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Four Tops

 
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The Four Tops


R & B/pop vocal group

The Four Tops have been one of the most successful vocal groups to emerge from the pantheon of great singers nurtured at Motown Records. After signing with Motown, they generated 19 Top 40 singles, from 1964 through the early 1980s, and have continued touring steadily into the 1990s. As stated in The Guinness Encyclopedia of Popular Music, "The group’s immaculate choreography and harmonies have ensured them ongoing success as a live act from the mid-1960s to the present day." The Four Tops are also one of the most stable vocal groups in history, having never changed personnel since forming in 1953.

Levi Stubbles, Renaldo "Obie" Benson, Abdul "Duke" Fakir, and Lawrence Payton all grew up in tough Detroit neighborhoods. They officially became a group after getting a popular reception while singing together at a birthday party. Soon they were harmonizing at graduation parties, church and school functions, and one-night gigs. After becoming attached to a talent agency in 1954, they began doing more serious performances at small supper clubs in Detroit and environs. Meanwhile,

the foursome continued to expand their repertoire of jazz and popular standards.

By the mid-1950s, the group was opening for or backing up such noted jazz and pop performers as Brook Benton, Count Basie, Delia Reese, and Billy Eckstine. They changed their name from the Four Aims to the Four Tops in 1956 to avoid being confused with the Ames Brothers, and Stubbles shortened his name to Stubbs. After several years of undistinguished touring, the group recorded "Kiss Me Baby/Could It Be You" for the Chess label, but the song failed to click with the public. The quartet continued to work on vocal arrangements and dance routines and toured with the Larry Stelle Revue through 1959. Another single went no-where on the charts, but the Tops’ riveting harmonies and gliding synchronized dance moves began to attract attention. Legendary talent scout John Hammond signed them to record "Ain’t That Love" for his label, Columbia, but sales remained poor.

Lightning Struck at Motown
Finally, after 10 years of relative obscurity, the Four Tops got their big break—they met Berry Gordy, Jr., head of Detroit’s Motown Records. Gordy signed the foursome to Workshop, Motown’s jazz subsidiary, for an advance of $400 in 1963. Soon the group was enjoying the famed family atmosphere of the company, hobnobbing with the likes of the Temptations, the Supremes, Martha Reeves, and Smokey Robinson and the Miracles.

The Four Tops’ early Motown recordings were indeed jazz-oriented, and the group also sang backup for other Motown acts. Their careers shifted into high gear when the legendary Motown songwriter/producer team of Holland-Dozier-Holland saw the group perform at Detroit’s 20 Grand Club. Eddie Holland invited them into the studio after the performance to hear him sing a number he thought might be right for them. The moonlighting session paid off, and The Four Tops recorded "Baby I Need Your Loving," their first hit. The song relied heavily on gifted lead Levi Stubbs’s tough yet soulful sound, as well as the group’s carefully constructed harmonies.

With golden-touch Holland-Dozier-Holland guiding the quartet’s career, the Four Tops became one of Motown’s most popular acts and as such, churned out a string of hits. Part of their success was due to their ability, nurtured over many years of performing, to switch smoothly from ballads to soul to rock—or even to country. After "I Can’t Help Myself" reached Number One in the U.S. in 1965, the group began a tour of the United Kingdom and Europe, where they would become even more popular than in their own country.

Scored Monster Hit With "Reach Out"
The foursome’s fame spiked a mighty peak with "Reach Out I’ll Be There" in 1966. Featuring an unusual instrumental mix of flutes, oboes, and Arab drums, "Reach Out" soared to the top of the U.S. charts. According to the Guinness Encyclopedia, it was "the pinnacle of the traditional Motown style, bringing an almost symphonic arrangement to an R & B love song." The Harmony Illustrated Encyclopedia of Rocknoted that the song, in fact, "established Motown as [a] force in contemporary music."

In 1967 the Tops demonstrated their versatility with soulful cover versions of hits like the Left Banke’s "Walk Away Renee" and Tim Hardin’s "If I Were a Carpenter." When Holland-Dozier-Holland left that year to form their own record company after a disagreement with Motown over royalties, it looked as if the group’s phenomenal winning streak might end. After their "Greatest Hits" album was released in 1968, the Four Tops began to feel underappreciated as the Motown hierarchy focused increasingly on the more rock-oriented Temptations. Stubbs and company managed some success with Motown producer/writers Frank Wilson, Smokey Robinson, Ivy Hunter, and Johnny Bristol and in 1970, they teamed up with the Supremes for the first of three collaborative albums.

