura Elise Smith) in Chicago while the Fall were on tour. The pair married within a few months and Brix, who originally played bass, joined the group as their second guitarist, replacing Riley; her first record with the group was 1983's Perverted by Language. Brix brought a more melodic pop sense to the band, as demonstrated by 1984's The Wonderful and Frightening World of the Fall, their first album for Beggars Banquet. Following the Call for Escape Route EP, the Fall struck up an alliance with ballet choreographer Michael Clark, who eventually collaborated on a ballet called I Am Kurious Oranj with Mark E. Smith. The Fall wrote the music and libretto for the ballet and performed the work several times during late 1984 and early 1985; an album of the music eventually appeared in 1988. By 1985, the Smiths were collaborating with each other, resulting in more structured, melodic songs like the singles "No Bulbs" and "Cruiser's Creek." Midway through 1985, Steve Hanley had to take a leave of absence and classically trained Simon Rogers joined as the temporary bassist. Once Hanley returned, Rogers moved over to keyboards. The new lineup with Rogers recorded This Nation's Saving Grace, which was released in the fall of 1985 to terrific reviews. Rogers stayed for one more album, 1986's Bend Sinister, yet he remained involved with the Fall for several years. Bend Sinister was recorded with Burns' replacement, Simon Wolstencroft, and, following its release, Rogers was replaced by keyboardist Marcia Schofield, who had previously played in Khmer Rouge.

In 1986, the Fall unexpectedly began to have charting singles, as their cover of the Other Half's "Mr. Pharmacist" became a minor hit in the fall. Over the next few years, the group appeared in the lower reaches of the charts consistently, breaking into the Top 40 with 1987's "Hit the North" and 1988's cover of the Kinks' "Victoria," which signalled how much more accessible the band had become with the addition of Brix's arrangements. After the 1988 release of the Simon Rogers-produced The Frenz Experiment, Brix divorced Smith and she left the Fall in 1989; original guitarist Martin Bramah replaced her. The musical result of the separation was a shift back to the darker, more chaotic sound of their early albums, as shown on the first post-Brix album, 1990's Extricate. Though Extricate was well received, Smith decided to alter the lineup that recorded the album. He fired both Schofield and Bramah while the Fall was touring Australia. Featuring new keyboardist Dave Bush, Shift-Work was released in 1991, followed by Code: Selfish the next year.

In 1993, the Fall signed with Matador Records, which provided them with their first American record label in several years. Their first release for the label, The Infotainment Scam, was recorded with the returning Karl Burns, who provided drums. Neither The Infotainment Scam nor its 1994 follow-up, Middle Class Revolt, sold many records in the U.S., despite good reviews, and the Fall was again left without an American label as of 1995. Not that it mattered; they retained their devoted following in Britain, where both albums performed respectively. Brix rejoined the Fall during the supporting tour for Middle Class Revolt and appeared on 1995's Cerebral Caustic. At the beginning of 1996 keyboardist Julia Nagle had joined the band for the recording of The Light User Syndrome, an album that featured liner notes from longtime supporter and BBC DJ John Peel. The band recorded their 20th BBC session for the DJ in June, followed by the departure of Brix in October and Karl Burns in December.

By this time a steady stream of compilations and live recordings started appearing, the majority of them on the Receiver label, mostly without the band's involvement. 1997 saw seven of them released along with reissues of Live at the Witch Trials and Fall in a Hole. Karl Burns rejoined the band in May for a U.K. tour and the Levitate album, which appeared in September. New guitarist Tommy Crooks was brought on board and the band headed to the U.S. in March 1998 to support the new album. During an April gig in New York City at Brownie's, Smith was in rare form. The band played large parts of the set with Smith off-stage, at one point Smith said something to Karl Burns that made him jump over his drum kit and attack the singer, and Crooks and Smith were at odds the whole show, with Crooks kicking Smith and Smith flicking lit cigarettes at Crooks. Burns, Crooks, and Steve Hanley were out of the band and Smith spent a night in jail on assault charges. The live and outtake CDs kept coming and Smith released his first spoken word album, The Post Nearly Man, in September.

A new single, "Touch Sensitive," appeared in February 1999. It ended up as the soundtrack to car commercial, giving it extra exposure in the U.K., setting the stage for the April release of the new album, The Marshall Suite. Nagle was now more involved with songwriting while guitarist Neville Wilding, bassist Adam Halal, and drummer Tom Head rounded out the new Fall. Another batch of reissues appeared, followed by the successful "F-oldin' Money" single and more U.K. tours. In April 2000, Smith made a guest appearance on Elastica's album The Menace and in November a new Fall album, The Unutterable, appeared. The same month, Spencer Birtwistle replaced Tom Head while Ben Pritchard and Jim Watts would replace Wilding and Halal, respectively, in February 2001.

