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The Flairs

 
Artist: The Flairs

Similar Artists:

The Crowns, The Colts, Five Hearts, Shirley Gunter, The Native Boys, The Twilighters, Robbins, Meadowlarks

Formal Connection With:

  • Genres: Rhythm & Blues
  • Representative Albums: "The Ultimate Flairs

Biography

The Flairs were an important West Coast doo wop group, best remembered for being the launching pad for both Richard Berry and Cornell Gunter, who would both go on to success in their subsequent solo careers.

The original group -- Arthur Lee Maye (tenor), Thomas "Pete" Fox (2nd tenor), Obediah "Obie" Jessie (baritone), and A.V. Odum (bass) -- formed on the campus of Los Angeles' Jefferson High in 1953 and recorded one single for John Dolphin's Recorded in Hollywood label under the name the Hollywood Blue Jays. (Another group would use the name after them). Maye and Odum then quit the group and, by 1954, were replaced by tenor Cornell Gunter, who had already been singing with the Platters for a couple of months, and bass Richard Berry, still in his teens, but already recording with the Cadets, the Chimes, the Crowns, the Five Hearts, the Hunters, the Rams, the Whips, and the Dreamers, an otherwise all-female quartet from Fremont High.

At first, the group (who were now calling themselves the Flamingoes) possibly consisted of Gunter, his cousin Kenneth Byle (first tenor), Thomas Miller (baritone), and George Hollis (bass), while others give Gaynel Hodge, Cornelius Gunter, Curtiss Williams, Joe Jefferson, and Alex Hodge as members. A fifth Flairs member, Beverly Thompson (tenor), also joined the group's roster.

One day, while playing hooky from school, they auditioned for Modern Records. By 1954, Gunter was splitting from the Platters to help organize a full-time Flairs, taking their new name from labels they saw printed up for Modern's not-yet-released Flair subsidiary. They recorded several singles for Modern before Berry and Beverly Thompson left the group's lineup. Berry would have tremendous success over the years, including his uncredited lead vocals on Leiber & Stoller's "Riot in Cell Block #9," recorded by the Robins, later to mutate into the Coasters. Berry's replacement for the Flairs was bass man Randolph Jones, though it was for recording purposes only. Tenor Charles Jackson filled the gap left by Beverly Thompson.

Meanwhile, the new Flairs appeared around the L.A. area and West Coast and had the distinction of being on the cover of the first TV Guide ever printed in the L.A. area. They also recorded for Tampa records (using the name Jac-O-Lacs),and also recorded as the Rams and as Arthur Lee Maye and the Crowns. Occasionally, Maye's brother Eugene (second tenor) and Charles Holm (bass) would fill in at appearances.

In 1956, this group appeared at the Apollo with Shirley Gunter, Screamin' Jay Hawkins, and the Cadillacs, and recorded as the Ermines, first for the Loma label, and then for ABC Paramount (under Buck Ram's management). Internal conflicts among the group's personnel arose when Cornell Gunter's sister, Shirley Gunter, joined as a sixth member and the original group imploded.

Obie Jessie left to start his solo career in earnest as Young Jessie (on "Mary Lou" he was backed up by the Cadets). Pete Fox left the Flairs and joined the Hollywood Flames, replacing Prentice Moreland in that group. Randy Jones joined the Penguins, then replaced Lloyd McCraw in the Jacks/Cadets lineup. The last member of the original Flairs to have a subsequent career as a solo artist was Cornell Gunter, who left in 1958 to join the Coasters along with "Dub" Jones from the Cadets.

Meanwhile, Aaron Collins and Willie Davis left the Cadets and joined what would be the last incarnation of the Flairs (adding Thomas Miller, baritone, and George Hollis, bass) who recorded for ABC. This new lineup recorded under three different monikers: the Peppers, the Cadets, and the subtly different spelling of the Flares. They signed to the Felsted label and recorded two singles in 1960 and later released one single on Ensign in 1961. Their third single for Felsted, the energetic dance record "Foot Stomping-Part I," went to number 25 on the Pop Charts (number 20 R&B) in 1962.

Gunter later started his own Coasters act in 1963 too, although the members of his Coasters were mostly former Penguins (Randolph Jones, Dexter Tisby, and Teddy Harper). Along with Cornell's sister Shirley Gunter (of the Flairs), they recorded for Challenge under the name Cornell Gunter in 1964. His group shifted from a quartet to a trio over the next 25 years. Gunter's Coasters were inducted into the Rock & Roll Hall of Fame in 1987. On February 27, 1990, Gunter was shot and killed while sitting in his car in north Las Vegas. Richard Berry passed away of a heart attack on January 23, 1997, in South Central, Los Angeles, CA. ~ Bryan Thomas, All Music Guide
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Wikipedia: The Flairs
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The Flairs were an American doo wop group.