When Berry Gordy, Jr., relocated Motown’s main operations to Hollywood, the Four Tops chose to stay behind in Detroit. They signed a new deal with the Dunhill label, thus ending a partnership that had brought them more than 15 Top 40 singles. But the group clearly remained worthy of the hit parade, marching to Number Four with "Ain’t No Woman (Like the One I’ve Got)" in 1973, which became yet another million seller. With Dunhill, the Tops were able to reclaim the style that had made their name in the mid-1960s.

Continued to Crank Out Hits
Appearing ready to settle into the "oldies" nostalgia concert circuit by the end of the 1970s, the Four Tops gained new life after signing with Casablanca Records in 1981. As with the switch to Dunhill, the move proved fortuitous and led to an immediate Number One soul hit, "When She Was My Girl." The Harmony Encyclopedia deemed their 1981 album, Tonight, "a classy collection of relaxed pop-soul songs that recaptured [a] great deal of the magic of the Tops’ great days."

The quartet made two albums for Casablanca before their appearance on the Motown 25th anniversary television special in 1983 set the stage for a renewal of business with Gordy. After resigning with Motown, they toured the U.S. and abroad with the Temptations. Stubbs added to his resume—and demonstrated a flair for acting—when he providing the voice for the man-eating plant Audrey in the film version of the stage musical "The Little Shop of Horrors." Although some of their recordings for Motown during the 1980s were produced by Holland-Dozier-Holland, the renewed collaboration largely failed to capture the old glory. The group defected once again, this time to Arista, where they produced another pair of successful singles.

By 1993 the Four Tops were still performing up to 200 gigs a year, often with the Temptations. By then they had generated a catalog of 36 albums peppered with numerous classic hits. In a review of a 1993 Tops concert, the New Yorker called the performance "less of an oldies show than a master class in the golden age of Motor City soul." Clearly, the success and longevity of the Four Tops have earned them a unique niche in R & B history.

Selected discography

Singles
"Baby I Need Your Loving," Motown, 1964.
"I Can’t Help Myself," Motown, 1965.
"Reach Out I’ll Be There," Motown, 1967.
"Ain’t No Woman (Like the One I’ve Got)," Dunhill, 1973.
"When She Was My Girl," Casablanca, 1981.

Albums
Four Tops Second Album, Tamla/Motown, 1966.
Reach Out, Tamla/Motown, 1967.
Still Waters Run Deep, Tamla/Motown, 1970.
(With the Supremes) The Magnificent Seven, Tamla/Motown, 1971.
Main Street People, Dunhill/Probe, 1973.
Tonight, Casablanca, 1981.

Sources
Books
The Guinness Encyclopedia of Popular Music, Vol. II, edited by Colin Larkin, Guinness, 1992.
The Harmony Illustrated Encyclopedia of Rock, Harmony Books, 1988.
Rees, Dafydd, and Luke Crampton, Rock Movers & Shakers, ABC/CLIO, 1991.

Periodicals
Billboard, February 28, 1987.
Jet, November 13, 1989; February 5, 1990.
New Yorker, August 1993.
People, March 9, 1987.
Rolling Stone, February 9, 1989; February 20, 1992.
Wilson Library Bulletin, April 1992.
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  • Genres: Rhythm & Blues

Biography

The Four Tops' story is one of longevity and togetherness: these Motown legends teamed up in high school and spent over four decades without a single personnel change. In between, they became one of the top-tier acts on a label with no shortage of talent, ranking with the Temptations and the Supremes as Motown's most consistent hitmakers. Where many other R&B vocal groups spotlighted a tenor-range lead singer, the Four Tops were fronted by deep-voiced Levi Stubbs, who never cut a solo record outside of the group. Stubbs had all the grit of a pleading, wailing, gospel-trained soul belter, but at the same time, the Tops' creamy harmonies were smooth enough for Motown's radio-friendly pop-soul productions. From 1964-1967, the Four Tops recorded some of the Holland-Dozier-Holland team's greatest compositions, including "Reach Out, I'll Be There," "I Can't Help Myself (Sugar Pie, Honey Bunch)," "Standing in the Shadows of Love," "Bernadette," and "Baby I Need Your Loving." The group's fortunes took a downturn when their chief source of material left the label, but they enjoyed a renaissance in the early '70s, which saw them switching to the ABC-Dunhill imprint. Regardless of commercial fortunes, they kept on performing and touring, scoring the occasional comeback hit.

