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Firesign Theatre

Firesign Theatre

Representative Albums:

Don't Crush That Dwarf, Hand Me the Pliers, How Can You Be in Two Places at Once When You're Not Anywhere at All, Shoes for Industry! The Best of the Firesign Theatre

Similar Artists:

Conception Corporation, Ken Nordine, National Lampoon, Monty Python, Duck's Breath Mystery Theatre

Influences:

Followers:

A Member of the Group:

Proctor and Bergman

Performed Songs By:

  • Genre: Comedy
  • Active: '60s - 2000s
  • Major Members: Peter Bergman, Philip Austin, Phil Proctor, David Ossman

Biography

By fusing the high-concept comic vision of Stan Freberg with the expansive studio experimentation of the Beatles, the Firesign Theatre singlehandedly dragged the comedy album into the psychedelic era. Creating densely layered montages of improvisational routines, overheard dialogue, media manipulation, commercial parodies and sound effects, the four-man troupe devised a hallucinatory brand of surrealist comic performance and Joycean satire laced with puns, metaphors and obscure literary allusions which redefined the very concept of recorded comedy.

Comprised of Phil Austin, Peter Bergman, David Ossman and Philip Proctor, the Firesign Theatre debuted on Los Angeles' KPFK radio on November 17, 1966 with a performance of "The Oz Film Festival," a three-hour improvisational piece. Their recorded bow, Waiting for the Electrician or Someone Like Him, followed in 1968; loaded with obvious drug references and clearly reflective of the hippie mentality of the times, the record won the troupe a tremendous following on college campuses and among the acid culture. Their 1969 follow-up, How Can You Be Two Places at Once When You're Not Anywhere at All?, featured the first appearance of Nick Danger, their popular parody of Sam Spade and hardboiled crime fiction.

With 1970's Don't Crush That Dwarf, Hand Me the Pliers, Firesign perfected the formula, offering a fragmentary, cut-and-paste set of mock news broadcasts and radio drama satires. Their studio trickery became even pronounced with 1971's I Think We're All Bozos on This Bus, an absurdist look at the future set at a World's Fair-like festival, while 1972 brought two diverse efforts: the first, the 12-record set Dear Friends, sampled 1970-71 moments from the Theatre's syndicated radio program, and the second, Not Insane Or Anything You Want To, featured all new material.

After a two-year hiatus, the Firesign Theatre returned in 1974 with both The Tale of the Giant Rat of Sumatra and Everything You Know Is Wrong! After the sci-fi paranoia of 1975's In the Next World You're on Your Own, the group's longtime association with Columbia ended, and they moved to the Butterfly label for 1977's Just Folks: A Firesign Chat. As times changed and drug use tapered off, the troupe's core collegiate following began to dwindle; after 1979's Fighting Clowns, the members of Firesign began working on solo projects, but reunited in 1985 for Eat or Be Eaten. After again parting ways, they reteamed for a series of 1993 performances later documented on Back From the Shadows. Give Me Immortality or Give Me Death followed in 1998, and a year later the troupe returned with Boom Dot Bust. ~ Jason Ankeny, All Music Guide
 
 
Wikipedia: The Firesign Theatre
Left to right: Phil Proctor, Peter Bergman, Phil Austin, and David Ossman in 2001
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Left to right: Phil Proctor, Peter Bergman, Phil Austin, and David Ossman in 2001

The Firesign Theatre is a comedy troupe consisting of Phil Austin, Peter Bergman, David Ossman, and Philip Proctor.

Formation

The troupe began as live radio performers in Los Angeles, California on radio stations KPPC and KPFK during the mid-1960s.

The group's name is an astrological reference: The membership comprises all three "fire signs," born under Aries (Austin), Leo (Proctor), and two under Sagittarius (Bergman and Ossman). The name is derived from Fireside Theatre, an early television series that ran on NBC from 1949 to 1955, followed by Jane Wyman Presents the Fireside Theatre (1955–58); it may also be a reference to the "Fireside Chat" radio shows of Franklin Delano Roosevelt, a parody of which can be heard in one of the Theatre's Nick Danger adventures.

Style

The Firesign approach to comedy was strongly influenced by The Goon Show; all four Firesign members have spoken of their admiration for this show. Said Ossman:

We all listened to The Goon Show, Peter Sellers, Spike Milligan and Harry Secombe, at various times in our lives. We heard a lot of those shows. They impressed us when we started doing radio ourselves, because they sustained characters in a really surreal and weird kind of situation for a long period of time. They were doing that show for 10 years, all the way through the '50s. So we were just listening to them at the end. It was that madness and the ability to go anywhere and do anything and yet sustain those funny characters. So when we first did written radio, where we would sit down and write half hour skits and do them once a week, which we did in the fall of 1967, we did things that were very imitative of The Goon Show and learned a lot of voices from them and such.

