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The Family Stone

 
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The Family Stone

  • Director: Thomas Bezucha
  • AMG Rating: starstarstar
  • Genre: Comedy Drama
  • Movie Type: Holiday Film, Comedy of Manners
  • Themes: Family Gatherings, Mothers and Sons, Eccentric Families
  • Main Cast: Claire Danes, Diane Keaton, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson
  • Release Year: 2005
  • Country: US
  • Run Time: 103 minutes
  • MPAA Rating: PG13

Plot

A woman meets her future in-laws and discovers they don't much care for her in this comedy from writer and director Thomas Bezucha. Everett Stone (Dermot Mulroney) is a successful young businessman who is dating Meredith Morton (Sarah Jessica Parker), and has asked her to spend Christmas with his family, with plans to ask his mother Sybil (Diane Keaton) for the titular family wedding band and propose to Meredith on Christmas. Meredith is more than a bit nervous about meeting Everett's folks, and things only get worse when they arrive -- Meredith is by her nature straight-laced and a bit uptight around strangers, while Sybil and family patriarch Kelly (Craig T. Nelson) are free-thinkers who, except for Everett, have raised a family of cheerfully rebellious children, most notably younger daughter Amy (Rachel McAdams), older brother Ben (Luke Wilson), and adopted sibling Thad (Tyrone Giordano, who is both deaf and gay.

Meredith and the Stone family do not get along well at first, especially Sybil, who is appalled at the prospect of Everett giving Meredith the family's heirloom wedding ring; in dire need of moral support, Meredith asks her younger sister, Julie (Claire Danes), to join her for Christmas with the Stones. However, the plan runs into a snag when Everett's head is turned by pretty Julie, and Meredith finds herself on the receiving end of attention from slobby Ben. ~ Mark Deming, All Movie Guide

Review

The good news? Sylvester Stallone never makes an appearance. The bad news? After some early indications it might do so, The Family Stone doesn't break the mold for holiday family dysfunction movies. However, it does end up being a pretty satisfying version of one. Writer/director Thomas Bezucha has clearly studied what other films in this genre have done well -- and, more importantly, what they haven't done well. Bezucha really has his holiday fruitcake and eats it too, concocting zany scenarios that never test the patience of viewers justifiably wary of this sort of thing -- viewers who were disappointed with Jodie Foster's Home for the Holidays, for example. It's the details of Bezucha's writing that surprise, such as the casual fact that one of the Stone sons is both deaf and gay -- a plot element that steadfastly avoids becoming a hot-button contrivance. Another curveball: Bezucha places this family in a wintry storybook world out of any small town, then makes them unrepentant liberals, who sanction intergenerational pot smoking and talk with whimsical earnestness about wishing they had more gay children. Of course, it would be foolish to discount how the talented cast helps sell the material. Any time the movie threatens to careen off course, it's propped up by Diane Keaton's passionate matriarch, Rachel McAdams' eye-rolling baby sister, or Luke Wilson's goofy layabout, always cementing their familial bonds through believable chemistry. Less probable support comes from Craig T. Nelson as the affably passive dad, and even Sarah Jessica Parker salvages the film's most exaggerated character, the frosty conservative who infiltrates their latter-day commune. Bezucha stumbles by milking the final scene for way too long, but The Family Stone still gets the balance right for a superior multiplex holiday offering -- unpredictable enough to be funny, familiar enough to be comfortable, touching enough to be sentimental. ~ Derek Armstrong, All Movie Guide

Cast

Tyrone Giordano - Thad Stone; Brian J. White - Patrick Thomas; Elizabeth Reaser - Susannah Stone Trousdale; Paul Schneider - Brad Stevenson; Carol Locatell - Jeweler; Michael Pemberton - Bus Driver One; Jamie Kaler - John Trousdale; Savannah Stehlin - Elizabeth Trousdale; Robert Dioguardi - David Silver; Ginna Carter - Jittery Cashier; Gus Buktenica - Bartender; Ron Wall - Bus Driver Two; Christopher Parker - Inn Receptionist; Jill Remez - (Voice)