The Four Tops began life in 1953 (some accounts say 1954), when all of the members were attending Detroit-area high schools. Levi Stubbs and Abdul "Duke" Fakir went to Pershing, and met Northern students Renaldo "Obie" Benson and Lawrence Payton at a friend's birthday party, where the quartet members first sang together. Sensing an immediate chemistry, they began rehearsing together and dubbed themselves the Four Aims. Payton's cousin Roquel Davis, a budding songwriter who sometimes sang with the group during its early days, helped them get an audition with Chess Records in 1956. Although Chess was more interested in Davis, who went on to become Berry Gordy's songwriting partner, they also signed the Four Aims, who became the Four Tops to avoid confusion with the Ames Brothers. The Four Tops' lone Chess single, "Kiss Me Baby," was an unequivocal flop, and the group moved on to similarly brief stints at Red Top and Riverside. They signed with Columbia in 1960 and were steered in a more upscale supper-club direction, singing jazz and pop standards. This too failed to break them, although they did tour with Billy Eckstine during this period.

In 1963, the Four Tops signed with longtime friend Berry Gordy's new label, specifically the jazz-oriented Workshop subsidiary. They completed a debut LP, to be called Breaking Through, but Gordy scrapped it and switched their style back to R&B, placing them on Motown with the Holland-Dozier-Holland songwriting team. After a full decade in existence, the Four Tops finally notched their first hit in 1964 with "Baby I Need Your Loving," which just missed the pop Top Ten. Early 1965 brought the follow-up ballad hit "Ask the Lonely," and from then on there was no stopping them. "I Can't Help Myself (Sugar Pie, Honey Bunch)" went all the way to number one that spring, and the follow-up "It's the Same Old Song" reached the Top Five. The hits continued into 1966, with "Something About You" "Shake Me, Wake Me (When It's Over)," and "Loving You Is Sweeter Than Ever" all coming in succession. The fall of 1966 brought the group's masterpiece in the form of the virtual soul symphony "Reach Out, I'll Be There"; not only did it become their second number one pop hit, it also wound up ranking as the creative peak of the group's career and one of Motown's finest singles ever. During this period, the Tops also earned a reputation as one of Motown's best live acts, having previously honed their performances for years before hitting the big time.

The Four Tops kicked off 1967 with the dramatic Top Ten smash "Standing in the Shadows of Love," which was followed by the Top Five "Bernadette." "7-Rooms of Gloom" and "You Keep Running Away" reached the Top 20, but toward the end of the year, Holland-Dozier-Holland left Motown over a financial dispute, which didn't bode well for the Four Tops' impressive hit streak. Their next two hits, 1968's "Walk Away Renee" and "If I Were a Carpenter," were both covers of well-known recent songs (by the Left Banke and Tim Hardin, respectively), and while both made the Top 20, they heralded a rough couple of years when top-drawer material was in short supply. They enjoyed a resurgence in 1970 under producer Frank Wilson, who helmed a hit cover of the Tommy Edwards pop standard "It's All in the Game" and a ballad co-written by Smokey Robinson, "Still Water (Love)." The Tops also recorded with the post-Diana Ross Supremes, scoring a duet hit with a cover of "River Deep, Mountain High" in 1971.

When Motown moved its headquarters to Los Angeles in 1972, the Four Tops parted ways with the company, choosing to remain in their hometown of Detroit. They signed with ABC-Dunhill and were teamed with producers/songwriters Dennis Lambert and Brian Potter, who did their best to re-create the group's trademark Motown sound. The immediate result was "Keeper of the Castle," the Four Tops' first Top Ten hit in several years. They followed it in early 1973 with "Ain't No Woman (Like the One I've Got)," a gold-selling smash that proved to be their final Top Five pop hit. That year they also recorded the theme song to the film Shaft in Africa, "Are You Man Enough." Several more R&B chart hits followed over the next few years, with the last being 1976's "Catfish"; after a final ABC album in 1978, the Tops largely disappeared from sight before resurfacing on Casablanca in 1981. Incredibly, their first single, "When She Was My Girl," went all the way to number one on the R&B charts, just missing the pop Top Ten. The accompanying album, Tonight!, became their last to hit the Top 40.