Julia Nagle was next to leave the band, and the more garage rock-oriented Fall released the extremely limited single "Rude (All the Time)" in August 2001, with the full-length Are You Are Missing Winner hitting the streets in November. The stripped-down band toured the world to support the ill-received album and documented the tour on the even-worse-received, half-live, half-studio 2G+2, released in June 2002. The disappointing "official" albums were now being balanced with some decent compilations for a change, with Sanctuary's Totally Wired: The Rough Trade Anthology and Cog Sinister's Listening In: Lost Singles Tracks 1990-92 being the best. Smith's second spoken word album, Pander! Panda! Panzer!, appeared in September 2002, the same month his new wife, Eleni Poulou, joined the Fall on keyboards.

Released in December 2002, "The Fall vs. 2003" single ushered in the next great era of the band, with Poulou offering a melodic base for Smith's abrasiveness the same way Nagle and Brix had before. Jim Watts discovered he was fired when Smith held a band meeting in a bar in March 2003 and bought everyone a drink but Watts. Bassist Simon "Ding" Archer would take his place for a June-July American tour. An early version of the band's next album was leaked to the Internet, influencing Smith to re-record and add/drop some tracks. The leak was referenced in the album's new title, The Real New Fall LP (Formerly Country on the Click), released in October. A Christmas single, "(We Wish You) A Protein Christmas," appeared in December.

The Sanctuary label reissued two classic albums -- Live at the Witch Trials and Dragnet -- in January of 2004 with much better sound than ever before, and some bonus tracks were added to Dragnet. A tour of America was planned, but on a visit to Newcastle, Smith slipped on some ice, breaking his leg. A bystander came to help him up, but Smith fell again, this time cracking his hip. Despite a metal rod running from his knee to hip, the Fall went ahead with the American tour, with Smith delivering his vocals while seated at a table. In June, Beggars Banquet released the first true career-spanning compilation of the band, 50,000 Fall Fans Can't Be Wrong. Bassist Archer went "on loan" to PJ Harvey's band around this time and was replaced by Steven Trafford. The leftovers, live, and outtakes compilation Interim was released November 2004 in the U.K. and January 2005 in the America. The new year also saw the departure of guitarist Jim Watts, a fantastic box set that collected all the band's sessions for John Peel, and the new album Fall Heads Roll. In the summer the band toured America in support of the new album, but after a few dates, Smith fired all of the members of the band save his wife and keyboardist, Eleni Poulou. Members of the American bands the Cairo Gang and Darker My Love joined the band for the remainder of the tour. The 2007 album Post-TLC Reformation! featured a hybrid group of U.S. and U.K. members. ~ Stephen Thomas Erlewine and David Jeffries, All Music Guide
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Discography: The Fall
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Room to Live

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Live in London

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Idiot Joy Show

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Touch Sensitive: Bootleg

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Past Gone Mad: The Best of 1990-2000

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I Am as Pure as Oranj

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Twenty Seven Points

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Twenty Seven Points

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Real New Fall LP (Formerly Country on the Click)

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High Tension Line

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Grotesque (After the Gramme) [Import]

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Collection

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Marshall Suite

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Punkcast 2004: Live at the Knitting Factory, New York 9 April 2004

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Punkcast 2004: Live at the Knitting Factory, New York 9 April 2004

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Live in Reykjavik

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Listening In: Lost Singles Tracks 1990-92

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Shift-Work [Bonus Tracks]

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Code: Selfish [Bonus Tracks]

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15 Ways to Leave Your Man

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Fall Heads Roll

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Fall Heads Roll

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Live at the Garage

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Dragnet [Dragnet Plus]

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Live at the Witch Trials [Bonus Tracks]

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Part of America Therein, 1981 [Expanded Edition]

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Part of America Therein, 1981 [Expanded Edition]

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Early Singles

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Light User Syndrome [Bonus Tracks]

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Light User Syndrome [Bonus Tracks]

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Oxymoron

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Fall in a Hole/Liverpool 78

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Unutterable Plus

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Pearl City 1996

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Unutterable

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Unutterable

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Live at the Phoenix Festival 95-96

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Less You Look the More You Find

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Access All Areas, Vol. 1 [DVD]

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Access All Areas, Vol. 2 [DVD]

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Archive

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Words of Expectation

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Cerebral Caustic

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Infotainment Scan

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Touch Sensitive [Maxi Single]