Credit

Mario R. Ventenilla - Art Director, Timothy Kirkpatrick - Art Director, Khristina Kravas - Associate Producer, Don Coufal - Boom Operator, Laurel Ann Bridges - Boom Operator, Mindy Marin - Casting, Tim Simonec - Conductor, Mindy Marin - Co-producer, Shay Cunliffe - Costume Designer, Linda S. Cormany - Costume Designer, Amy Elise Roberts - Costume Designer, Timothy Wegman - Costume Designer, Ira Hammons - Costume Designer, Lori Harris - Costume Designer, Narciso Rodriguez - Costume Designer, Fionnuala M. Lynch - Costume Designer, Joe Camp III - First Assistant Director, Thomas Bezucha - Director, Jeffrey Ford - Editor, Jennifer Ogden - Executive Producer, Frida Aradottir - Hair Styles, Victor De Nicola Jr. - Hair Styles, Jonathan Gale - Hair Styles, Mandy Lyons - Hair Styles, John Fedynich - Location Manager, Steve Mapel - Location Manager, Eric Sagot - Lighting, Niles McElroy - Lighting, Russell Ayer - Lighting, Michael Giacchino - Composer (Music Score), Judy Chin - Makeup, Carla White - Makeup, Kelcey Fry - Makeup, Matthew Mungle - Makeup Special Effects, David E. Diano - Camera Operator, Jerry Holway - Camera Operator, Mark Jackson - Camera Operator, Billy Coleman - Camera Operator, Jane Ann Stewart - Production Designer, Jonathan Brown - Cinematographer, Michael London - Producer, Dan Wallin - Recording, Craig "Pup" Heath - Recording, Matt Patterson - Recording, Christine Sirois - Recording, Sally Thornton - Set Designer, Cynthia C. Rebman - Set Designer, Connie Brink - Special Effects, Jeff Wexler - Sound Mixer, Mathew Price - Sound Mixer, James Bolt - Sound Mixer, Elliot Tyson - Sound Mixer, Dan Wallin - Sound Mixer, Scott Rogers - Stunts, Janet Paparazzo - Stunts, Don J. Hewitt - Stunts, Clark Tucker - Stunts, Mam Smith - Stunts, Peter Bucossi - Stunts Coordinator, Darren Prescott - Stunts Coordinator, Jennifer Ogden - Unit Production Manager, Diana Schmidt - Unit Production Manager, Thomas Bezucha - Screenwriter, Kenneth Chu - Production Assistant, Derek Casari - Action Director, Ted Caplan - Sound Effects Editor, Claire Raskind - Unit Publicist, Craig Tanner - Associate Editor, Eric Swanek - First Assistant Camera, Erik L. Brown - First Assistant Camera, Stephen Wong - First Assistant Camera, Billy O'Leary - Gaffer, Richie Ford - Gaffer, James Plannette - Gaffer, Ray Gonzales - Gaffer, Ron Baratie - Grip, Frank McEldowney - Grip, Brett M. Santucci - Grip, Brien McDonald - Grip, Paul Candrilli - Grip, William E. Miller - Key Grip, Steele Hunter - Key Grip, John Hatchitt - Key Grip, Stephen M. Davis - Music Editor, Alex Levy - Music Editor, Giampaolo Debole - Production Coordinator, Michael Boonstra - Production Coordinator, Buddy Enright - Production Supervisor, John McDonnell - Properties Master, Jeffrey M. O'Brien - Properties Master, Bobby Griffon - Properties Master, Derrick Hinman - Properties Master, Rebecca Robertson-Szwaja - Script Supervisor, Polly Ann Mattson-Bock - Second Assistant Director, Chris Bailey - Special Effects Coordinator, Jerry Holway - Steadicam Operator, Zade Rosenthal - Still Photographer, Susan Shackelford Dawes - Supervising Sound Editor, Charleen Steeves - ADR Mixer, David Lucarelli - ADR Recordist, John David Reynolds - Art Department Assistant, Lori Agostino - Assistant Art Director, Jean Chien - Assistant Location Manager, Tracy E. Maurer - Assistant Production Coordinator, Leda Nornang - Assistant Production Coordinator, Greg Morell - Assistant Properties, Treven Bedwell - Assistant Properties, Rebekah Schultz - Assistant Properties, R. Michael Dechellis - Best Boy Electric, Ray Gonzales - Best Boy Electric, Joe Grimaldi - Best Boy Electric, Charlie Marroquin - Best Boy Grip, Gerald "Craig" Harris - Best Boy Grip, Lonnie Leslie - Best Boy Grip, Tinker Linville - Buyer, Tulio Duenas - Camera Loader, Amy Albano - Camera Loader, Kara Lipson - Casting Associate, Ember Truesdell - Casting Associate, Michael Diersing - Construction Coordinator, Richard Hebrank - Construction Coordinator, Wendy Stefanelli - Costumes Assistant, Mark Agnes - Costumes Supervisor, Mildred Iatrou - Dialogue Editor, Tom Ruffner - Dolly Grip, Meredith Jacobson Marciano - Extra Casting, Smith & Webster-Davis Casting - Extra Casting, Julie Snow - First Assistant Accountant, Anthony Ficalora - First Assistant Accountant, Tony Cypres - First Assistant Accountant, Alicia Stevenson - Foley Artist, Dawn Fintor - Foley Artist, Steve F. Price - Foley Editor, Jacklin Masteran - Key Hairstylist, Mustaq Ashrafi - Key Make-up, Shannon Curfman-Dayan - Leadman, Daniel K. Grosso - Leadman, Derek Ferguson - Personal Assistant, Julie Denise Harry - Personal Assistant, Juliana E. Farrell - Personal Assistant, Martha Magnuson - Personal Assistant, Cody Lutz - Personal Assistant, Stephanie Heaton - Personal Assistant, Melinda Relyea - Personal Assistant, Richard P. Keeshan - Personal Assistant, Jessie Henderson - Personal Assistant, Joseph Hartwick, Jr. - Production Accountant, Kyle O'Brien - Production Accountant, Helen Sideris - Second Assistant Accountant, Jennifer Bell - Second Assistant Camera, Caesar S. Carnevale - Second Assistant Camera, Michael Cambria - Second Assistant Camera, Kirk L. Bloom - Second Assistant Camera, Gary S. Rake - Second Second Assistant Director, Shawn Pipkin - Second Second Assistant Director, Nancy Lowry - Set Dresser, Lawson Brown - Set Dresser, David Garcia - Set Dresser, Gregg Szabo, Jr. - Set Dresser, William Durnin - Set Dresser, Tony Phillippe - Set Production Assistant, Grant Saltarelli - Set Production Assistant, Charles McDonald - Set Production Assistant, Addy Ruotolo - Set Production Assistant, Liz Williams - Set Production Assistant, Rob Johnson - Transportation Captain, Vic Anderson - Transportation Coordinator, Ron Von Blomberg - Set Decorator, Matt Callahan - Set Decorator, Jim Passon - Color Timing, Deluxe Catering, Inc. - Craft Service/Catering, Siri S. Sirisambhand - Craft Service/Catering, Lore Wilhelm - Craft Service/Catering, George P. Nannas - Craft Service/Catering, Mike Hernandez - Craft Service/Catering, Wilson Rivas - Craft Service/Catering, David Betancourt - Foley Mixer, John Murray - Foley Supervisor, Gary Burritt - Negative Cutter, Richard Fellegara - Set Medic/First Aid, Suzanne Van Dyke - Set Medic/First Aid, Kathy Fellegara - Set Medic/First Aid, Bryce Shields - Video Assist, Loop De Loop - Voice Casting, Jeremy Crane - Art Department Coordinator, Kathleen Walker - Art Department Coordinator, Sandra Nash - Assistant Editor, Alan Schlaifer - Assistant Music Editor, Michael White - Department Head Hair, David Forrest - Department Head Makeup, Warren Hendriks - First Assistant Sound Editor, Greg Hoyt - Properties Maker, Jim Halsband - Properties Maker, Brent Regan - Properties Maker Gang Boss