The Four Tops rejoined Motown in 1983, the year of the company's 25th anniversary, and toured extensively with the Temptations. They also recorded a couple albums of new material that failed to sell well, and wound up leaving Motown amid confusion over proper musical direction. Meanwhile, Levi Stubbs provided the voice for Audrey the man-eating plant in the film version of Little Shop of Horrors. The Four Tops next caught on with Arista, where in 1988 they scored their last Top 40 pop hit, the aptly titled "Indestructible." The Four Tops were inducted into the Rock and Roll Hall of Fame in 1990, and continued to tour the oldies circuit. In 1997, Lawrence Payton passed away due to cancer of the liver, which proved to be the only thing that could break up the Four Tops. After some consideration, the remaining members hired Theo Peoples to take Payton's place on tour. ~ Steve Huey, Rovi
Four Tops

The Four Tops in concert, 2007
Background information
Also known as Four Tops, The Four Aims, The Tops
Origin Detroit, Michigan, U.S.
Genres R&B/pop/soul
Years active 1953 – present
Labels Red Top
Riverside
Columbia
Motown
ABC
Casablanca
Arista
Members
Abdul "Duke" Fakir
Roquel Payton
Ronnie McNeir
Harold "Spike" Bonhart
Past members
Levi Stubbs
Renaldo "Obie" Benson
Lawrence Payton
Theo Peoples

The Four Tops are an American vocal quartet, whose repertoire has included doo-wop, jazz, soul music, R&B, disco, adult contemporary, hard rock, and showtunes. Founded in Detroit, Michigan as The Four Aims, lead singer Levi Stubbs (born Levi Stubbles, a cousin of Jackie Wilson and brother of The Falcons' Joe Stubbs), and groupmates Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together for over four decades, having gone from 1953 until 1997 without a single change in personnel.

Among a number of groups who helped define the Motown Sound of the 1960s, including The Miracles, The Marvelettes, Martha and the Vandellas, The Temptations, and The Supremes, the Four Tops were notable for having Stubbs, a baritone, as their lead singer; most groups of the time were fronted by a tenor. The group was the main male vocal group for the songwriting and production team of Holland-Dozier-Holland, who crafted a stream of hit singles, including two Billboard Hot 100 number-one hits: "I Can't Help Myself (Sugar Pie Honey Bunch)" and "Reach Out I'll Be There". After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to a number of producers, primarily Frank Wilson. When Motown left Detroit in 1972 to move to Los Angeles, California, the Tops stayed in Detroit and moved over to ABC Records, where they continued to have charting singles into the late-1970s. Since the 1980s, the Four Tops have recorded for, at various times, Motown, Casablanca Records and Arista Records. Today, save for Indestructible (owned by Sony Music Entertainment), Universal Music Group controls the rights to their entire post-1963 catalog (through various mergers and acquisitions), as well as their 1956 single, "Could It Be You".

A change of line-up was finally forced upon the group when Lawrence Payton died on June 20, 1997. The band initially continued as a three-piece under the name The Tops,[1] before Theo Peoples (formerly of The Temptations) was recruited as the new fourth member. Peoples eventually took over the role of lead singer when Stubbs suffered a stroke in 2000 with his position assumed by Ronnie McNeir. On July 1, 2005, Benson died of lung cancer with Payton's son Roquel Payton replacing him. Levi Stubbs died on October 17, 2008. Fakir, McNeir, Payton, and Harold "Spike" Bonhart, who replaced Peoples in 2011, are still performing together as the Four Tops. Fakir is now the only surviving founding member of the original group.

Contents

History

Early years

All four members of the group began their careers together while they were high school students in Detroit. At the insistence of their friends, Pershing High students Levi Stubbs and Abdul "Duke" Fakir performed with Renaldo "Obie" Benson and Lawrence Payton from Northern High at a local birthday party. The quartet decided to remain together, and christened themselves The Four Aims. With the help of Payton's songwriter cousin Roquel Davis, The Aims signed to Chess Records in 1956, changing their name to Four Tops to avoid confusion with The Ames Brothers. Over the next seven years, The Tops endured unsuccessful tenures at Chess, Red Top, Riverside Records and Columbia Records. Without any hit records to their name, The Tops toured frequently, developing a polished stage presence and an experienced supper club act. In 1963, Berry Gordy, Jr., who had worked with Roquel Davis as a songwriter in the late-1950s, convinced The Tops to join the roster of his growing Motown record company.