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Reformation Post TLC

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Live at the Witch Trials [Deluxe Bonus Disc]

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Dragnet [Bonus Tracks]

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Dragnet [Bonus Tracks]

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Dragnet [Bonus Tracks]

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Oswald Defense Lawyer

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Grotesque (After the Gramme) [CD Bonus Tracks]

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Totale's Turns (It's Now or Never) [Bonus Tracks]

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Fall in a Hole [Remastered]

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Infotainment Scan [Bonus Disc]

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Permanent Years

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World Bewitched: Best of 1990-2000

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Real New Fall LP (Formerly Country on the Click) [UK]

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Complete Peel Sessions 1978-2004

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Are You Are Missing Winner [Bonus Tracks]

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50,000 Fall Fans Can't Be Wrong: 39 Golden Greats

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50,000 Fall Fans Can't Be Wrong: 39 Golden Greats

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Hex Enduction Hour [Deluxe Edition]

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Live at Deeply Vale

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Shift-Work [Bonus CD]

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Extricate [Bonus Disc]

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Code: Selfish [Bonus Disc]

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Live at the Garage 2002 [DVD]

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It's the New Thing! The Step Forward Years

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Live to Air in Melbourne '82

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I Never Felt Better in My Life: 1979-1982

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Live from the Vaults: Los Angeles 1979

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Live in Glasgow 1981

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Live from the Vaults: Alter Banhoff, Hof, Germany

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Perverted by Language/Live at Leeds

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Idiot Joy Show [1-CD]

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Interim

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Live in Zagreb

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Live at the Haçienda 1983 - 1985 [DVD]

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Live at the ATP Festival

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Live at the Knitting Factory

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Live at the Knitting Factory

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Transfusion

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Fiend with a Violin

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Fiend with a Violin

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Fiend with a Violin

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Live in London 1980: The Legendary Chaos Tape

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Reformation Post-TLC [Bonus Track]

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Live in Nottingham

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Slates [Bonus Tracks]

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Slates [Bonus Tracks]

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Live in London 1980: The Legendary Chaos Tape [Castle]

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Live in London 1980: The Legendary Chaos Tape [Castle]

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Cheetham Hill

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Fall Box Set

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Live Various Years

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Rebellious Jukebox [CD/DVD]

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I Can Hear the Grass Grow

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Dragnet [Bonus Tracks] [Earmark]

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Totally Wired: The Rough Trade Anthology

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Totally Wired: The Rough Trade Anthology

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2G+2

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Singles Box

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Perverted by Language [Bonus Tracks]

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Perverted by Language [Bonus Tracks]

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Room to Live [Bonus Tracks]

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Room to Live [Bonus Tracks]

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Middle Class Revolt [Bonus CD]

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Cerebral Caustic [Bonus CD]

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Imperial Wax Solvent

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Time Enough at Last

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Live from the Vaults: Retford 1979

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Live from the Vaults: Oldham 1978

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Rebellious Jukebox

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Theme from Sparta F.C.

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Fall in a Hole [Bonus Disc]

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War Against Intelligence: The Fontana Years

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(We Wish You) A Protein Christmas

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Fall vs 2003

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Are You Are Missing Winner

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Backdrop

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Austuraejarbio: Live at Reykjavík, May 6, 1983

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Liverpool 78

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Live in Cambridge 1988

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Live 77

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Room to Live [Bonus Disc]

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Levitate

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In the City

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Light User Syndrome

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Other Side of the Fall

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Sinister Waltz

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Chiselers

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Middle Class Revolt

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15 Ways

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BBC Radio 1 in Concert

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BBC Radio 1 in Concert

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Why Are People Grudgeful?

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Kimble [Peel Sessions]

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Behind the Counter EP

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Code: Selfish

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Slates/A Part of America Therein, 1981

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Slates/A Part of America Therein, 1981

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Shift-Work

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458489 B-Sides

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458489 A-Sides

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Extricate

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Seminal Live

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I Am Kurious Oranj

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Frenz Experiment

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Fall In: Palace of Swords Reversed

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Bend Sinister

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This Nation's Saving Grace

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Hip Priests and Kamerads

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Wonderful and Frightening World of the Fall

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Perverted by Language

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Perverted by Language

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Fall in a Hole

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Part of America Therein, 1981

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Hex Enduction Hour

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Hex Enduction Hour

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Slates

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Early Years, 1977-1979

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Totally Wired

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Grotesque (After the Gramme)

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Grotesque (After the Gramme)

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Totale's Turns (It's Now or Never)