In 1952, an African-American musical team calling themselves "The Debonaires" had formed in Los Angeles, with members Arthur Lee Maye, Pete Fox, Obediah Jessie, Joe Winslow, and A.V. Odom. Winslow dropped out, leaving the qroup a quartet. Bass man Odom was out soon after, and was replaced by Richard Berry. Maye began putting baseball ahead of singing (he would later be a professional baseball player for the Milwaukee Braves), and the group brought in Beverly Thompson to replace him. Cornell Gunter, who had recently left the earliest lineup of The Platters, came in to make the group a quintet. The Debonaires made a handful of recordings for Recorded In Hollywood Records with no real success.

The group then found Modern Records, and were transferred to Flair Records, owned by a brother of the owner of Modern. At this point, they changed their name to "The Flairs". Although they were named after the label, they had little success there. They recorded several singles through 1953, beginning with "I Had a Love". The next was "Rabbit On A Log", which was credited to "The Hunters", to avoid competition with "I Had A Love". More singles followed into 1954. Thompson left in the summer of '54. The group performed as a quartet, and brought in Charles Jackson as a fifth member on recordings.

Shortly after Thompson's departure, Berry left as well. He had been working with Arthur Lee Maye's new group, The Crowns, as well as his own second group, The Dreamers. This caused friction in the Flairs. His replacement was Randy Jones (who also did some bass spots with the Crowns). The group continued recording, with one of their singles, "Love Me, Love Me, Love Me", being credited to The Chimes. Jackson left to join The Chimes at this time, and Jones left to fill the bass spot in The Penguins. Gunter, Jessie, and Fox continued as "The Jac-O-Lacs", recording for Tampa Records. The group broke up at this point. Jessie recorded one more Jac-O-Lacs single, "Mary Lou", backed by The Cadets. He got to know this group, and, when a baritone was needed a few years later, recommended fellow Flair Pete Fox for the job. Jessie continued as a soloist.

With Fox joining the Cadets and Jessie recording solo (as "Young Jessie"), Cornell Gunter formed a new group, "The Ermines", with new members George Hollis, Thomas Miller, and his cousin, Kenneth Byley. After a brief stint with Loma Records, they signed up with manager Buck Ram, and moved to ABC-Paramount Records, taking the name "The Flairs". After recording for ABC a short time, they moved to Modern, then to Aladdin Records. Old Ermine's tracks continued to be released by Loma. Also, during this time, they frequently backed up Gunter's sister, Shirley.

Gunter was out in late 1957, and was replaced by Vince Weaver. The group recorded into the summer of 1958 for Ram's Antler Records. Later that year, Weaver and Byley both left the group. The Cadets were again associated with the Flairs- they had just split, and Cadets Willie Davis and Aaron Collins joined the Flairs. Former Flair Pete Fox was also a member of the Cadets when they split, and he did not join the Flairs. The fourth Cadet, Will "Dub" Jones, filled one of two recent vacancies in The Coasters, the other being filled by recent Flair departee Cornell Gunter.

Miller, Hollis, Davis, and Collins recorded only briefly as The Flairs, before changing their name to "The Flares", in 1959. Buck Ram had actually proposed a different name, "The Peppers". After a two year break, the Flares began to record again. By this time, however, both of the former Cadets had left, and the group was now Miller, Hollis, Eddie King, Robbie Robinson, and Beverly Harris. This lineup recorded for Felsted Records. Then the lineup returned to Miller, Hollis, Willie Davis, and Aaron Collins (possibly featuring Harris). They recorded as "Bennie Bunn and The Cadets" for Sherwood Records in 1960.

At that time, Hollis left and was replaced by a former Flair, Randy Jones. Patience Valentine was added as a fifth member. Once again as "The Flares", the group recorded for Jan-Lar Records. The groups lineup shifted rapidly at this point- later, Davis was out and Hollis was in. Then, Jones and Valentine were out, and Davis and Collin's sister Rose Collins were in. Rose was only in shortly, then she and Aaron's sister Betty Collins. Then, Davis was out again, replaced by the returning Vince Weaver for a short time, before Davis returned.

As The Flares, their biggest hit was the 1961 release "Foot Stompin' Part 1", which hit #20 on the Black Singles chart and #25 on the Billboard Hot 100.[1]

In 1961, the group took Buck Ram's previous suggestion and recorded as "The Peppers" for Ensign Records. Then it was back to "The Flares" for Ram's Press Records. They alternated between "The Peppers" and "The Flares" through 1964. At that point, the group split.

References

  1. ^ Billboard Singles, Allmusic.com

External links


 
 
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The Flares (Rhythm & Blues Band, '60s)
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