Joining Motown

During their early Motown years, the Four Tops recorded jazz standards for the company's Workshop label. In addition, they filled in time by singing backup on Motown singles[2] such as The Supremes' "Run, Run, Run." The Tops also did backing vocals for the group who is known as the equivalent to The Four Tops (Like The Supremes are known as the equivalent to The Temptations),[citation needed] Martha Reeves & The Vandellas on their 1966 hit "My Baby Loves Me".

In 1964, Motown's main songwriting/production team of Holland-Dozier-Holland created a complete instrumental track without any idea of what to do with it. They decided to craft the song as a more mainstream pop song for the Four Tops, and proceeded to create "Baby I Need Your Loving" from the lyric-less instrumental track. Upon its mid-1964 release, "Baby I Need Your Loving" made it to #11 on the United States Billboard pop charts. However, the song proved to be much more popular on trend-setting radio stations in key U.S. markets; Baby I Need Your Loving was a strong top 10 hit on both WMCA in New York, and WKNR in Detroit—stations watched by radio people all over the country because these stations broke new artists and songs. After the single's success The Tops were pulled away from their jazz material and began recording more material in the vein of "Baby I Need Your Loving."

The first follow-up single, "Without the One You Love (Life's Not Worth While)", missed both the pop and R&B Top 40 charts by only thirty positions. "Ask the Lonely", released early in 1965, was a Top 30 pop hit and a Top Ten R&B hit, and the from there, the Tops' fortunes began to improve.

The cover to the 1967 LP Reach Out.

Success

After scoring their first #1 hit, the often-recorded and revived "I Can't Help Myself (Sugar Pie, Honey Bunch)" in June 1965, the Four Tops began a long series of successful hit singles. Among the first wave of these hits were the Top 10 "It's the Same Old Song", "Something About You", "Shake Me, Wake Me (When It's Over)", and "Loving You is Sweeter Than Ever". Four Tops records often represented the epitome of the Motown Sound: simple distinctive melodies and rhymes, call-and-response lyrics, and the musical contributions of The Funk Brothers. Holland-Dozier-Holland wrote most of Levi Stubbs' vocals in a tenor range, near the top of his range, in order to get a sense of strained urgency in his gospel preacher-inspired leads. In addition, H-D-H used additional background vocals from female background vocalists The Andantes on many of these songs, to add a high end to the low-voiced harmony of The Tops, with "Loving You Is Sweeter Than Ever" being one of the few exceptions .....

August 1966 brought the release of the Four Tops' all-time biggest hit, and one of the most popular Motown songs ever: "Reach Out I'll Be There", which hit #1 on the U.S. pop charts[2] and soon became The Tops' signature song. It was almost immediately followed by the similar sounding "Standing in the Shadows of Love"; its depictions of heartbreak reflected the polar opposite of the optimism expressed in "Reach Out". It was another Top 10 hit for the Tops.

Performing at New Rochelle High School (NY) circa 1967

The Top 10 U.S. hit "Bernadette" centered around a man's all-consuming obsession with his lover,[2] continued the Four Tops' successful run into April 1967, followed by the Top 20 hits "7-Rooms of Gloom", and "You Keep Running Away". By now, The Tops were the most successful male Motown act in the United Kingdom (in the United States, they were second to The Temptations), and began experimenting with more mainstream pop hits. They scored hits with their versions of Tim Hardin's "If I Were A Carpenter" in late 1967 (mid-1968 in the U.S.) and the Left Banke's "Walk Away Renée" in early 1968. These singles and the original "I'm In a Different World" were their last hits produced by Holland-Dozier-Holland, who left Motown in 1967 after disputes with Berry Gordy over royalties and ownership of company shares.

The cover of the 1970 LP Still Waters Run Deep.

Late Motown period

Without H-D-H, the quality of the Four Tops' output, like that of most of Motown, began to decline, and hits became less frequent. The group worked with a wide array of Motown producers during the late-1960s, including Ivy Hunter, Nickolas Ashford & Valerie Simpson, Norman Whitfield, and Johnny Bristol, without significant chart success.