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Dragnet

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Live at the Witch Trials

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Wikipedia: The Fall (band)
Top
The Fall

The Fall live in 2008.
Background information
Origin Salford, Greater Manchester, England
Genres Post-punk, alternative rock
Years active 1976–present
Labels Step Forward/Faulty Products, Rough Trade, Beggars Banquet, Situation Two, Narnack, Phonogram/Fontana, Matador, Permanent, Slogan, Domino
Members
Mark E. Smith,
Elena Poulou, Dave Spurr,
Pete Greenway, Keiron Melling
Former members
see Members of The Fall

The Fall are an English post-punk group, formed in Prestwich, Greater Manchester in 1976. The group has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. First associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years. However, The Fall's music is often characterised by repetition, an abrasive guitar-driven sound, and is always underpinned by Smith's vocals and often cryptic lyrics, described by critic Steve Huey as "abstract poetry filled with complicated wordplay, bone-dry wit, cutting social observations, and general misanthropy (sometimes more implied than clearly stated, but apparent nonetheless)."[1]

The group's output is prolific—as of April 2008 they have released 27 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following. The band were long associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."[2]

Contents

History

1970s

The Fall was formed in Prestwich, Greater Manchester in 1976 by Mark E. Smith, Martin Bramah, Una Baines, and Tony Friel. Friel came up with the name "The Fall", after a 1956 novel by Albert Camus.[3][4] The original lineup featured Smith on guitar, Bramah on vocals, Baines on drums, and Friel on bass guitar, but Smith and Bramah soon switched roles, and Baines switched to keyboards.[5] The band's unidentified first drummer, whose first name has been given as "Dave" and "Steve" by various sources,[6] was quickly replaced by Karl Burns.[5] From the beginning, the group produced a sound quite unlike anything else being played in the run-down dancehalls of northern England's New Wave scene.

The original members of The Fall used to meet and read their writings to each other and take drugs.[7] Their musical influences included Can, The Velvet Underground, and garage rock.[8] The members were devoted readers, with Smith citing H.P. Lovecraft, Raymond Chandler, and Malcolm Lowry among his favourite writers.[9] The Fall's music was intentionally raw and repititive.[8] The song "Repetition", declaring that "we've repetition in the music, and we're never going to lose it", served as a manifesto for The Fall's musical philosophy.[10]

The group played its first concert on 23 May 1977.[5] They recorded material for their debut EP in November 1977.[10] The session was funded by Buzzcocks manager Richard Boon, who planned to release the EP on his New Hormones label. After discovering that he could not afford to release the EP,[11] Boon gave the tapes back to the band. Two tracks, "Stepping Out" and "Last Orders", were released on the compilation Short Circuit: Live at the Electric Circus in June 1978 on Virgin Records, a compilation album recorded at the Manchester venue The Electric Circus in October 1977.

The Fall's lineup underwent several changes in 1977-78. Smith's girlfriend Kay Carroll became the group's manager and occasional backing vocalist.[4][12] Founding members Tony Friel (who went on to form The Passage) and Una Baines left in December 1977 and March 1978, respectively.[12] Jonnie Brown and Eric McGann had brief stints as The Fall's bass guitarist, the latter quitting in disgust of The Fall's van driver wearing a Hawaiian shirt.[12] Marc Riley (bass) and Yvonne Pawlett (keyboards) were eventually recruited to the group.[12] Martin Bramah blamed the dissolution of the original lineup on Smith's style of leadership: "The break-up wasn't so much about the music, though; it was more how we were being treated as people on a daily basis."[4]

The Fall were filmed on 13 February 1978 for the Granada TV show So It Goes hosted by Tony Wilson, performing "Psycho Mafia", "Industrial Estate" and "Dresden Dolls". The debut EP, "Bingo-Master's Break-Out!", was finally released in August 1978 on Step Forward Records. The single "It's the New Thing" followed in November 1978. By this point, influential radio DJ John Peel had began championing The Fall. The first of their 24 Peel Sessions, collected on The Complete Peel Sessions 1978-2004 in 2005, took place in May 1978.[13]

Their debut album, Live at the Witch Trials, was recorded in one day[14] and released in January 1979.[15] Karl Burns quit the group shortly after the album was recorded, and was replaced by Mike Leigh. In April 1979, Burns was followed by Martin Bramah, co-writer of most of the songs on Live at the Witch Trials[15] and, according to Fall historian Daryl Eslea, "possibly the last true equal to Smith in the group",[14] who went on to form Blue Orchids with Una Baines.[16] Marc Riley switched from bass to guitar, and Craig Scanlon (guitar) and Steve Hanley (bass), former bandmates of Riley and members of Fall support act Staff 9, joined to the group.[14] Hanley's melodic basslines became a vital part of the Fall's music for almost two decades.[17] Smith praised his playing in Melody Maker: "The most original aspect of The Fall is Steve...I've never heard a bass player like him...I don't have to tell him what to play, he just knows. He is The Fall sound."[18] Yvonne Pawlett left the group in August 1979 to look after her dog. She later appeared in a band called Shy Tots.[12]

On 30 July 1979 "Rowche Rumble", The Fall's third single, was released featuring the new line up of Smith, Craig Scanlon, Marc Riley, Steve Hanley, Yvonne Pawlett and Mike Leigh.

