Share on Facebook Share on Twitter Email
Answers.com

The Fog of War

 
Movies:

The Fog of War

  • Director: Errol Morris
  • AMG Rating: starstarstarstar
  • Genre: Culture & Society
  • Movie Type: Politics & Government, Military & War
  • Main Cast: Robert S. McNamara
  • Release Year: 2003
  • Country: US
  • Run Time: 105 minutes
  • MPAA Rating: PG13

Plot

Former Secretary of Defense Robert S. McNamara is the sole focus of documentarian Errol Morris's The Fog of War, a film that not only analyzes McNamara's controversial decisions during the first half of the Vietnam War, but also his childhood upbringing, his education at Berkley and Harvard, his involvement in World War II, and his later years as president of the World Bank. Culling footage from almost 20 hours of interviews with the Secretary, Morris details key moments from McNamara's career, including the 1945 bombing of Tokyo, the Cuban Missile Crisis, and President Kennedy's suggestions to the Secretary that the U.S. remove itself from Vietnam. Throughout the film, the 85-year-old McNamara expounds his philosophies on international conflict, and shows regret and pride in equal measure for, respectively, his mistakes and accomplishments. ~ Michael Hastings, All Movie Guide

Review

Errol Morris's films stand out because he allows people to explain themselves. Very few figures from the later half of the 20th century would seem to owe the American public more of an explanation than Robert McNamara -- the Secretary of Defense during the Vietnam War. The riveting aspect of The Fog of War is seeing the elderly but mentally sharp McNamara explain his motivations during that remarkable time in history. Covering his entire life, the film starts with McNamara discussing how he invented seat belts. His obsessive attention to detail and organization during this time in his career may remind Morris fans of the scientist in Fast, Cheap & Out of Control. More than any other human subject in Morris's films, McNamara thrives under the unyielding gaze of Morris's camera. His articulate explanations about what transpired in the Kennedy White House during the Cuban Missile Crisis balance political theory with a sense of McNamara's personal understanding of how historic the situation was. These elements make the portions of the film about Vietnam all the more chilling. McNamara never acknowledges that he abandoned the lessons he claimed to have learned earlier in his career, but he is so engaging and confident that Morris himself becomes flustered. Morris's voice gets higher and higher with indignation as he grows more exasperated in his interrogation, but McNamara is unflappable. Although he might lose a bit of control in his voice, Morris is always cool and calculated in his filmmaking. The historical images interact with the new material he shot for the film in such a way that he is able to poetically underscore the humor, the horror, and the gravity of the topics being discussed. The Fog of War is that rare combination of great history, great filmmaking, and great biography. ~ Perry Seibert, All Movie Guide

Cast

  • Robert S. McNamara

Credit

Zachary Morong - Animator, Evan Olson - Animator, Ann Petrone - Associate Producer, Adam Kosberg - Associate Producer, Errol Morris - Director, Karen Schmeer - Editor, Doug Abel - Editor, Chyld King - Editor, John Sloss - Executive Producer, Frank Scherma - Executive Producer, Robert May - Executive Producer, Jack Lechner - Executive Producer, Jon Kamen - Executive Producer, Robert Fernandez - Executive Producer, Philip Glass - Composer (Music Score), John Kusiak - Composer (Music Score), Ted Bafaloukos - Production Designer, Steve Hardy - Production Designer, Robert Chappell - Cinematographer, Peter Donahue - Cinematographer, Errol Morris - Producer, Julie Bilson Ahlberg - Producer, Michael Williams - Producer, Evan Olson - Special Effects, Tom Paul - Sound/Sound Designer, Steve Bores - Sound/Sound Designer, Robin Hobart - Visual Effects Supervisor, Coll Anderson - Supervising Sound Editor