Their first major hit in a long time came in the form of 1970's "It's All in the Game", a pop Top 30/R&B Top Ten hit produced by Frank Wilson. Wilson and The Tops began working on a number of innovative tracks and albums together, echoing Whitfield's psychedelic soul work with The Temptations. Their 1970 album Still Waters Run Deep was an early ancestor to the concept album. It also served as an inspiration for Marvin Gaye's 1971 classic album What's Going On, the title track of which was co-written by The Tops' Obie Benson.

In addition to their own albums, The Tops were paired with The Supremes, who had just replaced lead singer Diana Ross with Jean Terrell, for a series of albums billed under the joint title "The Magnificent Seven": The Magnificent Seven in 1970, and The Return of the Magnificent Seven and Dynamite! in 1971. While the albums themselves did not do well on the charts, The Magnificent Seven featured a Top 20 version of Ike & Tina Turner's "River Deep - Mountain High", produced by Ashford & Simpson.

The 1971 single "A Simple Game" featured backing vocals from members of The Moody Blues. The song did not fare well on the U.S. charts, but reached #3 on the UK charts.

The cover of the 1972 LP Keeper of the Castle.

ABC Records and Casablanca Records

The Motown company began to change in a number of ways during the early 1970s. Older acts such as Martha and the Vandellas and The Marvelettes were being slowly shoved aside to focus on newer acts such as Michael Jackson and The Jackson 5, Rare Earth, and the now-solo Diana Ross. In addition, the company was slowly moving many of its operations from Detroit to Los Angeles, California, where Berry Gordy planned to break into the motion picture and television industries. In 1972, it was announced that the entire company would move to Los Angeles, and that all its artists had to move as well. Many of the older Motown acts, already neglected by the label, opted to stay in Detroit, including The Funk Brothers backing band, Martha Reeves, and the Four Tops.

The Tops departed Motown for ABC-Dunhill, where they were assigned to songwriter-producers Dennis Lambert and Brian Potter, with The Tops' own Lawrence Payton also serving as a producer and arranger. "Keeper of the Castle" was their first pop Top 10 hit since "Bernadette" in 1967; follow-ups such as "Ain't No Woman (Like the One I've Got)"-- (another top 10 pop hit) -- the Top 20 "Are You Man Enough" (from the movie "Shaft In Africa"), "Sweet Understanding Love," "Midnight Flower," and "One Chain Don't Make No Prison" all hit the R&B Top 10 between 1972 and 1974. Two ABC/Dunhill singles, 1974's "I Just Can't Get You Out Of My Mind" and 1975's "Seven Lonely Nights" have become popular tunes in the southeast Beach/Shag Club Dance circuit. By the release of "Catfish" in 1976, the hits had dried up again, and the group disappeared into obscurity in the late-1970s, though scoring another hit in the UK; "Don't walk away" in 1980. Scoring a deal with Casablanca Records in 1980, the Four Tops made a comeback in 1981 with the #1 R&B hit "When She Was My Girl", which just missed the Billboard Pop Top 10, peaking at # 11. But, once again , "When She Was My Girl" has also become a classic on the southeast Beach/Shag Club circuit

Return to Motown

By 1983, The Tops had rejoined Motown, and were featured on the company's television special Motown 25: Yesterday, Today, Forever. One of the highlights of the show was a battle-of-the-bands between The Tops and The Temptations, patterned after similar competitions Berry Gordy had staged during the 1960s. Levi Stubbs and Temptation Otis Williams decided the Temptations/Tops battle would be a good one to take on the road, and both groups began a semi-regular joint tour; as of 2007, the two groups continue to play dates together.

The first of The Tops' albums under their new Motown contract was Back Where I Belong. A whole side of the album was produced by Holland-Dozier-Holland, including the R&B Top 40 single "I Just Can't Walk Away." Only one more Top album would be released by Motown, 1985's Magic. 1986's Hot Nights was canceled, as the group and the label began to quarrel on matters of marketing and musical direction. In 1987, the Four Tops decided to leave Motown again, this time for Arista Records, buying back several masters they had recorded for Hot Nights. It's not clear how many songs from Hot Nights were used for Indestructible. The 2001 box set Fourever only names Indestructible itself. Other songs that were intended for Hot Nights and appear on Fourever are the title track (released as a single), Red Hot Love and The Four Of Us (previously released outside the USA on a CD single of Loco in Acapulco).