The Theatre specializes in audio recordings, having had comparatively little presence in stage performance, television or movies. Their first four albums in particular are considered classics of recorded comedy. Each of those four albums features a different one of the four members in a leading role but were indeed a running story.

While their stream of consciousness style has the feel of improvisational comedy, most of it actually is tightly scripted and memorized. They have employed a writing method that demands the consent of all four members before a line can be included. Much of their work has been copyrighted under the name "4 or 5 Crazee Guys," reflecting their collective sentiment that there is a "fifth guy in the room" who actually is doing all the writing.

Other projects

Between September 9, 1970 and February 17, 1971, The Firesign Theatre performed a one-hour live show on radio station KPFK in Los Angeles titled Dear Friends. These live shows were recorded by the group and then edited into a slightly shorter shows which the group syndicated to radio stations across the country on 12-inch white label LPs. The group later collected what they thought were the best segments from the Dear Friends radio program for their fifth record, Dear Friends.

In 1972 and 1974, Straight Arrow Press, Rolling Stone's book publishing arm, published two books authored by The Firesign Theatre. These books, The Firesign Theatre's Big Book Of Plays and The Firesign Theatre's Big Mystery Joke Book, contain scholarly information, satirical introductions, and parodic histories, as well as transcriptions of many of the performances from their first seven albums. A later work, also authored by the group and published by a small press, was titled The Apocalypse Papers and was limited to an edition of only 500 copies.

The group cowrote the screenplay to the offbeat comedy Western Zachariah, released in 1971. The film was loosely based on/inspired by the novel Siddhartha by Hermann Hesse.

Later work

During the mid-1970s, the group more or less split in half: Firesign productions continued, but Proctor and Bergman also performed as a duo, and Austin and Ossman worked individually and together in a few stage shows and most notably in the writing and production of In the Next World, You're on Your Own. In the mid-1980s, Ossman temporarily left the group to produce shows for National Public Radio.

Their recordings through 1975 were originally released by Columbia Records.

Homages

On several occasions, the director of ACE Jeff Rosenbaum has organized performances of Firesign Theatre radio plays on stage at the Starwood Festival and WinterStar Symposium, performed by organizers and guest speakers/entertainers of the event under the name "Firesign Clones". The personnel have included Rev. Ivan Stang of the Church of the SubGenius (host of the Hour of Slack Radio Show), and noted occult authors Ian Corrigan and Donald Michael Kraig.[1][2]

Comedy writer Bob D. Caterino called the Firesign Theatre "The Beatles of Comedy."

Discography

Firesign Theatre commercial releases

  • Lawyer's Hospital
    • (Rhino RNLP-806 — 1982)
  • Shakespeare’s Lost Comedie
    • (Firesign/Rhino RNLP-807 — 1982)
    • (re-released in expanded edition as Anythynge You Want To Firesign Theatre Records MSUG090, 2001, 2005)
  • Eat Or Be Eaten
    • (Mercury 826 452-2 — 1985)
      • (An official Firesign Theatre release but without David Ossman)
  • Shoes for Industry: The Best of the Firesign Theatre
    • (Sony/Legacy 52736 — August 1993)
  • Pink Hotel Burns Down
    • (LodeStone Media MSUG006 — December 1996)
  • Bride of Firesign
    • (Rhino R2 75390 — September 2001)
  • Radio Now, Live|Radio Now Live!
    • (Whirlwind Media — July 2001)
  • Papoon For President
    • (Laugh.Com — 2002)

Non-commercial releases (radio, promotional LPs)

  • Let’s Eat — Syndicated Radio Program
    • (1974)
  • The Proctor-Bergman Report
    • (1977–1978)
  • The Cassette Chronichles
    • (Rhino RM-73 — 1980)
      • (A six cassette collection of The Firesign Theatre’s presidential and campaign commentaries which aired on NPR during the 1980 election season.)