Similar Movies

Once Around; La Bûche; In Good Company; Guess Who; The Myth of Fingerprints; Pieces of April; What's Cooking?; Home for the Holidays; The Royal Tenenbaums; It Runs in the Family; Moonstruck; Life Is Sweet; Meet the Parents; Igby Goes Down; Love Actually; Nothing Like the Holidays
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Wikipedia: The Family Stone
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The Family Stone

The Family Stone DVD cover
Directed by Thomas Bezucha
Produced by Michael London
Written by Thomas Bezucha
Starring Claire Danes
Diane Keaton
Rachel McAdams
Craig T. Nelson
Sarah Jessica Parker
Luke Wilson
Elizabeth Reaser
Tyrone Giordano
Brian J. White
Dermot Mulroney
Music by Michael Giacchino
Cinematography Jonathan Brown
Editing by Jeffrey Ford
Distributed by 20th Century Fox
Release date(s) December 16, 2005 (USA)
Running time 103 min.
Country USA
Language English
Budget $18,000,000 (production)
$12,000,000 (est. promotion)
Gross revenue $92,283,851

The Family Stone is a 2005 American dramedy film written and directed by Thomas Bezucha. It is an ensemble piece focusing on the Christmas holiday misadventures of the titular family in a small New England town when the eldest son brings his girlfriend home with the intention of proposing to her with a cherished heirloom ring, the title being a play on the family's name and a reference to the ring.

Contents

Plot synopsis

Set in the fictional town of Thayer, Massachusetts, the story focuses on Meredith Morton (Sarah Jessica Parker), a successful Manhattan executive whose uptight, conservative demeanor is a sharp contrast to that of her boyfriend Everett Stone's (Dermot Mulroney) very liberal and rambunctious family. He has four siblings:

The Stones' father, Kelly (Craig T. Nelson), is also an architect, and their mother, Sybil (Diane Keaton), a bohemian type who is dealing with the recurrence of a fatal illness, which isn't directly stated. It's implied that she had breast cancer previously, which has since metastasized (Metastasis).