The title track of 1988's Indestructible was the group's final Top 40 hit, reaching No. 35. It was also featured in the 1988 science-fiction cop film, Alien Nation.. The Arista contract provided a unique opportunity to pair the group's popular lead singer Levi Stubbs with fellow Arista artist, legendary R&B vocalist Aretha Franklin, who was at the height of her own 1980s hit streak. This pairing resulted in the song "If Ever A Love There Was," which became a popular R&B and Adult Contemporary hit, as well as being featured on the soundtrack of the motion picture "I'm Gonna Get You Sucka."

In December 1988, The Tops had been scheduled to board Pan Am Flight 103 to return to the U.S. for Christmas after completing their European tour. However, they were late getting out of a recording session and overslept, causing them to miss the ill-fated flight which crashed in Lockerbie, Scotland, after a terrorist bomb was detonated onboard.[3][4]

In addition to their own recordings, the Four Tops also worked in the fields of television and motion pictures. The group as a whole performed a song for the 1982 film Grease 2, and Levi Stubbs performed the vocals for the man-eating plant Audrey II in the 1986 musical film Little Shop of Horrors; and the voice of the evil Mother Brain on the Nintendo-based NBC Saturday morning cartoon Captain N: The Game Master from 1989 to 1991.

Later years

Since the late-1980s, the Four Tops have focused on touring and live performances, only recording one album, 1995's Christmas Here With You, released on Motown. On June 20, 1997, 59-year-old Lawrence Payton died as a result of liver cancer, after singing for 44 years with the Four Tops who, unlike many Motown groups, never had a single lineup change until then. At first, Levi Stubbs, Obie Benson, and Duke Fakir toured as a trio called The Tops. In 1998 they recruited former Temptation Theo Peoples to join the act to restore the group to a quartet. By the turn of the century, Stubbs had become ill from cancer; Ronnie McNair was recruited to fill in the Lawrence Payton position, and Peoples stepped into Stubbs' shoes as lead singer (Stubbs died on October 17, 2008, at his home in Detroit).

The group was featured in several television specials during this time, including Motown 45, and several by PBS, including a 50th anniversary concert dedicated to the group (available on DVD). The concert turned out to be bittersweet; it featured a brief appearance of the wheelchair-bound Levi Stubbs, and a memorial to Lawrence Payton, announced by Obie Benson. Benson appeared on one more PBS special and died on July 1, 2005, from lung cancer. The final PBS special, titled Motown: The Early Years, featured a message of Benson's passing following the credits. Lawrence Payton's son Roquel (real name Lawrence Payton, Jr.) replaced Benson as the new bass (Roquel could be seen in the pledge break interviews of Motown: The Early Years). Theo Peoples left the group recently as well and was replaced by Spike Deleon. The group was inducted into the Rock and Roll Hall of Fame in 1990, and into the Vocal Group Hall of Fame in 1999. In 2004, Rolling Stone Magazine ranked them #79 on their list of the 100 Greatest Artists of All Time.[5] In 2005, The Four Tops were inducted into the Michigan Rock and Roll Legends Hall of Fame. In 2009, the group's first big hit, "Baby I Need Your Loving", was voted a Legendary Michigan Song. The group's first # 1 hit, "I Can't Help Myself", was voted a Legendary Michigan Song in 2011.[6]

After similar releases in the Motown "Definitive DVD" series on The Miracles, The Temptations, The Supremes, and Marvin Gaye, The Four Tops' Motown Definitive DVD, "Reach Out," was finally released on November 11, 2008.

The Four Tops received The Grammy Lifetime Achievement Award as part of the 51st Annual Grammy Awards.[7][8]

Speaking in January 2010 to noted UK soul writer Pete Lewis of the award-winning Blues & Soul, Fakir confirmed plans for the current "new" Four Tops line-up to release a new album while revealing his personal feelings about the current line-up: "To me the new group is like an extension of the family, because we've all been very close for so many years... Which makes it easier for ME, because I truly miss Lawrence, 'Obie' AND Levi - I'd be lying if I said I didn't - and not one of them could EVER be replaced. But, you know, these new guys do perform well enough for the people to still enjoy the shows and still enjoy the music. So for me it kinda makes it bittersweet. Because, at the end of the day, the legacy is still going on, and I'm very pleased it that it IS!"[9]

The Four Tops sang the National Anthem before the start of game 5 for the 2011 ALCS between the Texas Rangers & Detroit Tigers on October 13, 2011 in Detroit, MI. When singing the last line of "The Star Spangled Banner", "...and the home of the brave", they quickly sang the words "Ain't No country Like the One I Got", before singing the last word, "brave".