Dragnet, The Fall's second album, was recorded on 2 - 4 August 1979 at Cargo Studios, Rochdale and was released on 26 October 1979. Featuring the stripped-down line-up of Smith, Scanlon, Riley, Hanley and Leigh. Dragnet signaled a sparser, more jagged feel, which on subsequent albums filled out into a more grinding, industrial sound.

Early 1980s

13 January 1980 The Fall release their fourth single, "Fiery Jack", their last record for Step Forward.

Mike Leigh's last gig was on Thursday, 20 March 1980 at Manchester Polytechnic, he apparently left and went back onto the cabaret circuit.

Paul Hanley, Leigh's replacement and Steve Hanley's younger brother, first plays live with The Fall on Friday, 21 March 1980 Electric Ballroom, London.

5 May 1980 Totale's Turns LP released on Rough Trade. The live album (apart from 2 tracks) documents the band during various appearances, with Smith announcing last orders at the bar and berating band members and audience throughout.

In mid June 1980 The Fall tour The Netherlands with drummer Steve Davis. He stood in for Paul Hanley, who took O level school exams.

The Fall release their fifth single on 11 July 1980' titled "How I Wrote Elastic Man." The single also introduced the line up of Mark E Smith, Craig Scanlon, Marc Riley, Steve Hanley and Paul Hanley.

17 November 1980 Grotesque Lp released. With the album came a significant improvement in production and content, which continued throughout the period.

In 1978, 1979 & 1980 The Fall played the Deeply Vale Festivals and Smith said in a 2004 TV interview that the Deeply Vale events were his all time favourite festivals, despite in later years having performed at many larger festivals. Smith also said his favourite place to record albums was in Rochdale which has featured heavily throughout their career as a town where The Fall have gone to record initially at Cargo / Suite Sixteen and later at Gracieland.

Slates, the mini 10" album, released 24 April 1981 their last recording for Rough Trade. Several of the tracks include Dave Tucker on clarinet; he had appeared live with The Fall on numerous occasions.

May - July 1981 The Fall tour America with the line up of Mark E. Smith, Craig Scanlon, Marc Riley, and both Steve Hanley and Karl Burns. U.S. immigration said Paul Hanley was too young to play America's "21 and over" clubs.

September 1981 Karl Burns appears as a second drummer with The Fall for the first time and 77 - Early Years - 79 LP (a Step Forward compilation) is released.

On 13 November 1981 The Fall release their sixth single called "Lie Dream Of A Casino Soul." Produced by Richard Mazda, recorded at Workhouse Studios in London and released on Kamera Records featuring the line up Mark E. Smith, Craig Scanlon, Marc Riley, Steve Hanley, Paul Hanley and Karl Burns.

On 8 March 1982 Hex Enduction Hour also produced by Richard Mazda is released on Kamera Records and Live in London 1980 cassette only live album is released later in the month on Chaos Tapes.

The Fall's seventh single is released 19 April 1982 titled "Look, Know" on Kamera.

May 1982 A Part of America Therein live LP released on Cottage Records, having been recorded during their last tour of America.

27 September 1982 Room to Live album released on Kamera.

Marc Riley's final appearance with The Fall is on Wednesday, 22 December 1982 at the Lesser Free Trade Hall, Manchester.

1983

The Fall Perverted By Language Tour, Hamburg (Markthalle), 13.April 1984. L-R: Scanlon, M.E. Smith, Burns, S. Hanley

1983 was a year of changes in The Fall camp and marked The Fall's return to Rough Trade Records, after being promised better treatment this time around.

On 7 June 1983, Rough Trade Records issued The Fall's ninth single The Man Whose Head Expanded and on 19 September 1983 issued the 10th single and double pack Kicker Conspiracy. Bizarrely in November 1983 Kamera Records issued around 2-3 thousand copies of the planned 1982 single Marquis Cha Cha, the release date having been put back due to Kamera's financial troubles in late 1982, making it The Fall's eleventh single issue.