Meredith, feeling very much an outsider, opts to stay at the local inn instead of with the family and asks her sister Julie (Claire Danes) to join her from Bedford for support. Everett immediately finds himself attracted to the more outgoing Julie. Meredith desperately tries to fit in, but her strained attempt to play charades and clumsy effort to engage the family in a dinner table discussion about nature versus nurture and sexual orientation prove to be disastrous. Distraught, Meredith attempts to drive off but crashes the car, and Ben comes to her rescue. The two end up in a local bar where, after several drinks, Meredith literally, and figuratively, lets down her hair and begins to enjoy herself. She invites local paramedic Brad Stevenson (Paul Schneider), Amy's former high school flame, to the Stone house for Christmas breakfast. The following morning, when she awakens in Ben's bed, she incorrectly assumes their night of revelry ended with the two making love.

Christmas proves to be a day of accusations, recriminations, self-discoveries, and heartfelt attempts to mend fences. Sybil, who originally refused Everett's request for his grandmother's ring, reconsiders her position and offers it to him, but by now his feelings for Meredith have shifted to her sister. In a moment of emotional confusion—or clarity—he asks Julie to try on the ring, and it gets stuck. When Julie and Meredith lock themselves in the bathroom to get the ring off, they assume Everett is about to propose to Meredith. The family exchanges gifts, and Meredith, oblivious to Sybil's failing health, presents each with a framed enlarged photograph of Sybil taken when she was pregnant with Amy. Everyone is touched by her gesture, and Meredith relaxes slightly, but when Everett asks to talk to her, she demurs again and again until she blurts out that she will not marry him. He counters that he didn't plan to ask her. Meredith breaks down in front of the family. All the personality conflicts come to a head, and everyone begins the process of healing.

One year later, the family reunites at the Stone house. Meredith and Ben are a couple, as are Everett and Julie and Amy and Brad. Thad and Patrick have adopted a baby boy and Susannah has had her baby. Sybil has died, but it is apparent her spirit lives on as the family gathers around the tree.

Principle cast

Soundtrack

Songs heard on the film's soundtrack include:

Critical reception

In her review in the New York Times, Manohla Dargis observed the film is "a clear attempt to bottle the manic energy and generous spirit of madcap classics like George Cukor's wonderful 1938 Holiday. This partly explains Mr. Bezucha's unfortunate attempts at broad physical comedy, which even a dexterous performer like Ms. Parker has trouble with . . . The female troubles that bedevil The Family Stone are by turns exasperating and fascinating. Save for the boring sister, the women are pills, but they're also far more fun to watch than the men, who all are terribly kind and dull, dull, dull . . . The women make The Family Stone, especially Ms. Parker, whose nimble performance is reason alone to see the film: not since Philippe Petit has anyone walked a tightrope with such finesse — and in high heels, no less."[1]

Roger Ebert of the Chicago Sun-Times stated the film "is silly at times, leaning toward the screwball tradition of everyone racing around the house at the same time in a panic fueled by serial misunderstandings. There is also a thoughtful side, involving the long and loving marriage of Sybil and Kelly . . . The Family Stone sorts out its characters admirably, depends on typecasting to help establish its characters more quickly, and finds a winding path between happy and sad secrets to that moment when we realize that the Family Stone will always think of this fateful Christmas with a smile, and a tear."[2]

In Variety, Justin Chang called the film "a smart, tart but mildly undercooked Christmas pudding" and added the "lovingly mounted ensembler has many heartfelt moments and a keen ear for the rhythms of domestic life, which make the neatly gift-wrapped outcome somewhat disappointing . . . Bezucha tosses the viewer into every conversation headfirst, deploying a rough, at times disorienting visual style that works in rhythm with the layers of overlapping dialogue to deliver a pleasingly antic, semi-improvisational feel . . . but while individual scenes have an authentically off-the-cuff feel, the narrative structure as a whole feels a tad schematic."[3]

Kenneth Turan of the Los Angeles Times said, "A contemporary version of the traditional screwball romantic comedy, The Family Stone is a film that's at times as ragged and shaggy as its family unit. But as written and directed by Thomas Bezucha, its offbeat mixture of highly choreographed comic crises and the occasional bite of reality make for an unexpectedly enticing blend . . . [he] has been helped by a first-rate cast . . . an especially strong ensemble . . . the actors seem pleased with their roles and relaxed with one another."[4]

In Rolling Stone, Peter Travers rated the film three out of a possible four stars and added, "It's a comedy with a dash of tragedy — the kind of thing that usually makes me puke. But I fell for this one . . . Writer-director Thomas Bezucha lays it on thick, but he knows the mad-dog anarchy of family life and gives the laughs a sharp comic edge."[5]

Box office

After spending 15 weeks in theatres, The Family Stone earned $60,062,868 in the US and $32,220,983 in foreign markets, bringing its worldwide total to $92,283,851.[6]

Nominations

See also

References

External links


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Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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