Similar Movies

The Trials of Henry Kissinger; Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr.; Fahrenheit 9/11; Imelda; Hijacking Catastrophe: 9/11, Fear & the Selling of American Empire; Howard Zinn: You Can't Be Neutral on a Moving Train; Selves and Others: A Portrait of Edward Said; Brothers in Arms; Why We Fight; Arguing the World; The War at Home; Jimmy Carter Man From Plains; Virtual JFK: Vietnam If Kennedy Had Lived; The Most Dangerous Man in America
Search unanswered questions...
Enter a question here...
Search: All sources Community Q&A Reference topics
Wikipedia: The Fog of War
Top
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara

Theatrical release poster
Directed by Errol Morris
Produced by Errol Morris
Michael Williams
Julie Ahlberg
Starring Robert McNamara
Music by Philip Glass
Cinematography Robert Chappell (interviews)
Peter Donahue
Distributed by Sony Pictures Classics
Release date(s) France May 21, 2003 (Cannes)
United States December 19, 2003 (limited)
Canada February 6, 2004 (limited)
Australia March 18, 2004
United Kingdom April 2, 2004
Running time 95 minutes
Country United States
Language English

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003), directed by Errol Morris, is an American documentary film about the life and times of former U.S. Secretary of Defense Robert S. McNamara. The original score is by Philip Glass.

The title is a reference to the military phrase fog of war, a concept of battlefield uncertainty during the fighting. It won the Academy Award for Best Documentary Feature and the Independent Spirit Award for Best Documentary Feature.[1] It was screened out of competition at the 2003 Cannes Film Festival.[2]

Contents

Concept

Using archival footage, United States Cabinet conversation recordings, and an interview of the eighty-five-year-old Robert McNamara, The Fog of War depicts his life, from his birth during the First World War remembering the time American troops returned from Europe, to working as a WWII Whiz Kid military officer, to being the Ford Motor Company's president, to his being employed as Secretary of Defense and the Cuban Missile Crisis, to managing the American Vietnam War, as defense secretary for presidents Kennedy and Johnson — emphasizing the war's brutality under their regimes, and how he was hired as secretary of defense, despite limited military experience.

In a 2004 appearance at U.C. Berkeley, Errol Morris said his inspiration for the documentary derived from McNamara's book (with James G. Blight), Wilson's Ghost: Reducing the Risk of Conflict, Killing, and Catastrophe in the 21st Century (2001).[3] Morris interviewed McNamara for some twenty hours; the two-hour documentary comprises eleven lessons from In Retrospect: The Tragedy and Lessons of Vietnam (1995). He posits, discourses upon, and propounds the lessons in the interview that is The Fog of War. Moreover, at the U.C. Berkeley event, McNamara disagreed with Morris's interpretations in The Fog of War, yet, on completion, McNamara supplemented the original eleven lessons with an additional ten lessons; they are in The Fog of War DVD.

When asked to apply the eleven lessons from In Retrospect to the U.S. invasion of Iraq, McNamara refused, arguing that ex-secretaries of defense must not comment upon the incumbent defense secretary's policies. He suggested other people could apply the eleven lessons to the war in Iraq, but that he would not, noting that the lessons are generally about war, not a specific war.

R.S. McNamara's eleven lessons of war

  1. Empathize with your enemy
  2. Rationality will not save us
  3. There's something beyond one's self
  4. Maximize efficiency
  5. Proportionality should be a guideline in war
  6. Get the data
  7. Belief and seeing are often both wrong
  8. Be prepared to reexamine your reasoning
  9. In order to do good, you may have to engage in evil
  10. Never say never
  11. You can't change human nature

Ten additional lessons from R.S. McNamara

These supplement the documentary; they are in the DVD's special features.