1983 heralded another dramatic change with the arrival of Smith's American girlfriend and later wife, Chicagoan Brix Smith on guitar. Born Laura Elise Salenger, she was nicknamed after the track "The Guns of Brixton" by The Clash, a favourite song of hers. Brix's tenure in the group marked a shift towards the relatively conventional, with the songs she co-wrote often having strong pop hooks and more orthodox verse-chorus-verse structures. Additionally, Brix's keen sense of fashion gradually influenced the group's members to give more attention to their clothing and styling—but her platinum blond hair and glamourous style were always somewhat at odds to the otherwise working class appearance of the Fall. Brix's first live appearance with The Fall was on Wednesday, 21 September 1983 at the Hellfire Club, Wakefield.

Perverted by Language, released 5 December 1983, was the group's final album for Rough Trade Records, but the first to feature Brix. Also released in December 1983 was the live album In A Hole, recorded during The Fall's tour of New Zealand in 1982, on Flying Nun Records.

1984-1989

This era found The Fall scoring a few modest hits with singles from a string of highly acclaimed albums: The Wonderful and Frightening World of The Fall (1984), This Nation's Saving Grace (1985), Bend Sinister (1986), The Frenz Experiment (1988). I Am Kurious, Oranj is notable as the fruit of a ballet project between Smith and dancer Michael Clark. Simon Rogers and later Marcia Schofield played keyboards, and Simon Wolstencroft replaced Burns on drums after This Nation's Saving Grace. Wolsencroft's playing also shifted the group's sound; his drumming was described as "nimble" and "funky" when compared to Burns.[19]

1990s

With Brix's departure in 1989, Bramah returned briefly for 1990s Extricate, the first of the Fall's three albums for Phonogram Records. Bramah and Schofield left in advance of 1991's Shift-Work. Dave Bush, the multi talented programmer/musician joined on keyboards for 1992's Code: Selfish, followed by the band's return to an independent record label for The Infotainment Scan (1993), Middle Class Revolt (1994) and Cerebral Caustic (1995). These albums featured varying degrees of electronica and IDM, courtesy of Bush's keyboards and computers. Caustic saw the unexpected return of Smith's ex-wife Brix, who stayed long enough to record The Light User Syndrome before departing again in 1996. When Dave Bush went to join Elastica and Scanlon was sacked after 16 years (a decision Smith would later regret), 1996 saw the arrival on keyboards, guitars and computers of Julia Nagle for The Light User Syndrome. That year also saw the start of a torrent of compilations of live, demo and alternate versions of songs, on the Fall's new label Receiver Records.

In 1994 and 1996 The Fall played at the Phoenix Festival in Stratford, England - the 1996 appearance being one of much surprise to many fans as they were not scheduled to play. They followed novelty keyboardist, Margarita Pracatan. The next album, Levitate (1997), toyed with drum and bass and polarised opinion (long-serving drummer Simon Wolstencroft left halfway through the recording sessions, and was replaced by Karl Burns). Steven Wells in the NME (11 October 1997) wrote, "Imagine pop without perimeters. Imagine rock without rules. Imagine art without the wank. If you've never heard The Fall then Levitate will be either the best or the worst record you've ever heard." The group was temporarily reduced to Smith and Nagle when a disastrous U.S. tour ended in April 1998 with a violent onstage row and the departure of Hanley (bassist for 19 years), Burns and guitarist Tommy Crooks. The following day, Smith was arrested and charged with assaulting Nagle in their hotel.[20]

2000–present

The Fall achieved another comeback with Smith and Nagle being joined by Neville Wilding on guitar, Karen Leatham and later Adam Halal on bass, and Tom Head on drums for the albums The Marshall Suite (1999) and The Unutterable (2000). Further rifts followed in 2001, in which the new lineup of Smith, Ben Pritchard (guitar), Ed Blaney (guitar), Jim Watts (bass) and Spencer Birtwistle (drums) released Are You Are Missing Winner to mixed reviews. Spencer Birtwistle was then replaced by Dave Milner on drums in November 2001. September 2002 saw Elena Poulou - Smith's third and current wife - fill the vacant position of keyboards player. The Real New Fall LP (reputedly renamed from Country on the Click after an earlier mix of the album appeared on Internet file sharing networks) followed in 2003, with a slightly different mix and some extra tracks for the US version. Interim, was released in November, 2004. In 2002 Q magazine named The Fall one of the "50 Bands to See Before You Die".