Discography

Billboard Hot 100 US and UK singles

The following singles reached the top thirty of the singles charts.

Year Song title US Top US RnB US AC UK Top
1964: "Baby I Need Your Loving" 11 - - -
1965: "Ask the Lonely" 24 9 - -
1965: "I Can't Help Myself (Sugar Pie Honey Bunch)" 1 1 - 10
1965: "It's the Same Old Song" 5 2 - 34
1965: "Something About You" 19 9 - -
1966: "Shake Me, Wake Me (When It's Over)" 18 5 - -
1966: "Loving You Is Sweeter Than Ever" 45 12 - 21
1966: "Reach Out I'll Be There" 1 1 - 1
1966: "Standing in the Shadows of Love" 6 2 - 6
1967: "Bernadette" 4 3 - 8
1967: "7-Rooms of Gloom" 14 10 - 12
1967: "You Keep Running Away" 19 7 - 26
1967: "If I Were a Carpenter" 20 17 - 7
1968: "Walk Away Renée" 14 15 - 3
1968: "Yesterday's Dreams" 49 31 - 23
1968: "I'm In a Different World" 51 23 - 27
1969: "What is a Man" 53 - - 16
1969: "Do What You Gotta Do" - - - 11
1969: "Don't Let Him Take Your Love From Me" 45 25 - -
1970: "Still Water (Love)" 11 4 - 10
1970: "It's All In The Game" 24 6 39 5
1971: "River Deep - Mountain High"
(The Supremes & the Four Tops)
14 7 - 11
1971: "Just Seven Numbers (Can Straighten Out My Life)" 40 9 - 36
1971: "You Gotta Have Love in Your Heart"
(The Supremes & the Four Tops)
55 41 - 25
1971: "In These Changing Times" 70 28 - -
1971: "MacArthur Park (part 2)" 38 27 - -
1972: "A Simple Game" 90 34 - 3
1972: "(It's the Way) Nature Planned It" 53 8 - -
1972: "Keeper of the Castle" 10 7 - 18
1973: "Ain't No Woman (Like the One I've Got)" 4 2 14 -
1973: "Are You Man Enough" 15 2 - -
1973: "Sweet Understanding Love" 33 10 41 29
1974: "I Just Can't Get You Out of My Mind" 62 18 - -
1974: "One Chain Don't Make No Prison" 41 3 - -
1974: "Midnight Flower" 55 5 - -
1975: "Seven Lonely Nights" 71 13 - -
1975: "We Gotta All Stick Together" 97 17 - -
1976: "Catfish" 71 7 - -
1977: "Feel Free" - 29 - -
1981: "When She Was My Girl" 11 1 9 3
1981: "Don't Walk Away" - - - 16
1983: "I Just Can't Walk Away" 71 36 18 -
1985: "Sexy Ways" - 21 - -
1988: "Reach Out I'll Be There '88" 11
1988: "Indestructible" 35 57 20 55
1988: "Loco in Acapulco" - - - 7
1988: "If Ever a Love There Was"
(Aretha Franklin & the Four Tops)
- 31 26 -

Albums

Motown releases
ABC releases
  • 1972: Keeper of the Castle (US #33)
  • 1973: Main Street People
  • 1974: Meeting the Minds
  • 1974: Live & in Concert
  • 1975: Night Lights Harmony
  • 1976: Catfish
  • 1977: The Show Must Go On
  • 1978: At The Top
Casablanca releases
  • 1981: Tonight! (US #37)
  • 1982: One More Mountain
Motown releases
  • 1983: Back where I belong
  • 1985: Magic
  • 1986: Hot Nights (unreleased)
  • 1999: Lost & Found: Breaking Through
Arista releases
  • 1988: Indestructible

DVDs

  • The Four Tops Reach Out: Definitive DVD Motown/Universal (2008)
  • The Four Tops: From the Heart: The 50th Anniversary Concert
  • The Four Tops: Live at The MGM Grand: 40th Anniversary Special (1996)
  • The Four Tops: (semi- documentary /concert rehearsal- recorded live for French TV,1971) 2004.

See also

References

External links


 
 
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Motown Returns to the Apollo (1984 Music Film)
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