  1. The human race will not eliminate war in this century, but we can reduce the brutality of war—the level of killing—by adhering to the principles of a "Just War," in particular to the principle of "proportionality."
  2. The indefinite combinations of human fallibility and nuclear weapons will lead to the destruction of nations.
  3. We are the most powerful nation in the world—economically, politically, and militarily—and we are likely to remain so for decades ahead. But we are not omniscient. If we cannot persuade other nations with similar interests and similar values of the merits of the proposed use of that power, we should not proceed unilaterally except in the unlikely requirement to defend directly the continental U.S., Alaska and Hawaii.
  4. Moral principles are often ambiguous guides to foreign policy and defense policy, but surely we can agree that we should establish as a major goal of U.S. foreign policy and, indeed, of foreign policy across the globe: the avoidance, in this century of the carnage—160 million dead—caused by conflict in the 20th century.
  5. We, the richest nation in the world, have failed in our responsibility to our own poor and to the disadvantaged across the world to help them advance their welfare in the most fundamental terms of nutrition, literacy, health and employment.
  6. Corporate executives must recognize there is no contradiction between a soft heart and a hard head. Of course, they have responsibilities to stockholders, but they also have responsibilities to their employees, their customers and to society as a whole.
  7. President Kennedy believed a primary responsibility of a president—indeed the primary responsibility of a president—is to keep the nation out of war, if at all possible.
  8. War is a blunt instrument by which to settle disputes between or within nations, and economic sanctions are rarely effective. Therefore, we should build a system of jurisprudence based on the International Court—that the U.S. has refused to support—which would hold individuals responsible for crimes against humanity.
  9. If we are to deal effectively with terrorists across the globe, we must develop a sense of empathy—I don't mean "sympathy," but rather "understanding"—to counter their attacks on us and the Western World.
  10. One of the greatest dangers we face today is the risk that terrorists will obtain access to weapons of mass destruction as a result of the breakdown of the Non-Proliferation Regime. We in the U.S. are contributing to that breakdown.

Eleven lessons from the Vietnam War

The documentary's lessons-learned concept is McNamara's eleven-lesson list of In Retrospect: The Tragedy and Lessons of Vietnam (1995).

  1. We misjudged then — and we have since — the geopolitical intentions of our adversaries … and we exaggerated the dangers to the United States of their actions.
  2. We viewed the people and leaders of South Vietnam in terms of our own experience … We totally misjudged the political forces within the country.
  3. We underestimated the power of nationalism to motivate a people to fight and die for their beliefs and values.
  4. Our judgments of friend and foe, alike, reflected our profound ignorance of the history, culture, and politics of the people in the area, and the personalities and habits of their leaders.
  5. We failed then — and have since — to recognize the limitations of modern, high-technology military equipment, forces, and doctrine.
  6. We failed, as well, to adapt our military tactics to the task of winning the hearts and minds of people from a totally different culture.
  7. We failed to draw Congress and the American people into a full and frank discussion and debate of the pros and cons of a large-scale military involvement … before we initiated the action.
  8. After the action got under way, and unanticipated events forced us off our planned course … we did not fully explain what was happening, and why we were doing what we did.
  9. We did not recognize that neither our people nor our leaders are omniscient. Our judgement of what is in another people's or country's best interest should be put to the test of open discussion in international forums. We do not have the God-given right to shape every nation in our image or as we choose.
  10. We did not hold to the principle that U.S. military action … should be carried out only in conjunction with multinational forces supported fully (and not merely cosmetically) by the international community.
  11. We failed to recognize that in international affairs, as in other aspects of life, there may be problems for which there are no immediate solutions … At times, we may have to live with an imperfect, untidy world.

Underlying many of these errors lay our failure to organize the top echelons of the executive branch to deal effectively with the extraordinarily complex range of political and military issues.

Charity

Sony Pictures Classics allowed proceeds from limited screenings of The Fog of War to benefit Clear Path International's work with victims of war in Vietnam.[citation needed]

References

Specific references:

General references:

External links

Awards
Preceded by
Bowling for Columbine
Academy Award for Documentary Feature
2003
Succeeded by
Born into Brothels

 
 

 

Copyrights:

Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "The Fog of War" Read more