In January 2005, The Fall (described as "one of the most enigmatic, idiosyncratic and chaotic garage bands of the last 30 years") were the subject of a BBC Four TV documentary, The Fall: The Wonderful and Frightening World of Mark E Smith. Later that year, a 97-song box set containing all of the sessions the group recorded for John Peel's BBC Radio 1 programme was issued to widespread acclaim. Their 25th studio album, entitled Fall Heads Roll, was issued on 3 October 2005, preceded by a single "I Can Hear the Grass Grow" (a cover of a song by The Move) on 6 September 2005 (US) and 19 September 2005 (UK). Ben Pritchard (guitar), Steve Trafford (bass), Spencer Birtwistle (drums), all of whom played on Fall Heads Roll, left the group somewhat acrimoniously during the group's Summer 2006 tour of the US after just four dates. In a US radio interview, Smith described their departures as "the best thing that ever happened" to The Fall, although it was some months before he confirmed that they would not be returning to the group.[21]

From 9 May 2006, Smith and Poulou were joined by Tim Presley (guitar), Rob Barbato (bass) and Orpheo McCord (drums) who joined them for the remainder of the US tour, a flagship show in Manchester held in June 2006 and an appearance at the Øyafestivalen in Oslo, Norway in August 2006. Presley and Barbato are members of the band Darker My Love while McCord was one half of the experimental duo The Hill. With Barbato and Presley fulfilling Darker My Love commitments back in the US in late August, the first 'squad rotation system' of Fall musicians emerged with new members Pete Greenway (guitar) of West Midlands group Pubic Fringe (more recently known as Das Fringe), and Dave Spurr (bass) making their Fall debuts alongside Smith, Poulou and McCord at the Reading and Leeds festivals in August 2006. The musicians appeared in various configurations, usually with two bass players although on occasion gigs were played with a double-drummer lineup. On 1 June 2007 Presley, Barbato and McCord played their most recent gig with The Fall. Although no official statement by the band has been made they are now assumed to have ceased being part of the Fall, with the line up of all gigs since having consisted of Smith, Poulou, Spurr, Greenway and Melling. Melling and Spurr play together in the group MotherJohn. Recently, the Fall have been joined onstage by former bass player Simon 'Ding' Archer, whose group Bobbie Peru are supporting the Fall on their current UK tour. In April 2009, The Fall have signed with UK-based independent record label Domino Records.[22][23] A new studio album - provisionally titled Our Future - Your Clutter - is due to be released by the label in January 2010.

Influence

Of the group's influence, Stephen Thomas Erlewine wrote that "the Fall, like many cult bands, inspired a new generation of underground bands, ranging from waves of sound-alike indie rockers in the U.K. to acts in America and New Zealand, which is only one indication of the size and dedication of their small, devoted fan base."[24]

The Fall have also had a profound influence over groups such as Franz Ferdinand, LCD Soundsystem, The Long Blondes, The Birthday Party, Nirvana, Pavement and Happy Mondays[25].

Sonic Youth covered three Fall songs (and "Victoria" by the Kinks, also covered by the Fall) in a 1988 Peel Session, which was released in 1990 as the "4 Tunna Brix" EP on Sonic Youth's own Goofin' label. The 1990s indie acts Pavement and Elastica (Smith contributed vocals to their final EP and album) showed an influence of The Fall, while Suede parodied the band with "Implement Yeah!", a song found on the cassette edition of their 1999 single "Electricity".

The Fall is referenced in the Jens Lekman song "Maple Leaves" with the lyrics "And when she talked about her fall, I thought she talked about Mark E. Smith". The Electric Soft Parade album No Need to Be Downhearted is named after a lyric from The Fall song "15 Ways".[26] The German rock band Tocotronic has a song called "Ich hab geträumt ich wäre Pizza essen mit Mark E. Smith" (German for "I've dreamed I ate pizza with Mark E. Smith"). The Dutch indie band Seedling refers to The Fall in their song "The Upshot", singing "You make it sound so sexy, as if you're Mark E. Smith from the Fall". U.S. indie singer-songwriter Barbara Manning's song "Mark E. Smith & Brix" describes running into "the man of my dreams" (and his then-wife) while out walking. The Jazz Butcher's first single in 1983 was the oxymoronic "Southern Mark Smith." Jeffrey Lewis wrote the song and comic The Legend of the Fall, which is a documentary of The Fall and features in The Fallen (Canongate), Dave Simpson's book tracking down all the ex-members of the group.