Firesign Related Albums

  • TV or not TV
    • (Columbia Columbia KC-32199 — 1973)
      • (an album by the team of Phil Proctor and Peter Bergman)
  • How Time Flys
    • (Columbia Columbia Kc-32411 — 1973)
      • (a “solo” album written and presented by Ossman, but with all members performing, among others)
  • What This Country Needs
    • (Columbia PC-33687 — September 1975)
      • (an album by the team of Phil Proctor and Peter Bergman)
  • Daily Feed 1988 Newsreel — The Daily Feed
    • (DC Audio — 1988)
      • (a “solo” cassette by Austin)
  • The George Tirebiter Story Chapter1: Another Christmas Carol
    • (Sparks Media — 1989)
      • (a “solo” cassette by Ossman)
  • George Tirebiter's Radiodaze
    • (Sparks Media — 1989)
      • (a “solo” cassette by Ossman)
  • The George Tirebiter Story Pt.2 Mexican Overdrive / Radiodaze
    • (Company One — 1989)
      • (a “solo” cassette by Ossman)
  • A Capital Decade Daily Feed 1989 Newsreel — The Daily Feed
    • (DC Audio — 1989)
      • (a “solo” cassette by Austin)
  • The George Tirebiter Story Pt.3 The Ronald Reagan Murder Case
    • (Midwest Radio Theatre Workshop — 1990)
      • (a “solo” cassette by Ossman)
  • Down Under Danger
    • (Sparks Media — 1994)
      • (a “solo” cassette by Austin)
  • Tales Of The Old Detective And Other Big Fat Lies
    • (Audio Partners — 1994)
      • (a “solo” cassette by Austin)
  • David Ossman's Time Capsules
    • (Otherworld Media — Omw 1996/1 — 1996)
      • (a “solo” cassette by Ossman)
  • George Tirebiter's Radio Follies
    • (Twin Cities Radio Theatre Workshop — July 1997)
      • (a “solo” cassette by Ossman)

Bibliography

  • Firesign Theatre. The Apocalypse Papers, a Fiction by The Firesign Theatre. Topeka: Apocalypse Press, 1976.
  • Firesign Theatre. Backwards Into The Future: The Recorded History of the Firesign Theatre. Albany: Bearmanor Media, 2006.

Miscellaneous

  • In September 1967 The Firesign Theatre performed an adaptation of Jorge Luis Borges' short story entitled "La Muerte y La Brujula" ("Death and the Compass") on Radio Free Oz.

References

  • Firesign Theatre. Firesign Theatre. 19 Jan. 2006 <http://www.firesigntheatre.com/>.
  • "FIREZINE: Linques!." Firesign Theatre FAQ. 23 Jan. 2006 <http://firezine.net/faq/>.
  • Marsh, Dave, and Greil Marcus. "The Firesign Theatre." The New Rolling Stone Record Guide. Ed. Dave Marsh and John Swenson. New York: Random House, 1983. 175–176.
  • Smith, Ronald L. The Goldmine Comedy Record Price Guide. Iola: Krause, 1996.

Further reading

  • Wiebel, Jr, Frederick C. (2005). Backwards into the Future - The Firesign Theatre. Albany: BearManor Media ISBN 1-59393-043-7

External links


The Firesign Theatre
Performers
Phil AustinPeter BergmanDavid OssmanPhilip Proctor
Albums
Commercial
Waiting for the Electrician or Someone Like HimHow Can You Be in Two Places at Once When You're Not Anywhere at AllDon't Crush That Dwarf, Hand Me the PliersI Think We're All Bozos on This BusDear FriendsNot Insane or Anything You Want ToThe Tale of the Giant Rat of SumatraEverything You Know Is WrongIn the Next World, You're on Your OwnForward into the PastJust Folks . . . A Firesign ChatNick Danger: The Case of the Missing ShoeFighting ClownsLawyer's HospitalShakespeare's Lost ComedieThe Three Faces of AlEat or Be EatenShoes for Industry: The Best of Firesign TheatreAnythynge You Want ToBack from the ShadowsPink Hotel Burns DownGive Me Immortality or Give Me DeathBoom Dot BustBride of FiresignRadio Now Live!Papoon For PresidentAll Things Firesign
Non-commercial
Dear Friends - Syndicated Radio ProgramA Firesign Chat with PapoonLet’s Eat - Syndicated Radio ProgramThe Proctor-Bergman ReportThe Cassette Chronichles
Related to Firesign Theatre
TV or not TVHow Time FlysRoller Maidens From Outer SpaceWhat This Country NeedsGive Us a BreakDaily Feed 1988 Newsreel - The Daily FeedThe George Tirebiter Story Chapter 1: Another Christmas CarolGeorge Tirebiter's RadiodazeThe George Tirebiter Story Pt.2 Mexican Overdrive / RadiodazeA Capital Decade Daily Feed 1989 Newsreel - The Daily FeedThe George Tirebiter Story Pt.3 The Ronald Reagan Murder CaseDown Under DangerTales Of The Old Detective And Other Big Fat LiesDavid Ossman's Time Capsules
Bibliography
The Firesign Theatre's Big Book Of PlaysThe Firesign Theatre's Big Mystery Joke BookThe Apocalypse Papers, a Fiction by The Firesign TheatreBackwards Into The Future: The Recorded History of the Firesign Theatre

 
 

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Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "The Firesign Theatre" Read more

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