Discography

Studio albums

References

Notes

  1. ^ Allmusic, Steve Huey, ((( Mark E. Smith > Biography
  2. ^ O'Hagan, Sean (16 January 2005). "He's still the Fall guy". The Observer.
  3. ^ Reynolds, p. 174
  4. ^ a b c Reynolds, p. 193.
  5. ^ a b c "The Fall gigography: 1977". The Fall online. http://www.visi.com/fall/gigography/gig77.html. Retrieved 17 July 2009. 
  6. ^ Simpson, Dave (January 5, 2006). ""Excuse me, weren't you in the Fall?"". The Guardian (UK). http://arts.guardian.co.uk/features/story/0,11710,1678307,00.html. Retrieved 17 July 2009. 
  7. ^ Reynolds, p. 175-76.
  8. ^ a b Reynolds, p. 176.
  9. ^ Kielland, Aksel (2008). "Mark E. Smith - repetitiv originalitet" (in Norwegian). Vinduet (3): 30-36. 
  10. ^ a b Eslea, Daryl (2004). 50,000 Fall Fans Can't Be Wrong sleevenotes.
  11. ^ Reynolds, p. 174.
  12. ^ a b c d e "Biography". The Fall online. http://visi.com/fall/bio/biography.html. Retrieved 18 July 2009. 
  13. ^ Jeffries, David. "The Complete Peel Sessions 1978-2004 - Review". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=10:wxfrxqesldte~T1. Retrieved 18 July 2009. 
  14. ^ a b c Eslea, Daryl (2004). Dragnet sleevenotes.
  15. ^ a b Raggett, Ned. "Live at the Witch Trials - Review". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&sql=10:gifqxqy5ldhe~T1. Retrieved 21 July 2009. 
  16. ^ Sutton, Michael. "The Blue Orchids - Biography". Allmusic. http://allmusic.com/cg/amg.dll?p=amg&searchlink=BLUE. Retrieved 21 July 2009. 
  17. ^ Simpson, Dave (2008). "Chapter 4: After a while in The Fall you're no longer normal.". The Fallen. Canongate Books. http://www.thefallenbook.co.uk/extract.html. 
  18. ^ Melody Maker, 18 June 1983.
  19. ^ Simpson, Dave. 2008. The Fallen: Searching For Missing Members of The Fall. Canongate Books Ltd. ISBN 1847670490
  20. ^ Tortorici, Frank (1999). ""The Fall's Mark E Smith"". VH1.com. http://www.vh1.com/artists/news/512609/03041999/fall.jhtml. Retrieved 16 October 2006. 
  21. ^ McNaughton, Allan (2006). ""Mark E Smith on drugs, fascists, and lazy musicians"". Maximum Rock'n'Roll. http://www.visi.com/fall/gigography/image/06aug_maximumrnr/index.html. Retrieved October 16 2006. 
  22. ^ "Fall Sign To Domino, Says Mark E Smith". The Quietus. 2009-04-03. http://thequietus.com/articles/01427-the-fall-s-nex-album-will-be-on-domino. 
  23. ^ "The Fall Sign With Domino". Pitchfork Media. 2009-04-09. http://pitchfork.com/news/35038-the-fall-sign-with-domino/. Retrieved 2009-04-10. 
  24. ^ Stephen Thomas Erlewine and David Jeffries. Allmusic biography
  25. ^ http://books.google.com/books?id=EPdKOQAACAAJ&dq=Renegade+-+The+Lives+%26+Tales+Of+Mark+E+Smith&ei=zULPSaTUA4_CzATVm7n7AQ&hl=fr
  26. ^ The Electric Soft Parade - No Need to Be Downhearted - Review - Stylus Magazine

Bibliography

  • Smith, Mark E (1985). The Fall Lyrics. Berlin: Lough Press.
  • Edge, Brian (1989). Paintwork: A Portrait of The Fall. London: Omnibus Press. ISBN 0-7119-1740-X
  • Ford, Simon (2003). Hip Priest: The Story Of Mark E Smith And The Fall. London: Quartet Books. ISBN 0-7043-8167-2
  • Middles, Mick & Smith, Mark E (2003). The Fall. London: Omnibus Press. ISBN 0-7119-9762-4
  • Thompson, Dave (2003). A User's Guide To The Fall. London: Helter Skelter Publishing. ISBN 1-900924-57-9.
  • Smith, Mark E (2008). Renegade: The Lives And Tales Of Mark E. Smith. New York: Viking Press. ISBN 978-0-670-91674-0
  • Simpson, Dave (2008). The Fallen - Searching for the missing members of The Fall. London: Canongate Books. ISBN 978-1-84767-049-6 (Released in paperback as The Fallen: Life In and Out of Britain's Most Insane Group, ISBN 978-1-84767-144-8))

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